“I Will Never Be Good Enough For Everybody. But I Am The Best For Someone Who Really Appreciates Me.”

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THE MISCONCEPTION ABOUT COMMENTING ON FIC

I’ve read all kinds of posts both from writers and readers lamenting about comments on fic. Authors are upset when they don’t get any, readers don’t know what kinds of comments to leave, etc. And it finally clicked in my brain why I think a lot of people don’t bother writing comments. 

And this is what it boils down to:

Writers do not want praise.  We just want to talk about our story. 

I can’t speak for everyone obviously - but I think the majority of writers don’t care so much for the “omg you’re a brilliant writer!!” comments as much as we just want to hear your thoughts on the story. Even if it’s just your thoughts as you’re reading of “oooh x happened! I can’t believe y said this! What’s going to happen now that z has happened?!” We literally just want to talk about what we’ve written like you would with a friend about a tv show. We’re not out here demanding praise like some entitled narcissist. 

While praising our writing skills or writing style is appreciated, it doesn’t need to be said on every fic and every chapter that you read. If you regularly comment on someone’s work that’s telling enough that you like our technique. Readers shouldn’t feel pressured to have to praise a writer’s abilities every time they want to comment. 

In the grand scheme of things, talking about the fic/chapter is actually more helpful to us writers instead of spewing praise. It’s the same with artwork. As nice as it is that people tell me “wow your art is so pretty!” it’s a LOT more useful to me to get comments like “I love their expressions!” or “the lighting on this is gorgeous!” because then I know WHAT people are liking about it. If no one ever comments on my backgrounds, I now know what to improve. If most people comment on liking the expressions, I now know the strong points of my art and can use it to my advantage to make even better art in the future. 

The same goes for fic. If multiple people tell me they liked a certain part of the story I now know that things similar to that are a hit. It’s feedback I can use to improve the story and give my readers more of what they want. Without that I have no idea what they like about the fic.

Talking with a writer about their story also gives them inspiration!! Nothing gets us more in the mood to work on a fic than to have people wanting to talk about it. A lot of times just talking about one of my fics with someone will give me that push to continue working on it. Getting a comment that just says “great chapter” or “you’re a great writer” doesn’t do much to motivate us to continue that particular fic. But if you talk about the story and the characters it gives us motivation to continue working on it, may even give us ideas for future chapters. I would hope that those of you with “comment anxiety” find this approach so much easier than trying to praise the writer every time you read.

So that fic the author hasn’t updated in forever that you’re dying to read? Talk to them about the fic and the elements of the story! It will make the writer want to talk to you about it and will get their mind thinking about it, hopefully inspiring them to continue where they left off. Fics that are left in silence are more likely to be abandoned or even deleted because nothing feels worse than putting your heart into a story to have no one say anything about it. 

TLDR; Writers do not want praise, we just want to talk with our readers about the story itself, and these are the kinds of comments that inspire us to keep writing more. 

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We may love with our hearts, but first we lust with our eyes.

“Please don’t expect me to always be good and kind and loving. There are times when I will be cold and thoughtless and hard to understand.”

— Sylvia Plath

Narrative Botox: Filler Words and Phrases to Look Out For

If you’re planning on publishing traditionally, chances are you keep a sharp eye on your word count. Literary agents and publishing houses are on the hunt for the best quality stories that they can print for the cheapest price (using the least paper and ink), so you have a higher chance of gaining representation if you can crank your novel out in the least words possible.

However, filler words and phrases aren’t only the enemies of aspiring traditional authors; every writer—fanfic, novelist, journalist, you name it!—should try to eliminate filler from their stories to assure more concise and high-quality writing. Oftentimes, filler contributes nothing but clutter, and without it, your narrative can flow smoother and in a more sophisticated manner.

But how do you know what’s filler and what’s not? Here are some tips on how to Ctrl+F and kick this narrative botox to the curb!

I compiled these lists with the help of Infusionmedia, BDR Publishing, and ResetEra !

Filler Words

1. Just

A writer’s worst enemy, and the bane of my manuscripts’ existences. Eliminating all the ‘just’s can cut down your word count by hundreds.

2. “That” as a conjunction

It’s an unnecessary addition to a sentence, which will be more streamlined without it.

Example: “He said that he wouldn’t do it again.”

Revised: “He said he wouldn’t do it again.”

3. “Now” as an adverb

“Now” is essential if you’re talking about the past and present, but when you’re using it to draw attention to a particular statement or point.

Example: “Now, I didn’t think it’d get so out of hand.”

Revised: “I didn’t think it’d get so out of hand.”

4. Redundant adverbs

These adverbs serve no purpose because the verbs they’re describing already imply the way the action is performed.

Whispering softly

Yelling loudly

Crying sadly

Laughing happily

5. “Telling” words

These words are redundant, especially when using first person, because in describing an event, we can already assume that the characters are experiencing it.

Seeing/saw

Feeling/felt

Hearing/heard

Smelling/smelled

6. “Clarifying” words used to portray definiteness or indefiniteness

Although these are meant to help out the readers get their bearings on a situation, all they do is come across as wishy-washy! Be concise and sure of yourself!

About

Absolutely

Accordingly

Actually

Almost

Basically

Certainly

Clearly

Completely

Entirely

Even

Exactly

Fairly

Highly

Hopefully

Literally

Maybe

Only

Often

Oftentimes

Perhaps

Possibly

Probably

Quite

Rather

Really

Reasonably

Relatively

Seem

Seriously

Simply

Slightly

Some

Somehow

Sometimes

Totally

Very

Filler Phrases

1.“Let out (vocal noise)”

Use the verb instead!

Example: “He let out a sigh.”

Revised: “He sighed.”

2. Using passive voice

Passive voice inflates your word count by including various “to be” verbs into the prose. Passive voice involves actions happening to a subject rather than the subject performing an action, and as a result isn’t as riveting to the reader as active voice; even if it wasn’t a matter of word count, you’d still want to get rid of it anyway!

Still don’t know what I’m talking about? Check out this article from Grammarly.

Example: “The boy was bitten by the dog on his arm.”

Revised: “The dog bit the boy on his arm.”

3. Describing the wrong noun

Many writers will be as specific as possible about what “thing” is affected by the event they’re describing, when it’s much simpler to take a step back and write about something more general.

Example: “The level of water rose.”

Revised: “The water rose.”

4. Phrasal verbs

Phrasal verbs are the combination of two or three words from different grammatical categories—a verb and an adverb or a preposition—to form a single action. Usually, these phrasal verbs can be replaced by a single-word verb.

“Ask for” can be replaced with “request”

“Bring down” can be replaced with “reduce”

“Come across” can be replaced with “find”

Etc.

5. Clarifying phrases

Same reason as clarifying words. Get to the point!

A bit

A little

A lot

In a sense

Kind of

Sort of

6. Remember your contractions!

Even if your story takes place in olden times, I can guarantee that if you never use any contractions ever, your story’s gonna be a clunky mess. But sometimes you’re in the moment, consumed by the poetic power of the muses, and forget that this isn’t a soap opera; so make sure you check that you’ve been using your contractions!

It is, it was, it would, she is, would not, should not, is not, does not etc.

7. Inflated phrases

These phrases can be replaced with more concise words.

Along the lines of (shorten to: like)

As a matter of fact (in fact)

As to whether (whether)

At all times (always)

At the present (now or currently)

At this point in time (now or currently)

Be able to/would(n’t) be able to (could or couldn’t)

Because of the fact that (because)

By means of (by)

Due to the fact that (because)

Even though (though or although)

For the purpose of (for)

For the reason that (because)

Have the ability to (could)

In light of the fact that (because)

In order to (to)

In regards to (on or about)

In spite of the fact that (though or although)

In the event that (if)

In the nature of (like)

In the neighborhood of (about)

On the occasion of (when)

On one/two separate occasions (Once/twice)

The/A majority of (most)

There is no doubt that (No doubt)

Wasn(n’t) capable of (could or couldn’t)

Hope this helped, and happy writing!

The intimacy of reading while someone you love sits close to you, reading their own book with your head on their lap playing with your hair, twirling and twisting your hair stands, being so comfortable with each other that it feels so natural, like you are truely home with peace and tranquility......