day 6: board based off fave aesthetic
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Video essay by Jellybox about what's good and bad about indie animation!
Wanted to share this in case it's helpful to anyone wanting to pursue making animation independently. It's also for fans of indie animation who may want some insight into how an indie studio works, why indie cartoons are always selling merch, why release schedules are often erratic, etc.
I also wanted to clarify the video's context, because it seems to have been somewhat misconstrued in some circles. Not long ago, WGA and SAG strikes, followed by TAG negotiations were very much in the news, shining light on the struggles the artists, writers, and actors in the Hollywood studio system are facing. In response, the words 'just go indie' have been tossed around quite a bit lately.
Gene and Sean at Jellybox approached us a few months back explaining that they were planning to make a video about the realities of running an indie studio/producing indie animation, largely in response to that 'just go indie' attitude. They were curious if we'd be willing to share our experience, including information about actual costs and the various difficulties and complications we've encountered. We said yes! We'd like for people to know what it's like. As much as it might look appealing next to the currently very broken studio system, indie has its own set of problems, and we think it's a good idea to be transparent about that because talking about problems is how you begin to address them.
Of course, while you get creative freedom and you have no shareholders to appease with indie production, the primary struggle you're always going to face is fundingâŠand funding avenues are limited. Banks aren't eager to hand out business loans to freelance artists making cartoons, for instance. Social media algorithms reward frequent updates you can't swing with hand-drawn animated content, so you can't rely much on things like AdSense. You can't really insert sponsored ads into your animated videos without being too obtrusive. You can take on client work, but that interferes with your ability to focus on own animated project. Crowdfunds can be great for seed money, but they're also a ton of work to fulfill, and fulfillment itself will tend to eat up a considerable amount of the funds you've raised. Once your animation is produced, there is no well established way to sell the animated episode itself like there is for, say indie games sold on Steam. So, while we consider ways to try to make the terrain a bit more hospitable to indie creations, if nothing else, let this explain why productions rely a lot on merch drops!
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And hey, if you're an animation fan, consider supporting the independent productions you enjoy, whether you're tossing a few dollars their way, buying their merch, or just mentioning them to friends:
The Far-Fetched team is launching a crowdfund very soon to help them complete their pilot!
The Monkey Wrench team is killing it lately, and they deserve so much more fanfare than they've gotten!
And of course, thank you to the excellent folks at Jellybox for starting an important conversation!
girldad and emo teen energy
YAY Original post
itâs just one of those croissant days
King Dedede commissioned Adeleine to paint him and Bandee. What could the results be...?
When I post the sprites for Gummigoo will you guys promise me to behave because if @mauselet who is 99% lesbian and 1% heterosexual
Then Iâm horrified of everyone
everyone Iâm looking at you @vixenvtuber đ«”
An Article from Neena Susan Thomas
âThrough a rapistâs eyes. A group of rapists and date rapists in prison were interviewâŠed on what they look for in a potential victim and here are some interesting facts:
1] The first thing men look for in a potential victim is hairstyle. They are most likely to go after a woman with a ponytail, bun! , braid, or other hairstyle that can easily be grabbed. They are also likely to go after a woman with long hair. Women with short hair are not common targets.
2] The second thing men look for is clothing. They will look for women whoâs clothing is easy to remove quickly. Many of them carry scissors around to cut clothing.
3] They also look for women using their cell phone, searching through their purse or doing other activities while walking because they are off guard and can be easily overpowered.
4] The number one place women are abducted from / attacked at is grocery store parking lots.
5] Number two is office parking lots/garages.
6] Number three is public restrooms.
7] The thing about these men is that they are looking to grab a woman and quickly move her to a second location where they donât have to worry about getting caught.
8] If you put up any kind of a fight at all, they get discouraged because it only takes a minute or two for them to realize that going after you isnât worth it because it will be time-consuming.
9] These men said they would not pick on women who have umbrellas,or other similar objects that can be used from a distance, in their hands.
10] Keys are not a deterrent because you have to get really close to the attacker to use them as a weapon. So, the idea is to convince these guys youâre not worth it.
POINTS THAT WE SHOULD REMEMBER:
1] If someone is following behind you on a street or in a garage or with you in an elevator or stairwell, look them in the face and ask them a question, like what time is it, or make general small talk: canât believe it is so cold out here, weâre in for a bad winter. Now that youâve seen their faces and could identify them in a line- up, you lose appeal as a target.
2] If someone is coming toward you, hold out your hands in front of you and yell Stop or Stay back! Most of the rapists this man talked to said theyâd leave a woman alone if she yelled or showed that she would not be afraid to fight back. Again, they are looking for an EASY target.
3] If you carry pepper spray (this instructor was a huge advocate of it and carries it with him wherever he goes,) yelling I HAVE PEPPER SPRAY and holding it out will be a deterrent.
4] If someone grabs you, you canât beat them with strength but you can do it by outsmarting them. If you are grabbed around the waist from behind, pinch the attacker either under the arm between the elbow and armpit or in the upper inner thigh â HARD. One woman in a class this guy taught told him she used the underarm pinch on a guy who was trying to date rape her and was so upset she broke through the skin and tore out muscle strands the guy needed stitches. Try pinching yourself in those places as hard as you can stand it; it really hurts.
5] After the initial hit, always go for the groin. I know from a particularly unfortunate experience that if you slap a guyâs parts it is extremely painful. You might think that youâll anger the guy and make him want to hurt you more, but the thing these rapists told our instructor is that they want a woman who will not cause him a lot of trouble. Start causing trouble, and heâs out of there.
6] When the guy puts his hands up to you, grab his first two fingers and bend them back as far as possible with as much pressure pushing down on them as possible. The instructor did it to me without using much pressure, and I ended up on my knees and both knuckles cracked audibly.
7] Of course the things we always hear still apply. Always be aware of your surroundings, take someone with you if you can and if you see any odd behavior, donât dismiss it, go with your instincts. You may feel little silly at the time, but youâd feel much worse if the guy really was trouble.
FINALLY, PLEASE REMEMBER THESE AS WELL âŠ.
1. Tip from Tae Kwon Do: The elbow is the strongest point on your body. If you are close enough to use it, do it.
2. Learned this from a tourist guide to New Orleans : if a robber asks for your wallet and/or purse, DO NOT HAND IT TO HIM. Toss it away from youâŠ. chances are that he is more interested in your wallet and/or purse than you and he will go for the wallet/purse. RUN LIKE MAD IN THE OTHER DIRECTION!
3. If you are ever thrown into the trunk of a car: Kick out the back tail lights and stick your arm out the hole and start waving like crazy. The driver wonât see you but everybody else will. This has saved lives.
4. Women have a tendency to get into their cars after shopping,eating, working, etc., and just sit (doing their checkbook, or making a list, etc. DONâT DO THIS! The predator will be watching you, and this is the perfect opportunity for him to get in on the passenger side,put a gun to your head, and tell you where to go. AS SOON AS YOU CLOSE the DOORS , LEAVE.
5. A few notes about getting into your car in a parking lot, or parking garage:
a. Be aware: look around your car as someone may be hiding at the passenger side , peek into your car, inside the passenger side floor, and in the back seat. ( DO THIS TOO BEFORE RIDING A TAXI CAB) .
b. If you are parked next to a big van, enter your car from the passenger door. Most serial killers attack their victims by pulling them into their vans while the women are attempting to get into their cars.
c. Look at the car parked on the driverâs side of your vehicle, and the passenger side. If a male is sitting alone in the seat nearest your car, you may want to walk back into the mall, or work, and get a guard/policeman to walk you back out. IT IS ALWAYS BETTER TO BE SAFE THAN SORRY. (And better paranoid than dead.)
6. ALWAYS take the elevator instead of the stairs. (Stairwells are horrible places to be alone and the perfect crime spot).
7. If the predator has a gun and you are not under his control, ALWAYS RUN! The predator will only hit you (a running target) 4 in 100 times; And even then, it most likely WILL NOT be a vital organ. RUN!
8. As women, we are always trying to be sympathetic: STOP IT! It may get you raped, or killed. Ted Bundy, the serial killer, was a good-looking, well educated man, who ALWAYS played on the sympathies of unsuspecting women. He walked with a cane, or a limp, and often asked âfor helpâ into his vehicle or with his vehicle, which is when he abducted his next victim.
Send this to any woman you know that may need to be reminded that the world we live in has a lot of crazies in it and itâs better safe than sorry.
If u have compassion reblog this post. âHelping hands are better than Praying Lipsâ â give us your helping hand.
REBLOG THIS AND LET EVERY GIRL KNOW AT LEAST PEOPLE WILL KNOW WHATS GOING ON IN THIS WORLD. So please reblog thisâŠ.Your one reblog can Help to spread this information.
THIS COULD ACTUALLY SAVE A LIFE.â
Cookies 'n cream seals đȘđŠ
You know, when you first become obsessed with Hoshi no Kaabii at the ripe age of 13 and are mostly too busy just being excited over how cute Kirby is, sometimes it's not until you sit there 8 years later, at one week away from 21, watching old tributes about your biggest childhood hero on YouTube, where it finally dawns on you just how dark Meta Knight's story isâand just how strong he himself truly is.
This man has been through war almost as long as he's been alive. He witnessed one of his closest friends die before his very eyes in order to reclaim a sacred sword she knew she'd never be able to wield just to toss it toward him in her final living moments, knowing that he was the chosen one; the one worthy of Galaxia's power. He was forced to wield that blade with it undoubtedly carrying those painful memories, knowing that Garlude died for it, just for his sake. Years later, he was forced to kill his own best friend with that very same sacred sword after at first being overjoyed to withess his triumphant return after going missing for an unknown amount of time, possibly years, following Meta Knight helplessly watching him being captured and carried away by a demon beastâonly to realize that the one and only remaining person closest to him had been tortured near to death, then corrupted and turned into a mindless, unrecognizable demon by Nightmare.
He was forced to watch his comrades die over the course of what we can only assume is at least hundreds of years in what was nothing but a doomed war from the beginning, falling one by one, until as far as he knew, he was the one and only survivor. In one of the first few episodes, when he chooses to entrust Fumu with knowing just a part of his past, we see him in a flashback, tattered and beaten against an unnatural red sky, staring down from a clifftop where smoke rises from burning ruins where we can only imagine the carnage that lies within and the things he's seen. His eyes don't hold their vibrant glow for the only time in any of his appearances. He's injured, grief-stricken, bereft. Downright heartbroken, undoubtedly.
Years later, he discovers the children of his fallen best friends, the last remaining memory of them, are alive, but both hate him and believe he is responsible for the death of their parents. And even when they're out for his life in the belief that he's a murderer, Meta Knight chooses to attempt to comfort and guide both of these bereaved children so that their hatred and grief does not turn them into demons inside and out, all without being able to defend himself... because he knows that they're right. Even if indirectly, even if unintentionally... all of their anger and hatred toward him is justified.
And yet, through all of that... He never gives up. He never lets his grief, his anger, his sorrow consume him. Despite losing everything he's ever dared to care about, despite watching the cause he devoted his entire life to fall apart before his eyes, despite his entire existence being an endless living hell... he keeps going, because in his words, he has not given up hope.
This is why Meta Knight was my hero when I was younger, and why he always will be.