Actuators Are Love ❤️😊☕

Mycroft Territory (Part One)

This is the second of my blog resources for fanfic writers who want to create a better sense of place by including stuff about London that is relevant to specific areas. 

In this case, I’m talking about St James, Westminster and Whitehall,, all three of which add up to the seat of British Government. 

St James

Let’s take St James first.  Bounded to the north by Piccadilly and Mayfair, to the west by Green Park, to the south by The Mall and St James’s Part and to the east by Haymarket. The home of the Buckingham Palace, St James’ Palace and Clarence House, royal residences to this day. Think  aristocrats, think of Savile Row and Jermyn Street. The Mall, and of course, The Diogenes Club.

If you’ve been a tourist in London, this is an area you are highly likely to have been to visit. You may, however, be less familiar with its history. 

The area’s name is linked to St James the Lesser (where have we heard THAT name before? Mary’s skip code and John’s bonfire night) It was the name of a leper hospital in the 12th century which was knocked down to build St James’s Palace. 

In the 17th century the area developed as a residential location for the British aristocracy. Clarence House, Spencer House, Lancaster House, Marlborough House- these are all masterpieces of English architecture built for the aristocrats to enjoy the “London season” before returning to their estates in the country. 

By the mid-19th century, it was the chosen place for a whole slew of gentlemen’s clubs: The Reform, The Travellers, The RAC, The Oxford and Cambridge Club, The Army and Navy Club, The East India Club, etc. Since the re-development of London post WW2, the area has moved from residential to more commercial premises. That said, many of the gentlemen’s outfitters of Savile Row and Jermyn Street have been there for centuries, and Fortnum & Mason’s was their local grocery store.

Whitehall

Whitehall is small but packed with power because this is civil service land. The Ministry of Defence, Horse Guards, etc now, but the history is even more interesting. Ever since the 12th century Whitehall was the route from Charing Cross to Westminster. Henry VIIth built “York Palace” on the route, which Henry VIIIth re-named Whitehall Palace. It was a rather splendid place. He married Anne Boleyn here. It was the palace of the Stuarts, too. By 1680 it looked like this: 

If you zoom in, you will notice something interesting. 

Yes, that’s SCOTLAND YARD, the very first one. As the Stuarts were Scottish kings, this is what the area was called. And it was the site much later of the very first home of the Metropolitan Police. 

When New Scotland Yard moved from Victoria to its new home, it was to a site on the Thames that is on this map, just above the V in River. 

So, now you know why it was called Scotland Yard. 

To be continued in Part Two, Westminster (which includes Belgravia

Do you think Snape hate has increased since we found out he was poor?

I think there’s a number of reasons, but yes, I think it’s a possibility.  We can quickly compare and contrast how Draco and Snape are perceived by fandom, or even Regulus and Snape.  I suspect that the poverty that the Snape family were steeped in is too difficult for some readers to wholly grasp, whereas perhaps it is far easier to admire and aspire towards the riches and decadence of the Blacks and the Malfoys.  

Maybe it’s also easier for some modern readers to imagine the psychological impact of not agreeing with the politics of your parents than it is to imagine the undercurrent of domestic violence and living in a destitute environment in a dilapidated house.  Additionally, there are uncomfortable messages for some from Snape - this dirty, unloved, dishevelled child is as powerful and as capable as any other wizard, and given the opportunity, he flourishes.  Depending on your class, you may read Snape’s success as a powerful message of triumph over adversity - or perhaps, a dangerous message about competition from the underclass.  

Still, I suspect the real issue is generational - and not necessarily generational from Harry starting at Hogwarts in 1991 and us discussing this almost 30 years later, but generational from JK.  I’ve spoken a lot previously about how her depiction is of teachers from the mid 70s put into a book set in the early 90s and how that doesn’t wholly translate to the kid of the late 10s.  

With that in mind, I think her notion of a love story is also mired in history.  For someone of JK’s age when she started writing, unrequited love was seen in positive terms - it wasn’t meant to be creepy.  Love is a huge theme throughout the series, and the idea that Snape - who had walked down this horribly dark path and was outwardly a mean and nasty and spiteful man - would completely change his ideology and allegiance due to his unrequited love for Lily was supposed to have been indicative of the power of love.

But we read Potter now with modern eyes, and unrequited love has not aged particularly well.  It seems rare that people genuinely ‘quietly love from afar’ - and instead, fandom insists on applying traits to the character which don’t exist in the text.  For instance, there’s no indication of Snape being a stalker or a creep, there’s no indication that he wanted a sexual relationship with Lily, there’s no indication that he bothered her or harassed her.  He isn’t a ‘nice guy’ or an ‘incel’ - but some readers can’t find the trope that they’re expecting, so they apply others to the series, even if they don’t quite fit.

So, I think the author and the readership are in conflict.  The author wrote a tale of genuine unrequited love, and the readers are trying to view it through modern frameworks, and they draw incorrect conclusions about the character’s motives.

I suspect this is exacerbated by the readership not ageing with the series.  Everyone who read Potter whilst it was being published had to wait for the next book to be written, but these days, they’re binge-read.  I think that lack of distance between each book (and the subsequent lack of maturity, because you’re reading the next one within a week, and not waiting three years, so you can’t have matured further) means that many struggle to separate Snape from being a cipher for their mean teacher at school to becoming the secret hero that he is.

I think that’s my real conclusion.  The problem is that this is an old text which is being read as if it is modern - and that leads to a clash between reader expectation and authorial intent.

one of sans’ unspoken, but actually rather prominent flaws is overprotectiveness, and I think it shines through exceptionally well in the king papyrus ending.

sans deliberately lies to papyrus about the death of his friends in an attempt to protect papyrus’s innocence.  The problem here?  Well one is that Papyrus isn’t innocent.  He’s a grown adult, a king now, in fact.  He needs to know the seriousness of the situation if he’s ever going to rule properly.  But beyond that,

not telling papyrus that his friends are dead isn’t just irresponsible, it’s downright cruel.  We already know that papyrus had very few friends to begin with, and now?  He probably thinks the one friend he did have has abandoned him.  And while I doubt sans consciously intended this, the fact remains that sans’s overprotectiveness has hurt his brother, in a way that sans doesn’t seem aware of (probably because papyrus purposefully hides this from him, as shown when he waits for sans to leave before he says this).  Sans lies to his brother in an attempt to protect his positive outlook, but in the process of doing it he’s effectively forcing papyrus to internalize his sadness for the sake of what he perceives is best.  He does not allow papyrus to judge for himself what is best for papyrus, because he’s so scared of ruining that positive outlook he relies so heavily on.

and this is not the only instance of sans hiding information in order to “protect” the people he cares about

while maybe this one’s more understandable, it’s still wrong.  Eventually toriel is going to find out what happened, keeping the information from her does nothing except prolong both sans and toriel’s suffering.  But sans doesn’t think about this, because in his mind, he’s protecting her.  He equates keeping loved ones safe with keeping them in the dark about anything that could hurt their feelings.  Which is… not healthy for relationships at all.

Everyone seems to focus on how sans’s lies hurt sans, but it’s also important to acknowledge that his lies hurt the people around him.  It’s why pacifist endings are more important to sans than he even realizes in-game; a chance at the surface means a chance to recover, a chance to recover means sans stops relying on the (not so) blissful ignorance of others in order to deal with his own issues.  It means his relationships begin to be built on trust, rather than lies and internalized emotions.  And I think that’s better for everyone.

How do you kill a God?

Aphrodite laughs, head tossed back with stars in her hair, ‘We are immortal. We are ageless. We will never die.’ 

How do you kill a God?

Hera sighs, ‘You rob them of love and loyalty. They will be alone and unhappy, and eternity will seem like a punishment, but it is not death.’ 

How do you kill a God?

Zeus declares, rather confidently, ‘You deny them their power. Poseidon nods his head in agreement. ‘They will be weak and defeated, perhaps even chopped up into pieces, but it is not death.’ 

How do you kill a God?

Apollo closes his eyes. ‘You strip them of their senses. Their eyes, and they cease to see. Their ears, and they are rendered silent. They will be in the dark, conscious and cut off for millennium, but it is not death.’

How do you kill a God?

Hades whispers, though still his voice carries, ‘With another God. An immortal for an immortal. Era for an Era. A celestial being to strip another’s soul. He pauses, the rest are silent. ‘A God for a God.’

L.H.Z // How do you kill a God?

down n’ dirty lipsync for animation class. i will never again hear sans with anything but ricky’s voice.

Look, I think it’s pretty clear that the border-crossing people secretly really like Héctor. Evidence for this includes:

• How happy the border guard looked when he finally got through. • The fact that when his Frida Kahlo disguise fails he admits that “actually I am Héctor”, not giving any last name. Clearly he’s gained enough of a reputation with these people that he knows they’re not going to confuse him with the  twelve thousand other  'Héctor’s that they’ve met doing this job. • The other border guard not locking him up, despite Héctor begging him and trying to bribe him and just generally pushing his luck (I remember sitting in the cinema thinking that I would have locked this guy up by now. But it makes sense if they’ve known him for ages and are all slightly amused by/sorry for the guy).

Probably they loved him for providing some much-needed entertainment every year. The border guarding gig on Dìa de los Muertos can’t be the best job in the world, since it mainly involves standing around, watching other people head off to their own families while counting down the hours until you can see yours.

The knowledge that, at some point during the night, Héctor will show up in some crazy disguise or with some convoluted plan to get through (I suspect that the year he met Miguel was the first time he dared to just make a dash for it, since that’s the only reason I can come up with for why he wasn’t better  prepared to stop himself from sinking into the bridge. Probably he was just desperate with the knowledge that this could very well be his last chance), which would then cause some excitement and give you and your coworkers something to talk about, was probably the one thing that kept them from dying (again) of boredom.

And of course, once he got through, this all stopped, since there was obviously no need for it anymore. Sure, Héctor still regularly got butterflies moments before the crossing, convinced that this was the year that they somehow forgot him again and he had to stay behind (one time he freaked out so badly  that Imelda had to physically push him in the way of the scanner), but even he never thinks of sneaking through.

And the border guards, weirdly, kind of miss it— the Dìa de los Muertos night shift is just so boring now— and somehow, word of this reaches the Riveras.

And that’s how The Game begins. The ‘try and get Héctor through border control without them realising it’s him’ game. Thought up to amuse the border guards and, though nobody mentions this to Héctor, to distract him and keep him from getting too nervous before a crossing.

Héctor absolutely loves it— though a large reason for this is  that it’s an excuse to spend more time with his family. Felipe and Òscar in particular get really into it and have been known to spend weeks before the crossing plotting their next attempt. Coco — who most definitely takes after her father in this respect— joins in.

Rosita helps out as well, but less with the inventive side and more with the practical side (where are they going to get the stuff for the disguises? Who’s going to play what part? When are they going to carry it out?), while Victoria makes it clear that she disapproves but then joins in anyway because somebody has to be there to point out the obvious flaws in their plans. Rosita and Coco together then persuade Julio to get involved, though he mainly just sits there offering only the occasional suggestion, and doesn’t have much to do with the overall planning.

Imelda, for her part, thinks that its stupid and childish and will have no part in it whatsoever, thank you very much. Oh, except for providing any materials that they need, and coming up with ideas, and helping them pull it off… other than that, she’s not going to have anything to do with it. (Wisely, her family avoid commenting on the fact that, for somebody who isn’t involved, it’s strange how often she ends up taking over the whole thing.)

Elena, when she dies, takes the same line as Imelda. “This is idiotic and I’m not going to do it— but here are some detailed instructions on how to do it and woe betide you if you do anything else without consulting me first!”  Miguel’s father is happy to help out and his mother, to everybody’s surprise, throws herself headlong into it and has great fun working on all the details and coming uo with zanier ideas each year.

When Miguel himself dies, he finds the whole thing hilarious (him being the only one of the younger Riveras who ever witnessed one of Héctor’s original, more madcap escapes) and insists on sneaking across the border with Héctor. He even manages to convince them to try Héctor’s old idea (apparently mentioned in the novelisation) of dividing himself up into baskets and getting carried across that way.

That’s the one year they call it a draw, since their skeletons start to reassemble at the point of crossing but, technically, both Miguel and Héctor had gotten through before that happened (or, rather, Miguel’s forearm and foot and Héctor’s hand, ribcage and straw hat got through in Imelda’s basket).

The border guards claim to find it a bit annoying— though, last time they brought him in for it, Héctor noticed a large scoreboard hanging on the wall (so far the border guards are winning, but the family’s help has finally allowed Héctor to score a few points of his own). A similar scoreboard hangs on one of the walls of the villa (oh yes, guess who ended up with Ernesto’s villa?) in the room where, once a year, the whole family gather to make their plans.

severus snape fic recs

my personal favs

Young Snape:

a life of smoke and silvered glass: Slight AU in which Severus apologizes, tries harder, and stays friends with Lily. Severus doesn't become a Death Eater because he believes in it, Jily get married. Sweet, slightly sad ending. (So cute).

Falling Apart: Time travel fic, no pairings, Severus goes back to when James levicorpused him. (I loved this, I loved how Mary was included and Avery had a redemption arc. Severus never calls Lily mudblood.)

in glory and in ruin: Mulciber/Snape but it's not a main part of it. Basically, a Triwizard Tournament in between the school houses, and Severus gets chosen even though he's only 16. The Marauders and Lily aren't really in it, focuses on Snape's Gang, Charity and Aurora. WIP, and I LOVE it!

The Gryffindor Sort: WIP. Long. In which Severus is a Gryffindor, Lupin is hiding something, Potter and Black are the worst, and there's a Wizarding War about to erupt.

Severus and the Marauders: Long. What if instead of being insulted and excluded from the group, Severus was embraced instead. After all, it was the actions of the group that shaped history from the sidelines. So what if they shaped history a little differently?

That Awful Snape Boy: It had all happened on Wednesday 3rd of September 1973; Minerva committed the date to memory. She would always be amazed that this discussion could happen in the first place. If the boy hadn’t been unconscious, would they even have learnt anything before it was too late?

The Unwanted Boy From Spinner's End: Severus Snape’s existence is a mistake. His mother hints at it often enough with her regretful, drawn-out sighs, while his father prefers to get the message across with a good strapping and a lecture on his worthlessness. Needless to say, the twelve-year-old is not particularly inclined to trust adults, no matter how concerned or caring they claim to be. His life changes abruptly, however, one late evening in September when an illicit brewing session results in a forced trip to the Hogwarts infirmary. Not only is the truth about Severus' home life discovered, but an investigation reveals that shortly prior to his mother’s unexpected death, a single piece of parchment was deposited into her Gringotts vault—a Last Will and Testament in which Eileen Snape née Prince grants guardianship of her son to none other than Albus Dumbledore himself.

To Recollect the Future: Hindsight is 20/20, but when Harry's last steps into the forest set him back further than he'd ever thought, he never realised how grateful he'd be to have Snape there to help too.

Severus' choice: How one choice changed history's course, or the life of Severus Snape from Hogwarts to adulthood if characters were less caricatural, and Voldemort and the Death Eaters were more than bogeymen. This is an AU, events before and after may differ from the books.

the lost generation: The Marauders era at Hogwarts, Voldemort's rise to power and the subsequent war, family loyalties and dishonour, and the struggles of friendship in a difficult time.

Snily:

Come Once Again and Love Me: My favourite Snily fic ever. Snape and Lily time travel back from their individual deaths to when they were still at Hogwarts. Realistic-Lily misses James and Harry and their falling in love is slow burn too. Made me want to cry. I almost liked James!

The Fields of Summer: Short and sad. His past was bleeding into the present, just as his future was bleeding out of the gaping wound in his neck. And since memories were useless to a dead man, Snape plucked them out of his mind and gave them to The Boy Who Lived. He didn’t realize that in so doing, he’d forget her.

seventeen moons: After the werewolf prank. Severus was bitten and Lily figures it out. I hated Sirius so much and he was barely in it but he wasn't villainised-it's just the consequences of his own actions.. Loved the Snily! Short.

Surprising Lessons: Tensions run high between the students of Hogwarts in the time when Severus Snape, Lily Evans, and the Marauders are teenagers. New spells are invented, insults are traded, new bonds form, and unexpected support blooms. Short and sweet.

Vox Severus: SO cute. When Severus Snape's voice changes in fourth year, everyone notices.

Ambiguous: Order member Lily did not have a baby. Death Eater Severus did not hear a prophecy. Consequently, the Dark Lord did not fall. ...but what happens when a long forgotten prophecy suddenly shakes, and flashes through the colours of the spectrum..?

Switching Wands: Severus and Lily acted as best friends should and talked about the Whomping Willow incident. Lily is less than impressed with Potter’s behaviour from that point onward.

Her Slytherin, His Gryffindor: Lily has had enough of James' bullying ways, so she decides to finally take advantage of her Prefect status. Or, in another universe, Lily helps Severus, and they become even closer.

Sweet Root: Lily decides to get Severus drunk one summer night. Angst thereby incurred happily resolves itself into, uh, happiness.

You Don't Bug Me: “Is there any reason you’re half naked in my room?”

Snape/Sirius:

Two Sides: A time travel fic where Severus and Sirius find themselves back on the evening before they graduated Hogwarts. With no idea how and why that happened, they set out to get back to their respective timelines. After all, Sirius has to save Harry at the Minstry of Magic, and Severus needs to tell Potter about the final Horcrux. Right? Too bad that they find themselves back on that evening over and over again. (Personal thoughts: I loved this one, very in character and I loved how they 'fixed' their regrets of the past).

Broken Me Found Broken You: It’s determined that Severus Snape and Sirius Black are immune to punishment after years of near-fatal pranks, bullying, and homemade curses. The only person who thinks them capable of ending the feud and finishing their education is Professor McGonagall. For the summer of ‘77, she gives them a pair of charmed hand mirrors and an ultimatum: communicate. That’s it, a mere ten minutes every Saturday. Back at Hogwarts, when their animosity proves insurmountable, Sirius and Severus are relegated to a small, Eighth Year dormitory. The tight quarters—wandless—are intended to force them to make a peaceful reconciliation, but peace is impossible with a bloody war ramping up inside and outside the castle.

Sorry: Sirius Black decides to make amends for the horrid way he treated Snape when they were teenages. Snape is less than amenable to the idea. (Written around the time of book three/four). Basically, Sirius apologises a lot. And then some fucking.

The Sin in Your Grin (And the Shape of Your Mouth): The Order needed Sirius, but he doubted they'd mourn him very long when he finally disappeared. The first Wizarding war, Snape and Sirius are fucking. Sirius thinks Remus is the spy, Severus tells him otherwise. Canon-compliant: James and Lily die, Peter is the spy. The last line. Shaking.

Dead Reckoning: Severus Snape delivers a potion to Number Twelve, Grimmauld Place, holding a twenty-year-old grudge in his heart. He has yearned for revenge for so long—and he will have it. Along with something else he did not ask for.

Beyond The Veil: In one world, Sirius Black ignored Severus Snape's warning and went to the Department of Mysteries to save his godson's life. He died and went beyond the veil. In another world, Sirius Black stayed back. This made all the difference. An AU where Sirius Black survived and now knew Severus Snape's deepest secret.

Rings And Ringing Bells: A bastardisation of a traditional love story. Two men both broken by the world are at wit’s end trying not to kill each other. There’s Severus, a bitter insult who does not take fools lightly, and Sirius, a drunkard who has a habit of pressing his buttons. It involves a curse which forces them to get married, an immaculate conception, and the blurring of the line between hate and love. They fear that they have no control over their lives and are doomed to make the mistakes their parents had done before them. They’re not good for each other, but the fiasco that is their romance may be enough to teach them how to hate each other and themselves a little less.

Always (Come For Me): Snape might have been lying when he said Sirius Black wasn't punished for the prank he had pulled on him. It all started with Sirius having to live with the Snapes for the remainder of his summer...

An Interlude: Set during Order of the Phoenix. Snape comes across Black looking through some of his old school things. Memories are stirred up, grudges are held, old conflicts refuse to be resolved, and new ground might be (dis)covered. A series of conversations in the year before a death.

bite your tongue, go to the funeral: A funeral, a departure, a chance encounter, a war, a funeral (again), a snide remark, and a revival.

Two Boys Kissing: Sirius goes to a gay bar and meets the last person he expects. Under cloudy skies, two boys kiss and that one moment comes to define generations of want, need and hope.

An Occlument Heart: Snape knows that, usually, keeping a secret is the bravest thing you can do. But sometimes the bravest thing is to tell one. Complete. Canon (more or less) up to the start of Book 5, when this story begins.

Found in the Moments Between the Search: When Sirius returns from beyond the Veil with knowledge of Voldemort's Horcruxes, he takes on the task of finding and destroying them. Somewhere along the way he finds an unexpected ally and perhaps something more. (AU from the end of OotP, takes place during HBP period)

Walking the Monochrome: That’s what being a dog is like – it's like you’re walking the very edge of the world, where almost all colour has run out, and you know that should you miss a step, you’ll fall off that edge... Then again, you already know all about it. The edge and the falling.” AU of the first war.

Second Life: What happens when two men are given a second chance.

The Welcoming Feast: Severus opened his eyes and he was suddenly inside Grimmauld Place. His hand flew to his neck. He remembered Nagini biting him, Potter coming to him and then he closed his eyes, expecting death, but instead he was back here.

The Devil-and-All to Pay: Albus Dumbledore is mad. Severus is sure of it, when the old man sends him to persuade Sirius Black to come back to England and let the Order use his family home as headquarters. The problem, as always, is that Severus cannot say no.

Black Out: Snape and Black try something they have never done before. Talking.

eighty-twenty: In seventh year James left Severus for Lily. Best choice he could have ever made. It never would have worked out. Besides, he and Lily are married now, she's pregnant with his soon to be child and Severus...Severus is with Sirius.

First and Last and Always: Severus had his wand. He swallowed hard. His wand. Magic. His only defense, because Black outweighed him by at least three stone. But magic was more than enough. Severus had never needed physical prowess. His magical strength, and the keenness of his mind, gave him the advantage. Except when it didn’t.

Visions of Doom: Severus gets injured in the shrieking shack (his fifth year). While unconscious he witnesses some scenes from his future and realizes becoming a death eater wouldn’t bring him power and glory but pain and servitude. He spends the rest of his schooling trying to shape a different future for himself.

Anything by FabulaRasa on AO3.

Remus/Snape:

Fuel the Pyre of Your Enemies: A paired class assignment for Astronomy incites a mutually beneficial agreement between Remus Lupin and Severus Snape. An exploration of sexuality and friendships. (One of my favourite Snupin fics, really realistic. Also no evil!peter).

where the wolfsbane blooms: Remus and Severus friendship, and then more. 7000 words-short but sweet. Severus tries to cure the lycanthropy. James is constantly befuddled.

Have Your Cake and Eat It: Remus POV. Long. Incredible. Changed my world view. I cried with Remus at the end. Still kind of happy! Time travel fic. Remus lives. Realistic for the characters and especially for the seventies (although lowkey Remus is too woke for the nineties why does he know the word heteronormative). I loved Sirius in this one. Lying in hospital after the Battle of Hogwarts, Remus Lupin has a lovely lucid dream that he's gone back to his school days at Hogwarts. Only the day passes, then another, and another, and soon he must face the terrifying possibility that it isn't a dream — that he has irreparably altered the events of the past. Cunegonde is SO good!

DELOCAPONUM: 𝐈𝐭'𝐬 𝐭𝐡𝐞 𝐲𝐞𝐚𝐫 𝟏𝟗𝟖𝟏. A new acquaintance to the territory of teaching, an old friend to grief and misfortune, and entirely off on the wrong foot, twenty-one-year-old Professor Severus Snape reverts to an old charm of his — a charm for things that are lost — in attempt to find the one book in which he wrote it. But when the spell starts working against him and mysterious things start happening to his own students, it seems he has no choice but to form an alliance with an old schoolyard enemy in order to find a culprit, a book, and his own identity. And one thing is for certain: the irritating charm of Remus Lupin is nearly impossible to refuse.

Creature Comforts: A classic! Remus and Severus are paired to work together in Care of Magical Creatures in 6th year. Neither one is too happy with the arrangement at first.

That Awful Boy: CLASSIC! Severitus. Petunia lets slip a twenty-year-old secret, and Harry is sent to Spinner's End to study Occlumency early. Severus Snape can see no way in which this could end in catastrophe.

Not Really Here: After the werewolf prank, Severus disappears. He’s still at Hogwarts—at least, he thinks he is—and he’s probably still alive, but no one can see or hear him. Except for Lupin. Remus, meanwhile, is avoiding the other Marauders—as well as everyone else—and Snape becomes the sole exception to his self-appointed isolation. As they work together to look for answers about Severus’ condition, the unlikely pair drift toward friendship. But building a relationship of any kind presents a challenge when neither of them is sure Severus exists at all. I've only read this once but I love it. No Marauders bashing, but no pretending they're saints either. And they have a pretty big part but obvs Snupin is at the forefront.

The Heir to the House of Prince: Harry is the main character and the main ship is Harry and Theo. While Snupin is secondary it's pretty central. Summer of 4th year and Harry's all alone, dealing with his grief and the sudden revelation that James Potter is not his father. Support comes in a strange form. The form of Theo Nott, son of a death Eater. A strange friend who says he'll help him find his true father, whoever this Lord Prince might be. Technically Snily ig? But not really.

Sight Unseen: After losing his sight during the Battle of Hogwarts, Remus struggles to adjust to his new circumstances; when depression threatens to overwhelm him, he receives unexpected assistance from an unknown source.

The Other Side of The Mirror: In sixth year, Remus Lupin nearly killed Severus Snape in wolf form. Miraculously, Severus escaped unharmed. But what if he hadn't?

The Meaning of Mistletoe: What was going on was that Severus Snape had no trouble tracking down one Petunia Evans, now Dursley, to a little town in Surrey where he saw how exactly she was treating her nephew. Which somehow led to last night and Severus knocking on Lupin’s door with a toddler half-asleep in his arms.

Spymaster: Former spymaster and one time headmaster of Hogwarts School of Witchcraft and Wizardry Severus Snape left the house just once a week on a Tuesday. Wherein Snape wears tracksuit pants and smokes too many cigarettes and Lupin is into it.

Well They're No Friends Of Mine: Whenever his friends pull a prank on Snape, Remus always looks the other way. But what if there's another option?

The Other Side of the Mirror: I haven't read this, but it's a 'what if Remus bit Snape.' 60000 words.

Artemisa Absinthium: The Rat and the Snake: AU set during the First Wizarding War. Severus has defected from the Dark Lord, and become a double agent for Dumbledore. When he learns of an informant it sends the Order into disaray. Can he uncover the identity of the traitor before his own true loyalty is revealed? What price is he willing to pay for his redemption? And can a man like Severus Snape ever be worthy of love?

Capnolagnia: Three times Remus caught Severus Snape smoking.

About Wolves and Snakes: Unfinished. Remus Lupin woke up being fifteen years old again, having no idea how or why. Upon learning that he could not return, he decided that he would try to change the way things happened.

One Thousand Galleons: It's been six years since Remus Lupin, age 25, left England after the death of his father and the slow dissolving of his friendship with the Marauders. A letter from James finds him in Canada at an opportune time, asking him to come home to meet his soon-to-be-born son. Remus never expected that his time away would give him the perfect resume for teaching at Hogwarts, nor did he expect that his return would spark both conflict and resolution. If only he could get the Potion's Professor to understand how sorry he is for the way things turned out. “What is the price for your forgiveness?” --- “One Thousand Galleons.”

Living Legend: Marauders-era fic, Snape decides he needs some "hands-on" experience and chooses Remus as his very special study partner. But there's more to these extracurricular activities than meets the eye.

Lily's Boy: With help from unexpected places, Harry starts on a journey to end the war, and reshape the wizarding world. With how much he looks like James Potter, people have forgotten one important thing about him - he is Lily Evans' son, and she was one hell of a witch. Side Snupin.

It's Not Over Til It's Done: Unfinished. Severus did not expect to survive the Second Wizarding War, but survive he did. Remus didn't either, yet due to unforeseen circumstances, Remus finds himself taking care of Severus in the wake of surviving Nagini's venom.

Ten Aprils: Severus must find a way for Harry to defeat Voldemort. Remus must find a way for Severus to free himself from the past. The Dark Lord is about to attack Hogwarts, and Harry needs to get over his rage, hate and despair in order to learn to summon the phoenix needed to defeat Voldemort. Snape must find the answers, then teach Harry how. In the next thirty minutes. Like it would ever happen.

A Cauldron Full of Hot, Strong Love: A story in which Severus Snape is unable to sleep; a certain werewolf is impersonating Celestina Warbek and cauldrons are used as prevention, sort of.

the week that changed it all: It’s Christmas break in Remus’ 6th year of Hogwarts. Sadly, his parents aren’t home so he has to stay over at Lily’s house for the week. He makes a discovery he didn’t know was possible. The first one was that apparently, Severus lived not far away, the second one was that he started to like the boy.

A Prince By Early Frost: While preparing his chamber for the Philosopher’s Stone, Severus encounters the dark fae borne by a black glass mirror, buried deep beneath the castle. He is chosen, but unsure by what, until over a year later, when a figure from his dreams takes the Defense position, asking for a favor.

Chocolate Cake and Other Intimacies: Remus Lupin is spending his birthday alone in the hospital wing. Severus brings him his homework to cheer him up.

That Awful Snape Boy: It had all happened on Wednesday 3rd of September 1973; Minerva committed the date to memory. She would always be amazed that this discussion could happen in the first place. If the boy hadn’t been unconscious, would they even have learnt anything before it was too late? Guardian fic but Snape is the ward in this one. AU set in the Marauders Era. Rated T to be safe.

Basically anything by McKay on AO3.

Snape/James:

Knowledge of the Gods: Severus was either in a coma and dying, already dead and trapped in some purgatory, completely and utterly insane, or living in the body of his past self. And, perhaps most suspiciously, why did James Potter keep looking at him like that?!

A Touch, A Kiss, A Whisper of Love: After Severus Snape and James Potter find themselves stuck in an awkward detention together, an unlikely friendship forms. As their newfound friendship develops, James discovers something new about himself while Severus tries to fight his growing attraction to the Gryffindor boy.

Cake, Please!: Slight SA gives me the ick, but vaguely fun to read. A story of blackmail, the wonderful world of sexuality, and lots of cake.

Revenge is Sweet: A teenage Snape plots his revenge on James Potter for making his life hell, but little does he know that James has plans of his own that will send both their lives spiraling irrevocably out of control.

Ninety-Three: James promises Severus that if Severus has sex with him 93 times, he will break up with Lilly and advocate that she date Severus.

Absolution: What is it that draws James to Severus? A disease? A curse? A secret wish... a need? Try as he might to ignore the Slytherin, in the end, to Severus is where James always finds himself. **SLOW BUILD** Rated M for... certain kinds of scenes later on.

The Dreamer in the Well: James got the girl....finally. She even stopped being friends with Severus, whom he absolutely hated. But one day, his curiosity changes everything.

Love Is Strange: At the start of his sixth year, James Potter decides to finally stop ruining Severus' life. His friends agree to stop the bullying but what they do not know is the reason why James decided to put an end to it. They think he just matured or grew tired of it but the truth is a little more complicated than that.

A Fickle Thing: James Potter's marriage is failing- What a perfect time to disguise himself as a muggle, follow Severus Snape to what is either a makeshift dance club or a party for gay muggles, and then do a series of things he really should not do.

Rise: Severus Snape was tired of his fate, to be a lowly snake. Luckily, fate was kind to him this time and the arrival of a tournament had come. It was a spur of the moment kind of thing, a moment of weakness and strength that led Severus to put his name in the Goblet of Fire. But he was chosen now, and he had no choice but to play in the game, maybe he will live or die, but either way he wasn't going to become what everyone said he would be.

Apocrypha: Two can keep a secret, if one of the two is dead.

Norwegian Wood (This Bird Has Flown): Long, loved it, well written. James Potter starts his seventh year with a secret. He has amazing friends, Sirius is always right by his side, Lily is finally starting to warm up to him. His life is an endless cycle of partying and drinking. So what if the Wizarding World is on the precipice of war? So what if Severus Snape has disappeared from Hogwarts? That's not James's problem. Life is beautiful, and even if it's all an illusion he wants to hold on to that dream for just a little bit longer.

Colours of Redemption: Severus Snape was meant to die. Instead he was placed into hell. Trapped in timeloops, Severus tries to make sense of the future knowledge he suddenly had. If he made one bad move, everything is reset for him to try again. Being placed into a new house and everyone being nice to him, Severus is doing his best but it is hard. Especially when James Potter is noticing him in a different way.

Goeey Melting Hearts: In their 5th year James, Sirius and Remus over hear a conversation that makes them reconsider their opinions of the ‘future Death Eaters’. The Marauders stop bullying, but guilt eats at James until he decides to apologize. That summer James tracks down Severus, but sees something that crushes him.

Regulus/Snape:

Burning Doves: The first Snape/Regulus I ever read. Regulus needs help with potions and Snape tutors him. Not much Marauders, they're just offscreen assholes. Narcissa and Severus friendship which I always enjoy. It's done, but I haven't finished it yet. Whoops.

Severus and Snape: Severus Snape finds Lily dead in Godric's Hollow, her son's screams echoing in his ears, and decides to end his life with hers. Fate has other ideas. Next thing he knows, he's facing an 11-year-old Lily Evans, on their way to their first year at Hogwarts.

Snape & or / Narcissa:

Seven Days: Severus knows a lot can happen in seven days. Slash.

Living A Lie:  All of her life, Narcissa Black has had to live as the perfect lady, and witch; to never reveal one's inner heart, nor ever go against the wishes of one's family. After being forced into an engagement she does not want during her sixth year at Hogwarts, Narcissa has kept the desires of her heart on ice; particularly, for a wizard her family would never in a million years have approved of: Severus Snape. Even after the birth of her son Draco, she has harbored these desires deep in her heart for the enigmatic Potions Master. But when she comes to Spinners End to ask Severus to watch over Draco at the start of the school term of 1997, she finds that she cannot keep her heart on ice for the wizard of her dreams any longer...

What Lies Beneath: "Please, Professor, I saw him-I saw Snape," Harry said, struggling to breathe, "he's hurt...we've got to find him-we've got to find him right now or he's going to die!" Severus Snape's redemption story told in the span of three books from multiple perspectives.

Snape/Others:

Redemption: Severus died that night at the hands of the Dark Lord, the man he "worked" for and was "loyal", at least that's what the Lord believed him to be, an impeccable servant.  Even so, he ended up dying for his master's snake.  He knew it would happen, he was sure his time was coming, just like the manipulative old goat's plan. However, what would he do when he found out that he wasn't the only one who had the memories of his past life?  How would his life turn out?  Better or worse?

Breaking the Mould: Everyone knew Severus' future. Everyone knew he'd become a death eater, maybe get his mastery in potions and eventually die at his master's hand. But what if they didn't know Severus as well as they thought they did? Rather than conform to the role people expected him to play, Severus takes action. During 6th year he leaves Hogwarts, joining an apprenticeship overseas that guarantees not only a future but his own happiness. Meanwhile the Marauders (minus Peter) are left regretting what can never be. They each had a secret, something none of them were willing to admit. Only now it's too late. But what happens when Severus re-emerges during the war? Not a death eater, not a teacher even. But a strong, independent and most importantly a free man. How will the marauders react?

Dinner and a Show: James takes Lily out to dinner, an unhappy evening made more difficult by the arrival of Severus and Lucius Malfoy at a nearby table.

Snape & Others: 

O Mine Enemy: Severitus, long. When Harry finds an injured Snape on his doorstep and must hide him from the Dursleys, he has no idea that this very, very bad day will be the start of something good. Alternate 6th summer (and part of the school year): post-OotP; ignores HBP and DH. No slash, no romance. NOW COMPLETE!

I Know Not, and I Cannot Know; Yet I Live and I Love: Severus Snape has his emotions in check. He knows that he experiences anger and self-loathing and a bitter yearning, and that he rarely deviates from that spectrum… Until the first-year Luna Lovegood arrives to his class wearing a wreath of baby’s breath. Over the next six years, an odd friendship grows between the two, and Snape is not sure how he feels about any of it.

Second Life: What happens when two men are given a second chance. Snape & Sirius. 

Not Entirely Tedious: Young Professor Severus Snape shows up for a meeting, but the only other person there is the Deputy Headmistress. He wants to leave and return later, after the other participants will have arrived, but Professor McGonagall explains why that is impossible. Cross about having his plans for the day disrupted for a meeting that’s not taking place, Snape resents having to spend the afternoon with McGonagall. She doesn’t seem very pleased, either, but is content to relax and wait. Snape isn’t so patient, and soon manages to annoy his companion.

The Young Potions Professor: The staff avoided him like the plague, ignored him, or straight up left when he went into the staff room. And the worst thing was that they didn't even try to hide their collective disgust for him. If he got into the staff room in the morning and any of them were there, they would immediately get up and go sit on the furthest side of the room, as far from him as possible.

Slytherin Career Day: The student of Slytherin House were born with everything: wealth, prestige and pure wizarding blood. Now it's Severus Snape's job to help them find the one thing they don't have: careers.

In Another Lifetime: HP AU. In a world where Tom Riddle was slaughtered, the wizarding wars did not occur, and Albus Dumbledore promoted peace in Hogwarts, Lily Evans and Severus Snape did the impossible: they remained lifelong friends. Snape meets his potential, and has a shot at happiness along the way.

immortalists with points to prove: The Snape kid is hardly a hero. Then again, neither is Alastor.

love ur hk designs! how did u come up w/them? do u have any notes?

aww thank you so much anon !! i DO in fact have notes but theyre a lot so [cracks knuckles] lets go thru this --

i love designing and humanizing characters as its a real fun brain exercise and such, but humanizing the hk characters has really given me a lotta gusto that perplexes even me ?? either way im not complaining its very fun and im glad to elaborate on all (bc its a bit much) the thought that went into these!!

Image Description: Digital art of humanoid Hollow Knight Characters. Quirrel, Hornet, the Knight, and the Hollow Knight are all hanging around a bench and looking at the camera. The Knight is sitting on the bench, their legs dangling off, and holding their helmet. The Hollow Knight, all bandaged up, is sitting on the ground but leaning their head on the back of the bench. Quirrel is standing and leaning on the bench back, making a thumbs up and smiling a big smile. Hornet is also standing, though she rests three of her hands on the bench with an unimpressed expression. End ID.

in this post i’ll be talking about inspirations and show off the designs of the knight, hornet, quirrel, thk, the dreamers, and some less polished higher beings designs -- and go over it all with my neverending commentary! everything's under the cut in order to spare y'all's dashes LMAO

one must begin with groundwork. try to figure out what aspects of the character you want to be most important. do you want their silhouette to be immediately recognizable? are you inspired by a particular time period or region, or want to set it in that time period or region? do you want to prioritize colors? are you willing to let go of silhouette / direct visual relatability in lieu of emphasizing personality in the little details of appearance? try to strike that balance and see what is to your taste.

you should also consider how seriously you want to take things. will you consider things down to material and essentially fabricate hallownest's textile economy or do you just want to ball off of vibes? (i like incorporating historical garments and feels into things because i think they're neat, but i do get silly here. maybe i'll bow to my inner desire to ground everything some day and take another stab at, well, all of this.)

there are some things you can easily render turning bug to person (as i love diverse face shapes so you’ll see a trend of pointy in game, pointy here) and some that are much harder. either you can go for what is straightforward and easy for someone to be like “oh hornet head shaped mask! that must be hornet!” or you can not do that! your humanizations, your rules. hollow knight has a very simple, curve and shape-based art style, so you can incorporate a lot of subtle details on that! you can also do any other motif and really lay into it -- if you look at my monomon i have all these that are jellyfish-esque: her gown shape, her choker, her braids, the embroidery on her gown, etc.

or you can ignore all my advice and do what you want! i’m not the boss of you.

so , FIRST THINGS FIRST: aesthetic inspirations ! i did a few passes based on a variety of regions but i decided go with a pre-modern era european influence, largely because of the general influences and vibes i saw in the in-game architecture and appearances for things and places. i decided to land my inspirations anywhere from the 1500s to late 1700s / veery early 1800s, though im just aiming for fantastical with a heavy side of inspiration.

i decided to have individuals from before the fall of hallownest have look inspirations from Later in this time frame with those after being Earlier to get this kind of ‘technology and society has backslid’ idea. that, and because i thought the aesthetics of later monarchist europe -- l’ancien regime and all that, if you will -- quite fitting with hallownest right before its fall. because of this extremely broad time frame (300 years!) and also me just generally not trying to be concerned with ‘historical accuracy’ as this is both non-historical and very fantastical, there’s going to be a mess of silhouettes and such -- though i do love a rich deep dive into history, this is a time for fantasy fun and nonsense :-)

i decided to constrain myself with a few internal rules: one being the inspirations i draw on, and another main one being regarding masks. i decided to restrict mask wearing to as little as possible -- no shade to people who include masks in their gijinkas! i think they look wonderful with them And are lore relevant! but i felt like me, personally, using masks would keep me at times from being at the very top of my design experimentation game. so, as a little sort of fun challenge, i’m keeping away masks as much as possible in these people’s everyday wear. this means it is harder to keep silhouettes, but my priority is less 100% sticking close to silhouettes (though that is something to consider) and more evoking enough motifs and such to where they’re recognizable.

SO LET’S BREAK DOWN SOME DESIGNS!

Image Description: A reference sheet with various views of a humanized Knight. They’re a pale little humanoid thing armed with a shortsword, their skin and hair that same color of off-white, and always maintaining that same wide-eyed, small-mouthed, and neutral (yet almost determined?) look. They’re dressed in virtually rags from neck to boots, and all dark colors - navy blues, greys, dark brown leather, and even the deepest blacks. Charms are studded to their outermost cloak (and there seems to be a pair of vestigial, black-soaked wings under said outer cloak). They have a flat, square face, and a flat, square nose, though their corners are blunted. Their hair should be straight but it has gone long unbrushed; it stops in bangs at their forehead then cascades to their chin, where it hugs their jaw, especially at two points on the left and right where two ticks stick out on each side.

They can be seen also wearing headgear: a chainmail hood with old, yellowed horns poking out at either temple. They are also shown with their hair up in a little bun, or in two pigtails remniscient of their canon horns (one can thank Mato!). There is a little drawing of their exposed arm, showing how all their joints are harshly segmented, as if an insect or porcelain doll. In the corner, their dark shade chases after them. End ID.

an idea i wanted to play with for the knight -- and any of the vessels, for that matter -- is that of the uncanny. they are almost human! (as im approaching these humanizations with the idea of ‘human au’ and less so ‘everyone must be humanoid’, the higher beings are markedly less human here. ill get to that in a bit.) i decided to go for the concept that the knight is a living porcelain doll -- hollow, white, uncanny. they’re probably not shiny -- their surface probably feels like it was once porcelain smooth but is now ever so slightly abraded -- and theyre also not LITERALLY a doll. they do have a crackable exterior, yes, and are hollow, yes, but their segmented joints and such are less ‘doll’ and more ‘insect exoskeleton segments’. thank their dad (though i always thought he was more of a tapeworm / platyhelminth. but that aside--)

them being this humanoid non-human lends to some fun details! this is an example i like but is extraordinarily hard to communicate thru just stylized art: their eyes cannot close as they have been ‘carved’ that way & their pupils are just a hole into their void interior, and thus if you look at their face at an angle or profile you can see a little ridge / rim of the thin layer of their eye-white ‘porcelain’. they are also virtually dressed in rags, though the bottom cloak layer of those rags are wing-shaped, but still vestigial w/o the monarch wings, like in-game. and the two little hair-ticks on either side of their chin are meant to evoke their horns! :-)

Image Description: Various views of a humanized Hornet. She’s a thin, lithe person, with a long thin face wider at the top than the bottom and a thin chin. She has four eyes, and four arms. She has brown skin, with the exception of a patch of pale skin in the shape of her canon head right over her nose, with the ‘horns’ extending up into her scalp. There’s a flash of white coming from her forehead amongst her curly black hair, which is tied back into a bun by a hairtie shaped like two lightly curving pale horns. She has a long and pointy nose with a thin bridge, but it is crooked slightly. She largely has an unimpressed and stern look on her face.

She wears a bright red cloak with three weaverling buttons on the front, and white embroidery on the collar, back, and hem. The design on the back is a heavily stylized spider: a round body of eyes, with floral arms extending out from the junction between the body and the curving leaf-mandibles. Underneath her cloak she wears a white top with gold embroidery down the center (that goes up her neck to the underside of her jaw, and can be optionally decorated or plainly wrapped in white) and a bodice that is black on the sides but gold and white in the center at her torso. Tied to her belt is a silver chatelaine with sewing supplies. She has red puffy sleeves, slitted to show white fabric showing through, and black forearm-length fingerless gloves. There are a few more sketches: one of her with a double-horned hennin (her formal wear, maybe she wore when young), one of her as a child shouting excitedly for her ma, and a tiny her standing unimpressed next to a wide-eyed Knight. End ID.

hornet was kind of difficult, particularly because… of her head shape… but i fired out several solutions! the double-horned hennin (the funny two-cone hat) is from history, though the idea was scrapped as i imagine hornet in the present, as you see her, would not be of a mind to wear such finery. thus, i decided to give her a hairpiece shaped into horns, to evoke that silhouette. much more practical. (same idea goes with her patch of pale skin.)

as i mentioned this is a not-strictly-humans scenario, so i decided to splurge on the weavers and spiders and give them some differing anatomy, ie some extra arms and eyes. as a treat. i havent entirely sussed out (lol) the exact logic of her wear -- turns out making real things fantasy makes them, construction-wise, rather odd -- and is always subject to change. hornet wears things rather simple, for practicality reasons; and though her outfit is highly fictionalized (lmao) her garments under her cloak are somewhat based off of the portraits by cranach the elder. (all weaver clothings generally would feature repeating shoulder puffs. not leg-of-mutton style, but moreso in the image of the 1530s-40s. you'll see this more on herrah.)

the knight is a bit too ’young’ to have these features be quite apparent so they are the exception, but the trend with the ‘pale lineage’ is that of very pointed chins, long faces, and thin long noses. you'll see this on the hollow knight and the pale king, and you almost see this with hornet. she is still somewhat her father's creature, though he was never quite in her life.

Image Description: Various views of a humanized Quirrel. He's a portly brown man (with warm-toned skin) with a squat (but not comically so) face, a pointy and stick-out nose, freckles concentrated around the top of his nose and where his eyes meet, relaxed, monolidded black eyes, and straight black hair. His hair falls short onto his forehead and comes down his cheek in sideburns, but is pulled back into a low bun -- though it is usually covered by a dark grey-blue headscarf. He has silver plate armor on his upper body, upper arms, and over his thighs, with a sash winding 'round his waist and holding up his scabbard; he too wears long black gloves, and thigh-length leg gaiters over brown breeches. Covering his neck is a white neck stock. He has a bit of a hunched posture, his hips and neck both leaned forward; his belly is well-rounded, and his long legs are rather spindly.

He is also seen younger, before the fall of Hallownest. Here he has less wrinkles, though his face is much the same. His black hair is tied back in a headscarf (though actually short here); and he's clad in a segmented grey coat, high collar with a white cravat, green vest with rich gold embroideries, high knee stockings covering brown breeches, and over all that a segmented cropped tailcoat. He dresses pretty well, as befitting his station -- but not as well as he could (science gets messy!) End ID.

Image Description: Various views of a humanized Quirrel. He's a portly brown man (with warm-toned skin) with a squat (but not comically so) face, a pointy and stick-out nose, freckles concentrated around the top of his nose and where his eyes meet, relaxed, monolidded black eyes, and straight black hair. His hair falls short onto his forehead and comes down his cheek in sideburns, but is pulled back into a low bun -- though it is usually covered by a dark grey-blue headscarf. He has silver plate armor on his upper body, upper arms, and over his thighs, with a sash winding 'round his waist and holding up his scabbard; he too wears long black gloves, and thigh-length leg gaiters over brown breeches. Covering his neck is a white neck stock. He has a bit of a hunched posture, his hips and neck both leaned forward; his belly is well-rounded, and his long legs are rather spindly.

He is also seen younger, before the fall of Hallownest. Here he has less wrinkles, though his face is much the same. His black hair is tied back in a headscarf (though actually short here). He has a couple possible outfits: a more realistic one, a dark greatcoat with multiple capelets over a sky blue waistcoat, high collar with a white cravat and pin, high black hosen with brown breeches; and an alternate one: a segmented grey coat, high collar with a white cravat, green vest with rich gold embroideries, high knee stockings with brown breeches, and over all that a segmented cropped tailcoat. He dresses pretty well, as befitting his station -- but not as well as he could (science gets messy!) End ID.

quirrel was both easy and hard. to mimic his segments i decided to give him plate armor -- reasons for this are fairly obvious i imagine LMAO (segments!) (though his armor isn’t based on or accurate to any particular armor style. this is because i do not like drawing armor.) for his outfit pre-fall of hallownest, i gave him some breeches and leggings, as is typical for his very regency / turn of the century inspirations, but those give him the effect of white legs. to sort of mimic the black legs he has in-game, i instead gave him black thigh gaiters! i could have gave him long boots (and i imagine he did have a pair) but 1 i liked the gaiters more 2 i forgor :(

a fun little add-on eagle-eyed viewers (?? i feel like a youtuber saying that) may spot is that the brooch on his neckcloth is an isopod shell! in some illustrations i draw this brooch directly on the cloth / above the knot and not on the draped part. no man would wear a stickpin / brooch like that on his tie in real life. i just don’t like drawing knots. younger quirrel also features more teals and greens in his design, along with gold accents, to fit more with the archive’s colors. (even in the present day, hidden under his headscarf, he uses a green ribbon to tie his hair back.)

honestly, he and monomon were the main reasons i decided to extend the period outside of late medieval. it’s their fault! not only did monomon fit really well to the dress silhouette of one of these later decades, but i really wanted quirrel to have a napoleonic / regency feel. this is largely because with the enlightenment there came the rise of natural philosophers and the scientific sorts of fellows, which have become sort of their own iconic archetype in the public consciousness (and in fiction. stephen maturin my beloved.) i thought that would fit him well, and so i went for it.

Image Description: Various views of a humanized Hollow Knight. They’re a very tall and svelte hollow humanoid, almost gangly in their proportions. They have a very elongated face with a straight, aquiline nose, large almond-shaped eyes, and a permanent expression that is all at once solemn, neutral, and melancholic. They look a lot like their father. They’re pale white on their skin and hair -- hair that is parted in the center at the forehead and tucked behind more hair, which cascades down to their torso when not tied up. Framing their face on either side are two slightly shorter bits of hair with three little spikes on each.

As the Pure Vessel, they stand straight and tall, completely cloaked in deep grey cloaks and holding a broadsword in firm gloved hands. Over their cloak is pale silver-white armor, with three-layered spaulders, a cuirass, and a helmet with large horns. Holding the Radiance within them, their cloak is torn and their armor and helmet are gone, with their hair splaying out loose. One of their boots is missing, exposing a segmented leg. Their right arm is gone, and a crack runs down their face down their forehead, into their eye, and down their cheek, exposing a bright yellow light from within. Still, they clutch their sword. In a corner of the image a tiny Hollow Knight looks with wide eyes at an even tinier, shouting Hornet. End ID.

the hollow knight’s design was fairly straightforward as i had figures out their siblings before them. even their armor -- which has been pointed out to be largely ornamental and they do not actually use it when fighting -- was easy to transpose. i was, admittedly, trying to avoid helmets (especially those that completely cover the face, though their’s isn’t) largely because i just dislike drawing them, but i felt i really HAD to with the hollow knight and so i just went for it !

i purposefully gave them a sort of gangly and out-of-proportion feel to them -- i like to think their grace is that of a stick-legged bird, like a heron or flamingo... someone stretched them in taffy help! /j but it also speaks to their true delicacy and fragility - both emotionally and literally. they’re a perfect hollow creation, but could very easily fall... or something like that !

but-- yeah, as i mentioned earlier, their design was a natural conclusion to come to from that of their relatives, so there’s not much new to say about them!

next, let’s look at the dreamers!

Image Description: The three dreamers, standing primly. In order from left to right there is: Herrah the beast, Lurien the watcher, and Monomon the teacher.

Herrah is a tall brown and broad-set, wide-shouldered woman. She has six eyes and an aquiline nose, and curly hair; on her head she wears a horned metal helmet and a dark blue bandanna covering the lower half of her face. From her neck there is a waist-length dark blue-grey cloak that cascades out behind her back. She wears a pale grey-blue doublet with a full skirt; on her arms there are rows of pinched pale fabric to look puffed, and her forearms are covered in dark grey fabric to the knuckles. She has striped grey spanish breeches and black hosen and shoes. One pair of arms is crossed, the other pair of arms rests on the hilt of a thin sword.

Lurien is a short brown man with an upside-down droplet shaped head. He has very short wavy hair and a long straight nose; a large teardrop shaped mouche is placed at the bridge of his nose and between his eyes. He has a navy blue cloak draped over his entire body; underneath he has a white circular millhouse ruff that hugs close to his neck, a black doublet, black breeches, and white hosen. He has two strings of beads: around his neck with a king’s idol, and in his hands -- which hold each other -- with a silver pomander.

Monomon is a tall black woman with an oval-shaped head, a wide nose, and a long, thin neck. She wears a rather unadorned teal gown with a wide, almost bell shape skirt, split down the center. At the top of the bell meeting the waist are two layers of teardrop shapes in light cyan fabric emitting out, similar to those on a jellyfish. At the bottom of the bell are more cyan embroideries, this time of floral motifs in the general shape of jellyfish. Her sleeves can either be puffed (for inaccuracy but design fun) or unpuffed (for accuracy) and then drape to the elbow, and she wears forearm-length white gloves. Her stomacher is green, with lighter green designs: four eye-like ovals, two smaller ones on top of the larger ones, with floral decorations around them. She has a dark blue headscarf, but seen coming out of it are four braids. End ID.

first to clarify: monomon’s braids are floating so you can see her gown easier! it’s not literal :-) second to clarify: in this sort of little half-baked au-thing i decided to make their masks a part of the spell. that is, their mask is one of the seals binding them to their slumber, and all that good rot. this means they follow my no-mask rule when not sleeping AND their masks remain relevant (namely, quirrel taking monomon’s mask to her.)

the dreamers are all based off of different centuries and it is pretty easy to tell with them standing side by side, hah! hell, they even go in order: herrah i largely based on the 1500s, lurien the 1600s, and monomon the 1700s...! that was unintentional.

herrah largely has this kind of puffiness to her body segments in the game, and so my first thought was immediately: 1500s style puffs. the sleeve puffs (as also seen on hornet, and they were often slitted. think the og disney snow white!) and also the very wide and puffy breeches (which i always thought were hilarious). unlike hornet’s hairpiece, i gave her a helmet to show her horns! i felt it fit her more than it did hornet -- maybe it’s just me, but i feel like hornet wouldn’t be one for metal armor. in formal or dressy wear she likely switches the helmet for a headdress like a hennin or escoffion.

however, i am feeling not 100% satisfied with her design as it is right now, though i do think it works on the levels of thought i put into the other designs. i dunno! i’ll change it when i feel like it -- such is the nature of these :-)

ngl i put the least effort into lurien out of the 3 dreamers… sorry king i just don't care much about you comparatively… im pretty content with his design though! i decided to base him off of the more subtle and understated north europe fashions, as i felt they’d fit him. however, the bigass ruff is the biggest staple of this design for me (in my mind at least!) it’s drawn from the period and it also introduces a big round shape into his general design (when his in-game design is literally Round + drapey cloth LMAO)

i decided to have him wear largely black to show status! normally in this time period richer folks would wear black - which may seem odd and plain to us but is rather telling of status as rich, deep black is quite hard to dye. however i still gave him a dark blue cloak to more allude to his ingame design.

i imagine he is devout from the few bits of in-game characterization we get -- hence the idol. he also has a pomander! they were medieval scent-objects thought to keep away miasma, or plague air. (they contained strong scents! it was for the same reason plague doctors stuffed their beaks with herbs: good scents keep away bad air! or so they thought.) i draw people with them a lot -- i just think they’re neat things and one of my favorite medieval objects :-)

as for the thing on his face - a mouche! what are mouches? i recommend you watch mina le's wonderful video on the subject -- she could explain it far better and in a more entertaining way than i.

i had SO MUCH FUN with monomon! (and i think that’s easy to see, hah!) dresses and gowns from the latter 1700s (though not yet regency like quirrel is -- dresses got kinda tube-shaped in regency) really do give the look of a jellyfish bell. a thin waist (comparatively speaking from the wideness of her dress -- though one can also look to the corset) would mimic monomon’s sort of thin neck (??) you see right before the grey-blue cloth in her in-game design. and since she isn't wearing a mask here, i put the imagery of the two pairs of eyes on her stomacher instead! wide puff and then pinching / thin segments is kind of the theme of her entire design - in her dress, in her sleeves (though it's innacurate and also optional tbh), even in her neck and head. sort of bowling ball -esque i suppose! (sorry monomon.)

her braids being similar to her tentacles was an idea i believe inspired by @valdotpng​ 's depiction of her, and it's a great idea ! another allusion to jellyfish is the four little oval shapes i put on the skirt of her dress, to mimic that on jellyfish. (those are, in fact, their gonads.)

i haven’t drawn them, but if you or i were to draw them while in sleep then there would be cloth completely covering their shoulders and up, and the mask over where their face would be. just like in game !

last but not least i have some tentative sketches of some higher beings !

Image Description: Sketches of some higher beings.

The Pale King is a segmented worm with several rows of arms; he wears a rather simple white robe with embroidered trim. He has a svelte, high-cheekboned face, with a long aquiline nose and long straight hair with some pulled back in a bun -- his entire surface, skin and hair, is entirely pale white. Atop his hair he has a spiked crown. However, that human face is a false magical add-on; this ‘face’ is detachable, with the true head and mouth at the ‘crown’.

The White Lady is a large tree-woman; she has a oval face and delicate, pointed nose, but out of where her hair would be if she were a human extends out innumerable tree branches out in every direction. from the branches and to her face and downward are dignified wrinkles of bark. She is, however, restrained and bound in magical cloth.

Unn is a large hunched woman, her form covered almost completely in water plants that droop down to the lake she comes out of. Amongst the shadows of the fronds peeks a weary smile, though all else is covered. However, out of the plants peeks out two eyes on stalks. She is smiling down at a very small Knight.

The Radiance’s face is entirely obscured in darkness, and long hair flows down from her sun-ray crown. Out of her back come countless moth wings, large and small, each one covered in countless eyes of various sizes, though the lower wings turn into longer ray-like fronds. From under the wings comes a long-nailed hand, which is held up to her hair-covered chest. End ID.

outside of the pale king and mmmaybe the white lady im rather unsure about these...!!! radiance i’ve barely thought about -- so ill have to work on her a bit more ! this is more of a sketch of general motifs and the direction i wanna go in

as aformentioned i wanted to take more non-really-human designs for the gods. they’ve just got a different spin on their in-game motifs, with ‘humanoid’ added to the blender as well. for example-- the pale king is still the rather insectoid-wormoid-wyrm that he is in the original, but what he is trying to do here is appear like that of a man and not a common bug. (an extra thought tidbit: the lines on his face and wyrm body are meant to evoke the seals of binding, though they’re rather simplified here they’d be more detailed in an actual polished picture.)

since they aren’t meant to be human we get fun stuff like literal tree woman white lady, and all that !! it’ll be fun to think some more on it.

NOW, that’s it for the characters for this post! i’ll go over more if people want ‘em lmao but i cant let this post go on forever HAH....

a few more scrap thoughts:

1 there is a common thread amongst Hallownest clothing, despite the decade differences, that i want to keep in mind when drawing these characters, to maintain consistency and believability that they're from the same region. the main thing is embroidery and just general decorative choices! i’ve tried to involve a mix of straight and curvy lines (heavy emphasis on lines in these designs in fact) along with floral motifs. though not a direct inspiration, try thinking about the motifs of real life period decorations, paired with the swirling curves balanced with geometric / curved / straight lines of the ui menus and such in the game !

2 hallownest would still have insectoid iconography in its art and its architecture -- the gods they worship are still rather insectoid, after all. and there is still no reason they wouldn't use insects in their iconography the same way european cultures have historically used bird and mammal motifs. as for what their architecture would be -- i think in game is a perfectly fine, but also i’d tentatively throw the dart at gothic with some dashes of late romanesque.

3 my art, me drawing these designs, is horribly inconsistent. that’s fine with me!! these are all for fun -- i think putting metric tons of thought into these are fun, as much as i think making tweaks depending on how i’m feeling is fun.

with ALL OF THIS IN MIND… i bid thee, reader, adieu! i hope you enjoyed my ramblings! id love to hear your own thoughts about all this and feel free to ask me questions about characters i haven’t mentioned here, an aspect you’re curious about, or anything at all! hopefully it made sense! (and if you wish to and are feeling either exceptionally charitable or exceptionally inspired, i give my express permission to draw all these, just please @ me so i can see it! i’m bad at social media so i don't like, check tags and stuff.)

:-) <3

cant talk rn obsessed over the design concept of this 2017 production of pinocchio as a stage play where pinocchio is the only character played by a human actor and the rest of the cast are portrayed as puppets ,,,

what some players think the occultist is like: -evil -religious extremist -time for my 4:00 human sacrifice brb -praise cthulhu!! -ending the world is cool and good and your confusion about why someone who thinks ending the world is cool and good is even on the team is definitely not a sign of being mistaken what the occultist’s barks and campfire dialogues are actually like: -i’m a university professor with tenure and still haven’t paid off my student loans -who wants to sing some super cool CAMPFIRE SONGS?! - /stupid teacher quips -god is evil, humans rule and monsters drool, come at me you eldritch FUCK i will yeet your malformed ass back to the VOID YOU SPAWNED FROM you little BITCH -oh fuck oh fuck why did i have the hubris to think i could play games with star-satan and win, curse my lack of genre awareness -HELP I’M SEALED WITHIN THIS MORTAL FLESH PRISON AND I HATE IT HERE. STOP SINGING HIS STUPID SONGS! YOU’RE JUST ENCOURAGING HIM! -whoops it got weird for a minute but it’s all out of my system now, brb making dramatic speeches about the united human intellect -i’m too old for this shit :| what the occultist’s hero shrine story is actually like: -yes hello my hubris led me to make only the worst life choices and i’m not allowed to host book club anymore