Overwatch Designers: Astrophysicists Like Siebren De Kuiper Wear Cool Ass Heavy-duty Lab Coats While

Overwatch designers: Astrophysicists like Siebren de Kuiper wear cool ass heavy-duty lab coats while they're working with math for some reason

Me, an intellectual who was a physics major for one (1) semester: You know damn well Siebren de Kuiper spent a majority of his time working in khaki shorts and tshirts with shitty physics puns while in a constant state of looking like he woke up 5 minutes ago

More Posts from Khayltille and Others

7 months ago

"the malfoys and snape only tolerated each other for political gain and he hated the family actually" : boring, no angst, cliche, makes snape's decision have no emotional stakes

"the malfoys and snape trusted each other despite everything largely bc they met very young, snape challenges their pre conceived notions on basically everything but they treat him like family regardless, meaning that snape betrayed the (bad) people who gave him a home for the ("good") people that mocked and abused him his whole life": insane, appealing, lucius being a reluctant big brother, snape being dracos godparent, emotional stakes through the roof, post war lucius grappling w the fact his bsf betrayed him, that he was the one to lead him to his death yet lucius still loves him bc he saw him as his little brother


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1 year ago

Sans is a Darkner Theory (MASTERPOST)

I know that this theory has been touched on before, but I’d like to compile all the evidence from the original post with some additional stuff I found relevant into a single comprehensive post. To preface this, I would like to remind everyone that the merchandise based on Sans isn’t canon and that though Deltarune isn’t a direct sequel to Undertale, the Deltarune FAQ confirms that connections between the two are not precluded.

I’m going to divide this theory into three parts because I want to cover all my bases and there is an extensive amount of evidence, so without further ado, let me introduce you to my completely self-indulgent crazed ramblings!

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WARNING: This is very long. Also, a bunch of speculation here so read at your own discretion.

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1 year ago

i will never forgive popular UT fanon for using chara as a scapegoat in the genocide run and making "sans recognizes them and attacks them on sight regardless of what run they're in" headcanons so pervasive.

mostly because "restless spirit of a long dead child who's obsessed with the concept of cosmic retribution and facing consequences for your actions" + "guy whose job is just that but he treats it on par with his hot dog sidegig" is potentially one of the most hysterical dynamics you could come up with

1 year ago
I Wanted Reblog This Post With Tages.

i wanted reblog this post with tages.

Let us be brutally honest with ourselves and with eachother for a moment. If he weren't obese you motherfuckers would be capable of percieving evrart claires sexy sexy moral ambiguity and complex charms

1 year ago

this is so good......

WHAT LURKS BENEATH Comic

It's the spooky season...! To celebrate, please enjoy this 7-page horror comic featuring Brook that I made for "WHAT LURKS BENEATH", a One Piece horror zine full of incredible talent. After sales are only open until the end of October so please consider checking it out and grabbing a digital copy absolutely PACKED with amazing art & stories, and some of the nicest merch I've seen from a zine!

The Thousand Sunny is silhouetted against a stormy sea. Brook: "Stormy seas and dark clouds are no cause to frown - come pick your noise-maker and let's boogie down!" Usopp with a banjo: "Be real with us Brook, something doesn't make sense!" Chopper with a flute: "Do you swear you can play all these wild instruments?" Brook: "Cross my heart hope to die, were there one to be found- though it's not half as hard as you're making it sound. Given time any bonehead can learn any part, and time did I have on that grim Thriller Bark; Always gloomy, no sun, nor a moon, scarcely rain, so! To mark passing days I decided I'd train. I pledged I would master the tools of my crew-!" He stage-whispers to the boys: "Though step number one was divining who's who." In a flashback, Brook plays a wind instrument by a skeleton. "Clarinet means it's Charlie; Oboe, and it's Chet." He plays a note. "An old English horn? But that means..." He shakes the skeleton and yells, "Bernadette!?"
Brook borrows Chopper's flute. "I practiced and practiced, and practiced some more! Every tune I knew soon back to front without flaw." He dances while playing the flute. "Fingers worked to the bone til I couldn't deny;" he pauses, arms lowering. Fog has started to enter his frame. "I had learned all I could. It was time for goodbye." He looks down at a long-haired skeleton in a tattered dress. "I'd retire each piece with its player below." Brook's words appear on a sheet of music paper along with shadows of his bony hands tying strings around a wide variety of instruments. He has now tied the flute to the skeleton with a red string and carries her through the fog and drops her over the side of the ship into the ocean. In the present day, Sanji and Robin watch in perturbed silence. Brook continues - "Though it seemed to these eyes not all wanted to go." A haunted long-haired face blending skeleton and flesh takes one last fearful look at Brook as it sinks below the waves.
Brook gazes emptily down against a foggy sky. "As captain, I ought to have joined them." Several bony hands appear to claw at him from the choppy sea. "I stayed. Like the piper in convoy of rats, on I played, and prayed to the devil whose fruit I'd dared eat, 'If I'm never to wake from this dream, may I sleep?'" He imagines himself as a human again, trapped on the ocean floor, straddled by the skeleton of his old captain Yorki who taunts him with his own violin, other skeletan crewmates and band members dancing behind them amongst coral and seaweed like orange licking flames. "But I feared I would pay tenfold more if I tried it, in the dark, and the deep, and the deafening..."
"Quiet." Brook alone is in the same position as before, now a skeleton pinned to the ocean floor by his devil fruit, his tattered violin resting on his chest. The seaweed is inky black around him and the darkness of the composition surrounds the singular word "quiet", emphasising how utterly alone he is. The panel fades into his tattered shoes and legs standing on the railing of his old ship, violin held loosely in his hand, the torn sails flapping amidst the fog surrounding him and obscuring almost everything. "But I waited. And waited. For what, I can't say."
Technicolour panels overlay different sections of Brook's skull, showing what expressions he might be showing if he still had a face; a forehead wrinkled in agony, eyes wide in a thousand yard stare, cheeks split in laughter, a chin dimpled and streaked with tears; "In that miserable twilight between night and day. No world beyond fog, nothing left that could prove -" A singular panel cutting back to the present day shows Nami, Luffy, Usopp, and Zoro all watching him with varying looks of apprehension and horror, but Brook continues unbothered - "If I wasn't some needle left spun in its groove!" In Brook's memory he turns around and sees a figure emerging through the fog; as he recognises it as Yorki his flesh seems to return and he jumps down from the railing back to the deck, running towards him with joy; "Words heard on the wind, in an endless refrain."
Brook breaks through the fog on the ghost ship into a clearing of rain that immediately soaks through his clothes and breaks his illusion, returning him to a skeleton. In the present day, too, Brook is also silent, contemplative, everyone else watching him. He remembers looking up at the drops pouring from the sky under the torn sails of the Dutchman, and looks out the Thousand Sunny's port hole at the storm, tapping the flute against the glass. "Forgive me, I err," he says.
A double-page spread finishes the comic on a single shot of Brook soaked in the storm back on the Dutchman and he finishes his poem - "On occasion, it rained." Water is pooling and spilling from his empty eye sockets and down his skull to give the impression that he's crying, even though he has lost the ability to actually emote as such.

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6 months ago

More recent WHA art!!!! + other stuff ^_^

More Recent WHA Art!!!! + Other Stuff ^_^
More Recent WHA Art!!!! + Other Stuff ^_^
More Recent WHA Art!!!! + Other Stuff ^_^
More Recent WHA Art!!!! + Other Stuff ^_^
More Recent WHA Art!!!! + Other Stuff ^_^
More Recent WHA Art!!!! + Other Stuff ^_^


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1 year ago
The AU-blog Ankh-Morpork University Is On Summer Hiatus, But I Couldn’t Resist Making Something For

The AU-blog Ankh-Morpork University is on summer hiatus, but I couldn’t resist making something for it and agentsandyquinn (whose art style I dearly love you should maybe follow them).

A la Colour of Magic, Rincewind has maybe kind of accidentally stolen the final exam answers, and is fleeing with his loyal Lug-gauge bike*, given to him by the exchange student Twoflower in his freshman year.

*Which is on a personal best this term of breaking seven legs of enterprising thieves, causing a few hundred shin bruises and severing one toe with the bike chain. This is a malicious bike ok. Rincewind always gets it back, because no one else can touch it without causing themselves injury.

1 year ago

The most striking thing about Papyrus (aside from his limitless positivity) is the fact that it is literally impossible to die in a fight against him. Even Toriel, who starts purposefully missing you once your health gets low enough, can accidentally kill you, but Papyrus? It is literally impossible. Papyrus has incredible control over his power! Wow, what a great and impressive skeleton. And, even though he could probably deal some legit damage to you on the murder run, his only action is to spare you, because he’s heckin worried about this little emotionless murder child.

A lot of people like swap aus where Sans is the one that dies and Papyrus is forced to shed his naivete and face you going all-out, which makes sense, but also, Papyrus is just so. Papyrus. I feel like if Papyrus had to be the final murder-run boss, it’d be more like, “After losing Sans, the world seems like a different place. I can’t imagine what you must’ve gone through for you to see the world the way you do.”

He only has one attack, but it’s a really long one and powerful one (kind of like Sans’ before his ‘special attack’), plus he talks during it, which would be pretty distracting. whenever he gets your hp down to 1, combat automatically stops and you’re ejected back into the judgement room. if you try to talk to him without healing, he’ll just say you’re too hurt - a gust of wind could knock you over! after you heal at the conveniently placed save point and go back to fight him, he has stuff to say about how you don’t have to be alone, you don’t have to do this, you might think there isn’t any good in you and it’s too late to change, but there is and it isn’t! After a few of those, he’ll talk about Undyne and Sans, and they always tried to help him, even when they thought he wouldn’t notice. He’s got a ton of stories about that. After he says his piece there’s an option to either fight or don’t fight, and every time you pick fight he looks disappointed, but he goes all out. He’s always able to be spared.

if you survive his attack, he goes down in one hit. his last words would probably be an apology, even though he tried really hard he still couldn’t show you a better path

1 year ago

Was Reed’s dad shitty?

Oh, he is INCREDIBLY shitty. But it’s important to understand the specific type of shitty Nathaniel is because a lot of who Reed chooses to be as a father and husband is in direct opposition to Nathaniel and his truly terrible parenting choices. If Nathaniel ever has to choose between the greater good and his own son/his son’s emotional well-being, he’ll always choose the greater good. So Reed is determined to be a great, present, caring dad and husband and to always put his family first because he knows how much it fucking hurts when your dad DOESN’T put you first. This is why it annoys me so much when people try to argue that Reed cares more about science and the greater good than his wife and kids….no. That is his father. Reed goes to great lengths NOT to treat his wife and kids that way because he knows firsthand how much it hurts. For Reed, family comes first, before anything. And he has ACTUALLY SAID that his dad is why in canon, in this letter he wrote to Sue the day he became a father:

I want to be a good father, Susan. The best! I want to have a close and loving relationship with my son. The kind I could never quite achieve with my own father! But I’m going to need help. You’ve always been the stronger and more focused one of us, and I’ll forever count on you to keep me on track.

Fantastic Four: The Legend (x)

It annoys me when people ignore this. But anyway, time for:

THE STORY OF NATHANIEL RICHARDS, AKA HOW TO CONSTANTLY ABANDON, DISAPPOINT, AND ALIENATE YOUR FAMILY

Reed’s mother died when he was about seven years old. Meaning that Nathaniel is Reed’s only surviving parent, for all the good it’s done him. Nathaniel stuck around for a couple of years after his wife’s death, but then he began his lifelong habit of abandoning his son when he joined the Brotherhood of the Shield and ran off to protect time and the universe with Howard Stark, another shitty dad (although Howard just straight-up faked his death and said he was never coming back while Nathaniel at least felt bad about abandoning his teenage son…but also he still abandoned him). Nathaniel gives Reed a bullshit speech before he goes about how he wants Reed to be a better man and father than he is, which basically boils down to “do as I say, not as I do, aka I know abandoning you to protect the world is wrong but I’m gonna do it anyway.” UGH. Little Reed clearly is not okay with his dad leaving, possibly forever. His dad goes anyway. From Fantastic Four v1 #572:

Was Reed’s Dad Shitty?

Hickman’s Nathaniel, for the record, is largely considered the best/nicest version, and look at him…HE IS STILL AN ASSHOLE.

Cut for length.

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