Hey Did You Know I Keep A Google Drive Folder With Linguistics And Language Books  that I Try To Update

okay hey real question: what are good ways to describe fat characters?

I see a lot of 'have more fat characters' and I'm Here For It but as someone who is skinny and in a world where most existing literature makes characters fat only as a joke or an indication of some variety of moral badness, I'm not really sure how to describe them in a way that's not objectifying or insulting. like, I've grown up on poetic descriptions of thin characters ('long slim fingers' and 'willow figure' etc etc) but I haven't read flattering descriptions of fat characters and I don't know where to start. I've seen a lot of 'how to describe poc' or 'how to describe disabled characters' or whatever and I've seen art ref posts for drawing fat characters, but no posts about how to write them well. so. open call for advice or for examples you've found and like??

a list of 100+ buildings to put in your fantasy town

academy

adventurer's guild

alchemist

apiary

apothecary

aquarium

armory

art gallery

bakery

bank

barber

barracks

bathhouse

blacksmith

boathouse

book store

bookbinder

botanical garden

brothel

butcher

carpenter

cartographer

casino

castle

cobbler

coffee shop

council chamber

court house

crypt for the noble family

dentist

distillery

docks

dovecot

dyer

embassy

farmer's market

fighting pit

fishmonger

fortune teller

gallows

gatehouse

general store

graveyard

greenhouses

guard post

guildhall

gymnasium

haberdashery

haunted house

hedge maze

herbalist

hospice

hospital

house for sale

inn

jail

jeweller

kindergarten

leatherworker

library

locksmith

mail courier

manor house

market

mayor's house

monastery

morgue

museum

music shop

observatory

orchard

orphanage

outhouse

paper maker

pawnshop

pet shop

potion shop

potter

printmaker

quest board

residence

restricted zone

sawmill

school

scribe

sewer entrance

sheriff's office

shrine

silversmith

spa

speakeasy

spice merchant

sports stadium

stables

street market

tailor

tannery

tavern

tax collector

tea house

temple

textile shop

theatre

thieves guild

thrift store

tinker's workshop

town crier post

town square

townhall

toy store

trinket shop

warehouse

watchtower

water mill

weaver

well

windmill

wishing well

wizard tower

Update: I just overheard a coworker say “what she’s wearing is gonna be the dress code to my funeral. I want it to be the most dramatic thing, rain and umbrellas and the whole shebang”

I don’t like to interrupt people and so if someone is having a conversation while standing in the way of something I need I’ll just tend to awkwardly stand there until they move or notice me. This is also how I end up accidentally eavesdropping on really strange and/or important conversations which makes it even more awkward and I just.......

“What is it that the child has to teach?

The child naively believes that everything should be fair and everyone should be honest, that only good should prevail, that everybody should have what they want and there should be no pain or sadness. The child believes the world should be perfect and is outraged to discover it is not.

And the child is right.”

— Rabbi Tzvi Freeman

So you want to learn to swordfight.

The most common question I see in historical fencing forums and on social media is "how do you get into HEMA?"

If you're like "what's HEMA?" -- that's Historical European Martial Arts -- it's the study and recreation of historical martial arts through weapons manuals written at the time! Many people take a scholarly approach to it -- focused on reading and recreating martial systems -- but many take a sport approach, because martial techniques are designed to be used martially! This means we're fencing -- swordfighting! Think Olympic fencing with bigger swords and slightly different rules, and more colorful gear. In this post, I will be more focused on how to get into the sporty, competition-focused side of the hobby.

Historical Fencing is a martial art! This is a really common confusion from folks who are more familiar with more well-known sword-loving communities. It's not LARPING (though I love a good LARP) -- we aren't playing characters or scenarios, and we don't dress up (usually-- rapier fencers love poofy pants, lol). It's not stage combat or SCA (although there's some community overlap)-- most of us are less interested in recreating periods or aesthetics from history than we are in learning to fence, and compete, with our weapons of choice. Although LARPing, SCA, and stage combat are all cousin hobbies to WMA, the closest analogue to Historical Fencing as a hobby is... Modern Fencing! Kendo and blade-focused Eastern Martial arts, like Kenjutsu, are also much more like historical fencing than SCA is.

Whether you're considering starting longsword fencing because your favorite author uses it as a reference, rapier fencing because it's the coolest weapon in your favorite video game, or just because you think it'd be sick as hell (it is), here's a (noncomprehensive) FAQ for becoming your very own sword lesbian/broadsword bisexual/greatsword gay/spear queer.

I don't know if there are any classes near me, where do I look?

The best place to start is the Hema Alliance Club Finder. You can use it to look up classes and sparring groups in your immediate geographic area.

2. The Club closest to me doesn't offer the weapon I'm interested in. Should I still go?

Yes. Most clubs are "longsword" clubs, but it’s really rare to find a historical fencer that exclusively fences a single system or weapon. Even if nobody at the club fences the system you're interested in, you can 1) probably talk them into it and 2)fencing not-your-weapon will still make you better at your-weapon. My club is a "longsword" club, but we have fencers who regularly do saber, rapier, rapier and dagger, messer, messer and buckler, side sword and buckler, katana, broadsword, spear, and even montante (greatsword). Just ask!

3) The nearest club is too far away. Can I learn just by studying manuals online?

Yes and no. I don’t recommend doing lots of solo practice without having attended a class. It's a good way to engrain bad habits, as well as avoid fencing altogether ("i cant spar yet, my form isn't perfect/ive learned bad habits" or worse, "i don’t need to spar, i know all the manuals inside and out"). This is a really important point: LEARNING TO MOVE A SPECIFIC WEAPON IS LESS THAN 30% OF FENCING, and you will be moving through guards and forms like a pro with only a few months of intentional practice. Your cut form can be picture-perfect and you will still get wrecked in a bout if you don't have experience. Most of fencing is understanding timing, distance, your psychology and your opponent's, and knowing from experience which positions you can get to from what other positions. You can only learn to fence by... fencing. Now, if your thing is studying arms manuals and replicating them picture-perfect, which some people are into, more power to you! But it won't be winning you any tournaments, and I am writing this assuming you want to do the sporty/swordfighty side of things.

4) wait, there are books on swordfighting?

Yes. Check Wiktenauer. Most of them are free. My club does Joachim Meyer; Fiore and Lichtenauer are also fairly common for longsword.

5) I really can't get to classes, though. Am I just out of luck?

Is there an Olympic fencing group nearby? How about lightsaber fencing? No, seriously. Kendo? Boxing? All of these things train the exact skills that are difficult to learn in HEMA fencing -- distance, timing, reaction speed, fight psychology. Some of the best beginners I've ever sparred came from lightsaber, or kendo. If there is no group nearby at all, pick up a copy of Meyer's art of combat and a 12-inch length of steel pipe (it's the same weight as a longsword) to learn how to move the sword (do NOT hit people with this, oh my god), go to kendo for a few months, and you'll be in decent shape for WMA sparring when you can get to a group.

The reason HEMA is fun is because of the community! Even if it's a really intense commute, try to make it to class at least once or twice. You will enjoy it more, you will learn more, and you will fence better. Don't just do it all on your own! Most of the people in these groups have fallen into the common mistakes so YOU don't have to. Utilize them!

6) What do I do if there are no people to spar with nearby?

Why don't you start a group? Purpleheart armory sells foam swords for like $50 each. Get some friends, get everybody a mask and a boffer and get to it! This is how HEMA as a hobby started -- people messing around with foam trainers and a copy of a 16th century arms manual.

6.5) I'm sparring outside of a club -- should we use synthetics, wood, or steel?

Dude, just use foam until you can get a complete steel kit. Keep in mind: synthetics can be as dangerous as steel, wood is MORE dangerous than steel, and steel requires full safety kit for full speed sparring. Don't break your fingers because you wanted to look cool. These things HURT, and can cause serious injury unless used with intention.

7) should I buy a sword?

If you're with a HEMA school, they will have their own cadence for buying gear, and the sword is usually the last thing you get. You should only buy a federschwert (training sword) once you know your style and sword preference. If you're not following a club cadence or planning to attend a tournament, Do Not buy a steel weapon. A full steel spar kit costs like $800 dollars, and without a full safety kit all you have is a $300 wall ornament nobody can use.

And don't buy a blunt, please. Beginners love blunts because they look like "real swords". They also break bones. Federschwerts are standard in the community and nobody is going to think you’re cool for showing up with a weapon designed to snap someone's humerus in half. If you're that twisted about it, Sigi forge sells schiltless feders that look like "real" swords (a feder is a real sword, but I digress).

8) what safety gear should I buy?

Every club and tournament has its own recommendations. Look at the Mid-Continental HEMA Open rules for a very standard list of gear reqs for a reputable tournament. Generally, in this order, it's:

-mask (don't point a sword at anyone without one of these on)

-chest plastron (for preventing unfortunate accidents that might send shards through the lungs)

-gorget (rigid or semi-rigid)

-hardshell gloves (don't do lacrosse gloves or other soft gloves for longsword, you'll break your fingers)

-puncture-resistant jacket

-forearms/elbows

-shins/knees

-back of head protector (concussions bad)

-pants/skirt

-sword

I probably missed something but these are the most common questions-- fellow HEMAists or interested parties, lmk if I missed anything! Happy fencing!

Want to learn something new in 2022??

Absolute beginner adult ballet series (fabulous beginning teacher)

40 piano lessons for beginners (some of the best explanations for piano I’ve ever seen)

Excellent basic crochet video series

Basic knitting (probably the best how to knit video out there)

Pre-Free Figure Skate Levels A-D guides and practice activities (each video builds up with exercises to the actual moves!)

How to draw character faces video (very funny, surprisingly instructive?)

Another drawing character faces video

Literally my favorite art pose hack

Tutorial of how to make a whole ass Stardew Valley esque farming game in Gamemaker Studios 2??

Introduction to flying small aircrafts

French/Dutch/Fishtail braiding

Playing the guitar for beginners (well paced and excellent instructor)

Playing the violin for beginners (really good practical tips mixed in)

Color theory in digital art (not of the children’s hospital variety)

Retake classes you hated but now there’s zero stakes:

Calculus 1 (full semester class)

Learn basic statistics (free textbook)

Introduction to college physics (free textbook)

Introduction to accounting (free textbook)

Learn a language:

Ancient Greek

Latin

Spanish

German

Japanese (grammar guide) (for dummies)

French

Russian (pretty good cyrillic guide!)

you don’t need purity in the material you consume

you have a brain, you are capable of critical thinking, you can sift through the material and keep what is edifying for you and discard what isn’t

flaws don’t necessarily make material worthless

Writing advice you're not going to like.

People sometimes send me Asks wanting writing advice.  I suck at it.  I don’t really know how I do the writing, or how one should do the writing, or what one should do to get better at the writing.  All I can ever think to say is “write a lot of stuff and you will get better at the writing.”  Which is true, but hardly a bolt from the sky.

Well, as it turns out, I do have one piece of Legit Writing Advice, and I am going to share it with you, right now.  If you were in any of my writing workshop groups at a con, you’ve heard this advice already.

Warning: you’re going to fucking hate it.  But if you do it, you will thank me.

If you have a piece of fiction you’re serious about, something you might want to actually shop around, or just something you really are into and want to make it as good as you can…do NOT edit it.

Repeat.  DO NOT EDIT.

REWRITE.

As in, print out the whole fucking thing and re-enter it, every word (or use two screens).  Retype the whole thing.  Recreate it from the ground up using your first draft as a template.  Start with a blank page and re-enter every. single. word.

I hear you screaming.  OH MY GOD THAT’S INSANE.

Yes.  Yes, it is.

It is also the most powerful thing you will ever do for a piece of fiction that you are serious about.

Now, let’s get real.  I don’t do this for most things.  I don’t do it for my fanfiction.  But if it’s something original, something I might like to get to a professional level - I do it.  You absolutely COULD do it for fanfiction.  It’s just up to you and how much time you want to sink into a piece.

You can edit, sure.  But you WILL NOT get down to the level of change that needs to happen in a second draft.  You will let things slide.  Your eyes will miss things.  You will say “eh, good enough.”

The first time I did this, on someone else’s advice, I was dubious.  Within two pages, I was saying WHY HAVE I NOT BEEN DOING THIS ALL THE TIME.  I was amazed at how much change was happening.  By the time I got to the end, I had an entirely different novel than the one I’d started with.  When you’re already re-entering every single word, it’s easy to make deep changes.  You’ll reformat sentences, you’ll switch phrases around, you’ll massage your word choice.  You’ll discover whole paragraphs that don’t need to be there at all because they became redundant.  You’ll find dialogue exchanges that need reimagining.  Whole plot points will suddenly be different, whole story arcs will reveal their flaws and get re-drawn.

You cannot get down to the fundamental level of change that’s required just by editing an existing document.  You have to rebuild it if you really want your story to evolve.  You will be AMAZED at the difference it will make.

It will take time.  It will seem like a huge, Herculean task.  I’m not saying it’s easy.  It isn’t.  But it is absolutely revolutionary.

Try it.  I promise, you will see what I mean.

*PSA: Tipsy!Lori wrote this post.  In case you couldn’t tell.

not 2 be corny but. sometimes i think my purpose on this earth is to love people, make them laugh, be kind and share joy. that feels like enough to me sometimes

I personally wanna see less 'you are not a burden/it's not work to love you' and more 'you are worth the work it takes to love you.' I KNOW I'm a burden sometimes. that isn't such a terrible thing! humans are strong. we can carry burdens. and it is work for me to be there for my friends, but it's work I'm willing to do.

we need to acknowledge this because pretending love isn't work will never make people like me feel less guilty for accepting love. we need to talk about it so people don't feel bad for having boundaries and not always being up to do the work. we need to accept it so we can properly appreciate what others do for us and what we're doing for them.

yes it does take work to love you. but guess what? you still deserve love, and you deserve people who are willing to do the work to love you. it doesn't make you bad. all love take work. and everyone is worth it.