Jack Kirby really cooked with the idea of the Anti-Life Equation, i.e. the concept that the opposite of life isn't death, but rather complete and irrevocable enslavement to another's will - that by giving up your ability to make your own choices you have died a far greater death than any your body could suffer.
And then subsequent writers just looked at the word "Anti-Life" and assumed it just meant killing a lot of people.
the fact that so many ppl view slurs and oppression as cool exclusive clubs to claim access to, tells me a lot of ppl have never genuinely experienced violence before.
I bought a nice storage box at an estate sale without looking inside, and it was full of 8mm home videos.
It should be the start of a horror movie, and it kind of is, in the way that we see the past.
The films were made by a young, rural father throughout the 40s-50s filming in excessive and loving detail his baby son and homely but sweet-looking wife. The things that he chose to film belie this idea of “traditional family values” and masculinity, especially in the American and Canadian West (it’s unclear what side of the border they were living on.)
This young man was trying creative and artistic ideas with his hobby (his camera), like filming his wife doing her hair through the mirror, lots of landscapes, and flowers growing in their tiny garden.
The thing that struck me so much was the complete adoration of his family, in a way that might not be “50s Dad-Husband.” He’s spending hours of film taking care of and documenting teaching his son to garden. He sets up the camera to film himself and his wife laughing while doing the dishes. He gives her a gag gift of an apron for Christmas and she throws it at him while laughing. Her real present was a pair of hiking boots, which she is adorably delighted by.
This family was working poor, with a tiny rural house, and the home films capture warts and all. Instead of “Leave It To Beaver” dynamics, we have a family who should embody what people think of as the worst (or best) of 50s families, but absolutely do not.
The 50s weren’t the glossy advertising version that conservatives want to “return to”. This family was poor, and the camera was clearly the one hobby that the husband allowed himself. The young parents are delighted but exhausted. They are sharing housework. The homely but adorable young mother has terribly crooked teeth and wears overalls in the garden. Dinner parties include a surprisingly diverse group of friends.
I think the estate sale was after the death of the (now elderly) little boy in the films.
We can’t go back to an era that didn’t exist in the way that we assume it did. Even the 50s were full of complex and interesting people who weren’t just Suzy Homemakers and Pipe-smoking Fathers.
My point is that history is more complicated than we think. We can’t go back to a world that only existed in advertisements, and there were people living and loving each other throughout history.
I was struck by how much this young father loved his family and was so invested in his child and partner. He wouldn’t fit into any “traditional masculinity” molds, but he was delighted by his camera and capturing the things important to him. I’m so glad that I got to see his life through his eyes.
Next time you're around when the mail gets delivered, ask your delivery person if they're understaffed or not.
But don't hold them up too much, they have a lot of work to do.
good things will happen 🧿
things that are meant to be will fall into place 🧿
Once you admit capitalism is a problem, the answers and alternatives are easier to digest.
Too many people are afraid to admit capitalism is killing us and destroying the planet.
if sinners (2025) taught me anything, it's that it IS actually always about race.
you can be oppressed, and still promote and maintain the very same systems of oppression onto other marginalized people. being oppressed in one dimension doesn't allow you to be exempt from oppressing in other dimensions. the "villain" of the movie, remmick, being from the time period of the english colonization of ireland, all the while wanting to take a piece of sammie's own culture from him, use him for it. and this plot point coming after remmick witnesses the significance of sammie's playing within his culture, for his ancestors and how it would shape Black culture in the future.
even in today's society, ive noticed that people treat Black people like a commodity. our worth is only as much as other people decide it to be, and that's usually dependent on how much the oppressor can take from us. for example, the controversy of"internet slang" and how it is blatantly just AAVE with a bad disguise on
do you listen to Black musicians? do you watch Black movies? do you engage with Black creators? do you defend the racist tendencies you notice in your friends, in your family, or do you stay silent? do you listen when Black people tell you you've said or done something racist? do you actually care about not being racist, or do you just not want to look like you're racist?
i just think people have a very specific take on what racism is, and that if they're not committing KKK-levels of violence on people, then they're not racist. or if you've experienced oppression in one form, you cannot possibly be engaging with oppression in another form. but the ways in which we interact with other people and the world will always be through the lens of race, because that is simply what it means for oppression to be systemic, especially in the US and our current political climate
anyway 10/10 movie. highly recommend
Reading rahaeli's bsky feed is an education in itself. I did not realize it was so common for undercover agents to join even harmless social activism groups and try to encourage people to do things they could be arrested for. The song has about a dozen verses, all of them based on incidents that resulted in felony charges o.O
The whole thread is very worth reading, especially since the incoming administration has been been very clear that they want to criminalize being trans or supporting trans rights. (Among other things.)
David Lynch just passed. If everyone could spend the next few weeks becoming a little more offbeat, a little more in touch with the strangeness of our world, maybe we could begin to replace the massive void he leaves. We may not see another artist like him reach prominence within our lifetimes, so please go out and search, in the world and in yourself. Embody the truth, lead with love, hold the hands of those outstretched to you, and go as far as you can, no matter how deep and how dark, face it with love.