I'm having a hard idea coming up with an exact point, but I want to talk a bit about my field of expertise. I have a master's degree in history and work in a museum. I know so many people who are leaving the museum field (or who never got in) because it's extremely underfunded so people are overworked and underpaid. Budgets are precarious so most people are working contract to contract because institutions simply can't commit to hiring people permanently. MANY museums have one person doing the work of 3-5 people and they're making little over minimum wage. Burnout is a huge issue.
I hit the jackpot when I snagged a permanent full time position in a museum with a relatively healthy workplace culture. I make just enough to make ends meet and pay my student loans, and that's more than I can say for most of the people my age I know in the museum field.
But people constantly complain that our museum is only open 8 hours a day, six days a week, that we don't offer more public programs, that we don't have more exhibit changes. Meanwhile our budget, which comes from the government, has been status quo for almost a decade. That means we have the same budget now as we did ten years ago, even as the cost of utilities, staff, insurance, everything had increased. My museum is running on what is essentially a skeleton staff. We need 12 more people to have a comfortable distribution of duties and 23 to reach our full potential. (We have 24 permanent staff so we essentially need to double our work force).
People want their museums (and their libraries and art galleries and many other institutions) to offer endless, cutting edge services but they aren't willing to pay a small tax hike to fund them. People honestly think it's perfectly reasonable to expect a museum to expand its services when its budget has essentially been cut every year for a decade.
Museum exhibits and programs don't appear out of thin air. They take weeks, months, sometimes years of research, writing, conservation work, graphic design, and community consultations. Before they even start to be installed! The people behind each of these parts have specialized education and training. And most of them are making a bit over minimum wage if they're lucky.
People work in museums because we're passionate about them, but that doesn't pay the bills! People love their local museums until it's time to fund them. People love to complain about what their museum isn't offering but grumble and groan when a museum tries to fundraise from its community.
Basically if you want cultural institutions in your community you need to support them! If you can't donate, visit! TONS of museum grants are based on the number of feet through the door. If a local museum admission fee is too high for you to access, find out which level of government funds it and write to that representative. (Also see if your museum has days with reduced or free admission or if you can rent a membership from your local library, libraries renting out memberships to museums and galleries is becoming more and more common).
This is a very winding post and idk what I was aiming for but I needed to get it out.
More of that punk Russian twerp.
Check out my new Voltron Fic!
In an attempt to get the Red Paladin to be more Galra, he and another paladin are captured. He is forced to watch them torture Blue, so that he’ll get angry and resort to instincts. No matter how much Lance pretends to be okay, Keith knows it’s not really okay, and knows there’s nothing he can do but watch helplessly.
My first fic in ages, hope you guys check it out!
Munday guessing game. Can you guess the muns…
Age?
Favorite show?
Favorite movie?
Favorite book?
Height?
Time they usually go to bed?
Time zone?
Relationship status?
Gender?
Sexuality?
OTP?
NOTP
Favorite character?
Least Favorite character?
Favorite Song?
Favorite band/artist?
anything else you can think of
So I might have kinda broken my ankle, lol rip me. I might have also have done so by slipping on the top of the stairs of the bus and fell down the stairs and landed sitting on my ankle. Also, I might have walked around on it all day yesterday not knowing it was more than a sprain, with a forensics meet and everything. So yeah, rip me, lol.
This year rereading the Book of Ruth I've been making sure to contextualize her within the rest of Tanakh. She's a beautiful little romance in isolation and a pointed moral commentary about sexual accountability in conversation with Genesis. In fact, she's a better romantic text if you deliberately read her in response to Genesis.
Ruth is a descendant of Moab and Boaz is a descendant of Judah. That two people from these specific families meet and marry is no literary/theological accident, since Genesis stans will immediately remember that both bloodlines are born from a sexual crime.
The man Moab for whom the nation is named was conceived by rape-incest, Lot's daughter mounting him when he is drunk. (Genesis 19) While the moral lesson of that sordid episode is complex and murky, the horror is blatant.
Boaz is the great-great-great-grandson of Peretz, who was conceived by Judah sleeping with his disguised daughter-in-law Tamar. (Genesis 38) Judah condemns her as a harlot to be burned, and though he cancels the death penalty once he realizes he is the father, the Biblical author is clear that he has all the power, responsibility, and blame in the situation.
In both cases, a child is born from a man and his daughter figure having sex. Leviticus 19 is explicit that such a relationship is forbidden. (Remember that Biblical law makes an immoral act an illegal one.) Both women acted from desperation in trying to conceive an heir but explanation is not excuse, especially since neither man knowingly consented to the act.
One might think, in a society obsessed with lineage and legitimate inheritance, that Moab and Peretz would be cursed morally and socially for their parents's sin, that their children's children would still bear the shame. But the Book of Ruth upends that expectation by having their descendents act with such morality that they merit the kingdom and the future Messianic dynasty.
When Boaz marries Ruth, he is technically fulfilling an esoteric Biblical inheritance law called yibum, honoring his dead relative Mahlon by marrying his childless widow so that Mahlon will have an heir. All very formal and proper, except that absolutely none of their contemporaries should have expected them to bother! Ruth isn't Jewish, so why should she care about property she's not allowed to access? (Marrying a Moabite woman was also illegal.) Naomi is explicit about releasing Ruth from any obligation she might feel. And Boaz is a wealthy, established community leader who's not even a close relative, so why would he marry Mahlon's goyische ex? The sexual ethics laws don't apply here, no one would notice if they just fucked.
Ruth and Boaz's meet-cute, therefore, is neither just a love story (against all odds!!) nor just a creative case study on how to apply weird property laws. When Ruth slips into Boaz's bed in the middle of the night, the Biblical audience can reasonably expect another murky sexcapade, like in Genesis. Nothing new under the sun, right? Just another desperate woman taking advantage of an oblivious powerful man to secure her survival.
INSTEAD, we get a compassionate, gentle scene where the couple not only does not sleep together, Boaz promises to marry her. In the dark, on the floor, in the middle of the harvest season, two kindred spirits open their hearts and hopes and trust each other to honor their promises the morning after. Your faves could never.
In Jewish tradition, we usually classify yibum as redemption, ie Boaz redeeming Mahlon's property and inheritance. But before the property redemption in front of the court, there was a moral redemption, made in private with no witnesses but the sacks of grain and the LORD.
Ruth and Boaz remind us that consent and dignity are always beautiful and romantic. We respect our sexual partners because it is right, not in expectation of reward or applause. And when we do, we can blot out the memory of any ancestral crimes. The generational trauma is ended, and love & trust will merit the World To Come.
Happy Shavuot!
In an attempt to get the Red Paladin to be more Galra, he and another paladin are captured. He is forced to watch them torture Blue, so that he’ll get angry and resort to instincts. No matter how much Lance pretends to be okay, Keith knows it’s not really okay, and knows there’s nothing he can do but watch helplessly.
My first fic in ages, hope you guys check it out!
You know how fantasy worlds are almost always based on (mostly Central and Northern) European Medieval aesthetic and folklore?
For a while I’ve been thinking that if we had a fantasy world made here, it would be interesting to have it be inspired by Modernisme (the Catalan artistic movement from the late 19th century - early 20th century). I mean, look at this and tell me it doesn’t have potential:
Interior of the Sagrada Família basilica, Barcelona. The stained glass in different sides of the temple are different colours, so the light changes colour depending on the hour of the day. (Photo sources x x)
Illa de la Discòrdia, Barcelona. x
Benches in Parc Güell (Barcelona), made with the “trencadís”, the typical mosaic used in many of Antoni Gaudí’s works (he’s one of the most famous Modernist architects, and one of the most famous Catalan architects of all times too). x
A hall in Hospital de Sant Pau, Barcelona. x
Ceiling of Palau de la Música Catalana, a concert hall in Barcelona.
Lots of these things. This one is in Argentona (Catalonia, too). x
And fashion would be like this:
Stained glass in Cerdanyola, Catalonia. x
Illustrations by Gaspar Camps.
More stained glass, now in Museu del Modernisme, Barcelona. x
Modernist jewels by Lluís Masriera (I’ve talked about Modernist jewels in this previous post). x
Even the furniture:
x
Interior of Casa Amatller in Barcelona. x.
Even in wood looked pretty.
x
And lots of cool windows inspired by nature!
And from outside
Olot, Catalonia. x.
And of course all kinds of windows. Light is important!
Torre Bellesguard. x.
Barcelona. x.
This ceiling in Palau Güell with holes to let light in. x.
And this lamp?? Also in Palau Güell. x.
Everything would have to be very curvy.
Casa Milà, Barcelona. x.
And shops
This bakery in Palma, Mallorca. x.
And I won’t begin with the tiles to not make the post longer…
What do you think?
And for people from other countries, what element in your culture do you think a fantasy world could be based on, aesthetically?
Hello! I'm Zeef! I have a degree in history and I like to ramble! I especially like the middle ages and renaissance eras of Europe, but I have other miscellaneous places I like too!
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