Concept: A streaming service releases a movie about a person caught in a time loop that ends not with breaking the time loop, but with the protagonist reaching peace with the new condition of their life, making a point of finding joy in small things and doing good works even if they don’t last.
It was a pretty good movie, so when you have a friend over who you think would like it, you watch the movie again. About 2/3 way through the movie, something starts feeling off. You didn’t exactly memorize the movie the first time, but it feels like some scenes are going differently. As the movie goes on, you become more and more certain that it’s not the same. The ending is definitely different. The protagonist still ends the film trapped in the time loop, but this time they’re in despair about it. This ending emphasizes the futility of trying to change controlling systems and the way people’s fundamental natures trap them in destructive cycles.
You’re initially shocked not to see the movie you expected, but you realize that it must have two alternate versions, shown either randomly or in some designated order depending on how many times you’ve viewed the film. You wonder if there’s more than two versions, so you watch it again.
Broadly speaking, it seems like the same film you watched the first time, but even though you can’t put your finger on any specific changes, it feels a bit different, like maybe the film’s editor used different takes. In the jubilant final scene, you realize that the protagonist isn’t wearing a snazzy leather jacket like you remember, but instead a button-down shirt with sleeves rolled up their forearms.
The fourth time you watch it, you get the grim ending again, except this time in the final scene the protagonist isn’t crying silently while staring into the distance, but wailing while covering their face with their hands.
The fifth viewing, the protagonist goes mad by the end, though the film is clear that they’re mad within a time loop rather than imagining a time loop due to madness. The sixth time, the mood of the ending is stoic resignation.
You finally get online to look for information about this film. There’s plenty of people talking about the film and its different versions. The streaming service has implemented some super-advanced anti-piracy technology, so no one can save clips, and even trying to use another device to film a tv showing the movie seems to just result in weird static. That makes it impossible for people to compare footage from their versions and figure out exactly how many there are, but it’s clear there are lots.
The director and cast did some publicity before the film was released, talking about the characters and the setting, but there was no mention of alternate versions. They haven’t done any press since the release. One person online claims to have run into the director at a Starbucks in Malibu and asked whether there were any alternate endings where the movie’s protagonist escapes the time loop.
“The structure of storytelling, at least as we understand it in Western culture, always calls for an ending,” the director said with a wink, then slipped out the door, clutching a triple-shot hazelnut latte. The online person reporting this encounter didn’t realize until too late that that wasn’t actually an answer.
You watch the movie again and again, usually several times a week. You take notes each time so you can better spot the differences. You start changing how you watch it: different times of day, on different devices, with different settings. Maybe there’s a trick to control which version you’ll get. It’s never exactly the same twice. (Just how long did they spend filming all these versions? You can’t find any information about the lead actors working on any new projects.) The repetition and lack of resolution are maddening, but every time you decide you’re done with watching this movie you only make it a few days before you give in and watch it again. You keep hoping to find the ending where the time loop breaks, but it never happens.
Finally, in frustration, you open a document on your computer. You stay up until 4 am furiously typing. Eventually you have it: a new version of the latter half of the movie where the protagonist successfully breaks the time loop. Your ending is true to both with the film’s worldbuilding and the protagonist’s character. It’s big and triumphant. You can’t remember the last time you felt so satisfied.
You go to sleep. The next day, you open up the streaming site. Your cursor lingers on the time loop movie you’ve watched so many times before, but instead you select a teen rom com that looks like it will take absolutely no narrative risks. You feel free.
The day after that, you have an idea for how the time loop film’s protagonist could break out of the loop in a super ridiculous way. Just thinking about it cracks you up. You don’t want to forget any part of this hilarious idea. You open another document and type it out.
Three weeks later you’re sitting in a Starbucks. You have another idea for how the protagonist can break out of the loop but with absolutely heartbreaking consequences. It’s painful to consider, but the idea won’t let you rest. You open your laptop and go to the folder already growing crowded with version after version of the protagonist’s escape from the time loop. You take a sip of triple-shot hazelnut latte and begin again.
how to explain to mutuals that while yes you can have my discord, and i wanna hang out! my response time is anywhere between 3-7 business days
I fucking hate seattle man. the liberals have built a living superstructure that towers over the city and covers the sky in rain and fog. I'm fuckin moving to the countryside
sincerest apologies if you've been asked and said something about this before, but i'm curious what your process for coming up with your characters is! the way the isat cast are written is so good and well rounded, they each really feel like a person. how do you develop them to that point! for that matter, was there any interesting Character behind the scenes development between comic!siffrin and game siffrin as their story changed and became more fleshed out? thank you so much if you decide to answer, and if you don't that's ok too and i hope you have a good day!
ok i feel like i have answered this before, but it’s not in my #reference tag so you get a whole new answer!!!!!!
-figure out a Trope. a Fella full of Tropes. like omg thats a Fella who Likes Puns. take your Trope Fella thats your basis.
-give them a secret. or more. the secrets will drive their actions. this Fella has amnesia and also has abandonment issues. do not reveal the secrets until the Right Moment, but you should often allude to it
-with those two things you will get Rules. this is a Fella who likes Puns. they use puns to deflect. so if someone asks a question that is a little too close to home, they will ALWAYS DEFLECT.
-write them in so many situations. how would they react to this? what would they say here? how would they answer when someone asks about their favorite hobby? would they be honest about it? or are they lying about it? why?
-every situation theyre into should go back to the rules. even if you’re the only one who knows it. just a sprinkle to make people go “huh that was a weird reaction….”
-that way, people experiencing the story again will be able to go “OH MY GOD… THAT WASNT A PUN OUT OF NOWHERE… THAT WAS A /DEFLECTION/” and they will love it.
-rules are here to be broken. but only for the best moments ever
-lastly, give them a hobby or two to make them seem like real people. be REAL specific about it. this girl doesnt just like romance books she likes MONSTER ROMANCE
One of my biggest pet peeves is that somehow I seem to be the only person in the world who means it when I say I'm down for whatever. Like just name whatever you want, I swear on my soul my comfort zone is bigger than yours. I'm fine with sitting at home drinking tea and playing board games, going out and ending up snorting lines off a park bench with 14 strangers at 3 AM, going to national theatre to see their production of La Traviata, sitting outside a grocery store watching pigeons fight over french fries, I'm 100% down. Just tell me how to dress for the occasion and I'll be there.
And then people are like "nooooo I don't wanna take charge just you decide uwu" and that's essentially a code for "I don't want to tell you what I am capable and willing to do, I want you to guess what I want to do, and I'm not giving you a clue because I don't know either", and then they insist that they're not, they're down for anything too, and it's like bitch we both know that one of us is lying and that person isn't me.
I'm down for anything except ice fishing, cat-calling and sports events. I might make an exception for some sport that seems fun and interesting, but I'm not sitting through an entire hockey game. Like those are my limits, just fucking pick something.
My NSFW Catgirls zine.
having a vitriolic argument with a difficult person and "tip: you can meow if you don't know what to say" appears in my mind like the akira meme or perhaps green goblin
I fucking hate seattle man. the liberals have built a living superstructure that towers over the city and covers the sky in rain and fog. I'm fuckin moving to the countryside