I have this really bad habit of getting most the way through a draft, seeing how it needs to change structurally and… starting a new one. I have countless unfinished drafts and shorts and written out ideas that haunt me with their cut off sentences and half paragraphs.
Here’s the part that sucks. Finishing a draft is always worth it. Always. No matter how messed up your beginning may be, how much you need to rework or change, how much just isn’t coming together. Get through to the end, even if you have to write a bunch of stuff you aren’t proud of to get there, get through to the end.
I learned more about my novel from one finished draft than I did from the five unfinished ones after it. You need to explore your ending, because your ending is the most important part of the entire piece.
This month we explored outlining and character arcs—all of that planning, all of that work we’ve put into this project leads up to the ending. The ending will tell you more about your direction and how the pieces you’ve tried to put together are working than anything else. It’s the one place you can’t hide. Either the ending wraps up how you want it to, or you need to go back to the drawing board.
I almost didn’t finish that one draft. I knew there was a huge gaping problem I hadn’t noticed before right in the middle and that I had to rework some stuff. I nearly stopped there, but I pushed forward instead. It was there that I discovered a large part of that problem was the ending I had planned. I was working towards the wrong thing, so of course the middle would fall apart.
You’ll be able to see your character arcs, your theme, your subplots, all of it needs to be addressed in the ending, so your ending is going to tell you what is working and what isn’t.
Push through to the finish line. Best case scenario you understand your work and process on a deeper level. Worst case, you have a finished draft—and that’s always something to be proud of.
Good luck! Happy end of February. Next month we’ll be talking about some other ways to create characters and voice, amongst other things. I’m looking forward to it!
Hello there!
I'm meaning to write a story for a long time (I've kind of brilliant ideas for the plot and stuff) but i can't get words out; half of the time I get confused about which pov will suit the story or sometimes it just doesn't seem appealable.
How can I go about it?
When you have ideas for the story but you sit down to write it and it goes nowhere.... that's a good sign that you need to spend some time doing some planning and plotting. In fact, you may need to take some time to make sure you understand plot and story structure before you start to plan. Here are some posts to get you started!
Basic Story Structure Beginning a New Story How to Move a Story Forward Choosing a Point-of-View Choosing a POV Character Among Many Interesting Viewpoints Guide: How to Rekindle Your Motivation to Write Getting Unstuck: Motivation Beyond Mood Boards & Playlists Have Plot, Can’t Write
Good luck with your story! ♥
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I haven’t mentioned this before, but I’m close to graduating with a psychology degree. As I was organizing things to move back in at university, I came across some notes from my Developmental Psych class. Psychologist Urie Bronfenbrenner presented an ecological systems model of child development, which represents a dynamic model of how people develop psychologically depending on their environment. I realized this may be an interesting reference for writers as we consider worldbuilding.
The individual is at the center. Each level interacts with the others and may affect them in different ways and to different degrees at different times. The individual is at the center of the model and has inherent traits which are the result of genetics. The microsystem is the individual’s most immediate surroundings. These are the places and people they come into close contact with on a daily basis, including the home and peer groups. The way microsystems treat the individual influence them, but the behavior of the individual also influences how the microsystems react to them. The mesosystem is essentially comprised of links between microsystems - between home and school, between home and church, between family and peers. Active involvement between microsystems promotes harmony and a sense of like-mindedness. The exosystem consists of linkages between systems that do not directly influence the individual, but do so indirectly by influencing a microsystem. For instance, the parents’ workplaces influences the parents’ behavior in the presence of the individual. The macrosystem consists of more distant influences that still have a significant impact on the individual. These elements often include beliefs, values, and other aspects of culture. For instance, life in a country at war will influence an individual differently than life in a country at peace. The chronosystem simply incorporates the meaningful passage of time. What is in each system, how much it affects an individual, and how can all shift in time.
One can relate Bronfenbrenner’s model to creating a fictional sense of place however one likes, but I’ve drawn some parallels between each level and a corresponding element in worldbuilding. The model looks something like this.
The main character (or characters) lies at the center of your worldbuilding. It is through their eyes, or over their shoulder, that the reader experiences the world in which your story is set. A strong sense of place is vital to telling a satisfying tale, and a great deal of it comes down to your protagonists. Like in the original model, the protagonist has certain inborn traits that are a result of nature, but are also influenced by nurture - the other systems, in this case. The world is reflected in the hearts, minds, and behaviors of the people who live in it, and the people are reflected in the world they populate.
These are the people the protagonists interacts with most, and it’s a two-way street of influence. Their behavior influences the protagonist, but the protagonist affects them as well. You can present a great deal of information about the world through the interactions between characters. The way your protagonist interacts with parents and siblings can reveal family structure and dynamics, and interactions with friends or coworkers can shine light on social classes, pastimes, or employment. What your characters do, how they do it, and how they speak or feel about it will reveal what is normal or not.
Where are all these interactions taking place? The actual physical locales in seen in your story have an impact on the way people behave, but don’t forget the direct effect of setting the scene. One behaves differently at school, as opposed to the mall - how can you use differences like this to portray societal norms and mores in your story? Additionally, the events and values of a world leave physical reminders, which may be as simple as smog over a city unconcerned by or incapable of controlling pollution. Perhaps there is graffiti in the streets leftover from social or political unrest. The remnants of a torn-down shrine or monument may reflect changing values, war, or persecution of certain religions or other groups. Living conditions can portray class differences. Possibilities are endless.
Social structure has ramifications on who can interact with whom and what’s considered appropriate. These rules may be very strict or much more informal. If there are rigorous separations in place according to class, an interaction between members of different status will be shocking to your characters. Speaking out against an elder coworker may have severe consequences, or employees may be under forced retirement deadlines - these differences reveal if old age is revered or looked down upon. What holidays do people celebrate, and how? What manners of speech or behavior are unique to the setting? Social norms will be reflected in the behavior of your characters, but the population is capable of changing those norms.
The setting at large still has far-reaching influence on your story. The geography itself will determine a number of things about the setting, including the landscape, weather, physical resources available, methods of transportation and more. All of these things trickle down into each of the layers beneath it and leave their fingerprints. If transportation is unfavorable, how does this affect information and cultural exchange? How about the economy? The physical setting is an umbrella of elements which may change everything under it, even in small or indirect ways.
The genre determines, amongst a few other things, how much of each of the above is needed. In essence, genre can be your guide to where you should place your focus in worldbuilding. Fantasy and science fiction often call for a greater emphasis on the physical setting and cultures, while realistic fiction set in real-life places readers are likely to be familiar with is likely to need emphasis on the protagonist and supporting cast. Some genres, such as historical fiction, may need a more evenly balanced blend of each system. The plot structure itself will also have an influence. For instance, in a ‘pursuit’ plot, the ticking clock and pursuit itself are typically considered of more import than the characters, while ‘forbidden love’ plots are all about the people and culture.
Remember, as always, to mold writing advice to your work and not the other way around. The influence of one or more of these systems may be heightened or lessened, depending on the needs of your story, and they may interact differently, perhaps even from chapter to chapter. Thank you for reading, and I hope this can be a useful model for you to use as a springboard in some of your worldbuilding.
Do you have any tips for doing nanowrimo for the first time? Or any tips in general?
I do actually. Kind of a lot of tips. But when I have a lot of things to say about something that people would need to take action on, I like to do bullet points to organize the information so it’s easier to digest.
So.
Bullet point time.
Start now. No I don’t mean starting the story. That’s the challenge, to write all the new words in November. I mean, start THINKING about your story. Start planning. Start brainstorming. Start character development. Start backstory. Start researching. Start your writing habit. Because writing at that level take training. You have to get INTO it. It’s far too hard to start writing a novel cold if you’re not used to writing.
Make An Outline. Okay. This is a choice. Not everyone likes outlines. In nanowrimo, we say there are two types; Planners who outline their novel and Pantsers who write by the seat of their pants. This can also be called “intuitive writers.” I think there’s a third, a combo of the two. Plantsers. I like that word because not only is it a combo of pantser and planner, it also has the word “plant” in it. So you plant your garden in a plan and then let it grow however it wants, intuitively. That’s me. Anyway. If you don’t want to plan an outline because you’re a pantser, take notes on your story. Do character interviews, research back story, get excited about tropes you want to use, write short stories about the characters, take notes and make lists about ideas you have.
Start a vision board for your story. I use pinterest. Here is an example of my vision board for one of my nano novels that has already been through three drafts, so...years. I’m REALLY into pinterest do no be intimidated. I’ve been doing it a long time. Keep track of characters, settings, ideas, research, advice. It gets a different version of my brain working on my story.
Sign up at the nanowrimo site. Choose a title, a genre, a location. Plan to attend events if you can. Okay, quarantine, but maybe digital events, i don’t know what they’re doing yet I haven’t checked. Go to the forums and engage in conversations about writing. Ask questions. Answer some. Buy some merch. Read the advice. Get involved in the community. Don’t let the community take over your writing time, but before nanowrimo? Perfect time to get involved.
Make room in your life for writing: Writing is a commitment. You have to show up to the page. You have to sit down and write. And it more or less has to be everyday, unless you’re planning on bingeing on only certain days... which is possible but harder. Plan out regular times where you will write. Carve out a schedule. It can be the whole weekend or it can be fifteen minutes here and there throughout the day. I am proof that you can write a novel in stolen fifteen minute increments. It takes TIME to write. Oh hey, while we’re on the subject, find out how long it takes you to write. How much can you write in 15 minutes? 30 minutes? an hour? How many of those time chunks will you need to get the words down. Don’t assume you write faster than you do.
Set up your writing space. A room, a corner, a laptop on your bed, a cafe, a library, a journal. Whatever it is. Make sure you have what you need and it is reasonably organized so that you can not worry about it. ALSO, get snacks and drinks set up so you can feed your body while you write.
Tell people in your life that you will be doing this. I know that may be hard, but telling people that you are committed to this project means you are being held accountable for your goal. It’s not just a wish. The more real you make it, the more likely you’ll reach it. You want them to know that you’ll be taking time to do this. But also, support helps. If you have no one irl to support you, find groups on line, if you don’t know where to look. go look at the forums on nanowrimo.org. You can find forums for age range, life stage, interests, genre, whatever.
It turns out these are all suggestions for how to get nanowrimo going BEFORE nanowrimo. I do believe that this is important. You need to work out your writing muscles before november. This is one of the things that can help you succeed. But I have other hints for how to get it done done while you’re doing it. I’m afraid for simplicity’s sake, that needs to be another post.
If you want to do nanowrimo... which I do suggest even if it turns out not to work for you, it helps to start earlier. Like running a marathon, you need to train to be able to go the distance. There are lots of thing to do that can get you there. These are only some of them.
Oh okay. I have one more thing. I’ve been keeping writing boards over on pinterest. I have boards both to brainstorm my novels and for writing advice.
nanowrimo pinterest board story ideas pinterest board character ideas SFF ideas Villain ideas The Writer’s Life
Feel free to plunder and pillage my writing boards. Repin whatever you want. That’s what it’s there for as well as my own inspiration.
All my writing boards start with “to write” or most of them do. There is “the writing life” and “kids and writing.” I have a lot of boards and a lot of pins.
also check out my writing board @rosy-writes i think at some point I’ll return this blog to a writing blog, but maybe i’ll keep rosywrites for my writing advice or something.
Every month, we look at the posts that people read the most.
These were the new Writers Write posts you enjoyed in June 2021:
30 Writing Prompts For June 2021
A Quick-Start Guide For Creating Characters
On Ghosts & How To Write About Them
The Way Of The One – For Writers
14 Boring Expressions & What to Use Instead
How Much Sex Do You Need In A Sex Scene?
The Notorious ‘You’ – An In-Depth Look At Second Person
What Is Imagination & Why Is It Important For Fiction Writing?
The Unintended Consequences Of A Lack Of Setting
7 Writing Observations From Ian McEwan
Helloooo! Do you have a particular method or tips for when creating and developing a character?
Hi :)
Sorry this took me some time, but there is so much I could talk about here. So I try to go with some basics.
Make a character sheet
some examples for what I usually try to find out about my characters, regardless which genre I’m writing in
basics
name, age, place of birth, where they live, nationality, ethnicity, education, occupation, religious affiliation, financial status, gender identity, sexual orientation
physical appearance
eye, hair and skin colour
distinguishing features (tattoos, birthmarks, scars, visible disabilities,...)
height and weight (proportions!)
walk (slow, fast, skipping,...)
tics and mannerisms (touching their face, blinking, grinding their teeth,...)
speech patterns and communication style
talk (slow, fast, slurred etc.)
accents and dialects
using slang, sounding educated, trying to hide a dialect/accent etc.
do they talk with their whole body? (gestures?)
extra question for speech and physical appearance: can people tell where the character is coming from and what influences they have from their heritage?
past and present
how did they grow up?
happy memories
academic career
hobbies
past trauma or important turning points that still influence their life
specific lifestyle
social and political ideology
future
dreams and goals
expectations from themself and from outside
Relationship maps
for longer stories it’s even more important to understand your characters relationships to each other
two different approaches:
1. proper list of family, friends, love interests, “enemies”, everyone else
family
who is still alive and where do they live?
who did they grow up with?
what was and what is their relationship?
friends
how long do they know each other?
would they trust them with a secret?
how close are they?
love interests
what is their relationship status?
what do they like about them?
is it reciprocated?
if they are not together why not?
“enemies”
how do they know each other?
what do they not like about each other?
did they always hate each other?
can their relationship become better?
2. love, like, hate categories
make a list of people your character loves (use the different forms of love: romantic, familial, friendly,...)
make a list of acquaintances
make a list of people they dislike and people who dislike them
you could even try to draw their relationships with each other
make sure you include if the relationship changes throughout your story
Those are just some basic things I could think of that I usually like to write down about my characters. Depending on the story there are some variations of this and more information about specific topics.
Pro tip for developing your characters: write short stories or little sequences with your characters that don’t neccessarily have anything to do with your story. I think of it as fanfiction of your own work. Put your characters with their intended roles and relationships in different situations and just write and let it play out. This is a good tool to find out if and how the characters work together. And it can even give you new ideas for their relationships to each other and new skills or habits for your characters. It’s basically a test run for your cast before you go into your bigger story.
And one last important thing: don’t get too stuck on an idea. Characters can sometimes develop a life of their own. You don’t always have a conscious control over them. So don’t be afraid to change it if something is not working out or you find something else that is working even better.
This took me such a long time and I hope it makes sense and helps you with your writing. Good luck!
- Jana
I hate to say this, and like, rain on everyone’s parade, but after scrolling past three posts about it on a writing tag …
If you are looking up synonyms to exchange words out in your story with the purpose of sounding smarter, more sophisticated, or complicated to your reader, you are probably abusing the thesaurus.
Now, if you *want* to do this, I mean, you can write whatever or however you want! But I just want you to know that this is frowned upon if you are trying to write at a professional level.
I have an old article on this somewhere …
If you want to look at the original article…
https://www.septembercfawkes.com/2018/08/how-to-use-thesaurus-properly.html
Read that marimos can get sick from receiving too much light, but this man of sunshine is only making them love sick.
Please note that this is a guide for complete beginners who have no idea how to get started on making moodboards. Only the very basics will be covered here.
Have you ever wanted to make a moodboard but didn’t know where to start? You have ideas but you have never edited a picture before? Can’t afford photoshop and don’t know how to use it? Look here, this guide is for you!
This guide includes: Free photoshop alternatives, where to find images, and basic tips and tricks to make your moodboard. Click the Read More below :)
Afficher davantage
dreamy, cluttered apartment 🌿📚☕