pspspspsps poetry mutuals come here... new quiz... making you the patron saint of something...
The team leveraging Hardison's first name to get him to take them seriously.
It started with the Grave Danger Job. With Parker's panicked "I need you. Do you hear me, Alec? I need you!" It isn't something that's conscious or anything, but all of them lean into it occasionally.
"Alec, just drop it," Nate stares at Hardison, watching the young man realize maybe he'd been pushing Nate too hard on a topic that was a sore subject. Alec nods grimly and backs down.
"Hardison, how long have you been up?" Sophie asks gently, watching the genius wipe the grit from his eyes, his latest forging project laid out around him. When he mumbles something about not remembering, needing to finish, Sophie catches his chin in a manicured hand and holds his attention. "Alec, go to bed." He goes.
"Come on, man, get off the screen for a little while, let's go get some sun," Eliot pokes him after a long job on top of a new World of Warcraft update. Hardison can't even remember what he said back, something glib he's sure, but he remembers the hesitation in Eliot's voice. "Alec, please. You're gonna fuck up your eyesight before you're thirty, staring at blue light a foot away from your face. Please?" Hardison goes with him. They go to an outdoor gun range. Hardison rags Eliot about them both not liking guns, but listens as his best friend talks him through focusing on targets of different distances. He'll never have Eliot's skill, but it's a quick way to help his eyesight and he turns out to be half decent with practice.
"Alec, I'm serious!" Parker pleads with him, a picture of some conspiracy theory held up in her hands. "I need to know if this is real or not, please. Because it doesn't seem real and then it does seem real and Eliot won't give me a straight answer and Nate won't give me any answer at all, and I need to know if-" if I'm going crazy, she doesn't say, but he hears it now. He lays a hand over hers and explains that it's not real, explains the joke patiently until she understands and can laugh at it and "yes, and" Eliot when that particular theory comes up again.
"Hey y'all, it's Alec," he says, a gun to his head and a phone in his hand, one chance to get it right, to make them understand that this is serious. He can practically hear them all sitting up in the tones of their voices, in the grimness of the rapid fire questions, and he breathes a sigh of relief. They'll come get him. They know it's serious.
i think 'I trust you with my life but not your own' as a trope is one of the ones that can always fuck me up no matter what
99% of all murders committed by women in ancient greek plays are completely justified
I can't stop thinking about this rabbit hole I went down a few weeks ago when I was procrastinating on my Iliad paper.
So basically. In the Lattimore translation of the Iliad (the one we read in class), he has Helen call herself a slut.
"That man is Atreus’ son Agamemnon, widely powerful, at the same time a good king and a strong spearfighter, once my kinsman, slut that I am. Did this ever happen?” (Lattimore 3.178-180)
Naturally I'm like yikes. Then I started wondering whether this was actually what it said in the Greek, and whether other translators disagreed.
(This is not a new thing to wonder about; people talked about this quite a bit after Emily Wilson discussed it.)
To summarize: the Greek word used here is kunops, which literally translates to dog-face or dog-eyed. This word is used precisely two other times in the Iliad: once in book one when Achilles is insulting Agamemnon and once in book eighteen when Hephaestus is talking about how his mother (Hera) threw him out. Surprise surprise, the male translators usually don't use the same word in those two places.
I could have stopped here, but naturally at this point I was like, obviously the best possible use of my time would be to go down into the depths of the library and see what word is used in these three places in every single translation of the Iliad that we have.
Too much time later, I ended up with this:
I think this table kind of speaks for itself.
Just. The way that the male translators all decide that when a woman is called "dog-face," that must mean that she's a shameless bitch, but when a man is called "dog-face," he can just be a dog-face. The bias is REALLY showing through here. I can understand shameless, but where are they getting slut bitch whore?
Lattimore is supposed to be the most literal translation! But then he just has to go and call Helen a slut for no apparent reason! Why would he do this where did it come from I want to scream. why do they assume that a woman criticizing herself has to be about sexual condemnation??
Some things that are worth noting!
As I mentioned, people have talked about this a lot in regards to Emily Wilson's translation! She gave a couple great interviews about her translation of this word (here and here). What many people forget is that she wasn't actually the first woman to translate the Iliad into English, nor was she the first person to translate the word as "dog-face." That was Caroline Alexander, eight years earlier. I love Wilson as much as the next person but let's not forget Alexander.
Yes dog-face is an insult! And yes it arguably is associated with shamelessness! There's a lot to unpack about why Helen was talking about herself this way. But it's really hard to analyze that when the bias of the male translators is bleeding through so much. I appreciate the decision to translate it literally and let readers decide for ourselves what she meant.
you ever get assigned something as a project in school and for the rest of your life you have a strange attachment to the subject. in like seventh grade i had an assignment to make a poster about the elemental propoerties of osmium and to this day everytime someone mentions it im like 'YEAAAAAAH OSMIUM MENTIONED!!!!!!!!'
decided to rewatch the carnival job tonight and as much as i love when the cons get goofy, or there's a really satisfying gloat at the end, my most favorite thing is the way this episode goes from "this is a standard con" to "kid's missing? scorched fuckin earth baby" in less than 30 seconds
first rule of fandom is everything goes back to destiel
second rule of fandom is everything goes back to kirk/spock
third rule of fandom is everything goes back to holmes & watson
fourth rule of fandom is everything goes back to achilles & patroclus
Each November, some people try to write a novel. Others would prefer to do as little writing as possible. For those who wish to challenge their ability to not write, we offer this alternative: producing a complete, playable roleplaying game in two hundred words or fewer.
This is the submission thread for the 2024 event, running from November 1st, 2024 through November 30th, 2024. Submission guidelines can be found in this blog's pinned post, here.
she/they | fan of too many things do i know how to use tumblr? not really
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