Dwayne Johnson Next To Jason Statham: Gives A New Height To Hobbs And Shaw!

Imagine wee little Owen ultimately being raised by big brother, who provides for him because their abusive parents won't. It's Deck who makes sure he never goes to sleep hungry; patches him up after their father's tirades. It's Deck who teaches him how to fight back so that he'll never be hurt again; instills in him the code he still lives by. And it's in Deck's footsteps that Owen follows, all the way to the gates of hell...

Toddler Owen whose first words are “Deck.”  Young Deckard who had previously been so disinterested in this new addition to the family suddenly finally something in this world- which had only taught him how cruel it was- to give a shit about.

Deckard, the cool teenager who still gives his brother piggy-back rides and lets him crawl into his bed when he’s had a nightmare or their dad is especially volatile.  Pre-teen Owen who worships the ground his brother walks upon.  Who shadows his older brother in a friend’s garage and watches as he works on cars, Deckard indulging him as he starts to teach him about an engine.

Teenage Owen coming home from school with some minor scrapes and a cut lip, grinning at his brother.  Deckard whose first reaction is to grab Owen’s chin and look him over for anything worse as Owen chuckles and says, “Chill Deck.  You should see the other guy.”  And Deckard who just smiles and presses their heads together, saying how proud he is.

The boys as young adults, Owen pulling his first job with much more experienced Deckard.  No one being surprised when eventually the team gets caught and Deckard takes the SAS as a way to get out of jail time.  Owen, who hadn’t been captured because his brother protected him, following after Deckard as always.  Only this time the boys are separated by distance and time, Deckard becoming a highly classified agent, trained as an assassin, while Owen pulled spec ops missions around the world.  It was the first time Owen remembers feeling alone.

After Owen’s discharge and failed solo op in London, Deckard finding his brother broken in the hospital.  Owen looks up at him, the brother he’s been separated from for too long, and tears sting his eyes.  “Where have you been?”  Deckard chokes on a rush of emotion, something he’d locked away to do his job, and carefully wrapped his little brother in his arms.  “I’m not going anywhere again O.  I promise.”

dark academia literary works: a masterlist

Hello! I replied to this post on Reddit today, trying to compile all the dark academia books I could think of, and then thought that maybe all of you here might find it useful too, so here you go. It is a very, very broad list, a mix of classic and contemporary literature, and there is no set criteria besides having a dark vibe (this includes murder and crime but could just be the way it’s written as well) and portraying an academic setting, most of the time from the student’s point of view. I haven’t read all of these myself and so I can’t judge on quality, but hopefully this will inspire people to add on to it in the comments.

Here you go!

The Lessons by Naomi Alderman Truly, Devious by Maureen Johnson The Secret History, Donna Tartt If We Were Villains by M. L. Rio Maurice by E. M. Forster The Picture of Dorian Gray by Oscar Wilde Possession by A.S. Byatt The Truants by Kate Weinberg The Prime of Miss Jean Brodie by Muriel Spark Vicious by V. E. Schwab The Raven Cycle by Maggie Stiefvater (tangentially related) A Little Life, Hanya Yanagihara Brideshead Revisited by Evelyn Waugh Never Let Me Go by Kazuo Ishiguro The Likeness by Tana French The Rachel Papers by Martin Amis Ninth House by Leigh Bardugo (coming out tomorrow!) Jane Eyre by Charlotte Brontë The Lake of Dead Languages by Carol Goodman Oleanna by David Mamet Special Topics in Calamity Physics by Marisha Pessl The Marriage Plot by Jeffrey Eugenides

Other classics that are not Dark Academia in content, but which I would include in a list of the DA canon: The Iliad and The Odyssey by Homer Shakespeare’s plays (Macbeth, Hamlet are good ones to start with) A Separate Peace, John Knowles The Bacchae, Euripides Greek tragedies (a good one to start with is Antigone, very popular and staged many a time) Leaves of Grass by Walt Whitman Beat generation literature Jane Austen’s books (light academia, anyone?)

Luke: say those three words

Deckard: I love you

Luke: I love you, too. But try again

Deckard:

Luke:

Deckard: I will behave

Luke: there we go

Luke and Owen swordfiighting:

Owen: Ha! You fight like my sister!

Luke: I've fought your sister, that's a compliment!

Another emotional verse:

Tú eres la tristeza de mis ojos

Que lloran en silencio por tu amor

Me miro en el espejo y veo en mi rostro

El tiempo que he sufrido por tu adiós

Obligo a que te olvide el pensamiento

Pues, siempre estoy pensando en el ayer

Prefiero estar dormido que despierto

De tanto que me duele que no estés

Rough ranslation:

You are the sadness in my eyes

That cry in silence for your love

I look at the mirror and I see in my face

The time that I have suffered since your goodbye

I force my mind to forget you

Since I’m always thinking of yesterday

I prefer to be asleep than awake

As it feels too painful that you are gone

Small hurt-no-comfort headcanon I just thought of.

Bruce once accidentally stumbled upon Jason listening to Amor Eterno on Catherine Todd’s birthday. Jason was embarrassed to have been caught listening to such an emotional song, but Bruce reassured him it was perfectly okay and spent the day talking with Jason about Catherine.

Once, after Jason died, Bruce abruptly cut patrol short after overhearing someone playing Amor Eterno in their house.

Even now that Jason’s back, Bruce can’t hear the song without wanting to tear up and hide away from people to grieve alone.

Background below the cut

Background: Amor Eterno is a song written by Juan Gabriel (an icon) who wrote this song in honor of his mother, who had passed away.

One popular version of the song is sung by Rocío Dúrcal (also iconic). She is said to have sung the song in honor of her son, who had also passed away.

VERY rough translation of the chorus (to maintain the ideas rather than literal translation)

How I wish

That you were still living

That your dear eyes had never closed

And I was still looking at them

Eternal (and unforgettable) love

Sooner or later I’ll be with you

So that we can continue loving each other

Yeah, I still tear up every time I hear it but that doesn’t stop me from listening to it

I’ve seen a lot of posts on my dash tonight about users who are threatening suicide, with other Tumblr members posting in effort to try to get ahold of them. I think you all should see this:

IF THERE IS EVER A TUMBLR USER WHO HAS POSTED A GOOD-BYE MESSAGE, SUICIDE NOTE, VIDEO, OR ANYTHING OF THE SORT, PLEASE FOLLOW THIS POST.

1. Scroll to the top of your dashboard.

2. See the circular question mark icon at the top? It’s the third one over from your home symbol. Click on that, and a screen similar to the one in the picture will come up.

3. Where you can type in questions, the box with the magnifying glass at the top, type in the word “suicide.”

4. Click on the first link that shows up. It should say, “Pass the URL of the blog on to us.”

5. Type in the user’s URL and tell Tumblr admin that the user is contemplating suicide and has posted a message indicating that they are going through with it or will be attempting. Hit send! Tumblr administration will perform a number of actions to contact the user and take the necessary steps to prevent the suicide.

TUMBLR: THIS COULD SAVE A USER’S LIFE. PLEASE DO NOT IGNORE SUICIDE THREATS.

Reblog this to keep other users aware. Suicide isn’t a joke, and neither is someone’s life. If you didn’t know this, someone else may not, either. Pass it on.

So the 27th of February marked the two year anniversary of my first character ask, and because I'm sentimental, I decided to do a complete redraw of it. Of course, because I procrastinate like hell, it took forever. Oh well, I still enjoyed it, and now I can finally move back onto the other thing I was working on.

This also coincided surreally with me reaching 800 followers, so thank you all. I didn't think I'd ever end up breaking 100 let alone 800.

*Also, I want to link you back to this post, which helped me immensely with the shading process. Thank you @geek-png !

Popular YA books and are they worth reading: my opinion

yea im just going to get into it

Harry Potter: Overall good books. They do have plotholes and lack representation, but have a great fandom that makes up for it. A great intro to magic and fantasy for the younger end of the YA spectrum. 

Overall verdict: ignore the cursed child and you’ll be fine

The Hunger Games: I thought these were really interesting books. They deal with political themes that are really important to be aware of. After reading these books I would sit in class and figure out how I would kill all of my classmates in our own hunger games. 

Overall verdict: heck yeck

The Fault in Our Stars: Pretentious and kind of hard to read, but not that bad. Pretty basic and predictable but still entertaining. The Anne Frank kiss was yikes.

Overall verdict: each to their own. read some reviews before picking it up

Twilight: Not as bad as everyone says it is, but still pretty bad. Really creepy and also pretty damn racist. Has some interesting side characters. I never read past the first book so I don’t know that much. 

Overall verdict: there are better books to spend your time on

The Mortal Instruments: Not outrageously bad, but not Oscar worthy. It’s kind of just there. Characters are pretty cliché, and some very unnerving themes are included, the YA Game of Thrones when it comes to incest. 

Overall verdict: Read her other series; they’re much better.

Divergent: fun enough. the first book is the best. very confusing and full of plot holes. not that memorable tbh. 

Overall verdict: just read the hunger games

13 Reasons Why:

Overall verdict: don’t

The Maze Runner: the first book is decent. it’s an interesting concept and an entertaining read. beware of an overabundance of boys. 

Overall verdict: go ahead, just don’t touch the sequels

Six of Crows: world can be a bit confusing at first if you haven’t read the grisha trilogy, but you pick it up pretty quickly. well developed characters, world, and plot. 

Overall verdict: hell yeah

Throne of Glass: starts off pretty basic, but decent. gets less decent as it progresses. beware barfing, toxic masculinity, graphic sex, and killing of minorities. 

Overall verdict: i genuinely have no idea what demographic this series is for

Red Queen: more into the political aspect, not that much action. glass sword is the low point. improves a lot in the last two books. iffy lgbt rep. Maven Calore carries the entire series on his back. 

Overall verdict: it’s not for everyone, but give it a fair try

The Lunar Chronicles: pretty enjoyable. i like the twists on the fairytales. the characters work well together and carry the *pretty simple* plot well. beware possible racism? idk i don’t really remember i was like eleven. 

Overall verdict: yeah sure why not.

Anything by Rick Riordan: i haven’t read his more recent stuff (think past heroes of Olympus), but i’ve heard good things. the books are fun, and overall really good. i think they’re meant for a younger demographic but i’m not entirely sure. 

Overall verdict: please at least read percy’s retellings of greek mythology

A Court of Thorns and Roses: T H I S I S N O T Y A

Omg this is so effin' cuteeee!

Regarding Alastor's Hallway Scene in Episode 5 of "Hazbin Hotel"

Good day, folks! As sweet Mimzy said, "...pour a few fingers of rye and he turns into a kitten" so let's do that. Let me set up my Redemption, and let's get into this.

*Sip, sip*

Now, this is quite an interesting thing; the phenomenon of the reactions I have been seeing particularly regarding Alastor in episode 5 of Hazbin Hotel has been ... curiouser and curiouser.

*Sip, sip*

The big question that I think we should be asking after this episode is who Alastor is leashed to---but there seems to be something else on people's minds and that is the interaction Alastor had with Husk in the hallway of the hotel. I mean, every great character needs an epic hallway scene. For Star Wars it was Vader and Luke. For Hazbin, it is Alastor. Let's explore this.

*Sip, sip*

As a society, feasting on entertainment, whether it be through books or films or a series, fans often say that they enjoy the "villain" or "morally grey" character as opposed to those who are set on their compass of goodness. I find this to be a lie that we often tell ourselves and believe completely.

Sure, we find them more entertaining and thus we favor them, but then we try to find excuses for their behavior, make it a despicable act that is done for righteous reasons. Or because we desire to see someone who is tremendously struggling or has a rather horrid reputation overcome this and prove to be a fantastic character underneath all the layers of darkness. We don't like them because they are bad. We may pity them for they often have the most tragic backstories, or we see the potential of their goodness. But we like them because we believe that everyone in their universe has the wrong perspective of their wickedness while we, outsiders looking in, see the potential of their heroics. What they can do despite everything.

That is not liking a character because they are the villain. That is liking a character because of why they are the villain and how they can overcome it.

A few examples:

Rhysand dressing Feyre up like a whore and tattooing her without her consent: well, he was doing that to protect her and help her.

Darth Vader: Mass murderer and second in command of an empire built on absolute control; but he fulfilled the prophecy of the Chosen One and had originally fallen because he wanted to save the love of his life and his unborn children.

Loki: Yeah, he slaughtered 80 people in 2 days, attacked NYC with an alien army killing hundreds if not thousands in the process, and committed genocide prior to that, BUT that's because he was severely broken and now he sits all alone at the end of time, saving an infinite amount of people.

Granted, I love 2/3 of those characters because of the reasons provided. But also because in their prime they were WICKED!

*Sip, sip*

Now let's look at Alastor.

Alastor, the Radio Demon, and one of the most feared overlords of Hell ... threatened one of the souls he owns. And now, I see people comparing him to Val or saying they hated him at that moment or now have a poor taste for him in their mouths. But ... this is exactly what you asked for from him.

*Sip, sip*

Val, who ACTIVELY tortures Angel Dust, is being used as the comparison for Alastor because he THREATENED and scared Husk after Husk stepped over the line.

*Sip, sip*

Alastor, when alive, was a serial killer. Alastor in Hell captured overlords, tortured them, broadcasted the torture throughout Hell, and became one of the most feared overlords.

He didn't do that by being "nice" or "charming." He did that by being vile and not for a greater good. He did it because, as far as we know, he wanted power. And, damn, he got it.

Demons KNOW to be afraid of Alastor. Granted, his reputation may have faltered because he has been away for 7 years but before his departure and even upon his return, for the most part, demons avoid Alastor as though he were death incarnate.

*Sip, sip*

Now, let's examine him in episode 5. Only the scene that is getting the most traction; I'll talk about Alastor and Lucifer in another post. But let's look at this scene:

Alastor and Husk in the hallway.

*Sip, sip*

Let me put some quotes here real quick:

From the Pilot:

Husk to Alastor: "Don't you [Alastor, the owner of my soul] 'Husker' me, you son of a bitch!"

Husk to Alastor: "Are you [Alastor, the owner of my soul] shitting me?"

Husk to Alastor: "You [Alastor, owner of my soul whom I have just shoved off of me] think it must be some big fucking riot just to pull me out of nowhere? You think I'm some kind of fucking clown? [even though I am contractually obligated to obey your summons]"

Husk to Alastor: "I [the one contracted to serve you and obey your commands] ain't doing no fucking charity job [even though you told me by your order that I have to]."

Alastor to Husk: "Don't worry my friend [you, who sold your soul to me so that you could keep your power because you almost gambled it all away], I can make this more welcoming [providing you with something that you enjoy even though you are contractually obligated to obey my commands without payment/reward], if you wish."

From episode 5:

Alastor to Husk: "It's nothing I can't handle, don't worry, Husker. [Proceeds to walk away, leaving the conversation] Who in their right mind would cross me? [Continues to walk away, posing the question as rhetorical and not requiring an answer]."

Husk to Alastor: "... You've been gone a while. And it's not like anybody knows why---"

Alastor to Husk: "They don't need to know. [And it does not need to be discussed further, so leave it alone.] And don't you worry your fuzzy head about it. [Drop it. Drop it now. Don't pick it up]"

Husk to Alastor: "You may own my soul, but I ain't your fucking pet!"

[Personally, I think Val would have instantly backhanded AD for that alone.]

Alastor to Husk: "Hmhm. But you are [So stop talking, just let it go, I'm letting a lot slide here]."

Husk to Alastor [the owner of his soul, who has slaughtered overlords of Hell]: "Big talk for someone who is also on a leash."

Alastor to Husk: "Aha. What did you say? [Now you have tested my patience too much!]"

*Sip, sip*

In the pilot, Husk openly and without fear insults and cusses at Alastor. And what does Alastor, the owner of his soul, do? He lets it slide.

In the one scene between them in the hallway, Alastor essentially still does nothing even though it is evident that Husk struck a nerve. At least twice over in this scene alone, Alastor gives subtle hints to Husk that it is best he just stops. And it is not like he even dismisses Husk's worries about Mimzy or even his absence. It's more along the lines of, "Oh, I know she is in trouble and came here for me to clean up her mess, but I am a bit occupied at the moment dealing with the actual King of Hell, so I'll get to it when I get to it. Just keep her busy for now." And in regards to his absence, he makes it abundantly clear that Husk is better off just not mentioning anything about it. He cuts Husk off, and essentially says, "Look, just keep quiet about it. It's no one's business but mine and I'm fine, I can handle it, so let's just leave it alone."

All the talk people say of Alastor having a big ego, oh undoubtedly, but it makes sense why Husk is in pride in this one scene alone. Alastor tells him "let it go," and moves to walk away from the conversation.

But Husk pushes. And pushes. And on that final shove, I think Husk even knows before Alastor got mad that he went TOO far.

*Sip, sip*

And Alastor still, for the most part, does nothing.

He reminds Husker that he owns his soul, pulls on the chain just to knock Husker off-kilter, and then, rather demonically, tells Husk to not EVER mention the fact that he is leashed again. Honestly, with what Alastor COULD do to Husk ... that was letting him off SUPER easy. Like, Husk should be kissing his feet that that threat was the only punishment he received for that comment.

Val? Forget it. AD would probably be filming for 3 days straight. Alastor doesn't even touch Husk.

This move is also a sense of security for Alastor, I think. Husk probably thought this was just another comment that would result in Alastor just ignoring it. But it takes Alastor by surprise and destroys his comfort. He loses himself in a fit of fury and pulls on Husk's leash to remind both Husk and himself, "Yeah, I might be leashed but I still own YOUR soul, Husk! So do not test me!"

*sip, sip*

So, yeah, Husk gets scared, as he should. Alastor is terrifying.

Should this lessen our opinion of Alastor as it seems to have done with so many fans?

No. Absolutely not. If anything, this scene provides balance to that paradox I supplied earlier; how we like the evil characters because of the good they could do but we should also like them because they are evil and should be expected to do evil things.

Alastor IS evil. He owns Husk's soul.

And yet, this evil overlord allows Husk to get away with soooo much. And when Husk oversteps, as he absolutely did, to not even be smacked by Alastor speaks volumes of Alastor's opinion of Husk.

*Sip, sip*

Here is my speculation:

Husk obviously knows more about Alastor than most. But Alastor owns hundreds if not thousands of souls. Husk is someone he calls on often, obviously. Husk knows Alastor is leashed. Faustisse, a former employee of Spindle Horse, and one of the original teammates beside Viv for the Hazbin project said that Alastor regards Husk as one of his closest friends. Perhaps not friend, but maybe one of his closest confidants. Why else would Husk know that Alastor is leashed? Granted, we cannot tell from the dialogue if Husk knows where Alastor was for 7 years or even if he knows who Alastor is leashed to. To some extent, though, Alastor must trust Husk.

In this scene, Husk violates that trust. He deserved to be threatened, reminded, and terrified. I adore Husk. He is one of my favorite characters and when I saw the hallway scene, I thought Husk deserved way worse than what he got.

And Alastor still takes what Husk had to say about Mimzy into consideration. He still tells Mimzy, a friend he has had since he was alive, that she needs to leave.

*sip, sip*

Yes, Alastor is evil. And it is soooooo good to see him BE evil. And not for a good cause but just because someone got under his skin. He owns Husk and he lets Husk off very easy. So to see him lose his temper and not even physically hurt Husk allows the nugget of possible, minuscule glimmer of somewhat kindness to linger.

I loved the hallway scene. It did a fantastic job of showing us what Alastor COULD be if he really wanted to, why you shouldn't mess with him, and how he elicits fear.

Val lords over his souls through physical abuse. Alastor does it mentally when called for. They are two totally different overlords with really no comparison to be made between them save for this: they are both evil.

*Sip, sip*

Alastor ate in episode 5 and left no crumbs. He remains, quite possibly, the most interesting character in the show. I cannot wait to discover more of him and watch him be absolutely wicked towards others.

Cheers to you, Radio Demon. If I were in Hell and had to be leashed to anyone, I would want to be leashed to you.

*Sip, sip*