My Boy Kin Is Done!! (2/3 Of The Main Siblings, Maybe More If I Decide To Do The ENTIRE Family)

happy birthday @waspygav !!

[ID: a digital drawing of an original stylised Flatland character named R.Line on a dark grey background.

R.Line is a humanoid creature with an eye for a head with a crooked point on top, grey skin, a large eyebrow, spikes on her shoulders, clawed hands and heeled feet.

She is embracing a large yellow sun held to her chest, with her head resting over the top of it. The sun’s rays slip out between her fingers. She is staring ahead with a blank, unfocused gaze. Her hip is lower to one side and the adjoining leg is bent, as though she is becoming slightly weak in the knees.

Around her are pale yellow, circular, overlapping particles of varying sizes. Above her, white handwritten text in all lowercase letters reads “la pire des bénédictions” and “la plus belle des malédictions”.

End ID].

Check ignition, and may God's love be with you.

boohoo skinny woma

pose inspo by @ cybrslum

pls tell me that getting recommended GGBG on yt around two months ago was a universal experience

[ID: a digital drawing of an original stylised Flatland character named Ruth done on an off-white background.

Ruth is a humanoid creature who has an eye for a head with a rounded point on top, a short tail, a dent in her right side and brownish-grey skin with light grey spots.

She is dressed and posed in reference to the angel character from the “GGBG” music video. She is wearing a long sleeved blue dress and heels, and has a set of small pale blue wings and a halo. She is leaning back to the left while pulling a tail with a star on the end. Both of her feet are turned inwards and she is looking to the right with an angry expression.

End ID].

screencap referenced under the cut :

[ID: a screencap of the angel character from the ‘GGBG’ music video. She has pale skin and is wearing the same outfit as described above for Ruth and is in the same pose, only her eyes are closed. The tail she is holding onto has an arrow-shape on the end. The background is lilac with light pink “good” and purple “bad” wrote continuously in linear patterns. The devil character on the right has been cut out of frame. End ID]

flatland maxxing

haha i like typing that anyways guess who finally uploaded an animation .. thats only around 8 seconds, I DID !!! and it took wayy 22 darn long ! my upload schedules really inconsistent but oh well

I tested a new brush! What do you think?

I think it looks really cool!

Rayelle being a 𝓯𝓻𝓮𝓪𝓴ezoid.

Flatland AU rambling below:

In my AU, regular polygons have congruent marks surgically placed in men to solidify their shape, and place in society for jobs and such. The exception being women, irregulars, and circles.

Those who DON’T have congruent marks can morph their form to a degree both consciously and subconsciously. In Flatland, this is naturally seen as taboo as your place in society is determined by your shape. Therefore, don’t startle a Circle. (Meaning you should TOTALLY not keep out of a Circle’s line of sight and announce your presence from behind.) Circles will spike up like a pufferfish when startled.

redraw of one of my favorite lines from le chat du rabbin that i think fits these two very well

og under the cut + explanation

“Je lui demande de me montrer une image de Dieu. Il me dit que Dieu, c’est une parole.”

R. Line justifies her neglect and disdain towards Trey, her own son, by using the Gospel of Three Dimensions, claiming that the Holy Sphere purposefully guided evolution to give Women larger brains than the Isosceles of the village. Women are inherently better, and are above the Isosceles: this is the structure set in stone. Trey, suffering daily under this dogma, questions their religion and the existence of the Holy Sphere. If the Sphere was real, he would have already saved them from the conditions of poverty and suffering their villages are put into. Because of R. Line's overbearing nature and refusal to accept any other point of view other than her own, Trey does not believe that the Third Dimension or an afterlife exist. R. Line is content with sending her son to his own death, under reassurance that their next life in a higher dimension is all that matters.

umm now some very choppy explanation of symbolism in this bc it's hard to put into words:

-The background is yellow to show the idea of the Sphere, specifically R. Line's ideal of the Sun as a holy object that is intertwined with the Holy Sphere: Only R. Line's beliefs are what matter, and are extremely overbearing and searing. R. Line is outlined in yellow, as well as the pupil of her eye being yellow to show this ideal is the lens she views the world through. Trey does not conform to the idea of a Holy Sphere, and has no yellow on him, but he is surrounded by it because it is forced onto him.

-Also relating to their pupil colors: In white, Trey is seeking out an answer grounded in reality and truth. In yellow, R. Line makes up her own answers, and justifies them through saying they are only what the Sphere would want. Similarly to this: Trey has a very solid outline because he wants direct answers that make logical sense and can be proven. R. Line's outline is blurry/indistinct because she is willing to lead her life using blind faith. Trey's limbs are fading because his limbs are the body part that have the most semblance to his mother (very angular + have spikes on the shoulders), and no matter what he does, he is still his mother's son. + it also shows how he does not have much time left before his death

-The black holes on the bottom represent the cross-sections of a Sphere, and the Sun in the back represents R. Line's pendant. These are not concepts that can be translated correctly into 2-Dimensions, and stick out as something that is really not true. These concepts are shadows displayed on a wall in an attempt to mimic the real thing, hence them being black and solid. It is an attempt for them to project the Sphere into their lives, but in the end, it is all false. The idea that R. Line dedicates herself to, an all-powerful and omnipotent Sphere that will bring salvation, is false. But she whole-heartedly believes in them, and willingly allows them to consume her life. It is also why she is fully black: Her life is only a vessel for her belief in the Sphere, and she has no real emotional connection to this plane of existence. This is also why blood is draining into the most prominent cross-section: She allows so much death and suffering, ruins the lives of all that get close to her, watches her son's death without lifting a finger to prevent it. All in the Sphere's name.

too little, too late

[ID: a digital drawing of an original stylised Flatland character named Parallia on a grey background.

Parallia is a humanoid character with dark grey skin, an eye for a head with spiky bottom eyelashes and a point on top, and a tail with a leaf-shaped tip. She is wearing a light grey long-sleeved dress with small pockets and a bracelet with a circular pendant on her left wrist.

She is sat down and looking over to the right with a concerned expression. Her left arm is held bent at her side and her hand is clasped into a fist. Her right hand is held open up beside her head. It has red claws trailing blood that lead down her dress and drip onto the ground.

End ID].

(Parallia belongs to @presidentcircles-assistant)

alternatively styled version under the cut :

[ID: the same image as above, but it is now upside down and a strong red hue has been laid over it. The blood coming from Parallia’s hand is instead trailing vertically down from the claws. End ID].