“Sharits suggests how the limitations of the mortal body inform a profound castration that afflicts all subjects regardless of their gender. When images of female genitals appear in Sharits’s film, it is not then as a symbol of the dreaded mutilation of the penis, but of a world over-determined by lack.” —Ara Osterweil
T,O,U,C,H,I,N,G di Paul Sharits
« Les Hommages au carré de Josef Albers endossent désormais les habits du flicker film. Le quadrangle en proie au “battement” : pouvait-on trouver meilleure allégorie du destin présent du luminocinétisme ? »
-Michel Gauthier
Josef Albers | Study to Homage to the Square: Sudden Spring
oil on masonite 24 x 24 in. painted in 1956
Tadasky
B 108, 1964
Nelly Agassi, Bedroom, 2005, wood constrction, mattresses, quilt,
MoM Block Nr. 65, 1999
Acrylic on canvas
160 x 140 cm. (63 x 55.1 in.)
Ugo Rondinone
Target Painting no. 292 - Dritterjanuarzweitausendunddrei
Hanna Kim
Elsa Muñoz (b.1983, Mexican-American) ~ “Nightshore 20″, 2014 - Oil on Panel 40 x 24 in
The amount of bros at this beach house concert is hilarious
would you ever collab with lana del rey, grimes, or Lady GaGa?
I’ve done a remix for Lana, but yeah i’d def love to collab with her on something original…. I think all of these girls are great.. grimes is really cool, i love her hairstyles. :)
Christopher Hartmann (German, 1993), Daydreaming (all over now), 2024. Oil on linen, 48 × 35.9 cm.
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