Not Every Sentence Needs To Be Perfect. Not Every Sentence Needs To Be Perfect Not Every Sentence Needs

Happy Passover!

the question of fic comments is very straightforward actually. readers do not owe writers comments. writers do not owe readers fic. there is no bargain, no transaction, no debt.

fic is a gift. comments are a gift. gifts are exchanged between friends, out of love, not out of obligation.

I write for myself. I post it for others, as a gift, because their joy brings me joy. I read for myself. I comment for the author, as a gift, because their joy brings me joy. perhaps we were not friends before, but we are now, however fleetingly, because we have given each other gifts out of love.

being a POC in the Marauders/HP fandom is really interesting to me because it seems and feels like a really predominantly white space, which, hey, nothing new! and that does come with some challenges. for the most part, they're fairly under the radar.

it's things like being able to count the POC in a discord server on one hand, even though there's 100+ people in the community.

it's people not taking into account racial dynamics whether that be in a fic, or in a tiktok, tumblr, whatever. there are innate power imbalances in our society (regardless of what country you live in) and to assume because this fandom is a largely open, liberal and leftist space, that they don't carry over to fandom, is exceptionally naive. buuuuut, we live and learn, so people can and should be given a certain amount of grace. but what is unforgivable is to have them pointed out to you and for you to dismiss, ignore or belittle them. Not only that, but you as a white person, do not get to be the forgiving voice to another white person when they make one of these mistakes. please please please respect and understand that.

there's also (and i'm sorry if this is controversial and frankly it makes me really nervous to even write this), a trend of assigning ethnicities, cultures and races to characters in stories without having a proper understanding of them, or having a particular reason for doing so. I'm never going to sit here and say "you as a white person shouldn't write about ____ race!", because I don't believe that. but what I would really, really love to see, is for white creators and writers to ask themselves some questions beforehand:

what does the race of this character add to the story outside of me chasing clout with a particular group of people/is it necessary for me to be writing the lived experience of a culture/ethnicity I've never taken the time to learn about?

if so, why?

am i the right person to be doing this?

are my actions outside of my writing towards these POC reflective of this?

i also think it's really important to remember that unconscious bias is a thing, and it's really easy for us to spot in your writing if it isn't something you've addressed. Not only that, but even if you write the most well-researched POC in your fic, even if you're sharing posts about Lebanon and Palestine, none of that matters if your actions when interacting with us show us that you are indifferent to the power dynamics at play with you being a white person, often with a large audience, in this space. virtue signalling is spectacularly unhelpful if you're writing checks your ass can't cash.

that being said, I think throwing 'racist' around as a term at people who make mistakes is really unhelpful. because every situation has context and nuance, and dogpiling never helps anybody. there are opportunities for learning, developing and understanding here. but please remember, if a POC tells you something is upsetting, harmful or offensive - even if other POC haven't said that to you - it's not your place as a white person to dismiss that.

anyway, hope that helps, love u very much xo

i want to write a chronic illness remus fic so badly but every time i try it starts to feel like a diary entry and i have a stop

things rjl would cry over

Unread books

A shop having an opening ceremony but no customers are there

Deactivated tumblr accounts

A bug dying

The pyramids

The pig war (he feels bad 4 the pig)

A broken laptop that's unfixable

small cars

Baby ducks

A post w 3 notes

An ad poster that has a tear in it

loose change

remus lupin variants:

mop

wet rag

left sock

dusty blanket

throw pillow

carpet

shoebox

eco friendly confetti

old laptop

House elf speech patterns and the ‘happy slave’ trope

The way house-elves speak with their exaggerated, broken syntax, subject verb disagreements, and deferential tone bears an uncomfortable resemblance to the way enslaved people have been depicted in film, particularly in movies that glorify the antebellum south.

Take Winky’s syntax :

“But I knows Dobby too, sir!” squeaked the elf. She was shielding her face, as though blinded by light, though the Top Box was not brightly lit. “My name is Winky, sir — and you, sir — ” Her dark brown eyes widened to the size of side plates as they rested upon Harry’s scar. “You is surely Harry Potter!”

Then there’s Dobby:

“Dobby has traveled the country for two whole years, sir, trying to find work!” Dobby squeaked. “But Dobby hasn’t found work, sir, because Dobby wants paying now!”

Even Kreacher, who has a slightly different speech pattern still broadly speaks in the similar affected way.

“Kreacher did not see Young Master,” he said, turning around and bowing to Fred. Still facing the carpet, he added, perfectly audibly, “Nasty little brat of a blood traitor it is.”

This linguistic pattern is not unfamiliar. Compare it to:

Mammy from Gone with the Wind: Miss Melly, this here's done broke her heart. But I didn't fetch you on Miss Scarlett's account. What that child got to stand, the good Lord give her strength to stand. It's Mr. Rhett I's worried about. He done lost his mind these last couple of days

Or Uncle Remus in Song of the South. “Oh, I knows. I knows. I’m just a worn-out ol’ man what don’t do nothin’ but tell stories. But they ain’t never done no harm to nobody.”

The same tropes are at play. Stilted, infantilising speech. These films, particularly Gone with the Wind and Song of the South, glorify the antebellum South by presenting enslaved characters as devoted, content, even protective of their oppressors.

This is where the argument that house-elves aren’t slaves but brownies falls down. If house-elves were truly just magical beings with their own culture, their speech wouldn’t so closely mimic the linguistic markers of servitude used in films that softened the horrors of slavery.

Also intended or not this is a racialised coding that was once used to uphold and justify the absolute abomination of slavery and we should be critical of it.

chapter 3 of Becoming Remus this Christmas is here!!

Remus accompanies Sirius to a party; mistletoe is involved.

Comfort wolfstar

Them

HBO Releases Statement Defending J.K. Rowling's Involvement in New 'Harry Potter' Series

Rowling was “very, very involved in the process selecting the writer and the director," HBO's CEO Casey Bloys said at a press event on Nov 1

hey so those of y’all in the marauders fandom who are saying you’ll watch if ben barnes plays sirius and andrew garfield plays remus… better take those anti-JKR disclaimers out of your bios!