Natalie said her favorite scene in Rebel Without a Cause was one she shared with James Dean that was cut from the film.
“It was in the car. I was waiting for him and he comes up and we talk to each other. There was a section of the scene where I imply that I’ve sort of been around, that I’m not really pure.
I say to him, ‘Do you think that’s bad?’ And he says ‘No, I just think it’s lonely. It’s the loneliest time.’
I thought it was a wonderful line—right on the cutting room floor.”
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Natalie Wood photographed during the filming of “Bob & Carol & Ted & Alice,” 1969.
Miracle on 34th Street (1947) dir. George Seaton
Natalie Wood photographed by Phil Stern on set of “This Property is Condemned,” 1966.
He arrived late for the first rehearsal, roaring in on his motorcycle, dressed in jeans, a dirty T-shirt, and a large safety pin holding his fly together. “He was exactly what I expected. A junior version of Marlon Brando. He mumbled so you could hardly hear what he was saying, and he seemed very exotic and eccentric and attractive.” Natalie Wood by Suzanne Finstad.
Natalie Wood in SEX AND THE SINGLE GIRL (1964) ↳ costume design by Edith Head
Natalie Wood photographed in 1945 by Martha Holmes and in 1960 by Allan Grant.
Natalie Wood photographed by Ernst Haas in voice lessons for “West Side Story,” 1960.