you have to let yourself be a weird woman or you will not survive
In love with this. Perfect inspo for some hairstyles for the Fae đ
Your writing doesn't need to be perfect to be worthy of being written. The message is all wonky or there are plotholes every which way to wednesday? So what, just have fun!
The ultimate goal in writing is to have fun or to challenge yourself. If you're not successfully reaching your goals as a writer (including having fun), then you don't have to force yourself to keep working on that WIP.
This is your official permission to put the WIP down. You don't have to force yourself to write it. Promised your friends and/or followers you'd write it? They'll understand if they really care about you as a person. Had a specific goal for where you wanted to go with it? It's okay to drop that goal. Not every goal is for reaching, and there's no shame in quitting sometimes, especially when writing is ultimately for enjoyment.
It is okay not to want to publish. Hell, it's okay not to want to share your writing. You don't have to have a specific sharing goal for your writing for it to matter.
If you're getting haters, just remind yourself your writing isn't meant for them.
Stop changing your WIP to fit someone else's narrative for it. If someone wants you to change your WIP in some way, that's what fanfiction is for. Encourage them to write it and leave you to writing the canon version how you see it.
Your writing doesn't have to be a certain way to matter. It doesn't have to be light, it doesn't have to be dark. It doesn't have to be long or short. It doesn't have to have romance or a lack thereof. Your writing can fit whatever narrative you want it to and no one should be able to convince you otherwise.
As Denise says all the time, writing advice is there to assist you, not to boss you around. Yes, there are spelling and grammar rules that enhance the technical aspects of a story, but you don't even need to follow them if they don't fit your story. Sometimes having poor grammar and/or spelling actually suits your writing. Sometimes a piece of advice will work well for one WIP and not another. Cater your advice-following to the specific WIP that you're working on, and don't pressure yourself to have the "Perfect Story," because there is no such thing. It's something creative created by an imperfect person. Ergo, it won't be perfect
Have! Freaking! Fun! Quit pressuring yourself so much and just have FUN with it. If it's overwhelming, if it's exhausting to think about writing, if you're losing enjoyment from writing, it's okay to take a break. Please do when you need to. There's no shame in taking breaks. We all need them, so let your body rest! <3
Of course there are tons more things I can say but these are things I feel we writers constantly need reminding of, so here's another reminder <3
Happy writing, friends.
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basics
name: meaning of name: nicknames/titles: age: gender: location: birthday: strengths + example where it's shown: weaknesses + example where it's shown: how it affects others:
emotional depth
attachment style + how it manifests in the story: physical fear: emotional/abstract fear: happy memory: sad memory: object of significance: philosophical outlook/belief: what characters are ignorant about themselves: how confident are they: goal: long-term dreams: what they're embarrassed/ashamed to tell others about: regrets: source of pride: source of misery: what they admire above all else: do they believe in fate:
personality
mbti: enneagram: big five: character archetype: star sign: who they pretend to be on the outside: who they actually are/how they feel towards the mask: mental health conditions: how it manifests for them: iq: eq: humour: reputation:
habits
bad habits: mannerisms when stressed: mannerisms when content: mannerisms when scared: mannerisms normally: verbal mannerisms/distinctive speaking style: how do they move across a room: what do they say and what remains unsaid: how they express love: hobbies:
appearance
defining features: eye shape + colour: hair texture + colour: skin texture + tone: vibe: height: build: clothing: any bodily disfigurement (scars, etc.): overall attractiveness: their opinion on their appearance: appeals to:
relationships
who they trust most: what they wish they could do for them: what's holding them back: who they hate most: what they wish they could do to them: what's holding them back: relationship with the protagonist: relationship with the antagonist: siblings: relationship with them: parents/step-parents: relationship with them: previous broken relationships: why did it break: what others expect of them: who believes in them: their mentor character/who they look up to: political/religious/other affiliations: what makes them different from every other character: non-human relationships + why: romantic "type" + why: relationship dynamics:
backstory/background
primary emotion towards their past: primary feelings while in their past: where did they grow up: defining incidents: earliest childhood memory: saddest memory: happiest memory: major accomplishments: their opinion on it: notable people in their backstory: effect on them today: trauma: what have they already lost: financial circumstance:
progression
why are they important (eg. why're they the only one able to do something?): what do they learn about themselves throughout the story: what do they learn about the world: how do they feel towards their newfound knowledge: character arc (positive, negative, neutral): how relationships change because of their actions: what mistakes do they make: what scene is their character highlighted: do they get what they want: why or why not: what happens to them after the story ends:
When creating characters, it's all too easy to envision the most perfect people, especially when it comes to creating love interests. Even our loveable morally grey characters are mostly perfect, if only they would stop killing...
So, here are a list of some flaws (based on personality, not appearance) to help round out your characters. While it's nice to be good at everything, it's abnormal. No one is perfect, and your characters will be much more relatable if you knock them down a bit.
Please note, none of these are (specifically) mental disorders, as I don't consider those a character flaw.
The Good (aka little flaw):
Absent-minded, aimless, argumentative, audacious, awkward, blunt, bold, boring, capricious, childish, clumsy, competitive, complainer, cowardly, critical directionally-challenged, dubious, finicky, fixated, flake, flirty, foolish, gossipy, gruff, gullible, hedonistic, humourless, hypocritical, idealist, idiotic, ignorant, illiterate, immature, impatient, impetuous, impulsive, incompetent, inconsiderate, indecisive, indifferent, indomitable, irrational, lazy, lustful, materialistic, meddlesome, meek, mischievious, nagging, naive, nervous, nosey, obnoxious, overambitious, overconfident, overemotional, overprotective, overzealous, passive-aggressive, paranoid, peevish, perfectionist, pessimist, pest, predicatable, pretencious, prideful, rebellious, renege, rigorous, sarcastic, skeptic, seducer, selfish, self-righteous, shallow, slacker, solemn, spacey, spoild, squeamish, stubborn, supersticious, sycophant, tactless, tease, tempermental, tenacious, theatrical, thoughtless, timid, unpredictable, unsupportive, vain, workaholic
The Bad (aka big flaw):
Addiction, adulterous, aloof, anxious, apathetic, arrogant, belittling, belligerent, bigmouth, bitter, bully, callous, deceptive, dependant, deranged, dishonest, disloyal, disrespectful, egotistical, envious, erratic, exploitive, fanatical, fickle, fierce (at the extreme), gluttonous, greedy, harasser, hubris, impious, infamy, intolerant, judgemental, lewd, liar, meglomaniac, morally grey, narcissistic, negligent, obsequious, obsessive, offensive, prejudiced, quixotic, reckless, rigid, self-martyr, self-righteous, short-tempered, spiteful, squanderer, stingy, unethical, unforgiving, untrustworthy
The Ugly (aka cross the street when you see this person):
Abusive, bigot, controlling, cruel, explosive, immoral, inhumane, intolerant, machiavellian, manipulative, murderous, neglectful, oppressive, racist, remorseless, possessive, self-destructive, threatening, treacherous, vengeful, vindictive, violent
The seven chief features of ego: self-deprecation, self-destruction, martyrdom, stubbornness, greed, arrogance and impatience.
Some of these may not even be considered flaws, and some may jump from one category to the next. It's all about how you present these flaws in your characters.
Have any more to add? Did you find this useful? Let me know down in the comments :)
Currently working on a short story about two people who dated back in college meeting up to talk over coffee after losing contact for a few years. Things ended badly between the two and one of them is hoping to discuss things to finally get closure, but sometimes things just arenât that simple.
ah yes, one of the signs of homosexuality: an acute obsession with horror films
more words for characterization (pt. 4)
adolescent, afresh, ancient, antiquarian, antique, big, childish, crude, doddering, elderly, fresh, full-grown/full-fledged, green, hoary, immemorial, infant/infantile, junior, late, medieval, mint, modish, new, novel, older, old-fashioned, originally, outdated/out-of-date, passé, quaint, refreshing, secondhand, stale, state-of-the-art, undeveloped, up-to-date, well-preserved, youthful
adorable, aesthetic/esthetic, artistic, beautiful, comely, crisp, dapper, decorative, desirable, dressy, exquisite, eye-catching, fancy, fetching, flawless, glorious, good-looking, graceful, grungy, hideous, homely, irresistible, natty, ornate, plain, pretty, refreshing, resplendent, seductive, spiffy, striking, stylish, ugly, unbecoming, willowy, with-it
abstract, actually, alias, apocryphal, apparently, arty, authentic, baseless, beta, bona fide, circumstantial, concrete, contrived, credible, deceptive, delusive, dreamy, ecclesiastical, empirical/empiric, enigmatic/enigmatical, ersatz, ethereal, factual, fallacious, fantastic, far-fetched, fictitious, foolproof, fraudulent, good, hard, historical, honest-to-God, illusory/illusive, imitative, indisputable, invisible, just, lifelike, made-up, magic/magical, make-believe, matter-of-fact, metaphysical, monstrous, mystic/mystical, mythical/mythological, nonexistent, openhearted, ostensibly, paranormal, physical, positive, pretended, quack, quite, realistic, right, sincerely, specious, spurious, supernatural, synthetic, tangible, true, unearthly, unnatural, unthinkable, unvarnished, unworldly, valid, veritable, wholehearted/whole-hearted, wrong
ambulatory, brisk, clumsy, fleet, fluent, frozen, gawky, graceless, immobile, indolent, itinerant, leisurely, lifeless, liquid, lithe, maladroit, migrant/migratory, motionless, moving, nomadic, oafish, passive, pendulous/pendent, portable, restless, roundabout, sedentary, slow, speedy, static, vibrant, winding
adorable, baroque, becoming, black, bold, brassy, cheap, class, classy, contemporary, country, cultural, dashing, dowdy, eat high on the hog, exquisite, featureless, flamboyant, floral, flowery, formless, futuristic, garish, gay, glamorous, gorgeous, grand, graphic, hot, improvised, informal, innovative, kinky, loud, lush, luxurious, mean, meretricious, modish, neat, new, obsolete, old-fashioned, orderly, ornamental, ostentatious, outdated/out-of-date, palatial, picturesque, plush, posh, prevalent, quaint, refined, resplendent, rustic, scruffy, sharp, simple, sleazy, smart, snazzy, spiffy, spruce, stately, state-of-the-art, stylish, swank/swanky, tacky, tasteless, tousled, two-bit, unbecoming, unworldly, up-to-date, vogue
NOTE
The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.
It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary.
Source â Writing Basics & Refreshers â On Vocabulary
They say donât judge a book by itâs cover, but appearance sure can say a lot. Unfortunately when writing (or even drawing) it is more than easy to forget that factor. Using character appearance to describe the world, add personality to the character, and give the reader more information does wonders.Â
It makes sneaking in character appearance much easier, and gives the writer plenty of chances to expand on the world on their page.
Things you can use character appearance to do (but not limited to)
Hint at a characterâs economic status
Add personality to a character
Add to a characterâs backstoryÂ
Make notes about a characterâs health
Worldbuild the fashion
Describe a characterâs occupation
Make references to a characterâs passion or hobby
Hint at a characterâs relationship status
How a character feels about their own appearance
Family relations
Hint at a characterâs education
Subvert expectations
Explore characterâs potential gender identity
Align the character alongside dynamics or trope
Explain the time frame the story takes place in
Hint at the level of technology in a world
Describe a characterâs culture, race, ethnicity, etc.
How can I tell not tumblr people I want to be like Donna Tartt?
Like yeah I want to be a intelligent, classy and stylish unmarried woman who publishes a banger of a novel every ten years and disappear into the void between two books.
Intro : I love the 5-steps format, donât mind me. Again, this essay is based on my personal experience.
Read in different genres. Ok, I know youâve probably heard this advice more than you can count but did you ask yourself why it is so important ? You probably wonder ââHow reading some historical fiction will help me writing my sci-fi novel ?ââ For that simple reason my friend : they meet different purposes. You donât know how to describe a castle ? Itâs okay, historical fiction got your back. Because it aims at something more realistic and accurate, it would tend to be more specific and detailed when it comes to describing clothes, furniture, places and so on. Why ? Because, most of the time, THEY ACTUALLY EXISTED. Take a closer look at how it is done and draw your inspiration from it (but please avoid plagiarism itâs bad - and illegal)
Take notes and CLASSIFY them. To make reading somehow useful, you have to actually make it concious, which means you have to write things down to remember them. When I come across a description I like, I tend to takes notes of the figures of speech that are used and class them, so when I have to write a similar scene, I have an idea of what have been already used, and weither or not it achieved its goal. I am NOT talking about COPY another authorâs style !!!! Itâs about finding inspiration and new approaches. I also tend to take notes of the new words I wish to incoporate into my writing. The thesaurus is my new bestie.
Rewrite the same scene from different POVs. First of all, itâs fun. And itâs a really good way to spot quirky formulations. For instance, if you describe a ship, the captainâs POV should be different from that of a simple observer. The first one would be naming each part princisely whereas the other would only be admiring the surface without knowing anything. If the caption is the same for both POVs, maybe you should consider write your passage again (or have a good reason, like a strong amateurism for the mere observer). Itâs go hand in hand with coherence - but it would be an essay for another time (maybe).
Read your text aloud. I put major emphasis on that one because itâs as underated as reading books for various genres. You have no idea how much we DONâT speak the way we write. Even dialogues are crafted in our stories - so make sure to give them proper attention. (i even read my email aloud but-). I KNOW how cringey it might be as I am doing it MYSELF but the benefits are worth the 35-minutes shame I endure from my own mess. Before you can shine, you have to polish (shout out to the one who said that first if itâs not me).
Take a step back. I strongly advice you to let some time pass before reading your text again and profreading it. It will cast a new light upon your work and with fresh eyes youâd be more likely able to spot what needs to be erased or rephrased.
Thatâs all for me today. Since I would be entering my proofreading phase for my writing contest, the next essay would probably about proofreading (with examples from my own novel ?). Unless someone wants me to write on a specific subject first.
Gentle reminder that Iâm still French and not a native so please forgive my dubious grammar and outrageous mispellings.