Richard Wright playing ‘A Saucerful of Secrets’ in Pink Floyd at Pompeii - MCMLXXII.
“Sometimes I play something, and I haven't recorded it, and I don't know where it came from, why my hands did what they did, what key it was in, anything.” — Richard (Rick) Wright.
MARIANNE FAITHFULL | She’s a true lady.
Richard Wright & Pink Floyd, Live Performances of ‘The Wall’ 1980.
“I thought, if I’m going to leave at least I know I’ve got another month or so to carry on working – even possibly with the hope in the back of my mind that things might change. On the live performances Roger was being reasonably friendly. It was difficult but I tried to forget all my grudges, and I enjoyed playing The Wall. I put everything I could into the performances, and I think Roger approved of that. We would talk civilly to each other. It wasn’t too bad at all.” — Richard (Rick) Wright.
“For me, playing music is like meditating - I just play and don't really think about what I'm doing, I just let it happen.” — Richard (Rick) Wright.
Pink Floyd recording their song 'Scarecrow' at Abbey Road Studios, London on March 22nd, 1967.
"Just listen to Syd's songs, the imagination that he had. If he hadn't had this complete breakdown, he could easily be one of the greatest songwriters today. I think it's one of the saddest stories in rock "n' roll, what happened to Syd. He was brilliant - and such a nice guy.” — Richard Wright.
Richard Wright switching keyboard in Pink Floyd at Pompeii - MCMLXXII.
“Adrian Maben came to us with the idea. And we just thought, "Well, why not?" I don't think any of us thought it would be as well received and last in people's minds for as long as it did. All credit to him. It's his idea [Pink Floyd at Pompeii] and it was great.” — David Gilmour.
Pink Floyd in Moscow, 1989.
“We worked very hard to make the lyrics suit the music. I can't, like Elton John, for example, compose by lyrics. Elton has a great talent for that. Whatever you give him, including your questions, he composes in half an hour and makes a great song out of it.” — Richard (Rick) Wright.
MARIANNE FAITHFULL playing guitar in her dressing room at the Olympia. Paris, France. March 25, 1966.
Richard Wright, Interviewed for his album ‘Broken China’ , around 1996.
“It was while we were recording the last Floyd Album, The Division Bell. The idea for this record was inspired, sadly, by my personal experiences with a close friend whi was suffering from depression. I wanted to express my feelings about what I was seeing. It wasn't a healing process, as such, as I wasn't the person suffering, but it made me come to terms with my own feelings about what I was witnessing.” — Richard (Rick) Wright.
“I know for a fact that heaven and hell are here on earth.”
Dave Harris & Richard Wright, photographed for their project album, ‘Identity’, MCMLXXXIV.
Identity with Zee's David Harris. Really a super experimental album. Rick was not connected with the project and most of the ideas came from David. Actually Richard suffered a kind of blank between 1979 and 1987 when he was reintegrated in Pink Floyd as an official member.
Pink Floyd during a photoshoot, 1967.
“I'm treading the backward path. Mostly, I just waste my time.” — Syd Barrett.