My Piece For @swimonzine - You Can Still Get The Zine And Support The Shark Conservation Here!

Literally just made a Tumblr to scream about her. I have no clue how anything works here 🫡

plonts

Prints

All profits raised from this print will be donated to the Palestine Children's Relief Fund.

So... all of time and space, everything that ever happened or ever will - where do you want to start? ✨

Hello Whoniverse! 💙🔷💙

A colorful little sketchbook spread

Made in gouache and colour pencils

Art by Liberal Jane

meow

Nightblues - Pauline van Buringen

Dutch , b, 1961 -

Oil on canvas , 40 x 50 cm.

Genji is not a perfect person, but there’s a purity to him, a beauty that’s clearly meant to be lauded, particularly in contrast to later chapters. He’s in love with love, a true romantic, and his sometimes unwise affairs are motivated by a true sense of love. He never abandons one of his lovers, which in this time is crucial. No matter the shame it brings to himself, he tries to find a way to honor the women he’s fallen for. He’s charming. No one can not love him, or ultimately forgive him his faults.

The age of Tale of Genji had strict rules of romance—of how flirtations worked (largely intermediaries and poetry), of how commitments worked, of how aloof vs. present it was appropriate to be (it’s good to commit but bad to hoard or become jealous). It was possible to love too much. Genji is accused of this, but he always remembers to care for the people he is responsible for—once he grows up that is.

Early in the text, he neglects his wife, and he also neglects “the Rokujo lady.” The Rokujo lady becomes so jealous and enraged that her spirit begins to sicken his wife. This ghost returns more than once over the course of the text. She has grown sick from obsession and neglect, and Genji pays the price for it. It’s part of what motivates him to always care for the women he romances for the rest of his life.

Later, in the “Uji” chapters, young Kaoru and prince Niou also love too much. Niou is impulsive like Genji but also flighty, and Kaoru is serious like Genji but also obsessive. Both men pursue the women at Uji with insistence that the text can’t quite forgive as it could for Genji. Both, somehow, go too far—perhaps in their attempts to hoard, or in their impatience.