You Ain’t Getting Out Of This With A “tee-hee! What A Funny Joke” Man.

thought i’d add my two cents to the “is andrew a sadist?” discussion going on from a sadist’s perspective. andrew displays very strong and consistent sadistic tendencies, but understanding those requires understanding what the source of that gratification is. it is, of course, power, and everything in andrew’s life revolves around it.

most tend to think of sadism as exclusively sexual and the plain polar opposite of masochism— which, granted, it often is for people whose sadism is limited to the confines of the bedroom. when it isn’t, however, i wouldn’t say that’s particularly accurate. sadism in the paraphilic sense is just a psychological association between sexual pleasure and seeing others in pain that develops gradually when you get off enough times to that specific stimuli. your brain’s reward system now associates it with the rush of dopamine you get when you bust a nut. congrats, you’ve pavlov’d yourself into a fetish. this is not more innate than jacking it to footjobs on the daily and then getting aroused when you see feet.

i can’t relate to the exclusively kinky flavor of sadism myself, and i wouldn’t consider people for whom it is only a kink true sadists. for people with a sadistic personality, the gratification is emotional, sometimes exclusively so with no sexual component to it, and even with that component, the sexual arousal is secondary. no matter how many wires get crossed between how the sadism actually manifests and the core of that desire or need, the motivation is almost always vengeance and punishment for a perceived crime, projected onto whoever is seen as deserving of that punishment.

andrew sure as hell wants to avenge himself. that’s a recognizable pattern in his thought processes and behavior.

i saw his behavior towards ashley being used as a reference point here, but i personally do not see andrew’s sadistic tendencies applying to ashley— on the contrary, she’s the one person i’d say is exempt from his sadistic inclinations, who he instead feels mental discomfort when he’s causing her harm. his internal conflict shuts his sadism down instantly when he has thoughts along those lines, when he feels a desire to hurt her, because the sense of fulfillment he finds in being her one source of safety, comfort and happiness is stronger than acting on any sadistic desire would be. that’s where he gets his sense of purpose, his reason for living, and the two desires are naturally completely incompatible.

when andrew reflects on his lack of regret over murdering the warden, he admits that he only regrets not killing him slower and making him suffer, deriving pleasure from it, rather than hacking him up impulsively out of necessity to defend and protect his sister. why? the guy supposedly leered at ashley, looked at her as a potential sexual conquest, and for that, andrew would certainly gouge your eyes out and scrape out your eye sockets with a rusty spoon, and he’d savor every moment. my point: every other murder he commits is a stark contrast to the manner in which he kills ashley. he does this with tenderness and bitter sadness, her death pains him so unbearably much that he commits suicide the moment she is gone and dead in his arms, and he makes sure her death is quick and painless and that she doesn’t suffer. and to andrew, this is a loving act of mercy.

this deep love and care for her is not his sole motivator here, we’re not gonna do him the favor of pretending otherwise, he has utterly selfish motives as well, but andrew cannot stand the thought of abandoning ashley, so if he dies, she will have to die with him. in his mind, he needs to spare her from living without him even for a second, save her from the agony she would feel when he is gone and she’s alone in the world without her brother. if he kills her, he won’t have to leave her, and he could never, ever be the one to make his sister’s deepest fear into a horrifying reality. incomprehensible logic if you do not think like andrew does, but he’s not exactly sane.

as for the reactive abuse he inflicts on ashley, it does undeniably feel good to him in the heat of the moment, but it’s not sadistic gratification. it’s a wholly different emotional response. it’s relief from the extremely distressing feeling of powerlessness, the result of ashley relentlessly robbing him of any control until he feels small, helpless and cornered. perceived powerlessness induces panic, it suffocates him, and he lashes out accordingly with explosively excessive aggression when he’s triggered. he takes his power and control violently, whether this is when ashley pushes him so far with her abuse of him that he responds with violent reactive abuse, or when the woman in 302 attempts to retake control over the situation by lunging for the nail gun. the latter may look like self-defense, but only if you don’t know that andrew graves is a pathological liar.

the narrator generously informs us that andrew snapped and stabbed the woman in 302 way, way more times than is needed to kill a person, that he kept going until he felt satisfied even after she clearly stopped breathing, because the “dumb bitch” had the gall to think he was stupid and embarrass him.

to andrew, she insulted him, she deserved it, and it felt good and right to stab the fuck out of her for it. if the circumstances he found himself in simply made her death inevitable, if this was only a necessary evil to eliminate all witnesses, there was certainly no need for andrew to mutilate her.

but here we are. in the flashback to his point of view in apartment 302, we see the undeniable gratification he gets from power and control before the murder when he has the knife to her throat and she is entirely at his mercy, her life is in his hands, when she’s scared of him, and we see it again in the grand finale and act itself when he throws her onto the bed and stabs her to death without a second of hesitation. which he does when she shows that she is not as afraid of him as she should be— as andrew wants her to be. to andrew, fearing him is respecting him, and she was stupid enough to disrespect him when he’s holding a knife.

now this woman is just like ashley. andrew goes fucking batshit, sees red and snaps like a rubber band wound too tight, and the parallel here is clear as day to me given how we saw ashley treat him just a few scenes prior— i’m not scared of you, andy, who do you think you’re talking to?

ashley belittles him, subtly humiliates him when he stands up to her and challenges her to make him back down. she doesn’t take him even remotely seriously even when he makes an honest threat on her life, and now this “dumb bitch” doesn’t either. she doesn’t think he has it in him, so sure he’d never actually use that knife, he’d never actually kill her, he is not a real threat, he’s weak, he’s spineless, he’s a pushover, a doormat, he’s all bark and no bite. yeah, andrew’s livid, and there’s no fucking way he will let that slide when he has nothing to lose and everything to gain by killing this woman.

he will fucking show her how seriously she should have taken him— andrew makes a terrifying example out of her, she will take his sister’s punishment because he wouldn’t think of ashley as truly deserving of it, and he definitely enjoys every single second of it. that taste of power? i’ve no doubt he enjoyed it more than he’d ever imagined enjoying anything in his life.

none of this sadism ends up directed towards ashley at all. in fact, he obsesses over whether or not she’s safe and sound upstairs even as he’s reveling in the complete power and control he has over their notoriously fuckable neighbor. ashley returns unscathed and immediately calls him out on his shit, observant as she is— he killed the lady in 302 because he enjoys killing, not out of pure necessity, that’s an excuse, and he got off on it.

this is hardly ashley making shit up from a dismissive throwaway comment andrew made about the woman being easy on the eyes, even if he defensively reduces it to that to make ashley look and feel irrational. she can’t prove anything, so andrew will die on that hill insisting he was just dutifully protecting them both from harm, while this is ashley’s insecurities talking and making her act crazy. as usual. he clearly jumps through mental hoops to justify what he did and lies his way around his motives and intent constantly, but when ashley accuses him of getting his rocks off killing their downstairs neighbor, there’s his “even if i did, who cares, she’s dead.”

king of telling on himself even when he’s bullshitting.

finally got an opportunity to use this as a response 🥰

(here is the bonkers hot art I was commenting on)

kidz dont even say trick or treat anymore

Nagi (⁠ㆁ⁠ω⁠ㆁ⁠)

if you write or read ao3 content, I am going to assume you are pro-fiction

ao3 was made by pro-fiction folks for pro-fiction folks

my roman empire is the subtle differences in appearance between jinx and (alternate universe) powder. powder is taller and has fuller cheeks compared to jinx because shes not malnourished. powder is tanner than jinx and has freckles because shes out in the sun more. powder's voice is deeper to signify that she has matured, while jinx's voice is high-pitched and raspy because of her constant screaming and the poor air quality in zaun. powder has prevalent smile lines, while jinx doesnt. the difference between jinx and powder is one night, one decision.

Mfs when you're not shocked that ur toxic ship is toxic

reblog if you are ASEXUAL, support ASEXUAL PEOPLE, or SECRETLY A DRAGON IN HUMAN FORM