Jude's character also made me realize just how lazy of a main character F/eyre is. While F/eyre might initiate certain scenes, she remains utterly stagnant within them. F/eyre chooses to kill Andras, but then she doesn't do anything else, things happen to her, and she is pushed around. She makes the decision to go UTM, she does nothing after that, things happen to her. F/eyre is absolutely stagnant UTM. You know what would have been a very cool scene, if F/eyre was the one who bargained with R/hysand, if she were the one to come up with a plan when she realized that R/hys needed her. If F/eyre was learning about the politics of the Fae world, if she demanded to be let in because she's their only hope. That would make it so much more convincing that R/hys fell in love with her. If F/eyre exerted her obvious power over R/hys. If F/eyre showed that type of control over her fate...it would have been badass. That is a good main character.
Jude immediately recognizes her power in situations. When she bargains with Dain. Yes, she at a disadvantage, but she's also in a position that she can bargain with.
F/eyre is not active within the scenes, even if she initiates them. F/eyre never earns anything, things are given to her. And while Jude is not the perfect protagonist, and while I have my critiques, Jude does things, she learns, and her wants manifest with her making the decisions to act within the scenes. It's true that things happen to Jude, but what makes her different from F/eyre is that Jude also affects those actions, she learns from what others do to her.
So what does Jude want? She wants power. How does that manifest? She wants to be a knight. And the plot of the story follows around that.
In TAR, what does F/eyre want? We...don't know. She thinks of safety in the first four chapters, but her actions literally conflict this. When she kills Andras, that's out of survival, and when she goes UTM, it's a decision made mostly out of guilt. It doesn't say anything about F/eyre. The story straight-up won't commit to a core value for her. And it would be easy to characterize her like Jude. F/eyre wants power. It's the truth of her character, but SJM employs a misplaced sense of altruism and virtuosity. Nothing F/eyre does actually says anything about her because she's a lazy character. She'll start the scene, and then will do nothing after.
F/eyre wants to be High Lady of Spring, but she literally does nothing to show that she wants that. When she's introduced to Tamlin's court, she ignores them. She's completely disinterested in the most important parts of being a leader. Tamlin won't let you out? Okay, how is F/eyre going around that? Does she inquire about Tamlin through associates? Ask around, and play that role of Lady just to get more information? Maybe she learns concerning information about Tamlin through her constant inquiry. Does she talk to the nobility? Glean information when Tamlin won't tell her? Talk to Ianthe or gossip with her just to find out about court dynamics. If she asks the right questions, she could literally find out that Tamlin has a dark past while the story concurrently shows his devolving behavior.
It's okay if she fails, or if she gains nothing, but that type of characterization would literally make sense. It would make F/eyre a clever, learning, and interesting character. If she's sneaking around, doing xyz, we learn way more about F/eyre....and she grows.
So when Tamlin becomes more abusive, F/eyre is already actively seeking ways to get out, to be free. And when we get M/or coming to rescue her...it is F/eyre saving herself. Yes, she has no power, but she's not a damsel, she's a survivor. It's F/eyre exerting control (and even if she doesn't she's still a strong person for leaving, or being recused, but for what the story is arguing...having F/eyre be the one to make her own opinions on Tamlin rather than told by R/hysand is way more feminist and powerful).
I respect poetry so much because it does what I cannot do - say so much with so little.
When I have something Much to say, it takes me just as many words to say it. I say it with words that are each of them bland and common, unimaginative by their lonesome, with the hopes that if I stack so many together and squeeze a single drop of Much from each that it might flow into something meaningful.
When I have something to say, I say it twice. I say it three times. Because the first or second may not have captured the point. Because I do not trust myself to express the full essence saying it just once. Like just now, those last two sentences. I’ll repeat myself a third time for good measure - because I do not say it right just once or twice.
Poems say things in only a half, only a quarter. They choose single words worth more than ten of mine. I want to know how their minds shop for words. I want to distill myself like poets do. I want to trade in all my too many common words for the way they use an extraordinary few.
If I keep writing this, I’ll write it forever. I’ll explain myself again, as I have already, as I’m doing now. With more and different other words, with the hope of saying myself fully, like how all the hatched and messy wanton scribbles from a pen might finally color in a page. I want to change that. I want to not rip the page I’ve oversaturated by the tip of my pen.
I’ll start tomorrow, maybe, to explain myself less.
*I drew this picture for a fan convention to celebrate the 3rd anniversary of FGO Nemo's implementation.
Work process & Idea sketch
This is the hill I have decided to die on
Last year I had an internship at a fancy office during the day, and a food service job at night. One of the ladies at the office told me she needed a part-time job for some extra cash, and I let her know about an opening in my food service job, described what would be expected, all of that.
Guys. She quit after one (1) shift, called me the next day, and ranted, “You never told me it was going to be that hard, is that what you do every night?! I’m not 20 anymore, I’m 50, I can’t believe they only pay you $9.50/hr to do all that work!” [For the record, I had coworkers who were 65+]
She was shocked when I explained that yeah, most food service jobs require you to stock heavy boxes, work the register, and learn to cook/prep food, then clean up before you go home. It never occurred to her that people who “just flip burgers” actually have demanding jobs.
“I’m going to have to be extra nice to those people from now on!” Like yeah, no shit?
some of you haven’t stayed up late to read a 100k+ word fic even though you had to be up early the next day and it shows
“Percy Jackson is a POWERFUL demigod. FORBIDDEN even. he is a DanGEr and a menace”
Percy, the moment he sees the Oracle: *worst voice crack imaginable* h i
i think the aesthetic echo chamber created by tumblr is more dangerous than the political one bcs im self aware enough to kno my politics r radical but then me and the girlies are on here reblogging body horror and very weird erotic poetry and i get offline and interact w a real person and jokingly say something like fungus is tangibly divine in the way it facilitates the eternal dance of creation and destruction which is really creation as or by destruction and theyre like what the hell are you talking about freak. the aesthetic barrier between me and a girl in a vineyard vines tee is literally insurmountable. i find the trout to be a very nietzschean fish
The homoeroticism when you tell a man that you'll follow him wherever he goes after only knowing him for 4 months (the weirdly indepth and lengthy conversations about the technical ins and outs of the Nautilus is foreplay)
annabeth and grover frantically submerging percy in water the way you’d put an iphone in a bowl of rice
I was watching ep. 3 of pjo with my best friend who’s never read the books and she said “percy’s so smart and sneaky.” and yessss!! he IS. and he gets played off as this lucky and clueless guy at worst and naturally talented and powerful fighter at best. but ultimately, he’s won most of his battles by outsmarting his opponent. he’s an incredible strategist and he doesn’t get enough credit for it.
percy is very cunning at heart and that’s a compliment. he could’ve been an antagonist if he chose to be but he didn’t bc he cares about people. if his loved ones and the state of world weren’t at risk of being collateral damage in the war, I think percy might’ve joined kronos’ side. it’s not his loyalty for the gods that makes him a hero, it’s his loyalty to humanity
"it doesn't matter. I have books, new books, and I can bear anything as long as there are books."
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