Bonus sketch:
Sketches while relistening to tma with a friend lol
I hope mavity gets so engrained that you get the kids of today getting confused in physics lessons when they hit secondary school
Planet fitness is offering free showers, wifi, and charging stations to first responders and residents in the LA area who've been affected by the fires btw.
I like how the lack of spacing here implies that the helpline is there for those addicted to eating raw flour, dough, or batter, like a gambling helpline or something
@steddie-week
Day four: familiar
Fanon Tim, a mysterious super smart hacker bro on the same level of Oracle, who’s also unhinged, caffeine dependent, morally grey, negative rizz, lowkey has the highest body count of all the bats, and is a badass: and I will watch the crimson blood, leak from you neck
Canon Tim, loser skater boy who plays DnD in his spare time, nap addicted, pulls hella bitches, strict moral code with the bad habit of seeing only black and white, and is also a major badass: woah, that kid is hardcore goth
so naturally i was up at 1am the other night watching tdp related youtube videos and i figured i'd watch the 2020 comic con panel since it'd been a while and oh my god some of this shit
(also just me talking about how much i love this cast)
"IT IS I, DARK_MAGE_DAD420" i cannot believe that is real
aaravos: "if i want to do a screen call, i must perform a cosmic blood ritual. with a mortar and pestle. AND FLOATING KNIVES" you are fucking kidding me (edit: i realize that pertains to what he did in s2 but still like "cosmic" "ritual" "knives"? cmon)
jason simpson playing the ukulele. that's all.
jack: *talking about how he had a baby in quarantine* eric: i've been doing a lot of gardening... uh i haven't had a baby, but you never know! i mean if it's possible through social distancing aaron: if anybody can make that happen through social distancing it's aaravos you are F U C K I N G KIDDING ME
racquel: some fun things i did- i uhh died my own hair and burned my scalp and i would like to inform you all it's finally healed and we're good to go, i'm ready to do it again! i'm obsessed with the fact that racquel is quite literally claudia irl
the ttm read is awesome. jack came with the Rayla Voice fucking PREPARED oh my god
i don't think i've ever actually talked about the dnd sketch but it is one of my favorite things in the entire world
rayllum in this sketch is amazing particularly callum he is SO down bad like "my character is a mysterious elf assassin with two beautiful blades to match my two beautiful eyes~~ ✨" like hello that's canon idc if it's a sketch that is canon
"my character cannot help but look at her. he locks eyes with rayla's mage" "....there will be time for roleplaying later" HELLO THATS GOLD
viren in this skit is genuinely one of the funniest things i've ever seen. i cannot emphasize enough this is comedy
necromancer ezran. i think about him daily.
s: "i start swinging my sword at, uhh, idk, rayla's mage" r: "WAIT WHAT" c: "uh wait wait i take it back MY SWORDS GLEAM INTO THE LIGHT AS I LEAP TO THE DEFENCE OF THE BEAUTIFUL MAGE!" s: "hey no takebacks!" sibling ass fight i love them
"LIKE WHAT DO YOU ACTUALLY DO?"
i rolled a 1 😐
i loot their corpses for blood >:D
"do elves have four toes?" "i always assumed that they would have 6 so they could learn how to count to 20" paula my love
someone get sasha some hamantaschen
i don't need arc 3 actually i just need the beta script including as many guns n roses references as possible
racquel: ok call me crazy, call me crazy... jesse: you're crazy, racquel racquel: THANK YOU FINALLY they are literally just them
"I WILL NOT BE POSTING A SINGLE THING ABOUT ICE, FOR I AM JULIA" (okay but.... venous frigoris anyone?)
paula: ugh, no one likes soren jesse: well no one likes rayla racquel: you two should fight 😈
long hard sigh
bonus: jason: literally no one likes viren so let's move on
"how old is bait?" "sasha, how old do you think bait is?" "3."
"is-is a glow toad kinda like a toad?" "................kind of"
i fucking love sasha have i ever mentioned that i fucking love sasha
"i think that he's 56." "either 3 or 56 only, apparently"
the saga announcement is great i love how everyone's is so excited they don't even know all of their characters are about to be destroyed physically and emotionally
the way aaron says it so fucking funny "is there gonna be a season 4?" "uh so i think it's really important to emphasize: yes-"
"i too want to cry" "just cry, just-" "IT'S A PANDEMIC. NO TEARS. THERE'S NO CRYING IN A PANDEMIC." "...where is this rule coming from?"
and finally there were a handful of moments that i could not do justice by transcribing in a post so here is a masterfully edited compilation i made
it's intimidating thinking about submitting your precious work to judgement, but all the rejections are worth it when you finally get that one glowing acceptance email that puts your anxieties and impostor syndrome to bed. but where do you submit? it can be incredibly overwhelming trying to find the right sites/journals/zines to submit to so i thought i'd create a little collection of places i have found to submit to and i will update it whenever i find new discoveries.
PROSE ONLY
The Fiction Desk
They consider stories between 1k words and 10k words, paying 25 GBP per thousand words for stories they publish and contributors receive two complimentary paperback copies of the anthology. (A submission fee of 5 GBP for stories which sucks)
Extra Teeth
Works of fiction and creative nonfiction between 800 and 4,000 words receive a 140 GBP payment upon publication in the magazine as well as two copies that feature your work. If your work is selected to published online, you get 100 GBP instead. A Scottish based publication that also offers mentorships to budding writers. (Free)
Clarkesworld
Fantasy and sci-fi magazine accepting submissions of fiction from 1k to 22k words, paying 14 cent per word. Make sure you read their submissions page carefully, it gives you a good idea of what they're looking for and what will get you one of those disheartening rejection emails. (Free)
Granta
Open to unsolicited submissions of fiction and non-fiction. Unfortunately they do charge a 3.50 GBP fee for prose submissions, but they do offer 200 free submissions during every opening period (1 March - 31 March, 1 June - 30 June, 1 September - 30 September, 1 December - 31 December) to low income authors. No set minimum or maximum length, but most accepted works fall within 3,000 and 6,000 words.
Indie Bites
A fantasy short fiction publisher looking for clever hooks, strong characters and interesting takes on their issues' themes. Submissions should be no longer than 7,500 words. You get an honorarium of 5 GBP for each piece of yours that they publish - it's not much, but yay money! (Free)
Big Fiction
Novella publishers (7,500-20,000 words) looking for self-contained works of fiction that play with things like the linearity of narratives, perspective, structure and language. (Free)
Strange Horizons
Employing a broad definition of speculative fiction, they offer 10 cents a word for spec fiction up to 10,000 words but preferably around 5,000. (Free)
Fantasy and Science Fiction
They publish fiction up to 25,000 words in length, offering 8-12 cents per word upon publishing. (Free)
Fictive Dream
Short stories from 500 words to 2,500. They want writing with a contemporary feel that explores the human condition. (Free)
POETRY AND PROSE
eunoia review
Up to 10 poems in a single attachment, up to 15,000 words of fiction and creative non-fiction (can be multiple submissions amounting to that or a single piece). It's free to submit to, and they respond in 24 hours (I can vouch for that).
Confingo Magazine
Stories up to 5,000 words of any genre and poems (a max of three) up to 50 lines. Free to submit to and offer a 30 GBP payment to authors whose work is accepted.
Grain Magazine
Another Canadian based publication also supportive of marginalised identities. They accept poems (max. of six pages), fiction (max. of 3,500 words) or three flash fiction works that total 3.5k, literary nonfiction (3,500 words) and queries for works of other forms. All contributors are paid 50 CAD per page to a max of 250. Authors outside of Canada will need to pay a 5 CAD reading fee but they do offer a limited number of fee waivers if this impacts your ability to submit.
BTWN
An up-and-coming lit mag looking for diverse works that play with genres, breaks the rules and is a little weird. They want what typical lit mags reject. Stories up to 7,000 words, non-fiction up to 7,000 words and up to 4 poems totalling no more than 10 pages, hybrid work, comics/graphics up to 5 pages, original periodicals up to 14,000 words of prose or 20 pages of poetry. (Free)
Gutter
Accepting submission in spring and autumn work that challenges, re-imagines or undermines the status quo and pushes at the boundaries of form and function. If your contribution is chosen, you get 30 GBP for your work as well as a complimentary copy of the issue. Up to three poems (no more than 100 lines), fiction and essays (up to 2,500 words)
Whisk(e)y Tit
This one's worth checking out just for their logo. They're looking for fiction whether it's short stories, flash fiction or novel excerpts up to 7,000 words, up to 5 poems, up to 7,000 word essays, screenplays and stage plays (can be full works or excerpts up to 20 pages). (Free)
FOR QUEER AND MARGINALISED WRITERS
Plenitude magazine
A queer-focused Canadian literary magazine accepting poetry, fiction and creative non-fiction. They define queer literature as create by queer people. (Free)
Lavender Review
Poetry written by and for lesbians. An annual Sappho's Prize in Poetry takes place every October. (Free)
AC|DC
"A journal for the bent", always open for submissions from queer writers of all experience levels. They lean towards dark and raw writing but are open to everything as long as it's not over 3,000 words. (Free)
Sinister Wisdom
A literary and art journal for lesbians of every background. They accept poetry (up to 5), two short stories or essays OR one longer piece (not exceeding 5,000 words), as well as book reviews (these must be pitched before they are submitted, (Free)
Queerlings
Open annually from Jan 1st to March 31st they publish short stories of any genre (up to 2,000 words), flash fiction/hybrid work (500 words), poetry (up to 3 poems per submission with a 20 line maximum on each) and creative non-fiction (2,000 words) written by queer writers. (Free)
underdog lit mag
Based in the UK, they focus on amplifying emerging and underrepresented writers. If you're female, POC, LGBTQ+, working-class or all of the above with a story of 100-3,500 words that fits their flavour of the month (the last flavour was Magical Realism) send it their way! (Free)
fourteen poems
London-based poetry publishers looking for the most exciting queer poets. You can send up to five emails to them within their deadlines and you get 25 GBP for every poem published.
Froglifter Journal
A press publishing the most dynamic and urgent queer writing. Poets send in 3 to 5 poems (max. 5 pages), writers send in up to 7,500 words of fiction or non-fiction or three flash fiction pieces, and cross-genre creators send in up to 20 pages within the submission windows March 1 to May 1 and September 1 to November 1. (Free)
OTHER SOURCES
Short Stories: X | X | X
Poetry: X
A reminder to the "the American government wouldn't..." crowd. They have. They have made their own internment camps before. They have rounded up innocent citizens and immigrants before. The victims of which are still alive to this day and trying to share their stories with the world, they have been trying to warn us for a long time. George Takei (as seen above) is a famous example of this. He has written about his experiences time and time again, even publishing a book talking about his time in these camps. He may be famous now, but at the time he was just another kid forced from his home. To this day he still firmly dedicates himself to trying to educate and inform people, trying to spread awareness with his platform. The American Government can and will do terrible things. Do not let anyone convince you otherwise.
Thinking about how most discussion around ‘educate boys’ is sub-textually presented from a position where sexual violence is a default, expected behaviour that must be trained out, rather than treating it as a learned behaviour that could be prevented if the teaching was identified and stamped out