Reblog To Give Your Headache To Elon Musk Instead

I love the first meeting of Dick and Commissioner Gordon in Batman and Robin: Year One

Jim is so done with Batman having a young sidekick, and for a good reason. Like, this boy is around his daughter's age, he should be on bed instead of chasing criminals.

And Dick, bless his soul, is so energetic and excited since it's his first patrol. Probably, his childish manners make him ever more ill suited for this job in Jim's eyes.

Everything about this scene is perfect.

masterlist of places to submit creative writing

it's intimidating thinking about submitting your precious work to judgement, but all the rejections are worth it when you finally get that one glowing acceptance email that puts your anxieties and impostor syndrome to bed. but where do you submit? it can be incredibly overwhelming trying to find the right sites/journals/zines to submit to so i thought i'd create a little collection of places i have found to submit to and i will update it whenever i find new discoveries.

PROSE ONLY

The Fiction Desk

They consider stories between 1k words and 10k words, paying 25 GBP per thousand words for stories they publish and contributors receive two complimentary paperback copies of the anthology. (A submission fee of 5 GBP for stories which sucks)

Extra Teeth

Works of fiction and creative nonfiction between 800 and 4,000 words receive a 140 GBP payment upon publication in the magazine as well as two copies that feature your work. If your work is selected to published online, you get 100 GBP instead. A Scottish based publication that also offers mentorships to budding writers. (Free)

Clarkesworld

Fantasy and sci-fi magazine accepting submissions of fiction from 1k to 22k words, paying 14 cent per word. Make sure you read their submissions page carefully, it gives you a good idea of what they're looking for and what will get you one of those disheartening rejection emails. (Free)

Granta

Open to unsolicited submissions of fiction and non-fiction. Unfortunately they do charge a 3.50 GBP fee for prose submissions, but they do offer 200 free submissions during every opening period (1 March - 31 March, 1 June - 30 June, 1 September - 30 September, 1 December - 31 December) to low income authors. No set minimum or maximum length, but most accepted works fall within 3,000 and 6,000 words.

Indie Bites

A fantasy short fiction publisher looking for clever hooks, strong characters and interesting takes on their issues' themes. Submissions should be no longer than 7,500 words. You get an honorarium of 5 GBP for each piece of yours that they publish - it's not much, but yay money! (Free)

Big Fiction

Novella publishers (7,500-20,000 words) looking for self-contained works of fiction that play with things like the linearity of narratives, perspective, structure and language. (Free)

Strange Horizons

Employing a broad definition of speculative fiction, they offer 10 cents a word for spec fiction up to 10,000 words but preferably around 5,000. (Free)

Fantasy and Science Fiction

They publish fiction up to 25,000 words in length, offering 8-12 cents per word upon publishing. (Free)

Fictive Dream

Short stories from 500 words to 2,500. They want writing with a contemporary feel that explores the human condition. (Free)

POETRY AND PROSE

eunoia review

Up to 10 poems in a single attachment, up to 15,000 words of fiction and creative non-fiction (can be multiple submissions amounting to that or a single piece). It's free to submit to, and they respond in 24 hours (I can vouch for that).

Confingo Magazine

Stories up to 5,000 words of any genre and poems (a max of three) up to 50 lines. Free to submit to and offer a 30 GBP payment to authors whose work is accepted.

Grain Magazine

Another Canadian based publication also supportive of marginalised identities. They accept poems (max. of six pages), fiction (max. of 3,500 words) or three flash fiction works that total 3.5k, literary nonfiction (3,500 words) and queries for works of other forms. All contributors are paid 50 CAD per page to a max of 250. Authors outside of Canada will need to pay a 5 CAD reading fee but they do offer a limited number of fee waivers if this impacts your ability to submit.

BTWN

An up-and-coming lit mag looking for diverse works that play with genres, breaks the rules and is a little weird. They want what typical lit mags reject. Stories up to 7,000 words, non-fiction up to 7,000 words and up to 4 poems totalling no more than 10 pages, hybrid work, comics/graphics up to 5 pages, original periodicals up to 14,000 words of prose or 20 pages of poetry. (Free)

Gutter

Accepting submission in spring and autumn work that challenges, re-imagines or undermines the status quo and pushes at the boundaries of form and function. If your contribution is chosen, you get 30 GBP for your work as well as a complimentary copy of the issue. Up to three poems (no more than 100 lines), fiction and essays (up to 2,500 words)

Whisk(e)y Tit

This one's worth checking out just for their logo. They're looking for fiction whether it's short stories, flash fiction or novel excerpts up to 7,000 words, up to 5 poems, up to 7,000 word essays, screenplays and stage plays (can be full works or excerpts up to 20 pages). (Free)

FOR QUEER AND MARGINALISED WRITERS

Plenitude magazine

A queer-focused Canadian literary magazine accepting poetry, fiction and creative non-fiction. They define queer literature as create by queer people. (Free)

Lavender Review

Poetry written by and for lesbians. An annual Sappho's Prize in Poetry takes place every October. (Free)

AC|DC

"A journal for the bent", always open for submissions from queer writers of all experience levels. They lean towards dark and raw writing but are open to everything as long as it's not over 3,000 words. (Free)

Sinister Wisdom

A literary and art journal for lesbians of every background. They accept poetry (up to 5), two short stories or essays OR one longer piece (not exceeding 5,000 words), as well as book reviews (these must be pitched before they are submitted, (Free)

Queerlings

Open annually from Jan 1st to March 31st they publish short stories of any genre (up to 2,000 words), flash fiction/hybrid work (500 words), poetry (up to 3 poems per submission with a 20 line maximum on each) and creative non-fiction (2,000 words) written by queer writers. (Free)

underdog lit mag

Based in the UK, they focus on amplifying emerging and underrepresented writers. If you're female, POC, LGBTQ+, working-class or all of the above with a story of 100-3,500 words that fits their flavour of the month (the last flavour was Magical Realism) send it their way! (Free)

fourteen poems

London-based poetry publishers looking for the most exciting queer poets. You can send up to five emails to them within their deadlines and you get 25 GBP for every poem published.

Froglifter Journal

A press publishing the most dynamic and urgent queer writing. Poets send in 3 to 5 poems (max. 5 pages), writers send in up to 7,500 words of fiction or non-fiction or three flash fiction pieces, and cross-genre creators send in up to 20 pages within the submission windows March 1 to May 1 and September 1 to November 1. (Free)

OTHER SOURCES

Short Stories: X | X | X

Poetry: X

Thinking about how Rayla originally said the Key was just a child’s toy and now wondering if the Key was originally simply a toy Aaravos made for Leola when she was younger (like children’s blocks) and then later repurposed for the book he was working on which, perhaps, he meant to pass on to her when she was old enough.

I wrote Part I of a self-indulgent fic about Sarai and Soren based on my post detailing my headcanons. If you like the excerpt below, feel free to read and support the rest of it here on AO3!

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Sarai lay in the bed, watching the royal physician closely as he examined the frail boy held in her arms. From the corner of her eye, she could see Lord Viren and Lady Lissa across the room with their hands interlocked, knuckles white with tension. No one said a word as the doctor placed a device against the child’s bare chest and brought it to his ear to listen. Not that he needed the instrument, in Sarai’s opinion. Every shaky breath that little Soren took was accompanied by a thick, crackling sound. The Head Crownguard gently ran a hand across the boy’s head to wipe away the feverish sweat that plastered the golden locks to his forehead. Soren was none the wiser of the movement around him, eyes screwed shut in a restless slumber.

Occasionally, one of Sarai’s recruits would ask her why she spent so much time cooped up in the bedroom of the High Mage’s son. She’d answer curtly that as a Crownguard, it was her duty to aid the people of Katolis in whatever way she could, including High Mage Viren and his family. Who was Sarai to deny a sick child company, especially when he asked so nicely?

It was no secret that Soren adored Sarai. She saw the way his face lit up when she walked through the door. On the good days, she’d play with him while his parents attended court or spent time with their daughter. Soren would grab his toy sword, and Sarai would grab his little dragon plushie, and they would take turns chasing each other around the room, playfighting.

During the bad days, she’d lay on the bed with Soren and tell him about the Crownguard. Sarai ensured that Soren knew he wasn’t expected to make conversation, or even keep his eyes open. She just spoke, and he listened or tried to sleep – and the only response to her stories would be the sound of soft wheezing. Sarai would stay with Soren long after he fell asleep, only getting up when his parents returned to take her place at his side.

Harrow, Lady Justice bless him, would check on her after every visit with Soren. He knew her history with the breathing sickness and how it affected her. She’d, of course, politely assure him that she was well and thank him for keeping an eye on Callum while she was unavailable. They’d stroll through the halls, and Harrow would tell her all about which area of the castle he had helped Callum explore that day.

ETHARI CHANGED HIS MOONSHADOW MARKINGS ON HIS ARMS???? FROM THE CIRCLES TO A SWIRL????

A) So does that mean they’re painted on?

B) if they are painted, does he change them because runaan isn’t there anymore to help him paint them??? Because like, an even circle is real difficult to draw on your shoulder without help.

C) in terms of character design, I will be interpreting this as him losing stability. His old design was perfectly symmetrical, whereas now he’s a little off kilter, literally spiraling with grief. To me, there’s a lot of meaning in his markings specifically, especially the ones under his eyes that look like permanent tear tracks 🫶

D) goddamn it now I have to relearn how to draw his markings

cis men do not like it when you call their star wars memorabilia 'cute'. like im sorry your death star egg timer that makes an explosion sound instead of a ding is cute. that's what it is. you don't need to pretend its not. take my hand. come with me

post-crisis batkid canonical ages

“It’s impossible to figure out comic book timelines” - people who are not me and who I cannot relate to. I have crafted this, a coherent, canon-compliant timeline. A quick preface:

This is all for the Post-Crisis (i.e. New Earth/1986-2011/Pre-Flashpoint/pre-reboot/“preboot”/best) continuity.

My main principle here is diegetic evidence from comics >>>> evidence from supplemental materiel (like calendars, timelines from secret files & origins, character encyclopedias, etc)

Second principle is that mentions of ages, birthdays > mentions of time passed > non-birthday month placements (e.g. the start of school years).

We’re going to go youngest to oldest, because it actually makes more sense that way.

Damian is 10-11 at the end of preboot.

Damian’s birthday is not given in Post-Crisis.

Damian is 10 when he becomes Robin, per Batman and Robin vol 1 #1. He is still 10 in Batgirl vol 3 #17. That is the last time I am aware of where his age is said, so he may or may not have turned 11 in the short remaining time before Flashpoint.

Tim is about 7 years older than Damian. He is 17 at the end of preboot.

Tim’s birthday is July 19th (Robin #116).

Tim turned 16 in R#116, before the One Year Later event (where, as you may guess, a year passed), meaning he is at least 17 after OYL. Tim is still 17 in Red Robin #25. Damian becomes Robins between these events, meaning Tim is 17 when Damian is 10, and they are ~7 years apart.

RR#25 is the penultimate issue of Red Robin. Coupled with the significance of an 18th birthday and the fact that we never see one, there is virtually no chance that Tim turned 18 before Flashpoint. He’s 17.

Stephanie is <1 year older than Tim. Steph is 18 at the end of preboot.

Stephanie’s birthday is not given in Post-Crisis.

Stephanie was 15 when she first became Spoiler, per her recounting the story in Secret Origins 80-Page Giant. She is still 15 in Robin #59. In between these events, Tim is stated as 14 in Robin #43. Therefore, Stephanie is older. Stephanie “died” when she is 16, per the last story in Batman Allies Secret Files and Origins, between R#116 and OYL, meaning Tim was also 16. That makes her less than a year older.

She is also one grade above Tim, starting college in Batgirl vol 3 #1, shortly before it’s confirmed by Red Robin #17 that Tim (had he not dropped out) should be a senior in high school.

Stephanie starts college in Batgirl vol 3 #1, and we have every reason to believe she is starting at the “normal” time, making her 18. Since Tim is 17 at the end of Post-Crisis, and Steph is less than a year older, she can’t be any older than 18.

Jason is 1 year, 11 months, 3 days older than Tim. Jason is 19 at the end of preboot.

Jason’s birthday is on August 16th (Detective Comics #790).

No ambiguity here! Tim and Jason are exactly 702 days apart, unless Tim was born on or right after a leap year, making it 703. We know this because Jason’s 18th birthday is on August 16th in DC#790, which occurs after R#116 and Tim’s 16th birthday, but before OYL where Tim turns 17. This means Jason must have turned 18 when Tim was 16.

Jason’s age is never explicitly said after his return. But because his birthday comes after Tim’s, and Tim is still 17 at the end of preboot, we can be completely confident that Jason is still 19.

Cass is 6 months, 21 days older than Jason. Cass is 19-20 at the end of preboot.

Cassandra’s birthday is on January 26th (Batgirl vol 1 #33).

Cass turned 18 in Batgirl #37, shortly before both R#116 and DC#790, meaning before Tim turned 16 and Jason 18. This is well after No Man’s Land, so we can be certain Tim is long-since 15 (see below cut), and since her birthday is in January, we can also be certain Jason is long-since 17. This means Cass is less than a year older than Jason.

Cass’s age is also never said towards the end of preboot, but can be estimated via Jason (via Tim). Knowing Jason is 19 and Cass is 7 months older, we know she must be 19-20 at the end of preboot. However, since her birthday is before Tim’s, we cannot say if it’s passed to be more specific than that.

Dick is probably 6 years, 4 months, 26 days older than Jason (5 years, 10 months, 6 days older than Cass). He is 25-26 at the end of preboot.

Dick’s birthday is complicated, but imo the best bet for Post-Crisis is March 20th (see below cut).

Dick’s age is extremely messy, but here goes. Dick is 19 when Bruce fires him (Batman #419) and Jason is at most 12 when Bruce finds him shortly after (see below). Dick turns 20 while Jason is Robin (Secret Origins vol 2 #13 and New Teen Titans vol 2 #18). Dick is at most 21 in Deathstroke vol 1 Annual #1, after Tim is introduced. This means Dick is 20-21 when Tim is introduced at 13. The ONLY possible way to make all those ages work is for Dick to be ~6.5 years older than Jason, ~8.5 years older than Tim.

Dick’s age is not really said after that, except the vague mention in Nightwing vol 2 #134 that the time around his 17th birthday was “almost ten years” ago. This fits with what his age should logically be based on the difference to Tim, and we can confidently put him at 25-26 at the end of preboot.

A detailed timeline, references, and explanations of what was included or had to be ignored under the cut:

Keep reading

flashing neon sign that says I LOVE MY ALIVE GAY GOTH SON

This was an excuse to experiment with new brushes but also if I don't draw coziness/softness for too long I go into withdrawal

As usual version without overlay is under the cut :D

LESS movies about the lgbtq experience MORE movies about people who just happen to be lgbtq. is it really that hard to understand