Vintage publicity images for TWIN PEAKS.
Three things define the early 90s for me: The Simpsons, grunge music, and Twin Peaks.
I was 13: not a kid anymore, not really a teen yet; I mean not the kind of teen you are when you’re 16. I used to ride to school on my bike thinking about Twin Peaks: the music, characters, scenes, the warm visuals, the whispering trees, just the strange, otherworldly sense around it. The suspense was murder. Everything seemed charged with mystery, even traffic lights and ceiling fans. Twin Peaks is the shadow version of America’s can-do optimism.
That’s where my head was for about a year, I was constantly thinking about Twin Peaks. None of the other kids in my class watched the show, so it felt like my own dream world. Nobody knew but me. But then it has been like that for most of my life.
The 1933 KING KONG armature.
Facehugger concept art by H.R. Giger. ALIEN (1979).
John Bauer - The Ring, Riding in the moonlight, 1914
Poster designs by William Stout for JURASSIC PARK (1993).
Art by Aron Wiesenfeld.
Alice meets the Caterpillar. Illustrated by:
Gwynedd M. Hudson (1922); WH Walker (1907);
Blanche McManus (1899); Harry Rountree (1908);
Gertrude Kay (1923); Bessie Pease Gutmann (1907).
Bonus: a storyboard panel from the Disney version (by Bill Peet).
BLADE RUNNER (1982) concept art by Syd Mead.
The unnerving sight of an approaching car in the dark: photos by Henri Prestes.
Bart Nixon, designer of Pennywise the Dancing Clown from Stephen King’s IT (1990).