People Who Don't Re-read Books Are So Funny To Me. "I Know What Happens"..?? Gurl I Know What Pizza Tastes

People who don't re-read books are so funny to me. "I know what happens"..?? Gurl I know what pizza tastes like, still gonna eat another one. I know what a rainbow looks like, you think that'll stop me running outside, camera in hand, to see the next one?

More Posts from Pagesoflanguish and Others

1 year ago

forever in awe of people who pay attention. people who wait for you while you tie your shoes while the others have walked away. when they continue listening intently while the rest of the group stopped listening. noticing your moments of silence when everyone else hasn’t. “this made me think of you” noticing things you never even noticed about yourself. people who say “text me when you get home safe.” people who make you laugh until you cry. childhood friends who keep in touch. people with genuine intentions. people who are soft when the world has given them every opportunity to turn hard. the “let’s get ice cream” at 3am friend. the turn up the music in the car and sing friend. people whose actions match their words. people who make the world feel less chaotic. kindred spirits. the trustworthy and honest. hard workers. good listeners. clear communicators. people who love you for who you are. people who don’t ask you to be anything other than yourself. people who choose you. people who stay.

2 months ago
Bow Tying Tutorial ˖ . ݁𝜗𝜚. ݁₊

Bow tying tutorial ˖ . ݁𝜗𝜚. ݁₊


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7 months ago
Hello Kitty X Algae
Hello Kitty X Algae
Hello Kitty X Algae

hello kitty x algae


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1 year ago

human brain is so easy to manipulate its stupid. sun is out longer in evening = life is worth living...read some negative social media posts = everybody hates me...read one interesting article = i have the scholar's ambition


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1 year ago

“Start copying what you love. Copy copy copy copy. At the end of the copy you will find your self.” —Yohji Yamamoto

It is our failure to become our perceived ideal that ultimately defines us and makes us unique.” Thank goodness.

Nobody is born with a style or a voice. We don’t come out of the womb knowing who we are. In the beginning, we learn by pretending to be our heroes.

We learn by copying. We’re talking about practice here, not plagiarism—plagiarism is trying to pass someone else’s work off as your own.

Copying is about reverse-engineering. It’s like a mechanic taking apart a car to see how it works.

“Start Copying What You Love. Copy Copy Copy Copy. At The End Of The Copy You Will Find Your Self.”

We learn to write by copying down the alphabet. Musicians learn to play by practicing scales. Painters learn to paint by reproducing masterpieces.

Remember: Even The Beatles started as a cover band. Paul McCartney has said, “I emulated Buddy Holly, Little Richard, Jerry Lee Lewis, Elvis. We all did.” McCartney and his partner John Lennon became one of the greatest songwriting teams in history, but as McCartney recalls, they only started writing their own songs “as a way to avoid other bands being able to play our set.”

As Salvador Dalí said, “Those who do not want to imitate anything, produce nothing.”

First, you have to figure out who to copy. Second, you have to figure out what to copy.

Who to copy is easy. You copy your heroes—the people you love, the people you’re inspired by, the people you want to be. The songwriter Nick Lowe says, “You start out by rewriting your hero’s catalog.”

And you don’t just steal from one of your heroes, you steal from all of them. The writer Wilson Mizner said if you copy from one author, it’s plagiarism, but if you copy from many, it’s research. I once heard the cartoonist Gary Panter say, “If you have one person you’re influenced by, everyone will say you’re the next whoever. But if you rip off a hundred people, everyone will say you’re so original!”

What to copy is a little bit trickier. Don’t just steal the style, steal the thinking behind the style. You don’t want to look like your heroes, you want to see like your heroes. The reason to copy your heroes and their style is so that you might somehow get a glimpse into their minds.

That’s what you really want—to internalize their way of looking at the world. If you just mimic the surface of somebody’s work without understanding where they are coming from, your work will never be anything more than a knockoff.

At some point, you’ll have to move from imitating your heroes to emulating them.

Imitation is about copying. Emulation is when imitation goes one step further, breaking through into your own thing.

“There isn’t a move that’s a new move.” The basketball star Kobe Bryant has admitted that all of his moves on the court were stolen from watching tapes of his heroes.

But initially, when Bryant stole a lot of those moves, he realized he couldn’t completely pull them off because he didn’t have the same body type as the guys he was thieving from. He had to adapt the moves to make them his own.

Conan O’Brien has talked about how comedians try to emulate their heroes, fall short, and end up doing their own thing.

Johnny Carson tried to be Jack Benny but ended up Johnny Carson. David Letterman tried to copy Johnny Carson but ended up David Letterman. And Conan O’Brien tried to be David Letterman but ended up Conan O’Brien.

In O’Brien’s words, “It is our failure to become our perceived ideal that ultimately defines us and makes us unique.” Thank goodness.

-Steal like an Artist.

5 months ago
It's Me And My Caffeinated Drink Against The World

it's me and my caffeinated drink against the world


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2 months ago
A three panel comic in which a person is stuck in a box (the panel). In the first panel, the person pushes on one side. Text reads: "let me out of the cage".

In the second panel, the person pushes on both sides, grimacing. Text reads: "please omg".

In the third panel, the person sits on the ground, looking up happily. Text reads: "ok actually I like it".

Acceptance.


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5 months ago
シール遊びしてると時間が過ぎるのあっという間だね

シール遊びしてると時間が過ぎるのあっという間だね


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3 months ago

I was reading this post over on the Ao3 subreddit this evening and I think it brings up a lot of good points about how fandom, as a community, has been shifting in its treatment towards fanfic writers.

Fanfic is more popular than ever, which means there are more works "competing" for the readers' attention, who take on a passive approach that treats fanworks not as a means to talk to people with similar interests, but as content, as products. [...] Gift cultures thrive not on monetary exchanges, but on the expectation that the gifts freely given will be returned in an unspecified future through emotional and relational means. This used to set fandom apart, but it's slowly being absorbed into the mainstream way capitalism operates. Where does that leave us?

And it's demotivating to see the responses authors get when expressing their grievances with this state of affairs, or how they feel underappreciated. Being called entitled, told to write for themselves, or to promote their work as if writing and posting isn't enough. I write for myself, I post for the community. There are things I want to say about the source material and characters, and I do through storytelling. And I'm grateful about each of the comments I got, no matter how short. It's just that it doesn't feel like there's a community out there when no one talks back. Writers aren't just expected to write, but to do it for the "right reasons", and to also be as pleasant about it as possible, lest they'll be criticized by more people than the amount that's offering them support.

I've seen posts going around on tumblr that have approached this topic as well--that fanworks (particularly fanfic) should be created from the perspective of a perfect vessel that can pour, pour, pour out and never needs to be poured into. You should do it for the "right reasons" and not complain because "no one owes you interaction". But what is fandom if not interaction?

Writing fanfic is one of the most time-consuming labors of love that makes up a fandom. (That's not to say other fanworks aren't labors, time-consuming, or made with love. We're talking about fanfic). Your 300k+ enemies to lovers slowburn porn-with-plot fic that has reshaped the entire way you approach a specific pairing or media has been made with time, effort, for free, with the intention to be shared with you.

And in the state of current fandom, it has been made with the expectation to receive nothing back. Is that fair? Maybe. Silent readers exist and a kudos on Ao3 is at least an acknowledgment that some people read and enjoyed. But does it hurt to leave a comment? Even a heart emoji or an "I loved this, thank you for sharing!" is enough to at least start a dialogue, a conversation, form a connection.

That's not even to mention the isolation of fandom interactions to private Discords; time after time I've heard from fanfic authors who found out that there have been discord servers or twitter groupchats where their fanfic has been discussed, loved, and lauded at length--but never once was the author told this! Ao3 has comments for a reason. Many authors link their tumblr profiles or emails in their bio for people to reach out to them.

It's just a sorry state to see it go.


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dimples

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