Why Are All These Modern Aus For The Odyssey Set In A High School. Where's The Retelling Where Odysseus

Spin this wheel of ~300 AO3 tags three times.

giving me access to word art was a mistake

this scene is so fucking funny the english dub of this show is so good

can anybody hear me

Honestly I think the main thing I can’t look past in s2 is how it offers super simple solutions to incredibly complex and nuanced questions that s1 set up so intricately.

How can someone like Jinx ever become stable or well adjusted? Oh her hallucinations basically cease cuz she just becomes depressed and then before she can get over that brief period of apathy and go back to her psychotic self, she adopts a kid that basically brings Powder back. So the super crazy Jinx we expected to see after the cliffhanger of s1 never gets the chance to form! Isha serves as a plot device to avoid a complicated answer to Jinx’s mental issues and question of identity.

How can Vi and Jinx ever become sisters again after they’ve changed to much, is it even possible for them to reconcile? OH their dead dad comes back and reminds them of the good old days so we can ignore all the present and much more recent shit that has happened! And we’ll just really reaffirm that Jinx is Vander’s kid and not Silco’s after ep 4! This is the easy way out to the sister conflict, literally just reminding them that “oh yeah! We did used to be sisters!” And then Jinx can just die so we don’t need explore a complicated road to recovery that Jinx would have needed to embark on! Wow. What a cop out.

Will Zaun and Piltover ever be able to escape the cycle of violence that plagues them that is rooted in complex systemic oppression and inequality? Is violence the answers? Or will it only perpetuate more conflict? How can compromise come about with the rising extremism on both sides? How can Zaun and Piltover ever progress while acknowledging the horrors of the past, but still retaining optimism for the future? OH! Let’s actually just not even BOTHER exploring Piltover/Zaun at all!! They’ll team up to fight foreign 3rd enemy (literally foreign cuz Noxus is literally another nation interfering) and an incredibly simple exploration of forgiveness is the answer! Definitely not cliché as crap.

Complex questions, basic, uncomplicated answers. I simply wish the writers had chosen to prioritize themes and exploring interesting nuances more than big plot climatic style battle in the end. I see visions of nuance there, but they fall flat cuz of the fast pacing and what plots the story chose to prioritize, which don’t organically continue the setup from s1

And the season doesn’t do enough to properly explore these answer to justify them answering those questions. They use plot point through plot point to force the characters to where they need them to be without doing anything interesting with them to explore these complex themes from s1. and after speeding through all these arcs and themes they turn around and pretend like they perfectly answered these questions without putting in any of the work to bother exploring them

I would just like to thank @official-time-loop-posts for making me aware of the Groundhog Day musical, it's pretty good. Another one for the list of "Classic movies I've only seen the musical adaptation of"

Severance is about rebellion, about people who were literally created to obey finally questioning and breaking through that conditioning. There’s a storyline about someone doing a complete 180 and choosing to rebel when they realise they have a child that they’re not allowed to see, and I love that the storyline wasn’t given to the female lead, but to a previously comic male character. There’s a storyline about breaking protocol because for the first time ever you have fallen in love, in intense, overwhelming, impossible love, and I love that the storyline wasn’t given to the female lead, but to a pair of awkward old guys. The storyline about grief and guilt also goes to a guy, to the male lead.

I love that the female lead is the only one whose radicalisation comes entirely from within, the person motivating her is her, she’s not doing it for anyone else, she wants her freedom, and failing that, she wants bloody revenge even at the cost of utter self-destruction.

Everybody shut the fuck up Dana Terrace is collabing with Glitch on a sci-fi psychological thriller along with the head writer and one of the storyboarders of TOH

time travel fics where it’s Luke and/or Leia who goes back to the prequels as opposed to prequels characters going back to the prequels are incredibly funny because instead of emotional tension you could cut with a knife and horrible grief overlaying every action it’s just one (or two) ridiculously powerful people running around with absolutely no idea what’s going besides (a) that the chancellor everybody loves is pure evil and plotting the downfall of the republic and (b) that their dad (with whom they have a VERY complex relationship) is, at best, old enough to be barely out of space college. who needs complex and carefully rendered plans based on a million different remembered factors when you can have one of the space twins seeing Palpatine and trying to kill him with their illegal laser sword on sight

Sibling Rane and world’s most normal family dinner in a doubt-ridden nightmarescape

https://archiveofourown.org/works/63415093