cal 21 he/they
77 posts
i can't log into anywhere anymore. go onto Twitter "breaking my silence i think Chloe being redeemed would've been bad because it would teach kids they have to forgive their bullies. the show was good for keeping her evil" i watched a finale where a domestic terrorist is considered for even 5 seconds a good dad. girl he found out his son was a superhero in one ep and hit him with a cane and i still got the show telling me he's misunderstood. "redeeming Chloe would've been bad messaging" do we HEAR ourselves. right now.
i honestly think the writers really shot themselves in the foot (as they like to do) with the miraculous timer not existing specifically for adults instead of that just being a skill that has to be trained. The training montage in the beginning of Revelator was cool (in theory bc why is this only a two minute scene) but the fandom‘s main concern seemed to be about how fucked up it actually is bc this is basically forcing kids to grow up too soon. And I see where they‘re coming from, but also the lore for the timer is so unclear overall.
I fully agree. Calling the timer upgrade an "adult" power then giving it to the teen heroes is just weird. Just say that it has to do with experience or emotional maturity or something like that (not that Gabriel was ever emotionally mature, but let's ignore that issue for now). Everyone was anticipating this upgrade being a thing that happened when the characters turned 16 or 18. Having it just randomly show up while most of them are still 14 (15?) raises all kinds of questions and makes people give the upgrade undo weight.
I had another ask about this recently and in that one I talked about how lackluster this upgrade was. The characters don't actually mature, they just kind of will themselves into "adulthood" which is one of my main issues with the complaint you mentioned. A complaint that I have also seen a few times from different sources which is why I feel comfortable addressing it:
the fandom‘s main concern seemed to be about how fucked up it actually is bc this is basically forcing kids to grow up too soon.
It's hard to view the characters' "adult" status as "forcing kids to grow up too soon" when this upgrade is the least serious thing that has happened to most of these characters. Forcing Marinette to try to navigate the complex mess that Gabriel dumped on her lap is "forcing kids to grow up too soon." Luka being banished to Brazil because a terrorist wanted to capture him and force him to betray his friends is "forcing kids to grow up too soon." Adrien having to navigate being an orphan with no forewarning that his father was dying is "forcing kids to grow up too soon." The list goes on.
However, none of those things are why the characters are "adults" now. They're "adults" because of a rather generic pep talk. It's also worth noting that the scenes where the characters becomes "adults" are framed as moments of empowerment. That means that, narratively speaking, this is not supposed to be seen as a bad or concerning thing.
This show's messaging has always been wacky, but I'm pretty sure that this is less a commentary on how messed up these teenagers lives are and more the writers just wanting to show that the characters are growing up because we're six season in and growing up is not some great evil. It's just a normal part of life. That's why my criticism of this upgrade is not "upgrade bad" or "upgrade depressing" it's that this should have been part of a character arc where the characters actually grew up a little!
Also, complaining that the teen characters are "growing up too" soon feels too much in line with people who complain about shows like Miraculous "glorifying child soldiers." It's an action show aimed at young kids. The lead characters are going to be kids and teens because those are the kinds of characters young kids relate to. If you don't like seeing kids and teens being given responsibilities that they shouldn't have in the real world, then don't watch these kinds of shows. To enjoy them, you have to be willing to suspend your disbelief about the age issue and treat the responsibilities these characters have as fine in their world. Or, at least, not concerning because of their age. It's less "this is bad for a 14-year-old" and more "this is a terrible thing for anyone to deal with."
This is why you'll see me do things like treating Nathalie, Felix, Kagami, and Amelie as equally responsible for keeping Adrien in the dark in season five even though Felix and Kagami are "just teens". It's also why I don't really talk about Marinette being "just a 14-year-old girl." I get that defense, but I don't think it fits this genre because, if you're going to use that defense, then why is she responsible for anything? She's too young for everything she's doing! All the teen characters are, but is anyone arguing that they should all quit and be replaced by adults? I don't think so. If we put this stuff in adult hands then we would have a wildly different show.
I do think that the teen characters' age has validity in certain discussion - for example, I think it's perfectly reasonable for them to have teenage struggles because they are teenagers - but generally speaking, I'd avoid using age arguments when it comes to the characters' responsibilities and authority in shows like Miraculous. Characters in these shows are not supposed to be treated like normal teens by the audience. That just doesn't make for a good story.
Along similar lines, I don't like the "this character is only 14" or "it's only been a year in canon" arguments to defend things like the lack of character growth. That's just not a good defense for a fictional story like Miraculous. It's an action-adventure romcom, not literary fiction. It's not supposed to be hyper realistic. It's supposed to be a fun and engaging story. It doesn't matter how old the characters are or how long it's been in canon. What matters is that we're six seasons in and that season five saw the end of the show's first major story arc. By that point, it's perfectly reasonable to look for character growth and satisfying plot progression.
is miraculous s6 actually fleshing out the side cast? everyone say it's a joke rn
i need to join a ml discord server because right now i force my friends to listen to me rant and they dont even like miraculous ladybug at all. but also i know im such a hater that i cant join any in fear of me being a total grinch and ruining peoples fun. but i also cant join hater servers because if i see any character bashing ill be the one with a bunch of grinches ruining MY fun. you see my dilemma.
i really do need miraculous to timeskip 20 years in the future idgaf about adrienette rn but i do care about their toxic marriage so badly. but i don't want to write it myself. i think it'd be like a psychological horror on both ends. like marinette loving adrien but over the course of years and years isn't sure where the love ends and the guilt begins. it's too late to come clean now. etc. is she with him because she truly cares about him or is it because she can't bring herself to harm him in anyway? is there a difference? on the other end if adrien ever found out he was a senti and marinette knew and didn't inform him for years, there's some insane psychological horror of knowing ur s/o was fully capable of giving you orders in some way without you knowing and there's no way to prove she did or did not. nothing but trust which has immediately been broken because she lied for 20 yrs or whatever. (stares off into the distance) they should be the main characters in a victorian short story they make freshman read and annotate in English class . and instead it's ml
If we lived in the good timeline Nino would have canon parents and Adrien would have become an honorary lahiffe but instead he’s gonna keep on being marinette’s pet boyfriend
pet peeve is when a fellow hater conducts their haterism such that they leave the hater community vulnerable to attack. “i think characterizing Character A in x way is boring and annoying” = beautiful, flawless, unimpeachable haterism. no one can tell u that u aren’t allowed to find a certain characterization boring. “it is morally/objectively wrong to characterize Character A in x way” = sloppy, reactionary, overcommitting. you have left our eastern flank open to attack girl what the hell….now my dedicated hater troops are taking fire from YOUR enemies fuckkkkk
Hhhate it when people on my side of an argument are making bad points. You’re literally right why are you being stupid about it
the thing is that chat noir being able to destroy memories is something i actually thought about years ago for an au i had come up with where chat blanc was a season long villain. when akumatized and asked to give up information on ladybug, chat noir in a desperate attempt to disobey the order simply destroyed his own memories of her identity in the first place. and when he was unakumatized, ladybugs creation ability was able to recreate some of the memories he destroyed (even if they were a bit fuzzy). but you know it being miraculous chat noir and a superpower he can do to anyone or whatever works too. can ladybug just gaslight people by putting new memories in their head? kinda funny
If I may throw my hat into the ring here, I think the source of a lot of problems in the writing of Miraculous can be boiled down to its confusion over its target demographic.
There are two very clear audiences the show is trying to cater to:
Grade school girls around 5-10
Teens/young adults around 15-20
And this results in some. unique conflicts in the show's internal logic.
Because it's a superhero show for little kids, it's full of fun, bright colors, wacky villain-of-the-week designs, and the characters are all very straightforward with exaggerated personality traits. The cheerful, clumsy, scatterbrained girl protagonist, her utterly charming and goofy (but slightly clueless) love interest, her cool best friend, her mean bully, etc.
This extends to the romance; the show is so comedic that Marinette's nervous crush and Cat Noir's flirting are played up for laughs. Their more "problematic" behaviors read as cartoon shenanigans first and foremost, which I do think was the intention - they're both shown as being more than a little ridiculous for acting this way, so they're not exactly trying to encourage people to emulate them. They're allowed to be genuinely wholesome, too, because it's nice to give the kids something to go "aww!" at, but it's not meant to be more complicated or deep than that.
And of course, it's gotta follow a sweet and simple episodic formula! A conflict in Marinette's civilian life, an inciting incident to get a side character upset enough for Hawk Moth to turn into a villain, Ladybug and Cat Noir show up, there's fun banter, Ladybug uses her Lucky Charm to figure out a wacky solution to the problem, and boom! The day is saved, Marinette and/or someone else learns a moral, and we get a cute little end screen showing all the key players of the episode.
The one aspect of the show's setup that's a little more serious is the fact that Adrien has a super controlling and distant father, but even this is something that doesn't necessarily break the kid-friendly tone for the first season or two. Superhero shows in particular like to put in some stuff that's a little more emotionally challenging for the viewers, even when they're mostly comedic, so it's not totally out of place here.
For example, while they tend to have more grounded tones overall, Spider-Man cartoons are aimed at kids and regularly keep the conflict between Harry Osborn and his father, Norman, intact; often including the plot point of Norman being the Green Goblin, a notorious villain. It's a similar deal with Adrien, and his dad secretly being Hawk Moth.
You can easily anticipate drama coming from this, but the show primes you to expect it to work out fine in the end because every other conflict so far has been wrapped up in a nice little bow once the episode's over. Though I will say, the choice to have Hawk Moth be Gabriel instead of his own, separate character is perhaps the first sign of the tone shift to come.
And, uh. it sure is a shift.
See, Miraculous does not start out with what you'd call a... plot. It vaguely alludes to there being more going on behind the scenes, but the only thing it really tries to get you invested in is the Love Square dynamic. Marinette and Adrien dancing around each other while fighting crime IS the plot, and it's clearly going to end with a cool final confrontation with Hawk Moth.
You expect it to end like... well, like the movie. Identities are revealed, Gabriel realizes the error of his ways when he finds out he's been fighting his son this whole time, and they may or may not make up but he almost definitely gets arrested. Marinette and Adrien kiss, roll credits.
This is not what happens, because the plot the writers actually had in mind is complex in a way that I would argue is meant for the same audience as YA novels. And with that plot comes a lot of darker, weightier traits to these otherwise silly characters.
Marinette isn't just scatterbrained and nervous, she has debilitating anxiety and an increasing need to be in control of everything due to the stress she's under. She has panic attacks on-screen. She's not just great at strategizing, she also knows how to manipulate people, and does so with increasing frequency - and to Cat Noir at times, no less. Her positive traits haven't gone anywhere, she's still loving and creative and sweet and doing her best to help everyone she can, she just. has all of that other stuff going on, now.
Adrien isn't just a charming, goofy, clueless love interest with a gazillion skills and a controlling father, he's like. actively being abused, and in some cases straight-up mind controlled. His tendency to heroically sacrifice himself so that Ladybug can do her Cool Protagonist Thing is gradually but unmistakably reframed as being a sign of suicidal inclinations. He has identity issues out the wazoo and he doesn't even know he's an artificially created human yet, because everyone in his life is keeping secrets from him and/or lying to his face about crucial information.
Information like, uh. how his dad died???
Yeah, so we're at a point in the story now where there was no satisfying conclusion to the Gabriel plot, no team-up, no moment where he realizes he's been fighting his son, none of that. He still has something akin to a change of heart, but he also still kind of gets what he wants - the Miraculous of the Ladybug and Black Cat, which he uses to rewrite the universe with a wish. It's just that instead of reviving his wife, he trades his life for Natalie's. Of course, he was already dying anyway, which was his own fault but he did force Cat Noir's Cataclysm onto himself, so, that's another thing poor Adrien is going to have to deal with at some point.
And because there's all these astronomically messed up things in Adrien's life, and Marinette's the one who got to learn about all of it before him, she decides that maybe it would be better if he just. didn't know about it. Which is understandable, if I was 14 and had all this information about my boyfriend's life that he didn't, I wouldn't know how to begin telling him about it, either.
But. can you see how we've maybe lost the plot, here?
Here's the thing: starting with a simple framework and gradually getting more complex and subverting the audience's expectations for how the main villain is going to be dealt with is not a bad thing. The fact that it gets darker over time is not an issue. I actually think that all these developments are, themselves, pretty cool! I'm a sucker for angst and complex character dynamics and the show is absolutely giving me those things.
The problem is that it didn't just start with a simple framework, it started with the framework for a different demographic entirely, and perhaps just as importantly, it never actually... stopped.
For as much complexity and intensity they're injecting this story with, they're still working under the logic of it being "for young kids." We still get goofy villain-of-the-week designs with equally goofy motivations, and the supporting cast is stuck remaining two-dimensional no matter their circumstances. Chloe is the most blatant example of this - she was made to be a simple bully first, so no matter what else they do with her, she has to remain straightforwardly evil.
This, I think, is the reason that Gabriel is a more nuanced and "sympathetic" antagonist than her, and why so much care goes into Adrien's character as a victim of abuse while Chloe is just a Problem Child despite suffering similar neglect; she wasn't made to be interesting, and so the show is resistant to changing that. Gabriel and Adrien, however, were already made with nuance in mind, and so they're allowed to develop as characters. And at the same time, it's a kid's show! We need to teach the kids what kind of behavior is acceptable, and Chloe's home life isn't an excuse to treat people badly, so--!
...Oh crap we're supposed to be teaching kids about acceptable behavior. Uh. Um. Quick, bring back the ice cream akuma who cares way too much about his ships so that Cat Noir can learn about consent! Uhh, but don't change his character too much afterwards, he's only marketable because of his silly flirting, and we can't lose that.
Yeah, remember when I said that the romance having problematic elements to it used to work well enough because it was clearly just exaggerated cartooniness? It wasn't free from criticism or anything, but you could see how it was intended to be endearing and silly, right? You were supposed to point and laugh at Marinette's convoluted plans to spend time with Adrien, at Cat Noir's dramatic flirting attempts that Ladybug herself fondly rolled her eyes at.
The tonal shift into deep character exploration kinda paints the previous stuff in a worse light, and to an extent, I think the writers know that. It's hard to laugh at Cat Noir being flirty all the time when he's also supposed to be taken completely seriously, and the more Ladybug rejects him, the more it turns into harassment, and it. kinda just stops being funny, even with the comedic framing.
It's also hard to laugh at Marinette's crush being so all-consuming when they try to tell us (in what I can only assume was an attempt to get people to stop complaining) that she's like this because it's fueled by an event in her past, one that made her so scared of loving the wrong person that she now needs to know Everything about them before asking them out. Her cartoon antics aren't funny under that light, it's just concerning, but they're dedicated to keeping it up anyway.
The show runs on straightforward cartoon logic where you're not supposed to think about it too hard just as much as it runs on grounded, closer-to-real-life logic where people are messy and complicated and actions have consequences. It's so divided that you can hand-pick parts of the story that are influenced by one or the other pretty easily, and depending on the episode you can find instances of both in the same 20-minute time span. Maybe even multiple times!
Neither thing they're trying to go for is bad, and neither is a better approach than the other, but forcing them into the same show makes both sides suffer.
It's not just hard to laugh at the parts I mentioned earlier, it's hard to take Gabriel seriously as a villain whenever you rewatch an episode and remember that he has a once-per-episode pun-based speech that he says so self-seriously that you can't help but laugh at. It's hard to take him seriously when you remember that he repeatedly akumatized a Literal Baby and practically threw a tantrum every time it didn't work, or when he randomly steals (and enthusiastically performs) his nephew's musical dance number, or something similar that you would only do for a cartoon villain aimed at five-year-olds.
And I can only imagine this whole show is a marketing nightmare, too. Hey, little girls, here's your cool role model! She's cute and smart and talented and powerful and can fix anything by shouting the title of the show! Hope you're having fun watching her tell her boyfriend that his newly-deceased father (who used deepfakes of him to sell merchandise that's built to enslave the population and then locked him in a solitary confinement chamber in another country) was actually a hero who sacrificed himself to stop the main villain instead of, y'know, being the main villain! Aren't you excited to watch her wrestle with the guilt of this lie for the next season or so? Doesn't it just make you want to buy her merchandise??
Like. what is even happening right now. what am I watching. how did we get here and why did we start where we did if this was what the story was going to be about
So there's a strange "defense" of Miraculous I've seen crop up on occasion. The idea that everything wrong about the Lovesquare powerdynamic is deliberate and will all be explored next season (lets put aside that this defense has been cropping up for 3 seasons now). The claim that Soon(TM), the writers are gonna make the characters face the concequences and explore the fallout of the entire jenga-tower of BS they've been "carefully" setting up all along... Which... isnt a defense I vibe with, cause it fundamentally boils down to "its not a Kids Rolemodel Show, its a deconstruction of a Kids Rolemodel Show". It's a defence that would place Marinette alongside Tyler Durden, Walter White and Rick Sanchez in the "you werent supposed to relate to them" pantheon. And while i think there are plenty of reasons that deconstruction is a usefull tool (even if i hate the dime-a-dozen "Childrens Fairytale but its depression" and "Superman, but psycho"' decon-stories out there). I'd argue 'Kids Rolemodel Show' is the one genre that should never be deconstructed, or at least not in the slow-burn,long-form way the people arguing this claim the show to be doing. And i hold that stance for one simple two-part reason: Poe's law, and the fact that the deconstructed genre is aimed at an audience with absolute zero media-literacy. (reminder: "5-6 year old kids" is the one audience where that is not an insult, simply a statement of fact.) A show aimed deconstructing a genre with an audience for whom it may actually be their first big piece of media is legitimately dangerous. Because there is no way a 5 year old can be expected to tell "deconstruction of a formulaic kids cartoon" from "Formulaic kids cartoon". The idea that "they've been making Marinette into a bad example deliberately and are going to reveal the entire show to have been a carefull ruse in season 6/7" is supposed to be a defense? Its frankly absurd. A 6 year kid who watched the show when it first aired and idolised Ladybug, could be old enough to drink by the time S6 reveals she was supposed to be a bad example. A little girl who based her relationships on the way Mari pursues romance would have a restraining order by the time the show indends to pull this twist. And some of y'all are claiming that "actually its a long-form deconstruction" is a defense? I legit don't get y'all.
the thing is that i actually love moral grayness. and i actually don't personally believe lying is always wrong. sometimes lying is necessary in the society we live in. sometimes people that want to hurt us want to use information we have against us, and there's no reason to tell the truth to those people. it's just self defense. so mls secret identity rules have never been a problem to me ever. in fact i think the superhero genre is a perfect avenue for exploring the topic of what is and isn't okay to lie about. but there are some things that are just so fucking crazy to me to keep secret and ml has reached the point where it's like Jesus fucking Christ.
like im not saying anyone has to remember everything that gabriel has done but keep in mind he's done things like threaten nuclear annihilation to the entire North American continent, drowned the entirety of paris, and marinette is also aware he akumatized chat noir into literally destroying the entire world. so keeping this in mind, one might think to themselves "maybe the people of the world would like some sort of real closure and justice for these crimes against humanity." of course, if one only thinks about adriens wellbeing, it may seem like telling the world about it to be detrimental to him. but it's also important to keep in mind gabriel also did things such as: threaten to blow up the north american continent while adrien was on that continent. and keep adrien in the white cage. and the multitude of other things akumas have done targeting adrien personally - gorizilla? riposte? one might think even adrien would want some sort of closure or justice for how he's personally been treated by hawkmoth. of course, this may be terrible to find out that it's your father who didn't care about your personal or physical wellbeing, but at least a person can come to terms with how they were treated if they know all the facts.
of course marinette is a 14 year old girl who has a lot on her plate and having to navigate very hard decisions. and sometimes it seems safe to simply do nothing at all. especially with secrets like this - because you can't reverse telling people the truth, but you can always reverse a lie by coming clean later. but i do generally expect like most people with morality of any kind to think to themselves "wow. i think keeping this secret is detrimental to a lot of people and their personal growth and their capability of making autonomous informed decisions." at least one tiktoker could say "hey maybe adrien should know he's a sentimonster if nothing else so he can be aware he can be remote controlled so that he can better protect his autonomy" alas this show is for 7 year olds so no. marinette is always right. and so the shitty moral lessons of ml win yet again. i need tequila.
i can't go on tiktok and read comments. revelator has done something insane because i have seen so many comments saying what marinette is doing when it comes to lying about gabriel being hawkmoth is 100 percent correct and alya being upset about her lying is wrong. am i fucking crazy? am i out of my mind right now? or do tiktok comment sections live in an entirely different universe than me? because what do you mean it's the correct option to lie to the entire world about how the person who has terrorized them for years is actually a hero and not even tell his son that his father was a criminal. omfg does no one understand the concept of justice or closure or autonomy. even if telling the world gabriel agreste was hawkmoth might result in adriens life becoming harder, why not tell adrien and let him make ab informed decision about any of it? or do people hate letting other people other than marinette make decisions. this is actually driving me insane like i can't actually deal with reading people saying marinette is morally correct. what are we teaching people right now
i can't go on tiktok and read comments. revelator has done something insane because i have seen so many comments saying what marinette is doing when it comes to lying about gabriel being hawkmoth is 100 percent correct and alya being upset about her lying is wrong. am i fucking crazy? am i out of my mind right now? or do tiktok comment sections live in an entirely different universe than me? because what do you mean it's the correct option to lie to the entire world about how the person who has terrorized them for years is actually a hero and not even tell his son that his father was a criminal. omfg does no one understand the concept of justice or closure or autonomy. even if telling the world gabriel agreste was hawkmoth might result in adriens life becoming harder, why not tell adrien and let him make ab informed decision about any of it? or do people hate letting other people other than marinette make decisions. this is actually driving me insane like i can't actually deal with reading people saying marinette is morally correct. what are we teaching people right now
felt the urge to watch ml s6 while doing HW in a similar way i felt the urge to watch ml during ceramics. I will resist. I will resist. I will resi
the actual reason I consume mediocre media is because I have bad taste. the deeper secret pretentious reason is because I think there’s something very revealing about bad media that you don’t get with good media. when you watch a poorly executed plot point unfold, you see the machinery behind it. you see the gap between what’s actually on screen and the true goal the author is striving for. if it’s particularly awful, you can even measure just how poorly mismatched the author’s skills are with the story they’re trying to tell you. watching a poorly executed narrative play out feels like you’re discovering something, because you see all the wiring and guts underneath that better authors hide from you, in the same way that movies hide boom mics and books make you forget you’re turning the pages. if a story is good and executed well you just see the story. but I want to see the guts and wires!
there's a timeline where instead of lila, emilie is the bbeg. please god bring me there
the miraculous au in my head where chloe and marinette are actually both into fashion and their school rivalry also becomes an actual rivalry in the fashion world but marinette wins that hat competition and impresses gabriel enough that she eventually becomes his apprentice, slowly entangling marinette in gabriel’s webs and manipulation not unlike adrien, lila, and even the other rich kids such as chloe n kagami. ties marinette closer to the main conflict in her civilian form. so i dont have to see marinette sneak into the agreste mansion for the 500th time, she’d just be there. also just because i think the drama would be insane.
ik its a kids show so theyd probably never delve into this. but in the universe where chat noir and hawkmoths identity were revealed to the public, i cannot fucking imagine the media circus that would go on. the court case alone would be so bad… “hawkmoth vs chat noir: domestic terrorism or domestic abuse?” itd be soooo awful they should make it happen. paris’ most fucked up family. the youtube videos. someone would request to make a documentary. and after all gabriels shit is revealed publicly he still only goes to jail for tax evasion à la al capone.
im still thinking about the miraculous finale. i understand marinette not wanting to tell adrien his father was a terrorist because the mans dead, and honestly who wants to open all that baggage when you cant even confront the guy... yikes! like i promote honesty but i understand the perspective here. but someone has got to tell adrien hes a senti. it feels like keeping adriens medical history a secret. between marinette, felix, and kagami, someones got to break it to him. i know its a kids show and im overthinking this too hard, and also ive heard it said that sentis are actually just the same as humans, but that makes no sense to me... hes made of magic. like hes a little boy made of emotions and a dream. what if something comes up. what if adrien needs to know hes a senti because when he goes to the doctor, and he has some senti symptom going on like not having to blink or breathe or some other weird shit , the doc is like "sir you are the most abnormal human alive can we put you in a medical journal? can we study you?" what if adrien went in for surgery and he just had no organs or something i dont know... i just think he needs to know to be able to make informed decisions about this. also so he knows not to flush the rings that grant him free will and autonomy down the toilet but i mean thats secondary to me compared to the medical history stuff obviously.
miraculous ladybug season 6 but instead of marinette panicking and sabotaging her confessions of love. now every episode she is panicking and sabotaging her confession that adrien is a little boy made of duct tape, a feather, and a dream.
s6 making lila the main antagonist (probably) is so sad like the excessive fake identities and such... it's not the same as it is s1-s4 its just not the same flavor. I need her petty 14 yo beef to stay petty 14 yo beef. can s6 at least have adrien and lila fight with nails behind the lycee. or have marinette teach adrien how to drive her scooter and adrien runs over lila mako-asami style like "oops sorry ^_^" i need their beef to be astronomical but also on a civilian level. like lila should be a normal 14 yo girl who just so happens to push people down staircases Not a supervillain. In my opinion.
if i wrote ml fanfic it'd be so self indulgentlike lila and adrien trying to appear friendly to everyone around them but the passive aggressiveness ramps up until there are looney tunes level shenanigans happening when no one is looking until they somehow become friends. But well the thing is that s5 I don't know what they're doing anymore so lila would be my OC. but that's fine i live in s3 forever i suppose...
Tell me, is there anything about Miraculous Ladybug that you wish had gone differently?
everything
sorry to everyone following me im not done. so like okay i haven't kept up with season 6 much. does Marinette still not tell Adrien anything. like they're in a relationship but Adrien doesn't know anything about his dad or the sentimonster thing?? like the amoks? because I just want to say if no one has written 20 years in the future divorce fic.......... the custody battle would be crazy. can you imagine. "she knew there were rings that could remote control me and did not inform me of the fact." "you've been wearing them the whole time i didn't remote control you!" "okay but when we held hands when we said our vows?" "IT DOESNT WORK LIKE THAT" "HOW AM I SUPPOSED TO KNOW YOU DIDNT TELL ME ANYTHING." i simply think it'd be the best psychological horror and also a comedy of all time.
the sensory deprivation chamber is still crazy btw. adrien is actually meant to be in a victorian novel where they bring him out to the countryside for "fresh air" and a "rest cure." ah that agreste boy and his fits of emotion... alas maybe we shall keep him in bed and see if it fixes itself by the morrow