After Dylann Roof Opened Fire On Worshippers Gathered Inside The Historically Black Emanuel A.M.E Church

Could say if there is any correlation between capitalist surplus value and the excess enjoyment in fantasy,,,?

A certain excess which was ..kept in check.., perceived as a local perversion, a limited deviation, is elevated in capitalism to the very principle of social lifeIn the ..movement of money begetting more money, ..the thing can survive only as its own excess, constantly exceeding its own ‘normal’ constraints- ZIZEK

REVISITING NATIONALISM - 2

REVISITING NATIONALISM – 2

REVISITING NATIONALISM  – 2       

Prasanna K Choudhary

EUROPE AND THE REST OF THE WORLD

The self-identity of European countries as ‘nations’ was invariably linked with the process of denying and destroying the identities of so many tribes, societies and…

View Post

This is the one and only original manuscript of Charles Dickens’ A Christmas Carol. The Morgan Library and Museum displays Charles Dickens’s original manuscript of A Christmas Carol in Pierpont Morgan’s historic Library until January 13, 2013. Dickens wrote his iconic tale in a six-week flurry of activity, beginning in October 1843 and ending in time for Christmas publication. He had the manuscript bound in red morocco as a gift for his solicitor, Thomas Mitton. The manuscript then passed through several owners before Pierpont Morgan acquired it in the 1890s. 

It reveals Dickens’s method of composition, allowing us to glimpse the author at work. he began writing the story in October 1843, completing it in only six weeks. His apparently contiguous pace of writing and revision was urgent but moldly confident. The interlinear revisions increase the story’s vividness: text is struck out with a continuous looping movement of the pen and replaced with more active verbs and fewer words to achieve greater concision. Dickens sent this manuscript to the printer in early December, and the book was published in time for the Christmas market. [The Morgan, 2012] (photo: yyz2nyc)

न्याय : परिदृश्य और परिप्रेक्ष्य

न्याय : परिदृश्य और परिप्रेक्ष्य प्रसन्न कुमार चौधरी प्रस्तावना मानव समाज के शैशव-काल से न्याय का प्रश्न मानव जाति की आत्म-पहचान और उसके आत्म-संगठन का केन्द्रीय प्रश्न रहा है और बदलते स्वरूप में आज तक बना हुआ है । प्रकृति को जानने और उसे बदलने के जरिये जीवनयापन करने वाले मानव-जनों को न सिर्फ अपने और प्रकृति के बीच के सम्बन्धों को, बल्कि मानव-जनों के बीच के सम्बन्धों को भी परिभाषित करना पड़ा…

View On WordPress

A CRITIQUE OF THOMAS PIKETTY'S 'CAPITAL IN THE TWENTY-FIRST CENTURY' - 4

A CRITIQUE OF THOMAS PIKETTY’S ‘CAPITAL IN THE TWENTY-FIRST CENTURY’ – 4

  CONTAINING CAPITAL – 4

  Prasanna K Choudhary

3. CAPITAL SOCIAL AND SELF-EXPANDING (Continued) – 2

ACCUMULATION OF CAPITAL

This gratuitous service of past labor, when seized and filled with a soul by living labor increases with the advancing stages of accumulation. Past labor always disguises itself as capital. ..Capital is not a fixed magnitude, but is a part of social wealth, elastic and…

View On WordPress

Adolph Gottlieb, Equinox, 1963

From the Phillips Collection:

Once he felt he had exhausted the myriad possibilities of his pictographs, Gottlieb began to simplify his symbols and composition in order to enhance his theme of universality. By the 1960s, he was creating paintings like Equinox, in which the grid is reduced to an implied (although occasionally delineated) horizontal division that separates the image into two halves. Within each half, a few shapes—circles, squares, or calligraphic gestures—float against a field of color, vying for focal supremacy. Gottlieb creates a tension between the two forms struggling against each other, but in their balance and containment within a field of color, he also achieves a harmonious resolution.

Duncan Phillips acquired his two examples of Gottlieb’s work soon after each was painted, evidence of his appreciation of his art. Although no specific reference to Gottlieb appears in Phillips’s surviving writings, he could have had Gottlieb in mind when he declared in 1955, “I admire the aesthetic interpretations of the age we live in—even the symbols for the anarchy, the turmoil and the inner tensions.”

Fall colors blaze out in concentric rings from a lake in eastern Pomerania, Poland. The region on the south shore of the Baltic Sea is largely covered with farmland and vast swaths of forest.

Source ((Travel 365, National Geographic)

Indigenous people of Brazil trying to prevent their eviction from an old indigenous museum which they have been living in for the past 7 years.

On March 22nd all of the inhabitants and their supporters were forcibly removed or arrested.

The building is being destroyed to make a parking lot :(

Untitled by Ivana Stojakovic Via Flickr: