Black AfterLives Matter

John Smith on Imperialism in the 21st Century John Smith’s book on imperialism is a groundbreaking work revealing the super-exploitation of the global south. Daphna Whitmore from Redline interviewed him about his book.

“To write a good book you have to have certain qualities. Great art is connected with courage and truthfulness. There is a conception of truth, a lack of illusion, an ability to overcome selfish obsessions, which goes with good art, and the artist has got to have that particular sort of moral stamina. Good art, whatever its style, has qualities of hardness, firmness, realism, clarity, detachment, justice, truth. It is the work of a free, unfettered, uncorrupted imagination…” —Iris Murdoch, at the 92Y

Helen Levitt, Children with Soap Bubbles, New York City, c. 1945

From the Metropolitan Museum of Art:

Helen Levitt’s photographs of everyday life in her own New York neighborhood have epitomized domestic urban life for over sixty years. This image of children - one of her most common subjects - demonstrates Levitt’s astute portrayal of gesture, praised as “lyrical” by James Agee in the introduction to her book, A Way of Seeing. As the viewer’s attention echoes the children’s glance toward the left of the scene, the picture poses a riddle as to the bubbles’ source, transforming this gritty city street into a magical metropolitan playground.

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अनन्त का छंद - 5

अनन्त का छंद – 5 प्रसन्न कुमार चौधरी ख. भौतिक अस्तित्व 60. मनुष्य के अस्तित्व की एक सामान्य चर्चा के बाद हम अब उसके भौतिक और चेतन पक्ष की अलग से थोड़ी चर्चा करेंगे । पहले भौतिक पक्ष । अन्य प्राणियों की तरह मनुष्य अपने विस्तारित आत्म-पुनरुत्पादन के लिए प्राकृतिक परिवेश का उपयोग मात्र नहीं करता, बल्कि श्रम के औज़ारों के विकास के ज़रिये उत्पादन करता है और इस प्रक्रिया में प्रकृति के साथ तथा आपस…

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Virtual Guantanamo (by Draxtor Despres)

nonnydlp.com | nonnydelapena.com | pyedogproductions.com

Fast Company’s Co-Create Magazine called Nonny de la Peña one of the 13 People Who Made the World More Creative. She is the pioneer of Immersive Journalism, a groundbreaking brand of nonfiction that offers fully immersive experiences of the news using virtual reality gaming platforms. Combining her communication and technology skills with her lengthy career as a reporter, de la Peña believes newsgames can deepen the understanding of complex stories. Her most recent project Hunger in Los Angeles creates the feeling of ‘being there’ as a real crisis unfolds on a food-bank line at the First Unitarian Church. Hunger was called ‘one of the most talked-about’ pieces at the 2012 Sundance Film Festival. Her other projects include the MacArthur funded Gone Gitmo, a virtual Guantanamo Bay Prison; Cap & Trade, an interactive exploration of the carbon markets built with Frontline World and CIR; Ipsress which investigates detainees held in stress positions; and Three Generations, a newsgame on the California eugenics movement that premiered at 2011 Games For Change. She also co-founded the Knight News Challenge winner Stroome.com, an online collaborative video editing platform that hosted users from 126 different countries. A graduate of Harvard University, she is a award-winning documentary filmmaker with twenty years of journalism experience including as a correspondent for Newsweek Magazine and as a writer whose work has appeared in the New York Times, Los Angeles Times Magazine, Premiere Magazine, and others. Her films have screened on national television and at theatres in more than fifty cities around the globe, garnering praise from critics like A.O. Scott who called her work ‘a brave and necessary act of truth-telling.”

Firework shows welcome 2014

Reblogged from Flickr Blog:

The night skies around the world hosted an array of firework shows in a magnificent farewell to 2013 and collective greeting for 2014.

See, and share, more celebration photos in the New Year Celebrations gallery and Firework…

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The tide at night, murmur of bare feet on the sand.

The tide, at dawn, opens the eyelids of the day.

The tide breathes in the deep night and, sleeping, speaks in dreams.

The tide that licks the corpses that the coast throws at it.

The tide rises, races, howls, knocks down the door, breaks the furniture, and     then, on the shore, softly weeps.

The tide, madwoman writing indecipherable signs on the rocks, signs of death.

The sand guards the secrets of the tide.

Who is the tide talking to, all night long?

—Octavio Paz, from “Target Practice” Art Credit Richard Diebenkorn.