Everything About The New Jason Todd Robin Issue Sucks But I Am Taking Slight Joy In Alfred Proving Me

(batman #422)

as much as this story is deeply flawed, this is an interesting take on batman’s no kill rule. batman is a figure practically leading a one man war against violent crime, and being someone who holds restraint with every fibre of his being he knows he needs a system to hold himself accountable if he loses himself along the way.

despite the system’s extreme flaws maybe, to bruce at least, there is no better way for batman to define his moral limits and judgements. he doesn’t hold good account with jim gordon because otherwise he would be arrested, he could easily evade arrest; but he does it to be under the spotlight of the best representation of a possible uncorrupt legal system. the justification that he is one kill away from being a serial killer shouldn’t be the truth necessarily but it’s the worst case senario that batman must account for- the potential flaws of letting himself define what he does meaning he becomes the extremes of violent crime he is fighting against.

it’s ultimately hypocritical because batman aligning himself with the law means he perpetuates a corrupt system that causes part of the violent crime he despises and when he goes above and beyond to solve a case such as his interrogations it imitates police brutality. however, in fiction, injuries and trauma caused by batman’s methods have less consequences than the inescapable reality of murder and the reliance on corruption lets infamous rogues out of prison yet again leads to more entertainment. this meaning batman’s hypocrisy is much more palatable and justifiable on paper.

THE HENCHMINIONS AND RECENTLY RESURRECTED KING YAOI WOULD LIKE TO CONGRATULATE CONNORKYLE FOR SOMEHOW BEATING THE ROUND ONE POLL FODDER ALLEGATIONS.

We are in desperate need of Death in the Family rewrite, instead of trotting out a horribly racist and bizarrely paced, thematically confused story like it’s one of the greats just because it’s load bearing. This is what i’d want from it.

Bruce is again the POV character, but he is explicitly a biased and unreliable narrator. We don’t hear Jason’s narration outside of a few key moments, but we are shown what he’s doing in direct contrast with Bruce’s theorising about his spiralling. Bruce never explicitly asks. Him and Alfred make well meaning, overbearing decisions on his behalf.

Jason is struggling with Batman and Robin’s catastrophic mishandling of several sexual assault cases in a row. I haven’t decided if we’re alluding to Jason being a victim of this himself, that might be overselling it. Either way he is deeply affected by these, and he is the only one. There’s a sense of isolation and injustice around him. He thought bruce cared. He thought batman was a solution.

Jason leaves to find his birth mother, leaving only a note and no explanation. Bruce sees the robin suit is missing and is annoyed. He doesn’t investigate, prioritising the hunt for the joker.

The death and build up happens exclusively in Africa, in a country with its own local vigilante, who wants to know what this American is doing here. (I don’t know enough about DC’s African heroes to know who it should be, but it needs to be one who is already established and competent in his own right.) Batman is in a state of awkward overreach with a patronising tilt to the way he hoards knowledge in the pursuit of the joker in someone else’s backyard. They agree to a partnership that in practise is unequal in Batman’s favour. We are externalising the themes here, mirroring Bruce’s personal relationships with his professional ones.

Jason and bruce run into each other by accident once again. Both are surprised the other is there for a different mission. They opt to combine forces anyway, since they’re both here. Bruce is touched and naively optimistic about Jason’s search for his birth mother. He is projecting. For a moment it is blazingly obvious bruce identifies as a fellow orphan to his sons first, and a father second.

There are local victims, arguably of the joker but it’s not definitive. Their deaths aren’t just numbers. They are real people. The local vigilante is very angry. Jason sympathises heavily, but he too is an outsider here. He sits apart from the funerary rites, listening in, uninvited, unable to mourn, unable to move on. Batman calls him to continue working the case.

Bruce isn’t blind, Jason is struggling. He makes a plan to reach out to him if they don’t find his mom, which will of course negate the need for action.

They find Sheila.

It all falls apart in the same way as the original. Jason does not try to take on the joker, although that is how it’s interpreted after he’s dead. He is trying to rescue his mom. She gets clobbered over the head by a joker goon on the way out and bleeds out while the bomb’s timer is still ticking down. Jason dies, alone, trying to shield the body of his dead mom.

None of the post-death UN stuff. Stupid.

Bruce disguises the death for publicity’s sake. He changes Jason out of robins clothes and hides the joker’s presence there to protect batman’s identity.

Time skip. The African vigilante knows he has been lied to. His country’s legal system paid off, and justice perverted. He comes to Gotham in pursuit of both the Joker and Batman, looking for justice.

At this point Bruce is in deep grief, swinging wildly between rage and self hatred. He is shutting out everyone. He loses track of a human trafficking case in crime alley to focus on the joker and the other vigilante.

The ending is an echo and inverse of the climax of Under the Red Hood, but nobody has set it up, it’s just the way a messy fight between the three remaining players works out. Bruce must choose between inaction and saving the joker. He doesn’t choose. He is frozen, and we do not know if it’s a choice or if he shut down too much to act. He is not in control. Joker appears to have died.

Joker is found, injured but alive, and gets locked in Arkham. The vigilante goes home, disgusted, having gotten what little justice Gotham offers.

The human traffickers escaped in the background of the fight. It isn’t called out, just a detail in the artwork.

Batman goes back to work in an empty house haunted by the dead. Jason’s grave stands alone. Everything has changed. Nothing has changed. Batman won, and everybody loses.

Batman and his robins but it’s ‘I’m Your Man’ by Mitski (other than steph maybe because bruce was just awful to her)

so the diomedes server told me to post this... im not sorry

the minimal amount of context below the cut

courtesy of @ithacantrickster and @jewishdainix

oh and this is in context of Jorge mentioning Diomedes in his potential Trojan War musical themes

starlin’s batman, the one that died with jason, would have walked away as jason pulled the trigger on the joker

A Jason Todd Animatic- Work In Progress- I Know It’s Over; Jeff Buckley

this is pure evil

“He would not fucking say that” except its the badly written source material so he did, in fact, say that

I have used dog metaphors to describe Jason in his relationships with others on multiple occasions but Alfred straight up telling Bruce that maybe he needs to take his new puppy back to the shelter is not something even I could’ve come up with