Me Drawing A Massive Ton Of Object Ocs For A Challenge In A Camp

Happy Halloween!

Brought to you by *Everyone’s* favorite carapace

HEY, YOU!

DO YOU LIKE OLD COMPUTER GRAPHICS?!

did you like ANY of these photos? would you like to see HUNDREDS MORE OF THEM?! with THOUSANDS OF UNIQUE TEXTURES?! ALL FROM FUCKING DECEMBER 15TH, YEAR 2000?!

NOW YOU CAN!!!

THERE'S ALSO A BUNCH OF CLIPART FROM 1997 IN .WMF FORMAT. I DON'T KNOW HOW TO USE THAT, BUT YOU MIGHT!

STILL not convinced???? LOOK AT THE DISC THEY CAME FROM!

WHAT THE HELL IS THAT!??!?!?!?!?! DON'T WAIT! GO LOOK AT THOSE JPEGS... TODAY!

COMMISSIONS!!!

i'm opening commissions again! yaaay!!

if you dont know me i'm foolcrum57. i post osc stuff mostly but i can also draw pretty much everything, i'm best with object characters, people, anthros/furries, and robots :)

also - nsfw comms are at no extra cost but there's an extra set of tos specifically for them that you'll recieve upon request please reach out to me if you like what you see here ! don't be afraid to ask me any questions either ^_^

Drawing made Jun 20, 2019

even more artfight attacks for you all to see.

ocs belong to ( in order) @aaawhyme @redhead0004

coconut on artfight @bbungle @guitarengine @rottiecollie

no peed limit

And here's the whole series. I'm kinda proud of myself - when they all put together I can see the amount of work - and I love my characters a lot. :) Now, I wonder, which one is your favorite? My personal favorite is 2nd - I think I did Lyra justice with those wings. Since this is gonna be a long post anyway, I'm gonna add a few sketches for some of them below.

Last one was an alternative variant for the 10th piece but I imagined that people would misinterpret it BAD so I decided to draw another one. I still like this sketch, however, maybe I'll finish it with lineart or sth like that. And another sketch also had Devil in it but since this piece was more focused on emptiness, I just erased him. Well now you know he was there. And about the knife... now you know who did that, too. After holidays I want to update my lore post a bit so stay tuned for that :]

Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.

This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)

If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!

Misprints can really reveal what colors were used and where, I love misprints...

Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!

You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!

Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!

hello kid cosmic fans

People act like genocide is just evil men committing open atrocities and they forget that most of genocide is someone just like them keeping quiet because the results of the genocide are keeping them comfortable.