I Don't Really Interact Much With Paganblr, But I Am 1000% Certain Of This: If You Use An Ai Art Generator

+ georges rochegrosse 'le chevalier aux fleurs' (1894)

The Goddess of Nature Fountain (Artemis of Ephesus) by Gillis van den Vliete in the garden of Villa d'Este in Tivol, Italy. Photo by Daniel Bordeleau (2017), courtesy of Wikimedia Commons.

Pompeii, Italy

☀️┆welcome to my blog!

this is where I share my journey in finding my path and building my faith 𓆝 𓆟 𓆞 𓆝 𓆟

At the moment I'm still taking my first steps, researching and exploring.

I do believe in some sort of Mother God that created the universe, but I don't think I can call myself a monotheist, as I believe that other Deites exist in some way, just not on Her same level.

Rome on film 10.2024

Canon AE-1 / Kodak Gold 200

｡ﾟﾟ･｡･ﾟﾟ｡ ﾟ. May will bring blessings.

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And you should, as the core of it all, let go of expectations for your Deities. Let go of what you’ve consumed from the books, let go of authorities, let go of explanations, let go of the neatness - and embrace chaos. Embrace the wilderness which is in itself God, call a name and wait for an answer. What voice sounds like home?

Gods will come multifaceted, iridescent, impalpable. Gods will break rules and expand where a mind burdened by expectations can’t follow. A chimera of a myriad faces might not want to always show only one side. Gods will change. Gods will surprise.

If the nature is untamed, so are its Deities. The wilderness has many names for each of them, a prism to choose a side of. Feeling over explaining, embracing over conforming, preparing over expecting.

The moment of chopping wood and carrying water is the moment of happiness. We do not need to wait for these chores to be done to be happy.

— Thich Nhat Hanh, The Heart of the Buddha's Teaching

This is a page from Urban Homesteading (2011) by Blume and Kaplan, but the concept of bioregionalism is a valuable and necessary practice for more than just environmentalism.

'[L]andscape' is not something to be viewed and appraised from a distance, as if it were a panel in a frieze or a canvas in a frame. It is not the passive object of our gaze, but rather a volatile participant - a fellow subject which arches and bristles at us, bristles into us. Landscape is still often understood as a noun connoting fixity, scenery, an immobile painterly decorum. I prefer to think of the word as a noun containing a hidden verb: landscape scapes, it is dynamic and commotion causing, it sculpts and shapes us not only over the courses of our lives but also instant by instant, incident by incident.

Robert Macfarlane, The Old Ways