We Prefer The Term Psychotic 😉🔪

hi neil, today is my eighteenth birthday! i was born on 06/06/2006, or in shorter terms 6/6/6!!

this may be a little too much to ask and this may amount to being a very boring word but could i have the 6th word on the 6th line of page 6 of the first episode of Season 3 of Good Omens? as im assuming episode 6 isn't written yet!!

It's "to" for Episode 1.

And I'm afraid it's "a" for Episode 6.

Happy birthday anyway.

that's just dean post s15 to me btw

A strong start. 

Thinking about a fic idea right now where Steve comes out (maybe with a little Steddie...maybe; might be best to start them pre-relationship in this). Walk with me here.

Steve Harrington who has always been a huge Wham! fan. And then eventually a huge George Michael fan. He's got all their albums. Collects magazines with interviews in them (y'know, if there's a U.S. release). So, he's pretty much up to date with all news, music info; that kind of thing. He's always on the money about when interviews are.

George Michael who comes out publicly in 1998 after his arrest. Which, you can watch the clip from the interview here. He's thirty-four at the time, had been private about his sexuality and romantic life up until then.

Steve who's freshly in his thirties.

He's thirty-one. He's had some thoughts in regards to his sexuality for years now. Since Robin came out to him in 1985, he's thought about little things. The way certain guys walked that caught his attention, maybe the plushness of their lips, how they styled their hair. She's introduced him to queer culture at the time—pride parades & protests, some lingo, the handkerchief code, etc. So, he's well aware of a lot of things before the CNN interview airs. He hasn't made any hard connections between his sexuality and the thoughts in his head; maybe he's had a few, soft, questioning moments like: Am I gay? Am I bisexual? Is this what I really think or am I searching for something I don't actually want? Am I just being too observant?

(Okay, thinking about pre-Steddie now. And a lot of platonic soulmates Stobin. Also, I totally (accidentally) half-wrote a fic. Stay with me here.)

Eddie's been a part of Steve's life since 1986. Somehow he survives (don't ask me the fine details, I don't know). And Steve tries his hand at being Eddie's friend because he kind of—no, really—wants a guy friend who's around his age. Cue their shenanigans: the chaos they cause together, the pranks they pull on their other friends, the shit Eddie makes Steve get into (drag racing (cars), stealing scrap from the junkyard, throwing rocks over the quarry to guess the impact they made, other little town shit). Eddie who learns that Steve's a true ally to Robin, so he comes out to Steve, too. They all form a very great, deep bond of solidarity. Become roommates outside of Hawkins, somewhere a little more progressive. They protect each other. Listen to each other.

Cue the day in 1998 when the CNN interview is being aired live, unseen up until then. Steve's already ready to watch, having taken up the middle cushion on the couch. Robin's on his left, criss-cross and making a set of beaded bracelets for the three of them. Eddie's on Steve's right, uncapping a couple bottles of beer to pass over. And they're watching with Steve because Steve likes George Michael and, well, they like Steve and his interests. So they're all there when George Michael comes out. They're all there when the words are said live.

Robin and Eddie are wide-eyed, then laughing something a bit triumphant, high-fiving over Steve's head, maybe chanting something: "One of us! One of us!" Maybe becoming huge George Michael fans as they speak. But, Steve's silent. He's sitting on the edge of his cushion, palms down on his thighs, staring off into nothing. All the celebration stops as the interview continues, words being missed. And Robin and Eddie share an odd glance, a questioning one. Until, finally, Robin asks, "Steve-O? You OD over there?"

Steve blinks back into existence. Mutters, "Did George Michael just come out on live TV?" Eddie answers him truthfully, voice a bit soft and concerned. Steve licks his lips, doesn't move his eyes from his socked feet. "...He knew for a little while," he comments. "Right? He knew for a while."

"Sure, Steve," Eddie answers again. "He probably knew about himself for a long time. Probably...Honestly, probably while he was still in Wham."

Maybe Steve nods at that. Maybe he just stays kind of stoic, thinking too hard. "He's thirty-four," Steve points out.

"That he is," Robin answers this time. "Thirty-four and proudly out."

Steve hums some sort of acknowledgement and then goes back to watching the TV, moment drifting away. He sort of watches in a daze. Up until he turns in for the night. Well after Robin has slumped over on the couch and Eddie's gone to bed earlier—because he has work, or so Eddie's said. And Steve maybe sits in his bedroom, up at his headboard, looking down at his albums. At his Wham! and George Michael albums. Turning the tapes over in his hands, reading the track lists, maybe tracing the edges of the cases with his thumbs. Thinking about how George had said he was telling his life story, even through some of his earlier solo work. He's thinking about how successful George Michael has been. And then he thinks about how George Michael came out later in his life. In his thirties, not in his twenties, not in his teens. Sure, yes, it was definitely more negatively criticized to do so, but it means something to Steve. To be thirty-four and freshly out. And he thinks, too, about being thirty-one and things clicking into shiny clarity—he's into guys, too. He's into women, but he's into guys. That word, "bisexual" looking like the final jigsaw piece. To be thirty-one and proudly out, too.

And he's comforted in that thought, as he drifts off to sleep.

And when he wakes up in the morning, he bustles around Eddie and Robin in the kitchen. They make a shared breakfast of scrambled eggs and sausage and toast with jam. They sit at the dining table, forks against plates, shooting the shit back and forth.

Steve cuts a slice of sausage, puts it in his mouth, eats as usual. And just as the conversation is beginning to drift again, he finally speaks what's on his mind. "I'm bisexual," he's able to proudly state.

Maybe Eddie and Robin cheer, too for that. They ask him for his taste in guys. Maybe they tease him a little. Maybe Eddie realizes he fits the bill a little; maybe he waits a little bit before taking a shot, but he still does eventually.

And right before they head off for their respective, regular lives outside of the comfortable space of their apartment, Robin knocks their shoulders together. "Proud of you," she states. "Thirty-one and proudly out. How does it feel?"

They're in the kitchen, washing and drying the dishes because Eddie left for work already with a promise to bring home pizza for dinner. They're in the kitchen, the lights a little fluorescent like the Starcourt bathroom. They're in the kitchen, in each other's orbits, two friends who've seen it all and will continue to see the world together.

"It feels...I feel good. Excited."

Robin smiles at him, something soft and understanding. And as his focus goes back to the plate he's about to hand off, she snorts. "So, Eddie, huh?" And he scoffs, rolling his eyes. She just laughs to herself. Then, when she's calmed a little bit, she states, "He kind of looks like Rowlf. You and I have a thing for Muppets, Stevie. Muppets."

And after their laughter dies down and they live out the rest of the day, Steve thinks about how he can send a letter of thanks to George Michael. And maybe he cherishes those albums a little closer. And he is confident in himself for the first time in a while, all because the representation he didn't know he was seeking, is finally right in his face.

Sorry that got long. But I'm just thinking about Steve who comes out later in his life. Maybe he couldn't make those connections because he didn't have the safe atmosphere to do so; feared the worst if his parents ever realized he didn't care too much about women sometimes, if his eyes drifted to men a little too much, fearing that they'd catch his contemplation. Maybe he found his safe space through Robin and Eddie, but needed a little more of a push and he just didn't find it yet. Up until now.

sleepy boy 💤

midnight steddie barinrot pt 7

already a week of brainrots?

well for steve it's been a week since all that shit w vecna happened and eddie's been visiting him every single day at work

How I sound defending my favorite character

Obsessed with the sudden shift in Cas' willingness to say insane romantic shit to dean in season 8. A couple of seasons ago, he would tell dean that they had a profound bond to his face. That everything he did, he did for Dean. Now? He's hesitating. He clenches his fists to avoid hugging Dean back in purgatory. He stutters and looks away before saying he stayed away from Dean to protect him. When asked what broke through heaven's brainwashing, he looks away and says he doesn't know. It's so interesting to me

my steddie rendition of „La Belle Dame sans Merci” :]

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just thinking about eddie. he's sooo loud and opinionated and obnoxious and an asshole sometimes and he was pissed off that a national magazine was demonizing him and his friends for playing DND, so he went on a whole hater rant about it. thinking about how he's also confident and charismatic and protective and secretly sweet, and according to dustin, he was the only one that was nice to him and mike when they started high school, and eddie's band is also outcasts that he took in and gave them all a place to belong and he was happy when hellfire club beat his campaign. and when erica stood up to him, he shook her hand and had no problem giving her props and bowing to her. he wasn't even friends with chrissy but he let her see through the 'mean and scary' image and goofed off to make her feel better and did everything just to try and help her.

when he was scared out of his mind, he pushed steve against a wall but couldn't actually hurt him and admitted his assumptions about steve were wrong and took the time to tell him he's a good dude. in the field when they're all preparing for impending doom, eddie played around with dustin and told him never to change and gave him a subtle little goodbye and a nice last moment because he knew he wasn't running away this time. he cut the rope to try and keep dustin out of harm's way while he sacrificed himself for a town full of people that wanted him dead, but he died in dustin's arms anyway and used his last words to tell him he loved him. and eddie, who didn't want to be like his dad, whose uncle loved him and knew that violence wasn't in his nature, is only going to be remembered for doing things that he was never capable of. just thinking.