And Then You Can Die And Go To Hell. This Is On You

glad we agree

You're so talented!!! Mind if I request a fanart of Newt looking after Tommy in a ghost form? :)

Omg thank you kid! yes yes thank you for request i'm feeling really inspired today so yes i will try to draw it :D

idk how i just now found your art but it's all beautiful and that one of neil with the locker and the blood is absolutely incredible!!!!

ooo im so happy you think so! thank you for your kind words, best thing of the day. activates my dopamine reward system, this is why i make art. i also want to share this day-improving factor with you: somebody tagged my arty of jean with #trojans. i hope your heart feels as warm as mine <3

Ah. It's a joke. The joke of the meadow. The location for the economy of life choices: a bright and blossoming meadow. You feel played already. Stale air, too hot, and your distressed feelings. The chilling lightness of butterflies.

You're not here as a joke. Nobody comes here as a joke. Calling coming here a summoning has been a fatal insult. You wonder if all your tension is in the tissue around your nerve cells, making you slow. Invisible, you hope. You've heard of someone who went to make a deal, then never returned. Someone who made one, then never woke up in the morning.

''You can use yarrow for tea,'' the fae says, making you spin, springing backward, feeling the grip of the keys in between your fisted fingers. ''Ribwort plantain, too.''

''I come accompanied by friendly spirit to make a deal,'' you say, the words having looped around your mind for weeks, now feeling your heartbeat in your fingers. ''I bring an offering and hope not to trespass across the separating—''

''It's easier to make tea,'' the fae says. He looks your age, maybe; it might be unsayable, because of the smudgy quality about him. Light hair, some dark knowing in his light eyes. Shorter than you, you feel played. A dream make-believe. One just accepts the indefinition.

''I offer five years,'' you say. Rehearsed. Determined and inwardly desperate.

''Five years,'' the fae is nodding ambiguously, agreeing or not. You can't tell. It's stupidly performative. Very flashy, the fae whispers: ''Are you lifting a curse?''

You aren't really lifting a curse. Or is that what it is? It is: avoiding eye-contact. Meaningful sighs, the wordlessness you hate. Running, we’re nothings. Abram, do you hear me. You know you can’t build anything here. Anything anywhere. Running, then midday crashes like narcan, like countering opioid overdoses. Crashes. Crashes. Lingering in dimmed half-underground spaces, thinking I can't think, writing lists of protologisms, for what, thinking I can't think, not finding what you need.

You hate it, and there's more: faulty cause and effect, infinite repetitions, chronic secrecy. Look at the shape of that finger burn, someone laughed, passing you kitchen serviettes. That's not how you meant it, right? That's nonsense. It's funny, actually. It's like a nursery rhyme, look. You didn't find it funny. You are a not-being. A nothing. You look for devices of sense and only find devices of nonsense. You can't think.

''Can you help me?'' you ask.

The fae sits down. Seemingly unbothered by the sun, seemingly unbothered by the power relations implied by the difference in the height of your eyes; by looking upwards and you looking downwards. Of course, though. Of course the implied power is foolish. A pretense. A guise for your amusement. You shield your eyes from the sun.

''What can you offer if you die tomorrow,'' the fae says, not a question enough, eyes too still to be really questioning.

''Wait. Wait. Can you—'' you didn't know the fae can tell, nobody has said, you don't want to know, you don't– the fae deals in life years, you know that, anyone like you knows that; after all the leeching on life, nobody knows how old he is. But nobody's ever said anything about prophecy.  ''Since when can—''

''Just asking,'' the fae shrugs. You exhale like okay. You breathe out like alright alright alright. Stabilising yourself.

Breathe in, breathe out. ''Can you help me?''

''Are you sure that would help you?'' the fae asks. He tilts his head. Actually, he fits – with the butterflies. It's eerie. He fits with the sweet-smelling meadow into a single morph.

''Do you take the offer,'' you correct yourself. Again, you think the asphyxiating presence of omissions, of avoiding eye contact. You hate it.

''No,'' the fae says calmly, and you say, ''What?''

This isn't how the word goes. The word goes: you come, you deal, you die younger. Win some lose some. Sometimes you lose some more, things you don't foresee. As a bonus, a little treat. You've come prepared, you’ve always expected it: an early death; it’s heavy in your pockets, it’s the shape of a butcher knife. But you won't – do that, you won't lose to inaction.

''I'm not giving you more years,'' you bite. And then you sneeze, which feels greatly innapropriate. ''Allergic to pollen,'' you say, somewhat angrily, distantly, empty-handedly.

''So indoors would be more suitable next time,'' the fae is nodding. ''Here, I'll give you a phone number.''

Whose, you think, and feel like dying a little. You think about more disposable phones before you think: I’m not doing that.

''I'm not asking you again, and I'm not giving you more years. That's five years for you. Do you take it?'' You sound unnerved. Not calm. You don't want that to flatter the fae.

''No. You can pick the spot. I'll show up, probably. If I'll be interested.''

''I think you'll ditch,'' you say, maybe against some recommended judgement, maybe to be interesting. ''A cafe,'' you add.

The fae shrugs. ''Text me.''

https://archiveofourown.org/works/25281928

some high-quality tattoo designs, my dudes

hellian

you are right thank u friend

sister and i; a moment without a need for sharability; that post that says you ever drink coffee so strong it instills transcendemce in you for the entirety of four minutes

dont look at me like that