Jon Bernthal as Braxton THE ACCOUNTANT 2 (2025)
(Richie Jerimovich x F!Reader)
CW: Â Slight angst; idiots falling in love; drunken near-encounters but nothing explicit; vulgar language because let us be honest - it's Richie.
Word Count: Â 2730
AN: Â This was requested by the lovely @winchestershiresauce for the April Showers event!
Maybe Richie wouldnât have said anything if you had just shut your mouth.
Maybe he would have gritted his teeth, manned the register, and dealt with the customers while you chattered away with Tina and Marcus in the back of the house. Out front, in the bustle of the lunch hour, he could have ignored you, let your voice fade into the background.
But you donât shut the fuck up.
Youâre talking a mile a minute because youâve met a new guy. Some fancy asshole who works at the Merc, and Richie starts to get a headache as you talk this guy up.
âHe sells weather derivatives!â he hears you say. Thereâs a clatter of pots, a whosh of flames lighting on the stove. Â
âWhatâs that mean?â Marcusâs voice, now.
âIt has something to do with insurance and risk,â you explain, and Richie canât help but half-listen, judging how fucking stupid it sounds. This new guy of yours deals in weather, and he makes a shit-ton of money doing it: a condo with a lakeside view, a fancy car in the garageâŚ
âHe sounds like an asshole,â Richie scoffs from the pass-through window.
âYouâd know.â The retort is paired with you narrowing your eyes at him.
âHe soundsâŚnice,â Tina tells you, but she pauses enough on the nice, glances at Richie long enough for him to know that sheâs thinking the exact same thing he is, deep down.
This guy is going to break your heart. Just like the last one, the tenure-track professor at Loyola. And the one before, the electrician. And all the others beforeâthe bartender, the dermatologist, the trust fund laze, the NGO founder. At some point, Mr. Weather Asshole is going to hurt you terribly, and youâll come into the Beef in pieces that theyâll have to put back together.
Maybe Richie wouldnât have said anything, but he fucking hates that he can see your future and you cannot.
âItâs never gonna work out,â he says. âGuyâs gonna break up with you.â
You glare at him again. âThanks for the vote of confidence.â
âBet you he will. It always happens, and youâre too stupid to see it.â
âBet you he wonât.â You pause, stir the sauce you have simmering on the stove. âHeâs different than the others.â
Richie sighs because he also knows that Mr. Weather Asshole isnât different. Heâs probably exactly the same as the others, a user who will cut loose the moment heâs done having fun with you. It happens every time, and you have some goddamned amnesia about your own terrible love lifeâ
âI wanna take that bet,â he tells you. He leans back against the counter and crosses his arms, stares at you. âEasy win for me.â
You turn and face him, mirror his body language by crossing your arms too. âAlright. What are we betting? Fifty? A hundred?â
Richie could take your money. He knows itâs a sure thing. Some mean part of him, though, wants to make it hurt. He wants some awareness to finally sink into your thick skull. He wants you to be more careful, to guard your heart closer, to stop leaving yourself open to such hurt from such awful men.
âMake it interesting. Mr. Weather Asshole dumps you within the month, I get your Def Leppard shirt.â
Your eyes narrow to slits. âWhich one?â
âYou know which one.â
The angry set of your frown tells him you know exactly which one he means. He has no idea how it came into your possession, but you have a cherry vintage concert t-shirt from Def Leppardâs 1983 Pyromania tour. Richie isnât that big a guy, not much bigger than you, really, and the one time he saw you wear it, it was just a shade too big.
It will fit him perfectly.
He watches the little twitch in your jawâyouâre clenching it, your teeth grinding. âFine. What do I get?â
âWhat do you want?â
Your face opens up, softens. You smile and say, âokay, I want your Bruce album.â
âWhich one?â
âYou know which one,â you reply, mimicking his voice, which makes Tina snort and shake her head.
Richie has a rare vinyl of the Japanese pressing of Bruce Springsteenâs âTunnel of Love.â He canât even remember how you found out about it, but youâve pestered him in the past about how much it would cost you for him to part with itâ
Itâs a sure thing. Thereâs no way Richie is going to lose this bet, so he nods. He uncrosses his arms and holds his hand out to shake.Â
Itâs your hand in his, your eyes crinkled as you smile at himâŚit makes him feel sad all of a sudden. Youâre going to be hurt; he can see it as clearly as anything, and you canât see it at all.
-----
Two weeks, nearly. Twelve days, to be exact: you march into the Beef, and Richie barely has enough time to realize itâs your day off before you toss a plastic grocery bag down on the counter in front of him.
âHere,â you spit out. Youâre already turning on your heel and leaving, and you add over your shoulder as you wrench open the door, âI donât want to hear a word about it, asshole.â
He doesnât need to, but he opens the bag anyway. Inside is the concert t-shirt, neatly folded. The spoils from him winning the bet that hinged on your broken heart.
âAh, fuck,â he mutters.
-----
Richie knows where to find you that evening. He helps Carmy close up, and then he makes his way to Kellyâs.
The dive bar is below street level, dark and musty. The beer is cheap, and the jukebox is stocked with a very specific slice of alternative rock beloved by Kellyâs owner. The vibe is grimy but safe, the perfect place for someone like you to drink away her sorrows and stumble out without too much risk.
StillâŚRichie likes to keep an eye on you. Just to be safe.
Kellyâs is too small for him to hide from you, and he doesnât bother to try. He finds you belly up at the bar, slouched, and he takes the empty stool beside yours.
You glance at him out of the corner of your eye before you turn back to your drink.
âCome to gloat? You ask.
âNah.â
âSay âI told you soâ?â
Richie shakes his head. âIâm not a complete asshole.â
You sigh. âWhat, then?â
He holds up a hand to flag down the bartender, and he orders another for you and one for himself. Then he turns in his stool at looks at you.
âWanted to make sure youâre okay,â he replies, and he hopes it rings earnest to your ears because itâs the truth. Heâs not a complete asshole but he is at least partially so, and he struggles with his delivery almost every time he tries to be nice to youâŚbut he cares, and he wants to make sure you know it.
Whether you believe him or not, you donât say. You only tip him a nod in thanks for the drink, and the two of you fall into an evening together of mostly silent companionship and more than a little drinking.
-----
He wakes up fast and rough because he thinks heâs about to puke.
He sits up quick, manages to calm his roiling, sour stomach with deep breaths through his nose. Once the danger of vomiting has passed, he looks around at the strange room.
Itâs not his room: not the one in his apartment, and not the one he shared with Tiff when they were still married. Itâs a softer space; the sheets underneath him are silkier, nicer than his own. The room smells different too, warm and spicy like something baked with cinnamon, and it takes his hungover brain a beat to realize where he knows that smellâŚ
âŚitâs your smell. It bothers him every time he has to work with you at the Beef; it seems to seep into his clothes under the smell of the sandwiches and fry grease. He glances down at the figure stretched out in the bed beside him and sees you. Youâre fast asleep, your face smushed into your pillow, lips parted as you breathe deep and even.
It takes his hungover brain two beats to realize that heâs naked. No, scratch thatâheâs in his boxers only, heâs shirtless, and when he studies you closer, he sees part of the reason why: youâre in his t-shirt, the one with the typo that reads âThe Berf.â
Richie scrubs a shaky hand over his stubbled face. The evening comes back to him a little at a time. The drinks that flowed too easily, the realization that you live only a few blocks from him. The stumbling out together at last call, his arm around your waist as much to steady himself as to steady you. Him walking you home, the booze hitting you hard and making you turn pathetic.Â
Him turning to give you hell and seeing the pitiful way your lower lip trembled as your eyes filled with tears over Mr. Weather Asshole. Richie getting pissed at that, wanting to say something meaningful that would lance through your alcohol-fog to make you understand that Mr. Weather Asshole wasnât someone worth crying overâ
Him failing to find the words and kissing you instead. You kissing him back. You kissing him back with an eagerness that surprised him, and he remembers going upstairs to your apartment with you.Â
He remembers each of you stripping down to nearly nothing before it occurred to him that you werenât in any shape to make any decisions, and he wasnât much better off. He remembers stopping you, taking your hands in his, slurring his words as he told you it was a bad idea. He remembers you tearing up at that, misunderstanding him, feeling the rejection too personally.Â
Maybe in some respects the alcohol was a boon, because Richie Bad News always fucks it up. Richie Bad News always says all the wrong things. Richie Bad News always manages to mistranslate the feelings in his heart with his stupid fucking mouth.
But Drunk Richie? Drunk-but-Noble Richie who was able to gently turn down the opportunity to fuck you because you were too wasted to make good decisions? That guy seemed to get it right.
He remembers telling you that you shouldnât cry over him or Mr. Weather Asshole or any other loser who manages to disappoint and hurt you. He remembers telling you what a catch you are, how lucky a guy would be to snag you. He remembers telling you to be choosier, to be more wary of men, to trust them a little less and yourself a little more.
Mostly, he remembers telling you that you have the biggest heart of anyone he knows, and then he remembers saying he wishes youâd guard it closer.
He remembers how you looked at him then, how you seemed to see him through the alcohol haze. You seemed to figure him out in that moment, seemed to piece together all your time together at the Beef, all the frustration he had with his own terrible love life that he vented over Family meals as you listened. You seemed to understand his own hurt, how he came in each day after his own awful dates the night before, how he looked at you on the sly as if he were measuring you against those women while he also measured himself against all those terrible men you dated.
Most of all, he remembers how you reached up and laid a gentle palm against the side of his face, and how he nuzzled into your touch. You had looked him dead in the eyes, murmured his full name like you wanted him to know you really saw him.
âRichard Jerimovich,â you had said. âYou might be an asshole, but youâre a good man.â
He remembers how you turned shy then, how you dropped your hand and your gaze, like you were suddenly aware that you were basically naked in front of him. At your wordsâthat he maybe he wasnât Richie Bad News but just an asshole and a good man bothâhe felt surer of himself. More certain. He had bent down and snagged his discarded t-shirt, and he had helped you pull it over your head.
âCâmon,â he told you. âLetâs go to sleep.â
And that was all the two of you did. Drunk as you each were, he had kept it as above-board as he could, and you had fallen asleep snuggled against him.Â
-----
Now heâs awake and nauseous. Itâs still dark outside. A quick glance at his phone says that itâs only three in the morning, hours from dawn. He hears what he thinks is a delivery truck rumbling past your building, but the sound is paired with a flash of blue-white lightning, and he realizes that thereâs a storm rolling in.
He climbs out of your bed carefully, and he makes his way to your kitchen. He pours a glass of water from the pitcher in your refrigerator, and he drains it in one go. He feels his stomach calm.
Richie stands at your kitchen sink for long moments: itâs dark outside the window there, but each bolt of lightning illuminates the viewâthe brick wall of the building next door, the street below. It looks lonely outside; the sky spits rain in fits and starts.
He could leave. Maybe he should leave now, while youâre still asleep. He has no idea how youâll wake up: what if youâre angry at him, or embarrassed? What if you wake up and remember him gently rejecting you and misunderstand it? Because heâd happily, gratefully take you to bed under any other circumstances, but not as your rebound and not with you as drunk as youâd beenâŚbut you may not realize that.
He probably should leave, but it looks miserable outside. The storm makes him want to return to your warm bed, so thatâs what he does.
Youâre still asleep. He stands over you and looks his fill for a moment. The flashes of lightning gild your face in its stark white light, but he thinks you look adorable. Even with your makeup from last night smeared under your eyes and lines from your pillow etched across your cheek, Richie thinks you might be the cutest fucking thing heâs ever seen.
He crawls back under the covers and rejoins you. He tries to be careful about it, but the shifting of the mattress makes you stir. You grumble beside him, and a moment later you open your eyes and fix him with a bleary look.
âRichie? Whatââ
âItâs fine.â He whispers in reply. âStill too early to get up.â
âMmm.âÂ
âGo back to sleep.â
You hum again, and maybe you arenât completely sober yet or completely awakeâbut heâs glad he decided to stay, because you bridge the slight distance between you and snuggle up against him again. You press your head against his shoulder, gently headbutting him until he huffs out a laugh and lifts his arm for you to cuddle in close. He wraps his arm around your shoulders, and you nuzzle against his bare chest before you settle.
It doesnât take long for you to fall back asleep despite the storm picking up in intensity outside. Richie doesnât fall back asleep at all, but heâs comfortable, relaxed. The rain lashes at the window of your bedroom, and thunder rumbles in the distance, but he feels cozy.
More than that, he feels hopeful. Heâs had such a shitty run of it. The loss of Mikey, the loss of his marriage. His ex-wife may consider him Richie Bad News, but heâs been the on the receiving end of plenty of shit too. Heâs at the lowest heâs ever been in his life, but for the first time since everything went to hell, he finally feels a bit of hope.
It started with a bet that he won, and now heâs in your bed with you snoring lightly in his arms while you wear his stupid fucking âBerfâ t-shirt.
What comes next? He has no idea, but he finally has hope that it might be something good.
Itâs your lucky day, Mr. Castle. The six Dogs of Hell gang members you wiped out in Delaware wonât be an issue, anymore. Delaware doesnât have the evidence to charge and extradite, so, the death penalty is officially off the table.
me reading straight up pornography: hmm⌠this one just doesnât have enough accurate character psychoanalysis to get me off
giffed the sydrichie hug again, this time in HQ <3
Joel Edgerton as Owen Lars
Obi-Wan Kenobi (2022) part VI
finally finished my compilation of ebon's kissing scenes! enjoy <3
He was as tall as he was tall, and his eyes were the color they were. To describe his hair one would say that he had some. His face had all the features you'd expect, and none of the ones you wouldn't. "There he is," people would often say of him, but only when he was there. And they were right.
holding their face đđ daredevil & punisher hcs
characters used á° .á matt murdock / frank castle / foggy nelson / karen page / elektra / ben poindexter / billy russo / dinah madani / micro
â︾ MATT MURDOCK. đŻ
your hands are gentle, like heâs made of something fragile â not bone and blood, but myth and ruin. his skin is warm beneath your palms, scraped and bruised in places he wonât talk about.
he flinches when you first touch him â not from pain, but from surprise. from the quiet ache of being held like this. you whisper his name and he doesn't pull away.
the city hums outside â always too loud, too much â but here, in this moment, it's quiet. the kind of quiet matt never gets. your thumb brushes under his eye, and his lashes flutter shut. he doesnât open them.
your fingers slide into his curls, damp with sweat and rain. you hold him like youâre anchoring him, like youâre keeping him tethered to something good. his breathing slows. he leans into your touch like heâs starved for it.
âiâm right here.â you remind him. and for once â for just a second â matt believes you.
â︾ FRANK CASTLE. đŻ
tonight, heâs tired. his eyes are downcast, jaw tight, like heâs bracing for a blow that doesnât come.
your hands are slow, steady. one at his cheek, the other at his jaw â rough stubble under your fingers, skin too warm for how cold he always pretends to be.
he blinks once. like he doesnât know what to do with it. âyou donât have toâŚâ he starts. but you already are. your thumb brushes across the scar on his cheek â the one he never talks about.
he doesn't pull away, but he doesnât lean in, either. just lets it happen. like heâs trying to figure out how this feels. heâs quiet. so quiet you can hear the weight in his breathing. the way he exhales like heâs holding a war behind his ribs.
âfrank.â you whisper, and thatâs the part that undoes him. not the touch â the way you say his name like itâs something worth holding. his eyes close. not because heâs calm, but because heâs overwhelmed.
your hands are shaking slightly. he notices. of course he notices. âyou okay?â he murmurs. you press your forehead to his. âalways.â he leans into you. itâs not surrender. itâs trust. for a man like frank castle, trust is the rarest kind of softness.
your fingers slip into his hair, and he doesnât move. he just breathes. and in that moment â bruised, broken, holding more pain than most people can comprehend â he feels safe. with you.
only with you.
â︾ FOGGY NELSON. đŻ
foggy talks a lot when heâs nervous â jokes, rambles, deflects. but when your hands find his face, everything goes quiet.
he looks at you like you just hit pause on the chaos in his head. his brows lift, his eyes soften, and he gives you that crooked little smile â the one that always means thank you, I needed this.
âhey,â he says, voice low, gentle. âwhatâs that look for?â but he knows. your thumbs brush the apples of his cheeks, warm under your hands, a little flushed because he still gets flustered when you touch him like this.
he leans in instantly. instinctively. like heâs meant to be there. youâre not just cradling his face â youâre grounding him. reminding him he doesnât have to carry everything alone. âyouâre doing too much again.â you whisper.
he sighs â busted. âsomeoneâs gotta keep things together.â he murmurs.
you shake your head and rest your forehead against his. âsomeoneâs gotta take care of you, too.â he melts. full-on puddles into your hands. his shoulders drop, and the tension he didnât even realize he was holding slips away.
he reaches up, hands on your wrists, holding you like youâre the only real thing in the world.âyou always know what to say.â he tells you. you donât. not always. but you see him. and thatâs enough.
sometimes he makes a joke â something like, âyouâre not gonna smoosh my face, right?â but itâs a deflection. because the truth is, when you hold his face like that, foggy feels safe. loved.
and no matter how loud the world gets, your hands always bring him back to himself.
â︾ KAREN PAGE. đŻ
karen carries herself like sheâs fine â chin up, shoulders set, voice even. but your hands find her face, and the cracks sheâs hidden so carefully start to show.
her breath catches. just a little. not because sheâs scared â because sheâs not used to being held like sheâs something worth protecting.
you donât say anything at first. just look at her. just see her. her eyes search yours like sheâs trying to believe itâs real â that someone would choose her, softness and scars alike. your palms are warm against her cheeks, and you feel the way her jaw clenches. a reflex. a habit.
she blinks fast, like sheâs trying to keep from unraveling. âhey,â you murmur. âyouâre okay.â her lips press together, but they tremble at the corners. she nods â barely.
you brush your thumbs along her cheekbones, and she leans in, hesitant at first, then all at once. she closes her eyes. lets herself sink into the quiet. with you, she doesnât have to be strong every second. she doesnât have to fight. not right now.
you kiss her forehead, soft and slow. and when she whispers, âthank you.â itâs not just for this moment â itâs for every time you remind her that softness doesnât make her weak.
sometimes she makes a dry little joke â âyouâre not checking for bruises, right?â but itâs just her way of hiding how much it means.
for the first time in a long time, she lets herself feel safe.
â︾ ELEKTRA. đŻ
she doesnât stumble through the door â she never stumbles â but you can see the tension in the set of her shoulders, the way her jaw is locked like sheâs biting back the whole night.
blood on her knuckles, maybe. maybe not hers. she doesnât say. she doesnât need to.
you reach for her face without a word â slowly, like youâre approaching something wild. your hands are warm. hers stay at her sides at first. she doesnât pull away, but her body goes still â not tense. just⌠waiting.
no one touches her like this. not without motive. not without want. but you donât ask anything of her in this moment â you just see her, and she doesnât know what to do with that.
her eyes flick up to yours, unreadable â but thereâs something breaking at the edges. not fear. never that. just disbelief that someone could hold her like sheâs not a weapon.
like sheâs allowed to be held.
she exhales, barely â a breath you wouldnât catch if you werenât paying attention. her jaw tightens, her lashes flutter, like sheâs trying to hold herself together. your thumbs brush across her cheekbones, and for a second, her eyes close.
âhey.â you greet. her lips part like she wants to argue, to make a joke, to keep the distance safe. but she doesnât. not this time. she leans into your touch, just slightly â then all at once.
you kiss her temple, slow and careful â not because she needs saving, but because she deserves softness. she doesnât say thank you â not out loud. instead: âyouâre not checking for battle scars, are you?â â voice low, almost amused.
but her hands find yours, fingers wrapping around your wrists like sheâs anchoring herself. with you, she doesnât have to perform strength. doesnât have to be on guard. doesnât have to be anything but herself.
and when she finally lets herself breathe, when she allows the silence to settle between you â itâs the closest sheâs come to peace in a long, long time.
â︾ BEN POINDEXTER. đŻ
heâs always in control, always trying to maintain a perfect façade. but you can see it â the cracks in the mask, the hollow look in his eyes after another brutal day, another moment where he failed to hold it together.
he doesnât say anything â he never does when heâs breaking. just... stiff, distant, like heâs suffocating but doesnât know how to ask for air.
you reach for him slowly, your hands finding his face â his skin cold to the touch, almost unnervingly so. he doesnât pull away, but his whole body goes rigid â like heâs forgotten what it feels like to be touched without fear of it turning into something dark.
his eyes flick to yours, almost cold, but thereâs something deeper hidden under that guard. a hint of confusion. of vulnerability. he doesnât understand why youâd touch him like this, why youâd want to.
you donât say anything â you just hold him. your thumbs run across the sharp lines of his cheekbones, grounding him in a way heâs not used to.
âyouâre okay,â you murmur, your voice just loud enough for him to hear. his mouth twitches â the corners of it pulling up just enough to make it clear heâs trying to force a smirk, but it never quite reaches his eyes.
âi donât need comforting,â he mutters, but itâs a weak defense, a habit heâs clinging to more than an actual belief. you donât respond to his words. instead, you press your forehead against his, slow and deliberate.
he doesnât push you away, but his breath catches â a shallow thing, like heâs been holding it in too long. in that moment he doesnât know whether to be ashamed or relieved that someone could want him like this â raw, unmasked, vulnerable in a way that feels dangerous to him.
he tenses, like the idea itself is a threat â but his fingers twitch just barely, as if fighting the urge to touch you back. âyou... donât know who i am,â he argues,, but thereâs something in his voice â something close to needy.
âi know you,â you reply, brushing your thumb across his bottom lip, letting the silence stretch for a beat. he doesnât say thank you. but when he looks at you this time, when he lets you hold him like this, he believes he could be more than the mess heâs convinced himself to be.
â︾ BILLY RUSSO. đŻ
it's quiet, the kind of day where words don't feel necessary â just the hum of the room, the weight of his body next to yours. heâs leaning into you, but there's still that tension in his posture, like heâs holding back a part of himself.
you donât say anything â you reach up slowly, hand finding the line of his jaw. his skin is warm, you can feel the way his muscles tighten at your touch, but he doesnât pull away. he doesnât need to be told anything â youâre not trying to fix anything.
your thumb brushes across the curve of his cheekbone. he looks at you, eyes dark but not distant â something in him softens when you touch him like this, for a second, he doesnât have to be the guy whoâs been through too much. he just lets you hold him
âyouâre pretty.â you praise. he exhales, like heâs been holding his breath for too long, and his head tilts slightly into your touch.
he doesnât pull away. doesnât need to. not right now, at least.
â︾ DINAH MADANI. đŻ
she doesnât fall apart. not ever.
she comes home late, tension still riding her shoulders, eyes sharp but tired. kicks off her boots, shrugs off the day like itâs something she can peel away â but it still lingers in the set of her mouth, the way her fingers twitch like theyâre still reaching for a gun.
youâre both on the couch, legs tangled. itâs quiet. a movieâs playing, something youâve both stopped pretending to pay attention to. her head is resting near your shoulder, and you feel the weight of her â present but somewhere else, too.
you donât say anything. just shift, turn toward her, and gently cradle her face in your hands.
she blinks, once â like she wasnât expecting it. but she doesnât move. your fingers trace along the edge of her jaw, slow and careful, like youâre handling something you donât want to break.
she holds your gaze â guarded at first, like sheâs trying to read what this means. then it softens. just a little. enough. her lips press together, for a second, you can tell sheâs thinking too hard â about control, about vulnerability, about being seen.
she closes her eyes. leans in, just slightly, and you let her, no pressure, no words. you keep holding her like that, fingertips brushing behind her ear, thumb tracing the edge of her cheek; like sheâs allowed to rest. like sheâs allowed to be soft.
just for a while.
â︾ MICRO / DAVID. đŻ
itâs late. heâs hunched over his desk, screen glow painting shadows under his eyes. thereâs a half-empty mug by his hand, something playing softly on the speakers â white noise he probably hasnât noticed in hours.
he doesnât hear you come in. his mindâs still spinning, still running loops â old memories, what-ifs, the kind of guilt that lingers even when you tell him it doesnât have to.
you walk up behind him, say his name softly, he finally looks up; gives you a tired smile â the kind that doesnât quite reach his eyes, like heâs trying to convince you heâs fine so you wonât worry.
you donât say anything. you just kneel down beside his chair and gently take his face in your hands his breath catches. tenderness always seems to catch him off guard, like he still doesnât believe heâs allowed to have it.
your thumbs brush along the edges of his jaw, where the scruffâs gone a little longer than usual. he leans into it without meaning to, eyes fluttering shut like the weight of the day finally gets permission to settle.
he murmurs something â maybe your name, maybe just a sigh â and lets you hold him there, like thatâs all he needs right now.
he whispers, âiâm okay,â like heâs trying to believe it, and maybe, with you there, he can. he opens his eyes after a second, looks at you like youâre something steady in a world that wonât stop shifting. he doesnât say thank you â he just reaches up and covers your hand with his, fingers curling over yours like he doesnât want you to let go
and you donât.
â a / n : mid tier effort tbh might take this down at some point
started 4.23.2025. finished 4.24.2025.
( masterlist. )
ÂŠď¸ monicfever 2025
sideblog for all my brainrot(untagged & 18+)đ30something she/herđ main
285 posts