No, No I Don’t

something I like about Blue Sargent is that she’s so believably seventeen years old. she misses her mom and yearns to keep her friendships and also to pursue her future and grow. she insults her cousin to her face but loves and is very protective of her. she wears fingerless gloves to cemeteries to look cool even though she knows trying to look cool will bite her in the ass, she monologues about how if she opens her pink switchblade she’s sure she’ll cut herself as a sensible teen but also monologues about how she looves the idea of herself as a badass with a switchblade, and then she does indeed open it and cut herself and connects it to her emotional hurt. she’s both self-conscious and confident, and highly pretentious. She’s a one thousand year old condescending brat who wishes she was surrounded by fellow one thousand year old condescending brats at all times. she’s impulsive and idealistic and empathetic and sensible and stubborn and judgemental and curious and compassionate and playful and fiercely loving. she’s a fanciful sensible thing, she’s good but she’s not nice, she’s brave because she’s full of fear. I love her

i dont care if mondays rife,tuesday qednesday full of strife, thursday fuck my baka life, its friday im in sucks

I have seen a lot of fics about the Justice League finding out Bruce has kids and being shocked about it, but what about the other way around? Like imagine Dick ghosting Bruce and ignoring everything related to Batman for six months after an argument and the day he finally decides to visit to make amends he finds fuckin Superman chilling on his kitchen, or like Jason coming back from the dead, ready to fuck shit up, just to get whiplash after finding out that his loser dad has friends and one of them is Wonder Woman

Adam Parrish was unknowable.

hear me out hear me out…

Sapphic Pynch

I've been pondering the split fandom reaction to Helena Eagan trying to make sense of it all. On one side there is an understanding that all of the harm she has done is unacceptable and irreconcilable. On the other hand some people are intrigued and empathize with the misogyny and pressure she may face and how love and acceptance may be a salve to those issues.

A little bit of it is girlbossification and fandoms yearning and enjoyment of redemptive narratives but I also think the privilege of whiteness is also at play.

Helena Eagan is a rich white woman who benefits and aids in the oppression of the average laborer. And though she is a victim of misogyny and daddy issues she is still the heir to a major corporation. Parts of this fandom have twisted themselves into pretzels trying to justify why she is actually the victim and heroine of this story. And maybe they're right I have no idea what Dan Erickson has planned but the need to make her the central victim when she is facing the same facets and tools of oppressiveness that Devon and Natalie are doesn't make her particularly special.

It just means that she is in a world in which these systems and attitudes exist. It doesn't make her any more oppressed than any other woman who lives in this society. The thing that actually sets Helena Eagan apart is the power she holds as an Eagan and the harm she perpetuates and creates. Helena Eagan RAPED Mark S./Mark Scout. She took away Helly R's autonomy.

Why hasn't the same empathy been given to characters like Seth Milchick and Natalie Kalen. It's because they are not white. As the racial contours of this story continue to take shape I urge you to deconstruct where your biases lie and how they impact how you interact with the characters.

Your outie prefers two scoops of ice cream in a serving, but they must be the same flavor.

rip Noah Czerny you would’ve loved Chappell roan

if i didn’t know any better, i’d say that helena has developed an erotic fixation on mark and has plans to pursue both him and his outie in what might be termed a “throuple”.

I say shit like "If my memory serves me" knowing damn well it serves the dark lord