I’d like to give a big shout out to the writers behind this new season of Shadow and Bone. It takes some real cajones to rush a story and sink both major ships after baiting the women who drove the interest for years and then turn around and ask them to support your spin off.
Watching the princess bride and Wesley just said “I think everyone will be wearing them in the future” when Fezzik asks about his mask that’s so funny they were on point in 1987
I have been cobbling this painting together in private for about a month (turns out Kensington Palace is rather complicated to draw), before giving the finished poster to Casey McQuiston last night as a pub-day gift for RED WHITE & ROYAL BLUE COLLECTOR’S EDITION—a “two homes side-by-side” mashup of canon and cinema featuring Nicholas Galitzine as Henry and Taylor Zakhar Perez as Alex. (Suffice to say, I can’t wait to see them inhabit these roles when the film launches next year!)
To those who came to The Strand last night for the event, thank you so much for your incredibly warm reception. Meeting Casey in person was an absolute dream come true and words fail to express my joy at having brought my skills to the endpapers of a book I adore so much. Apart from being hilarious, brilliant, and genuinely kind, they also happen to give AMAZING hugs:
I hope you’ve had a chance to pick up your copy of the book and that you love Henry’s POV chapter as much as I did (hello waterworks!). Let me know what you think of it in the comments, and just know how endlessly grateful I am to all of you who found my art and liked it enough to share, comment, and shower it with hearts. I’m forever in your debt. 💙❤️💙❤️
Nothing like a mad woman 💅🏼
the way all the different spidermans perfectly fit a older brother middle brother youngest brother dynamic with eachother can be so beneficial to someone’s mental health, someone being me,
I very briefly mentioned this in my ep 8 thoughts post the other day, but I'm interested in the framing of this shot.
(Image credit to @avathebestx)
The Batch are all very close together on one side of the frame, and Rex and Riyo are close on the other side. But then Echo is kind of floating in the middle. He's a little closer to the Batch but he's definitely more between the two than on one side.
Now this could mean one of two things:
1. It's symbolic of Echo moving over from the Batch to Rex while also showing that at the end of the day, no matter where he is, he will always be a part of both sides. The common thread between the two.
2. I am looking way too deeply into this and its not that important.
But that's my random thought! Do with it what you will!
The production quality in this show is very good and all the actors are amazing but the pacing is so so bad it just makes me want to reread the duology because every step and reveal is so well plotted
“You and me and history, remember? We’re just gonna fucking fight. Because you’re it, okay?”
- Alex, Red, White and Royal Blue by Casey McQuiston
This scene was voted on by my fellow RWRB fans on Twitter and Instagram for Fandom Forward’s charity auction! Details for the auction will be forthcoming, but this piece will be put up for bid as an 8x10 print (along with a few other RWRB-themed goodies by me). Stay tuned for details on how to bid!
13 mins into S2 of Shadow and Bone and I'm already cringing at the dialog.
I HAVE ONLY ONE THOUGHT AFTER THAT EPISODE
(credit to @techsluvr for the meme lol)
Cody, as Leia IMMEDIATELY goes off book during the Death Star escape:
she/her | lover of shedding tears over black lines on paper/phone screens | swiftie | whovian | don’t have a personality beyond loving to read and listening to taylor swift | psychology major that doesn’t understand her own actions |
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