Adrien Agreste & The Body Language Of Abuse

adrien agreste & the body language of abuse

anybody who has seen even only one episode of miraculous ladybug can perfectly describe who chat noir is - he's brazen, he's fun, he's witty, he's flamboyant and overdramatic. he's the kind of hero who will preen confidently, give you a captivating wink and then he's off to save the world. but he's not chat noir all the time, or even half the time. most of the time, chat noir is adrien agreste - a quiet and exceedingly polite kid, who is likely to fade into the background despite his supermodel status. and sure, he knows how to be graceful and how to exude charisma, and he's still capable of being a drama queen (like slouching down a wall from being lovestruck).

but this post isn't about that.

because adrien is gabriel agreste's son all the time - a cold, careless, intimidating man, who will raise his voice to force others into submission, and who is depicted almost always with clenched fists.

what i've tried to do here is outline through images how gabriel's abuse has altered and influenced adrien's body language. because of tumblr's image limits (and the limits of my own patience), i have definitely missed some scenes, but i believe that i've managed to present with commentary the most important parts.

warning: image-heavy post.

chat noir is larger than life. adrien agreste tries to make himself as small as possible.

one of the biggest visual cues that the show gives us about adrien is that he has the tendency to wrap his arms around himself as a way of protection, whether because he's afraid of being vulnerable in front of others, or because he's self-soothing. he will do that even when there are other people around him that are offering comfort. adrien avoids bothering others with his feelings as much as possible, and putting his arms around his front serves as a replacement for the tender and warm touch he craves. he can also slouch, or put his knees up while sitting, creating a cocoon of sorts to feel safe. we also see him standing with his arms crossed in the rare times he tries to confront someone (his father or ladybug usually). whether he's sad, angry, guilty, disappointed, adrien will try to retreat to safety by forming a shield, so to speak.

there is an indisputable link between body and mind when it comes to trauma. adrien tries to not take much space not only with his physical presence, but by also almost never speaking up in class (unless to defend marinette), trying to be concise when communicating, and rarely making jokes. he's extremely reserved.

one of the scenes between gabriel and adrien that solidifies that adrien is terrified of his father happens in the first episode of season 2, when gabriel forbids adrien from attending school as a punishment for stealing and losing the grimoire. notice how gabriel is speaking with his back turned to his son, insinuating that adrien is not even worthy of being looked in the eyes. at one point he clenches his fist, as if to threaten his son. adrien is sitting on his computer chair with his hands in his lap, only lifting them defensively when he tries to explain himself. gabriel stands directly in front of him, as if shadowing adrien with his anger and contempt.

let's take a look at another episode - 'captain hardrock', in which gabriel and nathalie are listening to adrien play a piano piece. the screenshots in the upper half are from a moment when adrien hits a wrong note - notice the sheer fear and panic in his expression. he is immediately stopped, reprimanded for making a mistake, accused of being irresponsible and influenced by his rock band friends, and he's forbidden from attending his friends' concert. what's interesting about this moment isn't how he once again tries to make himself scarce physically - it's the terrified glance he gives his father when he plays the wrong key. you can just tell that adrien has internalized his father's reproaches and that his disapproving voice lives in his head, even when gabriel isn't there.

and can anyone judge him? take a look at these two screencaptures from 'stormy weather 2'. what happened is that adrien walked into his father's office, bright and enthusiastic, eager to tell him about the interesting idea behind his last photoshoot, and not only did he dare to interrupt gabriel's villainy, but he also accidentally called him 'dad' instead of 'father', as gabriel demands. a dirty look over the shoulder, two clenched fists, and adrien immediately apologizes and retreats.

adrien lives life on the defense. he has a naturally delicate and sensitive personality, which earns only eye rolls and accusations of put-on dramatism (there is also something to be said about how gabriel and adrien's relationship neatly corresponds to male and female gender roles, but that's yet another meta for another day).

notice the scene with ladybug in the image above - a rare time where adrien's trauma body language has bled into chat noir. he's insecure because 'nobody tells [him] how awesome [he] is', and he refuses to look ladybug or alix in the eyes while saying it. adrien is uncomfortable with looking at people during his most vulnerable moments.

'glaciator' is one of the episodes that can serve like a crash course on the way adrien carries himself under stress, this time because he's disappointed and heartbroken that the girl he loves didn't come to his surprise.

when around his father, if there's somebody else around he feels close to, adrien might lean on that other person, in order to feel stronger and braver.

now. not to be a conspiracy theorist about a cartoon or something, but. as miraculous is told from marinette's pov, we don't have a lot of episodes that focus on the agrestes, so we, the audience, often rely on guesswork and speculation. what was the relationship between emilie and gabriel? what was emilie really like? is she really as good as adrien claims, if he was strictly isolated the entire time she was alive? i do think that adrien's life has been mostly unexplored in canon (so far), and that includes his relationship with gabriel. i want to make it as clear as possible - adrien is brave to the point of stupidity, and not just as chat noir. let's not forget that he jumped from the top of a skyscraper, lead only by his faith that ladybug will save him, who, by the way, was busy being captured by gorizilla and screaming for help herself. if that's not crazy, i don't know what is.

adrien is afraid of his father. you don't get a child that so obviously displays trauma symptoms with a few cruel jabs. i very, very strongly feel that we haven't even seen the tip of the iceberg when it comes to gabriel's abuse. look at the screencaptures above from the episode 'simon says'. adrien is familiar with his father's insults, very much so. who else remembers how his father was nowhere to be found when he won a fencing tournament in 'chat blanc', but the day his technique is slipping, his father is waiting at the top of the stairs of the agreste mansion, ready to reprimand adrien? and speaking of 'chat blanc'...

these two moments might be the saddest. we don't know yet if adrien knows the true identity of hawk moth in 'ephemeral'. i'm leaning towards yes, because adrien is so courageous that he had no problems fighting what he assumed to be the real hawk moth with an umbrella in 'the puppeteer 2'.

in both situations, he's being cornered. adrien's moving slowly (hell, he's crawling in 'chat blanc), his face frozen in a mask of pure fear. look at adrien in 'chat blanc' - a boy who has the power to destroy everything he touches is now trying to surrender and is begging with one palm in the air. in both cases, right before getting akumatized by his father, adrien displays the trauma stress response known as 'freeze', instead of 'fight' or 'flight'. he's immobile and passive. a classic adrien line is 'i can't stand by and do nothing!', and yet here he is, thoughts completely shut off, unable to plan a way to get to safety or fight for his self-preservation.

ladybug has said that chat noir is braver than her. he is reckless, for sure. but when it comes to gabriel, adrien retreats to an almost womb-like state physically, instead of the openness and 'world is my oyster' attitude he displays as chat noir. he mistakenly believes that the less space he takes, the less he is heard and seen, and the less he asserts himself as someone with wants and needs, the less angry and disappointed will gabriel be. and that is adrien's biggest mental fallacy, since we're talking about the man who will readily make adrien suffer, only because adrien is getting into his way.

The Zion City Chronicles 1.1

summary:

In a world of super-powered beings, there are those that use their power for the wellbeing of all, as well as for the protection of justice, the heroes, and the ones that use them to enact despicable deeds, the villains.

Zion City has had its fair share of heroes and villains, all of them memorable in their own ways, but their current hero, one that goes by the name of Shadik, is, in all honesty, a disappointment.

Shadik, scorned by all, must protect Zion City with the help of her new, inexperienced partner while rebuilding her reputation, but something is brewing in Zion City’s shadows. Something evil.

Something that will bring everyone in Zion City down if they get in the way to its goal.

______

"GIVE ME THAT." She growled, her blazing eyes hidden by the sweat-damp bangs hanging in front of her face, as she tried to snatch the alcoholic beverage from the suited man in front of her.

"Shadik," he called, "it is in your best interest to hold your tongue and sit down."

The man, a handsome lad in his thirties, pointed towards the couch just behind the spandex covered individual called Shadik.

"JUST GIVE ME THE FUCKING VODKA." The distraught woman cried, her fingers curling into her hand as a bright purple light started to grow in her palm.

The man didn't move an inch, not surprised by the power the infuriated female was displaying, and simply gave the glass bottle to one of his many subordinates, who threw it out of the apartment's window.

"NO!" Shadik yelled, running up to the window just to see the shards of the bottle scattered in the ground seven stories below. She pulled on her black hair and turned towards the man. "WHY DID YOU DO THAT? THAT BOTTLE WAS MINE! YOU HAD NO RIGHT TO THROW AWAY SOMETHING THAT BELONGS TO ME!."

The man more commonly known as the Chancellor stared impassively at the raging female before bluntly establishing that "You are forgetting your place Shadik. We are upholders of law and justice, and not even your involvement with our organization will be a sufficient excuse for breaking the law regarding underage drinking."

"I AM NOT DRINKING UNDERAGE! I AM OF LEGAL DRINKING AGE IN GERMANY AND-"

"You are only eighteen, Shadik. Therefore, you must not drink until you turn twenty-one years old and I am not going to give you leeway to break the law just because you are in a mood."

Shadik growled. "So, you won't let me drink, but you will break the law to keep me in your employ? That's underage labour!"

A shadow crossed the Chancellor's perfectly shaven face, and with a glance at the many superheroes standing in the apartment's large living room, ordered them to grab the rebellious teenager.

The fight between the superheroes and Shadik was short-lived, and soon Shadik found herself restrained by all of them and forced to hear the Chancellor speak uninterrupted.

"You are erratic, Shadik. You are destroying the city more than you are saving it and have failed countless times to either catch the villains or protect the civilians."

"We've been lenient to you given your family history but this behaviour must stop, Shadik. As of now, you are deemed unfit to be the sole protector of the city."

Shadik's grey eyes widened at the implications behind said statement, and a burning blush appeared on her grime-covered cheeks as the Chancellor bluntly discredited her work in the city.

"You are to be assigned a partner, a co-hero if you must. You are required to provide housing but the League will cover all their living expenses."

The rest of the powered people in the room gasped. It was unheard of for a hero to be partnered with another hero for long term situations, and tarnished Zion City's reputation not only in the super-powered world but in the civilian one.

The Zion City people would not be kind to this new, unfortunate hero, not when they already had one, as incompetent as they considered Shadik to be.

"Your partner will be here in a week. In the meanwhile, whenever you receive a crime alert, it will be redirected to one of the available heroes to deal with. You must not engage until your partner has arrived "

Shadik's blood boiled, she was not useless! The Chancellor was stabbing at her already wounded pride with a red hot pole just by degrading her this way in front of a quarter of the League's heroes, but giving her a partner and announcing it?

That was the worst thing he could've ever done to her.

With a wave of the Chancellor's hand, the rest of the heroes released Shadik, who remained speechless at the revelations, and left the apartment with nothing but pitying stares directed at the unfortunate host.

The Chancellor stood from his seat in the leather armchair and stalked towards the shocked teenager. He laid a hand on her shoulder and looked directly into her dull grey eyes.

"You are no Zion, Shadik. Don't try to be something you can't be."

These were the Chancellor's last words before he left Shadik's apartment, silently shutting the door after him.

––––––––––––––––––––––––––––––----------

(Next)

Ache

When all the world sleeps, and stars sing in that inky sea, Do you find that your heart aches? Does it yearn? Do you reach out and grasp, As if to another, A beg unknown ready to tumble from your lips? Forgive me. Don’t leave me. Don’t be like the others. Stay here. Love me. Help me. Does your heart race, Your hands tremble, Pain festering in your eyes, Noiseless pleading on your lips? Is it from the desperation of someone long forgotten? From departing from a normality until it became foreign? Or a need to ask from the future with someone else? Friend, Lover, Family, It doesn’t matter. Solitude is not the worse thing in the world, There is a gift in it. No, Solitude is not the thing that claws at our throats, Makes beings beg into the night. Loneliness. Loneliness is what drives beings to madness, Drives us mad and carves out every vulnerability one has, Makes us tremble with the fear of being unloved. Darkening thoughts, Festering the minds with doubt, Leaves us gasping and trembling in the dark, Scorching lines of sadness down trembling cheeks. Do not listen to it’s lies, Do not believe the sinful words, The aching doubt, Do not listen as it tells you the lies of your self worth, Do not believe it when it calls you a Nothing, An Unloved, One who deserves nothing in this precious world. You are one of imperfection, A beautiful amalgamation of a uniqueness, Something formed over time to be what you need. Perfection is never the goal, There is no such thing, You do not go to a bended tree and call it imperfect. So too must you think the same. The aching will remain, For something unknown, Or something wanted, Coveted, But time will help ease the weight, For you can begin anew each moment. You cannot change the past, But you can change the future. - Moni

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4 years ago

Essays

Here’s a (non-exhaustive) list of essays I like/find interesting/are food for thought; I’ve tried to sort them as much as possible. The starred (*) ones are those I especially love

also quick note: some of these links, especially the ones that are from books/anthologies redirect you to libgen or scihub, and if that doesn’t work for you, do message me; I’d be happy to send them across!

Literature + Writing

Godot Comes to Sarajevo - Susan Sontag

The Strangeness of Grief - V. S. Naipaul*

Memories of V. S. Naipaul - Paul Theroux*

A Rainy Day with Ruskin Bond - Mayank Austen Soofi

How Albert Camus Faced History - Adam Gopnik

Listen, Bro - Jo Livingstone

Rachel Cusk Gut-Renovates the Novel - Judith Thurman

Lost in Translation: What the First Line of “The Stranger” Should Be - Ryan Bloom

The Duke in His Domain - Truman Capote*

The Cult of Donna Tartt: Themes and Strategies in The Secret History - Ana Rita Catalão Guedes

Never Do That to a Book - Anne Fadiman*

Affecting Anger: Ideologies of Community Mobilisation in Early Hindi Novel - Rohan Chauhan*

Why I Write - George Orwell*

Rimbaud and Patti Smith: Style as Social Deviance - Carrie Jaurès Noland*

Art + Photography (+ Aesthetics)

Looking at War - Susan Sontag*

Love, sex, art, and death - Nan Goldin, David Wojnarowicz

Lyons, Szarkowski, and the Perception of Photography - Anne Wilkes Tucker

The Feminist Critique of Art History - Thalia Gouma-Peterson, Patricia Mathews

In Plato’s Cave - Susan Sontag*

On reproduction of art (Chapter 1, Ways of Seeing) - John Berger*

On nudity and women in art (Chapter 3, Ways of Seeing) - John Berger*

Kalighat Paintings - Sharmishtha Chaudhuri

Daydreams and Fragments: On How We Retrieve Images From the Past - Maël Renouard

Arthur Rimbaud: the Aesthetics of Intoxication - Enid Rhodes Peschel

Cities

Tragic Fable of Mumbai Mills - Gyan Prakash

Whose Bandra is it? - Dustin Silgardo*

Timur’s Registan: noblest public square in the world? - Srinath Perur

The first Starbucks coffee shop, Seattle - Colin Marshall*

Chhatrapati Shivaji Terminus, Mumbai’s iconic railway station - Srinath Perur

From London to Mumbai and Back Again: Gentrification and Public Policy in Comparative Perspective - Andrew Harris

The Limits of “White Town” in Colonial Calcutta - Swati Chattopadhyay

The Metropolis and Mental Life - Georg Simmel

Colonial Policy and the Culture of Immigration: Citing the Social History of Varanasi - Vinod Kumar, Shiv Narayan

A Caribbean Creole Capital: Kingston, Jamaica - Coln G. Clarke (from Colonial Cities by Robert Ross, Gerard J. Telkamp

The Colonial City and the Post-Colonial World - G. A. de Bruijne

The Nowhere City - Amos Elon*

The Vertical Flâneur: Narratorial Tradecraft in the Colonial Metropolis - Paul K. Saint-Amour

Philosophy

The trolley problem problem - James Wilson

A Brief History of Death - Nir Baram

Justice as Fairness: Political not Metaphysical - John Rawls*

Should Marxists be Interested in Exploitation? - John E. Roemer

The Discomfort You’re Feeling is Grief - Scott Berinato*

The Pandemic and the Crisis of Faith - Makarand Paranjape

If God Is Dead, Your Time is Everything - James Wood

Giving Up on God - Ronald Inglehart

The Limits of Consensual Decision - Douglas Rae*

The Science of “Muddling Through” - Charles Lindblom*

History

The Gruesome History of Eating Corpses as Medicine - Maria Dolan

The History of Loneliness - Jill Lepore*

From Tuskegee to Togo: the Problem of Freedom in the Empire of Cotton - Sven Beckert*

Time, Work-Discipline, and Industrial Capitalism - E. P. Thompson*

All By Myself - Martha Bailey*

The Geographical Pivot of History - H. J. Mackinder

The sea/ocean

Rim of Life - Manu Pillai

Exploring the Indian Ocean as a rich archive of history – above and below the water line - Isabel Hofmeyr, Charne Lavery

‘Piracy’, connectivity and seaborne power in the Middle Ages - Nikolas Jaspert (from The Sea in History)*

The Vikings and their age - Nils Blomkvist (from The Sea in History)*

Mercantile Networks, Port Cities, and “Pirate” States - Roxani Eleni Margariti

Phantom Peril in the Arctic - Robert David English, Morgan Grant Gardner*

Assorted ones on India

A departure from history: Kashmiri Pandits, 1990-2001 - Alexander Evans *

Writing Post-Orientalist Histories of the Third World - Gyan Prakash

Empire: How Colonial India Made Modern Britain - Aditya Mukherjee

Feminism and Nationalism in India, 1917-1947 - Aparna Basu

The Epic Riddle of Dating Ramayana, Mahabharata - Sunaina Kumar*

Caste and Politics: Identity Over System - Dipankar Gupta

Our worldview is Delhi based*

Sports (you’ll have to excuse the fact that it’s only cricket but what can i say, i’m indian)

‘Massa Day Done:’ Cricket as a Catalyst for West Indian Independence: 1950-1962 - John Newman*

Playing for power? rugby, Afrikaner nationalism and masculinity in South Africa, c.1900–70 - Albert Grundlingh

When Cricket Was a Symbol, Not Just a Sport - Baz Dreisinger

Cricket, caste, community, colonialism: the politics of a great game - Ramachandra Guha*

Cricket and Politics in Colonial India - Ramchandra Guha

MS Dhoni: A quiet radical who did it his way*

Music

Brega: Music and Conflict in Urban Brazil - Samuel M. Araújo

Color, Music and Conflict: A Study of Aggression in Trinidad with Reference to the Role of Traditional Music - J. D. Elder

The 1975 - ‘Notes On a Conditional Form’ review - Dan Stubbs*

Life Without Live - Rob Sheffield*

How Britney Spears Changed Pop - Rob Sheffield

Concert for Bangladesh

From “Help!” to “Helping out a Friend”: Imagining South Asia through the Beatles and the Concert for Bangladesh - Samantha Christiansen

Gender

Clothing Behaviour as Non-verbal Resistance - Diana Crane

The Normalisation of Queer Theory - David M. Halperin

Menstruation and the Holocaust - Jo-Ann Owusu*

Women’s Suffrage the Democratic Peace - Allan Dafoe

Pink and Blue: Coloring Inside the Lines of Gender - Catherine Zuckerman*

Women’s health concerns are dismissed more, studied less - Zoanne Clack

Food

How Food-Obsessed Millennials Shape the Future of Food - Rachel A. Becker (as a non-food obsessed somewhat-millennial, this was interesting)

Colonialism’s effect on how and what we eat - Coral Lee

Tracing Europe’s influence on India’s culinary heritage - Ruth Dsouza Prabhu

Chicken Kiev: the world’s most contested ready-meal*

From Russia with mayo: the story of a Soviet super-salad*

The Politics of Pancakes - Taylor Aucoin*

How Doughnuts Fuelled the American Dream*

Pav from the Nau

A Short History of the Vada Pav - Saira Menezes

Fantasy (mostly just harry potter and lord of the rings)

Purebloods and Mudbloods: Race, Species, and Power (from The Politics of Harry Potter)

Azkaban: Discipline, Punishment, and Human Rights (from The Politics of Harry Potter)*

Good and Evil in J. R. R. Tolkien’s Lengendarium - Jyrki Korpua

The Fairy Story: J. R. R. Tolkien and C. S. Lewis - Colin Duriez (from Tree of Tales)*

Tolkien’s Augustinian Understanding of Good and Evil: Why The Lord of the Rings Is Not Manichean - Ralph Wood (from Tree of Tales)*

Travel

The Hidden Cost of Wildlife Tourism

Chronicles of a Writer’s 1950s Road Trip Across France - Kathleen Phelan

On the Early Women Pioneers of Trail Hiking - Gwenyth Loose

On the Mythologies of the Himalaya Mountains - Ed Douglas*

More random assorted ones

The cosmos from the wheelchair (The Economist obituaries)*

In El Salvador - Joan Didion

Scientists are unravelling the mystery of pain - Yudhijit Banerjee

Notes on Nationalism - George Orwell

Politics and the English Language - George Orwell*

What Do the Humanities Do in a Crisis? - Agnes Callard*

The Politics of Joker - Kyle Smith

Sushant Singh Rajput: The outsider - Uday Bhatia*

Credibility and Mystery - John Berger

happy reading :)

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viennaofthenight

words with 2 cups of glitter, a dash of existencial angst and 3 tablespoons of romantization. hopeless romantic, art hoe, pretentious ice cream addict and swiftie.

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Adrien Agreste & The Body Language Of Abuse