I Felt An Overwhelming Sense Of Love. I'd Never Felt Happier. I Know I Can't Go Through Life Expecting

i realistically don't care about fics or whatever, people r gonna have problematic faves. i'm literally a lestat luvr. what bothers me is this, the braindead justifications people r gonna make instead of just... yeah... he was also racist. just a different brand of it. hes ugly too but thats besides the point

it really frustrates me to think about how people are inevitably going to take Remmick’s one (1) singular statement about how much he resents the way the Irish were colonized and forcibly converted to Christianity and use it as fuel for “actually he had a point” and “he was right actually” and “he’s not really the villain here” posts, when the whole point is that Remmick is, through the vampiric hive mind he’s creating, forcibly assimilating people into yet another manipulative and parasitical system.

he’s perpetuating a cycle that he claims to hate and resent, and I think the movie is pretty damn clear about the fact that he doesn’t see anybody as valuable or useful to him except as prey and as pawns—otherwise he would just, you know, focus solely on people who actually consent to being turned. but he looked sad in that one scene and he’s an apparently attractive white cis man so people are gonna bend over backwards justifying all the harm he did.

everything just really comes down to how I wasn't a person for most of my life. by which I mean I did not consider myself a person. it made such a profound impact on the way I navigated the world & yet standing on the other side of it I could hardly explain it to you

"Lestat looked up at me now with his large, agonized eyes and his smooth, ageless face. 'But you'll come back… you'll come to visit me… Louis?' he said. Interview with the Vampire (2022) | Sam Reid as Lestat de Lioncourt Anne Rice's Interview with the Vampire (1976) & The Vampire Lestat (1985)

saw a theory that the SmokeStack twins were posing as one man in Chicago, which helped them get away with stealing from both sides. i'm poised to believe that because visually their clothing was very clearly of the two mobs. smoke was full irish— tweed, bowler hat. while stack had the full mafia look. yk italian leather shoes, fedora etc etc . like the details!!

just computer problems

bonus of cassie and bart gossiping exchanging information about tim and kon

tim and kon made up just so they'll stop btw

One of my favorite aspects of Sinners how they use the musical scenes to build tension. Because they start out small, with just Sammy and Stack in the car, then the performance with Slim at the train station, and then working up to the scenes in the barn.

The first juke sequence is the most visually stunning, of course. It's chaotic but overwhelmingly positive, beautiful, and joyous. When we move to Pearline's song, things start to darken. The thumping stomps are timed with the twins beating the man with the loaded dice. We've already seen violence in the film, but this is a steep escalation intentionally set to music.

Then, we think the tension is going down when the ******** show up (no spoilers 🤫), but they are so immediately unsettling that we never feel at ease. Their music is sweet and their voices are soothing, but it's a front, one that fractures pretty quick but shatters completely with the Rocky Road to Dublin.

Rocky Road is a perversion of the first juke scene, twisting the joyful chaotic energy of the dance into a masterfully disturbing parody, where the full evil and madness (and twisting of spirituality) of the ******** is put on display.

It's just such a good way to build the narrative. I love love love how serious they were about making music the keystone of every filming decision.

Sinners studies in heavypaint

going up to a character i enjoy and being like "i'd like to award you the highest honour i can bestow" and the honours in question are like. bad at sex. undiagnosable mental anguish. loser's temperament. actual body horror shit. nicotine addiction.

SINNERS 2025, dir. Ryan Coogler