please, like or reblog ♡ (© boureals)
besira and daisy
autors note : did this to absolutly crush u sensible tma fans
-daisy is crying but only from one eye (only one part of herself is still herself enough to be in pain )
-they have the same eye colour (the hunt has them both)
-they both have matching mouth scars ,likly from eachother, symbol for their hurtful relationship, but also of their close bond in that pain.
-besira is still holding on close even tho she already has bite marks on her hands
-they are not looking at eachother
-besiera's headscraf is white like daisy's teeth (white being a colour closly associated with innocence) : to eachother , they are good people.
cryed while drawing this ;-;
Reblog to put one of these in your mutuals’ pocket when they’re not looking
Look at the sky
Its looking back 👁
Obligatory mag160 fanart because its simply iconic 😮💨 my wrist really hurts after drawing this, oops I drew it in one sitting! 🫠
back to the horse course!
also on the etsy store. They’re really neat. https://www.etsy.com/shop/PetricoreCrafts?
"I thought you might be lost." is one of the most delightfully romantic things Jon ever says to Martin.
It's so devoid of blame, of derision. A truly neutral statement, soft, no touch of sarcasm, no hint of cruelty. A gentle hand reached out to pull him from the depths of the lonely.
Such an unusual phrase for Jon, especially at that time. There's no definitives, it's entirely open to correction, open to being wrong. 'I thought' not I knew. It comes from Jon's perspective, he holds himself out to rejection, something that's hard to do at the best of times.
'you might be lost', not you were, not you are. He respects that this may well have been a conscious choice, that Martin really could have chosen to abandon him, preferring the lonely to the lack of certainty in their relationship. But it retains the softness and love, the worry and care. He was worried that Martin might not be able to find his way back, but not willing to drag him out of a place he might have chosen to be.
And that's not even mentioning the softness with which he says it. In an intense moment of great urgency and importance he's able to drop his fear, stress, and anger, in an attempt to reach the man he loves.
It's such an elegant moment of love; in a second Jon is willing to let go of the gravity of the situation and put all of his being into connecting with Martin, and when it comes down to it, it works.