Latest Posts by swords-and-storms - Page 6

hi here’s a cool bird I betcha didn’t know existed, ✨the wallcreeper✨

it literally looks like a monarch butterfly it’s so cute

This month's #BirdWhisperer was the common pigeon!

reference by Kuanish Sarsenov

my beloved hobie

I HATE THE AM⏰💥I HATE THE PM🇬🇧💥

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🎸 PRINTS 🎸

bro i luv spider-punk but i specifically wanna talk about his hair

he. has. wicks!!!

the origin of wick dreadlocks is florida usa, and are named due to the resemblance to a "candle wick" because of how they stick straight up and/or out!

now, wicks have a bad reputation even within the loc community.

its already known that like if you got dreads, generally, ppl think u are unkempt, and dirty, and things of that nature, but there is even more discrimination against wicks its unreal. like legit yall i cant even begin to explain the nasty shit ppl say about them because i will be sad.

its kinda just considered the "crazy Florida man hairstyle". and a lot of the hate is due to the fact that wicks, appear "unkempt" or things of that nature

there has been a lot of texturism in the loc community which has brought with it the idea that dreads need to be retwisted to be "properly" taken care of, and need to be flat on your head and all these other things that often bring with it the need to hide your natural hair. i get unsolicited advice on my hair all the time telling me "i need a retwist" because of the belief that black hair needs to be all tidy and stuff to be respected.

but the thing is, dreads aren't meant to be all neat and tidy all the time y'know. its black hair in one of its most natural forms. and who better to showcase that than hobie brown, spider punk?

wicks kinda go against everything that dreads are "supposed" to be and "supposed" to look like.

i just love everything about this movie but i especially wanted to like talk about this hair choice. hair most def has meaning, especially black hair, so i think this was a really cool and fitting design choice for his character and everything he represents.

(i did my best to like articulate my thoughts but hopefully this makes at least a bit a sense)

Hobie should have a little old lady who adores him

favouritism.

Hi April!

I have some of questions about the public-facing transcripts of Magnus Protocol.

They have a very “shooting script” vibe. Are these the same as what’s given to the cast, a very close derivative, or something else?

If they aren’t what’s given to the cast, when in the process do they get made?

A weird copyediting question: What drove the change from the monospaced font (I think Courier New) to the bolder sans serif font? And is there a reason the headers and footers are the old style?

An esoteric “my masters is in rhetoric” question: The scripts contain quite a bit of content that isn’t in the audio. In the other hand, I hear that The Magnus Protocol is a podcast. Are you able to talk about your personal opinion on their relationship to the text? I’m not asking for an answer on authorial intent or the “on high” answer, but I’m curious how various people involved in making Protocol think of them. (As an example, I’ve been thinking of them, to go back to the as “apocrypha”; I think of them as true, but also not as part of the text, if that makes sense. More like annotations or marginalia.)

Anyway, welcome to the public Tumblr stuff! It’s cool to have you here.

Oooooh very happy to answer this, mostly because I think it’s a neat example of how we work as a team.

The short answer is yes the transcripts are derivative of the shooting scripts but they aren’t the same.

Alex and Cathy are both very sensitive audiophiles who have worked together to make those layers and layers of interesting audio bits some people catch but others don’t (the lie glitches are an example as well as the whispers in episode 10) Conversely, I have mild progressive hearing loss and handle the transcription.

As I am also the producer, I know all of the plot points, beats, and important bits that need to be communicated for the story to work. I use the shooting script as a guide and listen to the final release audio along with the shooting script and make edits as I go. Sometimes different takes are used, sometimes audio cues change etc. I also try to obfuscate information that’s not yet revealed in the timeline.

I will admit I don’t catch everything, and definitely make mistakes, but ideally the transcripts are designed in such a way as to make sure people who may not be as keyed in to the highly detailed audio execution can get a similar experience by reading the transcript. I have such respect for Cathy for the work she puts in artistically, we want to make sure people know what they’re hearing.

Our audio team are exceptional in such a way that they are constantly trying to balance creative narrative with accessibility. You can get all of the information in the audio, but we recognize that’s difficult and we are often people’s first experience in audio drama, so we balance it with the extra information in the transcripts.

The layout and design of the transcript was influenced by external guidance for the visually impaired who recommend 14 point bold Ariel as the most readable. We also release Word versions so people can use dark mode or adjust font size and style if needed. Accessibility is different for everyone, we do our best to make sure we have options available.

—

For amusing behind the scenes mistakes I know I have made:

People may have remembered the old pilot had ‘Norris’ labeled as ‘Martin’ this was because we changed Norris’s name so many times I didn’t know what to call him and accidentally forgot to change the Martin placeholder. 😬

So yea. I’m not perfect and nor are the transcripts but we try our best.

Been a really long time since I've watched Daredevil but I do remember coming away from it feeling like it presented a pretty compelling internally-consistent moral justification for the vigilante thing. You're not planet-crackingly powerful, it's just that you can hear, in detail, every awful thing your neighbors are doing to each other, every night that they're doing it. You can't not know and you can't pretend not to know and when the kid tells you the next day that he just fell down the stairs you can't fall back on the provided ambiguity to absolve yourself of your responsibility to act. Semi-relatedly, you're really really good at martial arts. Start the clock

I got my magnus archives dice set a few weeks ago and have been endlessly pondering some of the symbols on the big fears die. I heard that you were the one who designed the symbols, could we perhaps get a walkthrough of which symbols represent which fears? Just for some clarification :D

Oh fun! Happy to share.

So, I had to do these symbols in a way that was large and bold enough to be on a die, but distinct enough to identify. This sheet shows what’s what:

The above image has 3 columns and 5 rows with icons for the 15 fears. (Some are more thoughtful than others)

Row 1 - in the upper left is Extinction, shown as a robotic hand with a radioactive symbol on the palm. This is inspired by a combination of human and technology creating toxicity around them. To the right of Extinction is Stranger, shown as offset theater masks for the duplicity and carnival-vibe. In the upper right is the Web shown as a cobweb.

Row 2 - left is the End, shown a la a skull with a triangle cleaved in the center. I originally wanted to do something with tendrils out of it but it wasn’t clear enough to render right. The triangle is an artistic render of the death hazard. To the right of the End is the Vast shown as a triangle with a lighting bolt. This one was a little difficult as I wasn’t sure how to express Vast in a small space. So the lighting is supposed to evoke a dangerous sky, in a V made to form a triangle. Right on row 2 is the Spiral, shown as.. well, a spiral.

Row 3 - left is Desolation, a small flame engulfed in a larger flame, spreading. To its right is the Hunt which I originally had as a crosshairs target but Alex suggested going more primal, so we settled on teeth (I’m pretty happy with them) right on row 3 is the lonely, shown as a lighthouse.

Row 4 - left is the Dark with the classic closed eye in a filled circle. To the right of the Dark is the Corruption which is weirdly my favorite. It’s a bee but with a head with several growths. It’s a bit more abstract I guess but I was thinking of The Last of Us and the fungal zombification . The growths on the head are meant to be reaching out continuously in the hive mind. The right on row 4 is the buried, the shape inside is supposed to evoke closing in and down, collapsing

Row 5 - right is the slaughter, with a knife on a drum. I don’t know if I have to explain that. I wanted to do two knife drumsticks but they wouldn’t render on dice well. Center bottom is the Flesh shown as an anatomical heart with veins around it. This was another on I didn’t know what to do with at first and just drew a steak lol then Alex suggested a heart and it just made more sense. I think of it as the duality of Flesh as a visceral fear, but also an emotional one. The bottom right is an eye! Because… eyes.

There is also a rendered version of the web cassette on the set (not pictured)

I hope that helps and is interesting! And if you want a Magnus Dice set with the 15 fears I designed, check it out here: https://thedicedungeon.co.uk/products/themagnusarchives

The Dice Dungeon

The Magnus Archives - The Entities Limited Edition Dice Set

The Magnus Institute, London. An organisation dedicated to studying the esoteric and the weird. The Institute and its employees take care of

Charlie Cox as Daredevil in Your Friendly Neighborhood Spiderman

extremely interesting last sentence

god, please. reveal me the truth.

i need god to give me strength.

why does god seem so quiet to my petition.

prints + merch + c0mmission info pinned to profile :)

req'd by @dierotenixe

*elias bouchard sounds in the distance

text: This is not a pipe

There’s a regular at the fabric superstore. She’s at least 80 years old, and she just got back into sewing after giving it up for 40 years. We’ll call her Irma.

I love Irma.

Irma is constantly surprised by the newfangled sewing gadgets our store sells. Today she bought some extra-fine glass-head pins and a magnetic pincushion. As I’m ringing her purchases up, she tells me very seriously, “did you know, if you’re careful, you can sew RIGHT OVER those pins? You don’t need to take them out!”

I told her that I liked that you can’t accidentally melt the head of the glass pins with your iron, and she nodded. “They used to all be like that, but times changed.”

I love old sewing machines and asked what kind of machine she has, and she goes, “Oh, it’s an old Singer Featherweight that my husband bought me when we were first married. It’s probably not worth anything anymore, but the thing sews fine. Have you seen the ones those girls over there–” indicating the sewing machine sub-store in my location “–have? Those things go in every direction and the needle always comes to the top when you stop sewing! Imagine how handy that is!”

I mention that I used to sew on my grandmother’s Featherweight but now there’s a intra-family war about who owns Grandma’s Featherweight and so no one gets to use it. It’s genuinely the best portable straight-stitch machine I’ve ever used.

I warn her to never let anyone tell her that Featherweight isn’t worth something. “I know, I miss my husband and it’s always going to have a place in my heart, just like your grandma’s.”

“I mean, Irma, there’s that, but they’re also worth a really notable amount of money. The Singer Featherweight is really financially valuable. I almost never see them for sale around here for less than about $400, and that’s in bad condition.”

“It’s a good thing my husband’s dead, honey, because if you told him that he managed to buy a sewing machine that’s worth more in 2021 than he bought it for in 1950, well, he’d be so smug that I just wouldn’t be able to tolerate driving home with him.”

RIP Joann, now what?

I wanted to make a post I could copy and paste and or link when I see folks asking where to buy fabrics when Joann is gone. I sew a lot, generally between 100-200 items a year and I don't do it on a big budget. Stores are not in a particular order.

Notions:

Wawak.com - start here, mostly stay here. Wawak is a supplier for professional sewing businesses and have the prices that show it. I will not pay for gutermann Mara 100 anywhere else. I buy buttons, tools, thread, and most elastic here.

Stitch Love Studio - this is where I buy lingerie supplies https://www.etsy.com/shop/StitchLoveStudio?ref=yr_purchases

Fabric:

Fabric Mart - this is one where you want to sign up for emails and never buy unless its on sale. They run different sales every day and they rotate. Mostly deadstock fabrics but I buy more from here than anywhere else. Fantastic customer service and if you watch you can get things like $6 wool suiting or $4 cotton jersey. https://fabricmartfabrics.com/

Fabrics-Store - again, buy the sales not the full price. Sign up for the emails but redirect them to a folder because it is TOO MANY. They stock linen or good but not amazing quality. https://www.fabrics-store.com/

Purple Seamstress - This is where I buy my solid cotton lycra jersey. They have other things, but the jersey is what I'm here for. Inexpensive and very good quality. If you ask she will mail you a swatch card for the solids. https://purpleseamstressfabric.com/

LA Finch - deadstock fabrics with a fantastic remnant selection https://lafinchfabrics.myshopify.com/

Califabrics - mix of deadstock and big brands, easy to navigate and always seem to have good denim in stock. https://califabrics.com/

Boho Fabrics - good variety, nice bundles. I have also gotten some really great trims from here. https://www.bohofabrics.com/

Firecracker Fabrics - garment and quilting fabrics, really nice selection and great sale section. I've bought $5 yard quilting cottons here several times. https://www.firecrackerfabrics.com/

Hancock's of Paducah - Quilting fabric and some limited garment fabric. AMAZING sale section. Do not sleep on the sale section. This is my first stop when buying quilting fabrics. Usually the last stop too. Not particularly speedy shipping. https://www.hancocks-paducah.com/

Itokri - This is something a little different. Itokri is an Indian business with incredible traditional fabrics. Shipping to the US is expensive, but the fabric is so inexpensive it evens out. I generally end up paying like $30 for shipping. Beautiful ikat and block prints. https://itokri.com/

Miss Matatabi - this is a little treat. This isn't where you go to save money, but there are so many beautiful things in this shop. Ships from Japan incredibly quickly. https://shop.missmatatabi.com/

Lucky Deluxe - Craft thrift store, always has an incredible selection and fantastic customer service. I need to close the tab fast because I never go to this website without finding something I need. https://www.luckydeluxefabrics.com/

Swanson's - the OG of online craft thrift stores, but I find their website harder to navigate. https://www.swansonsfabrics.com

Honorary Mentions: I haven't shopped at these places yet but I have had them recommended and likely will at some point.

A Thrifty Notion - https://athriftynotion.com/

Creative Closeouts - https://creativecloseoutsfabric.com/ being rebranded to sewsnip.com on March 1 - quilting deadstock

Hawthorne Supply Co. - I just got this rec and I think I need to not look too closely or I'm going to slip with my debit card. https://www.hawthornesupplyco.com/

This is not an exhaustive list of everywhere you can buy fabric, or even a full list of where I shop. There are SO many options out there in the world. You also need to think outside the fabric store box. I thrift men's shirt fabrics for quilts and sheets for backing fabric. I don't do a ton of in person thrifting and my local stores don't get a lot of craft materials but every thrift store is its own universe and reflects the community it is in. Go out and find something cool.

Oh and final note: Don't shop at Hobby Lobby.