Look At This Gorgeous Gorgeous Gorgeous Bust Of Joan Of Arc I Found At The Art Institute

jonathan young E debut + kyle adams R pining

🎥 @medium-observation

Details: Vanitas, 1645, by Cagnacci Guido (1601-1682).

RED IN FILM.

red can be associated with energy, war, danger, strength, power, determination as well as passion, desire, and love. it attracts attention more than any other color, at times signifying danger.

this is going to have me on my hands and knees dry heaving

In Hell there grew a Judas Tree

Where Judas hanged and died

Because he could not bear to see

His master crucified

Our Lord descended into Hell

And found his Judas there

For ever hanging on the tree

Grown from his own despair

So Jesus cut his Judas down

And took him in his arms

“It was for this I came” he said

“And not to do you harm

My Father gave me twelve good men

And all of them I kept

Though one betrayed and one denied

Some fled and others slept

In three days’ time I must return

To make the others glad

But first I had to come to Hell

And share the death you had

My tree will grow in place of yours

Its roots lie here as well

There is no final victory

Without this soul from Hell”

So when we all condemned him

As of every traitor worst

Remember that of all his men

Our Lord forgave him first

- The Judas Tree, D. Ruth Etchells

The Vision of Hell by Dante Alighieri, illustrated by Gustav Dore, 1892

night & day

Hunger is obviously a major theme in Hannibal—it’s literally the cannibal show—but the difference in how that’s portrayed with Hannigram is intriguing.

Hannibal was starving for connection before he had Will, and then everything changed for him. As Bedelia tells Will, “Did he daily feel a stab of hunger, and find nourishment at the very sight of you? Yes.” Hannibal’s hunger is sated by so much as the sight of Will. A mere look at him is enough to satisfy him.

But Will is different. Rather than being sated by his connection with Hannibal, it is the very thing that makes him hungry. There’s a frame in the Italy chapter that makes it look like he’s trapped in a starvation cage. In the script for his sailing scene, he’s literally described to look hungry:

Both Hannibal and Will have a possessive, obsessive, all-consuming love for one another, but it affects them quite differently. Hannibal is nourished by the very sight of Will, but for Will, no amount of the profound attention he experiences from Hannibal can fully sate his hunger—it’s a high he can’t help but chase. It fuels his pathological need to return to Hannibal again and again, no matter how self-destructive it is. I think this is why Will is more outwardly possessive of Hannibal than Hannibal is of Will. Hannibal wants Will to be his; Will wants Hannibal to be no one else’s. Both forms of possession, but Will’s is more jealous because of the way he experiences Hannibal’s attention. It’s a high, it’s a hunger—it’s a need, not a want.

literature:  —  dorian gray  { the picture of dorian gray, oscar wilde }

“Life has everything in store for you, Dorian. There is nothing that you, with your extraordinary good looks, will not be able to do.”

“But suppose, Harry, I became haggard, and old, and wrinkled? What then?”

The full moon during a “blood moon” eclipse beside a statue of the ancient Greek goddess Hera in central Athens on July 27, 2018.

Image: Aris Messinis / AFP

(Facebook: Greek-Roman Gods & More)

Dostoevsky Moodboard Challenge ( 11 / infinite ) : Demons

Character Aesthetic: Pyotr Stepanovich Verkhovensky

“Listen. I’ve seen a child of six years old leading home his drunken mother, whilst she swore at him with foul words. Do you suppose I am glad of that? When it’s in our hands, maybe we’ll mend things… if need be, we’ll drive them for forty years into the wilderness…. But one or two generations of vice are essential now; monstrous, abject vice by which a man is transformed into a loathsome, cruel, egoistic reptile. That’s what we need! And what’s more, a little ‘fresh blood’ that we may get accustomed to it. Why are you laughing? I am not contradicting myself. I am only contradicting the philanthropists and Shigalovism, not myself! I am a scoundrel, not a socialist. Ha ha ha! I’m only sorry there’s no time. I promised Karmazinov to begin in May, and to make an end by October. Is that too soon? Ha ha! Do you know what, Stavrogin? Though the Russian people use foul language, there’s nothing cynical about them so far. Do you know the serfs had more self-respect than Karmazinov? Though they were beaten they always preserved their gods, which is more than Karmazinov’s done.”

“Well, Verhovensky, this is the first time I’ve heard you talk, and I listen with amazement,” observed Stavrogin. “So you are really not a socialist, then, but some sort of… ambitious politician?”

“A scoundrel, a scoundrel! You are wondering what I am. I’ll tell you what I am directly, that’s what I am leading up to. It was not for nothing that I kissed your hand. But the people-must believe that we know what we are after, while the other side do nothing but 'brandish their cudgels and beat their own followers.’ Ah, if we only had more time! That’s the only trouble, we have no time. We will proclaim destruction….. Why is it, why is it that idea has such a fascination. But we must have a little exercise; we must. We’ll set fires going…. We’ll set legends going. Every scurvy 'group’ will be of use. Out of those very groups I’ll pick you out fellows so keen they’ll not shrink from shooting, and be grateful for the honour of a job, too. Well, and there will be an upheaval! There’s going to be such an upset as the world has never seen before…. Russia will be overwhelmed with darkness, the earth will weep for its old gods….. ”

Translated by Constance Garnett