my favorite part of sneaking into don corneos sex mansion is that tifa and aerith look like they're on their way to the grammys and cloud looks like a victorian prostitute
Sephiroth print avaliable : https://www.inprnt.com/gallery/lukrevadraws/
There are a lot of moving pieces to Final Fantasy 7–something that has historically contributed to its infamous reputation of being confusing. But one consistent thematic pattern that FF7 utilizes is duality. Life and death. Meetings and partings. Loneliness and togetherness. Many of the main themes presented in FF7 fall into this same format. Even the characters can be considered dualities in and of themselves. One of the most obvious dualities in the game is that of Aerith and Sephiroth. However, in varying degrees, all of the main characters are in some way antithetical to Sephiroth.
Like in many other classic hero vs. villain tales, you’d think that Cloud is the perfect foil to Sephiroth–after all, they’re at odds, so it would make sense that they’d be opposites. However, what makes Cloud and Sephiroth’s conflict so fascinating is that they actually have a good amount in common. Both Cloud and Sephiroth struggle with their identities. They also experienced trauma and loneliness in the past, and tended to isolate themselves from others. It’s this commonality that actually makes them compelling rivals, as Cloud not only has to battle Sephiroth, but also the aspects of Sephiroth that Cloud himself struggles with.
The real foils of Sephiroth are Aerith and Tifa. While there is some debate as to whether Aerith or Tifa is the real heroine of FF7 (mostly spear-headed by weird LTD-pushers), the big-brained answer is that they’re both the heroines. This is evident in concept art from an older FF7 Ultimania, pictured below:
As you can see, the concept for the story’s heroine started out as a hybrid of Tifa and Aerith. The character’s design resembles Tifa, and the name below the sketch reads “ティファ”, or Tifa. However, the character’s role was very different. She was intended to be both the childhood friend of Cloud Strife and a Cetra, the sister of Sephiroth (who originally looked more like Vincent). Eventually, the idea to kill off one of the main characters was introduced, and the role of the heroine was split in two: the Cetra, Aerith, and the childhood friend, Tifa. There is some evidence of the original concept still present in the series; Tifa’s iconic red eyes match Vincent’s, because originally, the two characters were designed to be siblings before eventually going to separate roles.
Based on this evidence, it would seem logical that both Aerith and Tifa retained their dualities with Sephiroth. And, indeed, even in the final product, both characters provide a foil for Sephiroth to balance the scales.
To exemplify the dynamic that Cloud, Tifa, Aerith, and Sephiroth have with one another, I’ve drawn a (crude) spectrum:
Obviously, Aerith and Tifa play different roles and have different importance to the story. Aerith’s role is more “big picture”, so to speak. She is responsible for the Planet and for protecting it from Sephiroth after discovering his plans to destroy it. Tifa’s role is more fine-tuned and detailed. She is the rock and the only stable element of the Nibelheim story, a key part of Cloud, Zack, and Sephiroth’s backstories. To understand how each of them foils Sephiroth, we have to look at them individually and analyze how they interact with both Sephiroth and Cloud.
Part I: Aerith as Sephiroth’s Foil
As stated above, Aerith’s role as foil is a little more obvious. Sephiroth and Aerith are both “Cetra”–or, at the very least, they both claim to be. For Sephiroth, his identity as a Cetra is tied to his belief that Jenova, his “mother”, was a Cetra who was betrayed by humanity when humans left the traditional Cetra nomadic lifestyle in order to colonize the land and the Planet.
However, Jenova was not a Cetra at all–she was actually a “calamity from the skies” that crashed down and created the Northern Crater two thousand years before the events of FF7. After encountering the Cetra, the creature known as Jenova began infecting and killing the Cetra one by one. These killings only stopped when the Cetra banded together to seal Jenova in the Northern Crater; but, by the time it was done, the Cetra were dying off.
So how did Jenova become known as a Cetra? That seems like more than a clerical error to me. It was actually Aerith’s father, Professor Gast, who uncovered Jenova from the Northern Crater and mistakenly identified her as a Cetra. The Shinra Corporation, desperate to find the Cetra’s “Promised Land” thinking that it would be rich in Mako energy, enlisted the professor to find a way to create a Cetra from a human specimen. Using the cells extracted from Jenova, Sephiroth was created, and after reading Shinra’s archives, he discovered his relationship to Jenova and embraced his identity as “Cetra”.
Aerith, on the other hand, really is a Cetra. Her mother, Ifalna, was the last Cetra–making Aerith, by relation, half-Cetra. Her connection to the Cetra race is real, unlike Sephiroth’s.
This give her declaration in the final chapter of FF7 Remake all the more important:
There’s a duality between Aerith and Sephiroth in truth versus lies. Aerith’s heritage as a Cetra is founded in truth. She is connected to the Planet in a way that is real. She is a Cetra, in covenant with the Planet to protect it that was passed down to her by her mother. In contrast, Sephiroth’s claims to be a Cetra are lies–whether he’s aware of it or not. Jenova, Sephiroth’s “mother”, is not a Cetra. She is not even from the Planet, but rather from somewhere beyond it. Jenova acted as a parasite of the Planet and is actually responsible for sending it into chaos and draining it of its life. He has no real obligation to protect the Planet, and he is not truly connected to it the way that Aerith is.
Aerith and Sephiroth also represent the original duality between the Cetra and Jenova, with both parties continuing to be at odds with one another even two thousand years later.
Tying in a more overarching FF7 theme, Aerith and Sephiroth also personify the duality of life and death, respectively. With Aerith, her “domain” of sorts, the Sector 5 church, is bursting with life. It is the only place in Midgar where flowers will grow. Even gameplay-wise, she is a healer, and is constantly giving life to other characters in the party. Sephiroth, on the other hand, only destroys. He set fire to Nibelheim and killed the townspeople, including Cloud’s mother and Tifa’s father. Cloud even notes his strength while recounting his version of the events in Nibelheim.
Cloud: “Sephiroth’s strength is unreal. He is far stronger in reality than any story you might have heard about him.”
Therefore, Aerith and Sephiroth represent two different dualities: life versus death, and truth versus lies.
Part II: Tifa as Sephiroth’s Foil
Tifa’s role as foil to Sephiroth is more understated but nevertheless important, especially in the latter half of the story. Tifa, Cloud, and Sephiroth are the only survivors of the Nibelheim incident, wherein Sephiroth burned the town of Nibelheim to the ground and killed the townspeople after discovering his “Cetra” heritage. However, Cloud’s memories are clouded due to his trauma and the Mako poisoning he endured during the five-year gap between the Nibelheim incident and the start of FF7; and Sephiroth purposefully twists the truth in order to weaken Cloud’s already-fragile mental state. Therefore, the only one who can decipher what’s true and what’s not is Tifa.
Like Aerith, Tifa also represents the truth, while Sephiroth represents lies and deceit. This is very evident in this scene that takes place in the Northern Crater, and again in a scene during Tifa’s journey into Cloud’s mind. In the Northern Crater, Sephiroth tries to convince Cloud that he was never real, and that all of his childhood memories, even the ones he shared with Tifa, were fabricated.
Sephiroth: “You are just a puppet… You have no heart… and cannot feel any pain… How can there be any meaning in the memory of such a being? What I have shown you is reality. What you remember, that is the illusion. […] Five years ago you were… constructed by Hojo, piece by piece, right after Nibelheim was burnt. A puppet made up of vibrant Jenova cells, her knowledge, and the power of Mako. An incomplete Sephiroth-clone. Not even given a number. …That is your reality.”
Sephiroth, at first, succeeds in convincing Cloud that he is not the “real” Cloud but rather someone who never existed, who never grew up in Nibelheim, and who clung on to fake memories as a means to cope with that fact. However, later in the Lifestream, Tifa expresses a different sentiment:
Tifa: “Sephiroth once said… Cloud made up his memories by listening to my stories… Did you imagine this sky? No, you remembered it. That night the stars were gorgeous. It was just Cloud and I. We talked at the well… That’s why I continued to believe that you were the real Cloud. I still believe you’re the Cloud from Nibelheim…”
By reminding Cloud of a memory they both share–a true memory–she is able to provide a solid ground, wherein Cloud can begin to rebuild his true self after falling for Sephiroth’s deception.
Obviously, Tifa’s relationship with the truth is complicated, and she herself suffers from her own self doubt throughout the story. But in this defining moment, Tifa finally realizes without a doubt what the truth is, and together both Cloud and Tifa are able to reconstruct what really happened in Nibelheim and solve the mystery once and for all.
But this duality isn’t simply about truth versus lies. It’s also about hope versus despair. In deceiving Cloud, Sephiroth strips him of all his hope. Cloud is filled with such fundamental despair that he can’t see the truth and believe that he is indeed an experiment created by Hojo. Tifa, in contrast, provides him with hope when she affirms his memories with her own. Separately, Tifa’s resolve to continue the team’s journey without Cloud is another example of her hope in the face of Sephiroth’s despair.
The idea of hope versus despair in Sephiroth and Tifa is exemplified in Kingdom Hearts (although KH is not canonically related to FF7, I think it’s a neat little call back):
Tifa: “Cloud, you can have my light.”
In Kingdom Hearts II, Sephiroth represents Cloud’s darkness, while Tifa represents Cloud’s light. This is a similar dichotomy to truth versus lies, metaphorically, where Sephiroth is “casting shadows” on the truth, and Tifa is “shedding light” on what really happened. (Okay, sorry for the puns!)
Another duality that Tifa and Sephiroth represent is the dual meaning of reunion in the context of FF7. It’s common knowledge among FFVII fans at this point, but to everyone who’s playing for the first time or who has recently picked up the franchise and not gotten all caught up yet, Sephiroth talks a lot about “the Reunion”. Like, a lot. Sephiroth’s “reunion” is a reference to the Reunion Theory, a scientific theory posited by Professor Hojo that states that Jenova’s cells–once separated from their host, i.e. Jenova–will seek out the main body. This makes everyone who has ever been injected with Jenova’s cells essentially part of a massive Jenova hive mind, with the primary goal to eventually reunite with Jenova.
Obviously, this is a bad thing for Cloud, who was exposed to Jenova cells and is thus connected to Sephiroth.
However, Cloud and Tifa also have a reunion at the beginning of the story–a reunion between friends who haven’t seen each other in a long time. Unlike Sephiroth’s reunion, this is a positive thing. Cloud and Tifa, on multiple occasions, discuss “meeting again” and “finding each other” after so many years apart. Even after they reconstruct Cloud’s memories, he says:
Cloud: “Yeah…… Tifa…… We finally…… meet again……”
Sephiroth’s reunion with Cloud leads him astray from the path; Tifa’s reunion with Cloud sets thing right again. One reunion destroys Cloud’s perception of what’s real, and the other helps him to find the truth once again. Reunion changes meaning with Sephiroth and Tifa, and these opposing definitions of what “reunion” is make Tifa and Sephiroth perfect foils.
Part III: Final Thoughts
Part of what makes Sephiroth such a compelling villain are the striking similarities he shares with the protagonist Cloud Strife. In the original storyboard for FF7, Tifa and Aerith shared a role as the main heroine and the perfect foil for Sephiroth. But even after the role was separated into two distinct characters, the characteristics that made each one of them a foil to Sephiroth remained. For unique reasons, they balance the scales, providing an anchor of “good” to counteract the badness of the story’s main antagonist.
That’s all I have to say about it! I’ve been thinking a lot about Tifa and Aerith’s unique roles in the story as deuteragonists, or dual heroines, and how they both represent antitheses to Sephiroth. I figured I share my thoughts!
Now everything makes sense
“HAIRTONIC Ideal Scalp Care. For astonishingly radiant & spiky hair!”.
This particoular tassellation, alternating squares and octagons, present in many parts of the Remake, appeared also in other previous parts of the compilation.
After the victories at the Colosseum and in the Shinra combat simulator, the characters perform their OG victory poses.
If the player finds Corneo’s secret stashes they can fins three tiaras (Ruby, Emerald and Diamond tiaras) inspired to the OG Ruby, Emerald and Diamond Weapons.
While in Trace of Two Pasts is stated that Elmyra’s house was full of flowers and plants even before the arrival of Aerith, it surely isn’t a coincidence that the sector she lives in, contrary to the rest of Midgar, is full of nature. Moreover the orphanage near her house is called “Leaf House” and the name of the teacher is Mrs Folia (”leaf” in Latin).
The place where Tifa lives in Sector 7, and where she suggests Cloud to live too, is a wooden building called Stargazer Heights, which is a reference to the water tower where they shared the promise. I’d say also that the presence in the same building of a black caped man isn’t a coincidence, considering that the first time these beings bould be spotted in the OG was indeed Nibelheim.
Tifa: Be sure to pick an outfit that goes with mine, okay?
Cloud: Will do.
Nailed it.
Jokes aside there’s a subtle clever mechanism behind the choice of the Wall Market dresses.
- If the player prefers Tifa, they’ll probably choose the refined dress and will have a good chance to get Chocobo Sam’s odd jobs (giving answers a bit more pro Tifa), so both Cloud and Tifa will wear the blue outfits.
- If the player prefers Aerith, they’ll maybe choose the sporty dress and will have a good chance to get Madam M’s odd jobs (giving answers a bit more pro Aerith), so both Cloud and Tifa will wear the satin outfits.
I’m not totally sure here if this was intentional, but when I saw Barret’s death I couldn’t help but think that during the first drafts of the OG he was the one who had to die instead of Aerith.
We don’t know yet if there’s any connection between the Whispers and the Black caped men, but it’s hard not to notice the visual similarity of their designs.
In Aerith’s childhood room in Shinra HQ there’s a book about the Lifestream written by Gast Farmeis, Aerith’s father.
In the same room there’s also a book about Stamp mentioning his fan club, which is an element that comes from Crisis Core
There are some signs in Sector 8 - more a music disk - about Costa del Sol.
In one of the ads inside the trains there’s a FFVI quote from an author called “Gabbiani” - Setzer’s last name.
In Shinra’s museum there’s a picture with a FFX-2 character, Shinra.
Angeal always bothers me and idk how to word it!! Not sure your take on why or what you see with his character in general but I'd love to know bc this has been bothering me forever
so this got. a little more heated than i thought it would. sorry anon lmao
angeal stans this is your warning!! nice things are not said under the cut
so angeal exists in the narrative to be the dead mentor figure so we feel bad for zack and to infodump a little about his and genesis's pasts in the beginning so genesis gets a modicum of development as well. he also does some obligatory passing on of his legacy of soldier honor and morals to zack so zack has a clear model to follow and we as the audience can see his growth from somewhat careless and cocky to a little more serious and driven after angeal's death. on a deeper level, angeal also exists as a counterpoint to genesis's and sephiroth's respective models of heroism, where (simply put) angeal's is staying true to a code of honor to protect the people, genesis's is being recognized by the public for heroic deeds, and sephiroth's is manufactured success and perfection in performance
and like, crisis core shows that each of these models doesn't work. in the case of angeal, his rigid adherence to a code of honor to remain morally pure leads to his downfall. especially with the circumstances of his death-- like, death before dishonor is an incredibly strong concept in japanese culture, but it's pretty clear in cc that what angeal does in forcing zack's hand is somewhat backwards in logic. like, where was this revelation that he was hurting people back in the middle of the war with wutai where he was literally destroying people’s villages and livelihoods vs. now when the war is literally over and he isn’t actively hurting people?? but. whatever. sure, let's assume this was the turning point that finally made him realize what he’s done in the past
but even then he doesn't solve anything, he doesn't try to help anyone despite that being basically his motto, he just gives up because he himself doesn't fit into his strict worldview-- if he isn't the hero he thought he was, then he must be a monster, and he can't be tolerated to exist. angeal quite literally shatters under the weight of his morals
there's also the issue of the story from his childhood, which is supposed to show his character as honorable à la "honor can exist in unconventional ways" but. it fails to establish him as such imo. it's like, you're too proud to accept help so you're gonna steal from people instead? and not even the rich people because one of them is your friend?? like there's a difference between being honorable and being too proud, especially if part of your motto is to protect others. it feels like a weird blend of capitalist work ethic + robin hood-esque imagery while missing the part where robin hood didn't actually steal solely because he was poor, he stole because fuck rich people and so he could help other poor people. you know. by giving them the handouts angeal is apparently too proud to accept
he's just a huge hypocrite, which makes his lectures on honor and pride feel all the more sanctimonious. he tries so hard to keep the moral high ground that the moment he comes up against something that actually tests his self-perception, he just shrugs and goes "guess i'll die". i feel like that was the entire point of how crisis core wrote him, especially given the role the buster sword plays in symbolizing his honor (aka use it or lose it), but the overall fandom tends to treat him as objectively the best of the firsts, like this bitch didn't just nosedive into drama queen territory just as quickly as the other two. i think @ladylokiofmidgard put it best when she said he has the moral backbone of a chocolate éclair
like angeal is as bland as white bread but somehow manages to singlehandedly piss me off more than any other character in the compilation. i could go on more but this post is already too long as it is
anyways. angeal was wrong. the buster sword is a metaphor for his failure to uphold his own philosophies relative to the people who inherited it. fight me
i love it when italians argue about italian. like we don’t even know how our language really works we just roll with it
We'd seriously need a clear paraphrase to get over the misinterpretations about this song.
Guitar is the main instrument in both Hollow and Hollow Sky, just like Crisis Core soundtrack, especially CC Aerith's theme, The price of freedom and Why, all playing at the end of the game to narrate THAT scene. And Why has a guitar acoustic version too.
Hollow sky plays in Sector 5, an homage to Crisis Core, "sky" is the symbol of Zack and, coincidentally, the new key art of Aerith has her staring at the sky.
Funny: Aerith's final line is about the sky and Hollow starts when Zack shows up at the end.
All coincidences I guess.
Tetsuya Nomura discussing the Final Fantasy VII Remake theme song
Hardcore FFVII fan sharing theories & fanart, sometimes silly stuff ⋆ AuDHD ⋆ She/her ⋆ INTP ⋆ Atheist ⋆ Non-native English speaker, be merciful with my odd way of writing ⋆ Twitter @TerraFatalis
234 posts