I don't need it to sleep but if I'm at home it just sits next to my pillow and stares at me while I sleep
It's just there-
If your 13 or older and still sleep with a stuffed animal please rb this im tryna prove a point to my friend.
•A compliment
•A story
•Why you follow me
•A cute message
•One thing you want to tell me
•One thing you want to know about me
i like a lot of music. you could say i’m. polyjammerous. mayhaps even. genrefluid
hi. I heard you liked Gorillaz…. And I was wondering what your favorite album was. Cheers. Hope you have a great day.
AHHHH HI I LOVE PEOPLE WHO ASK ME THINGS
okay so I'm a fairly new fan (but I am a crazy one, wearing a blur shirt and a gorrilaz hoodie over the top right now) so don't judge if it sounds basic or anything idk
but I rlly like demon days (obvi) but I also like the album Gorrilaz
I mean some songs from Plastic Beach are fire but it's not my fav
anyway hope you found that acceptable lol :D
LISTEN UP AGAIN KIDS STOP REBLOGGING THIS FUCKING GARBAGE POST. IT IS 100% FUCKING BULLSHIT AND CAN AND MOST DEFINITELY WILL LITERALLY KILL. DO YOU NOT SEE WARNING LABELS THAT SAY “DO NOT INDUCE VOMITING”? THEY AREN’T FUCKING AROUND. YOU CAN FUCKING BURN THEIR ESOPHAGUS BY CAUSING VOMITING, CAUSE CHOKING, DROWNING, OR MAKE IT WORSE! AGAIN DO NOT FORCE ANYTHING DOWN ANYONE’S THROAT. THEY. CAN. DROWN. IF SOMEONE IS LOSING CONCIOUSNESS ALL THE CHIT CHAT IN THE WORLD WILL NOT PREVENT IT AT THAT POINT THEY ARE IN SERIOUS DANGER. “Buuut i don’t wanna take them to the hospital!!!” WELL SUNSHINE GLAD YOU’D RATHER HAVE A DEAD FRIEND THAN A LIVING ONE BUT YOU’RE IN LUCK CALL FUCKING POISON CONTROL. THEY ARE NOT THE COPS. THEY WILL HELP YOU. AND IF THEY SAY GO TO THE FUCKING HOSPITAL YOU GO TO THE FUCKING HOSPITAL. NO EXCUSES. 0. NONE. I have seen this shit cross my dash SO MANY TIMES so PLEASE fucking reblog this and prevent some well meaning idiot from accidentally killing someone they love!
When writing relationships between characters, one of the best things you can do as a writer is master the art of platonic relationships. Not every relationship has to turn romantic—and when done right, platonic bonds can hit harder than love stories.
But writing them well? That takes a lot of intentionally-written cues and dialogue. Here are just a few tips:
Platonic doesn’t mean distant. Let them see each other. Let one character be the first person the other calls when things go wrong. Show moments of vulnerability, casual care, and trust without flirty undertones. Let them have traditions, inside jokes, or quiet routines together.
If you’re going for a purely platonic vibe, don’t toss in romantic tension as bait. It cheapens the relationship. Let them have chemistry that’s based in compatibility, not attraction. Not every deep bond needs a romantic subplot. Avoid unnecessary lingering glances or “almost touch” moments unless it’s 100% platonic context (e.g., comforting after a trauma).
Platonic duos feel real when we see how they’ve been through things together. Maybe they survived something. Maybe they just grew up side by side. What matters is that their connection isn’t shallow. Flashbacks, casual references to “remember when,” or unspoken teamwork go a long way.
One character leaning on the other’s shoulder. Braiding hair. Holding hands in a high-stress moment. All of this can be platonic when framed right. Normalize physical affection without romantic framing. You could show how each character interprets the touch. If it’s comfort or instinct—not attraction—it’s platonic.
Have others in the story acknowledge the bond without assuming it’s romantic. It helps the reader accept it as non-romantic, too. Maybe someone can say, “You two are like siblings” or “You always have each other’s back.” Reinforce the type of love.
Don’t make it perfect. Platonic love, like any bond, includes disagreement. But when they still come through for each other, that’s what makes it powerful. Maybe one apologizes without ego. The other forgives without resentment. That’s platonic strength.
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Platonic relationships aren’t the backup to romance—they’re their own kind of energy. They don’t need to be slow-burn romances in disguise. Let them be bold, soft, loud, or quiet—but most of all, real. Because at the end of the day, platonic love deserves to be written with the same depth, stakes, and tenderness as any love story.
When fear, dread, or guilt gets sickening—literally—your character is consumed with a gut-clenching feeling that something is very, very wrong. Here's how to write that emotion using more than the classic "bile rose to the back of their throat".
This isn’t just about discomfort. It’s about a complete rebellion happening inside their body.
Their stomach twists like a knot that keeps pulling tighter
A cold sweat beads on their neck, their palms, their spine
Their insides feel sludgy, like everything they’ve eaten is suddenly unwelcome
They double over, not from pain, but because sitting still feels impossible
Vomiting isn’t just a stomach reaction—it’s the whole body.
Their mouth goes dry, and then too wet
Their jaw tightens, trying to contain it
A sudden heat blooms in their chest and face, overwhelming
The back of their throat burns—not bile, but the threat of it
Breathing becomes a conscious effort: in, out, shallow, sharp
Nausea doesn’t always need a physical cause. Tie it to emotion for more impact:
Fear: The kind that’s silent and wide-eyed. They’re frozen, too sick to speak.
Guilt: Their hands are cold, but their face is flushed. Every memory plays like a film reel behind their eyes.
Shock: Something just snapped inside. Their body registered it before their brain did.
Don’t just describe the nausea—show them reacting to it.
They press a fist to their mouth, pretending it’s a cough
Their knees weaken, and they lean on a wall, pretending it’s just fatigue
They excuse themselves quietly, then collapse in a bathroom stall
They swallow, again and again, like that’ll keep everything down
Even if they don’t actually throw up, the aftermath sticks.
A sour taste that won’t leave their mouth.
A pulsing headache
A body that feels hollowed out, shaky, untrustworthy
The shame of nearly losing control in front of someone else
A character feeling like vomiting is vulnerable. It's real. It’s raw. It means they’re overwhelmed in a way they can’t hide. And that makes them relatable. You don’t need melodrama—you need truth. Capture that moment where the world spins, and they don’t know if it’s panic or flu or fear, but all they want is to get out of their own body for a second.
Don't just write the bile. Write the breakdown.
MY HEART BRO-
The remix if you haven't seen it!! Idk how they managed to make it MORE heartbreaking.
Theres this possum that comes into my backyard sometimes but I haven't seen him in ages and then magically he came back last night and jumpscared the bejeezus out of me
AND TONIGHT HE CAME BACK, BUT SO DID THIS RANDOM CAT?!?!??
And as I am typing this, said cat is currently up a tree with said possum, fighting most likely, and I can't do anything about it other than throw rocks at the fence to make a noise and scare them off. My poor rabbit Braveheart is trying to get back to his hutch next to the tree the cat and possum are stuck in, and because of those animals he won't go anywhere near it so now I have a rabbit, a possum and a cat loose in my backyard
animal chaos guys
help what-
Not even the gods can help you with that, brother
Just come to my ask box and tell me stuff about yourself. Your pets. Your favorite music. What you had for breakfast this morning. Literally anything you want, I love making new friends
bisexual teen writer, loves reading & music, extroverted theatre kid <3
57 posts