— "PUFFS AND RUFFLES" Malleus Draconia

— "PUFFS AND RUFFLES" malleus draconia

SYNOPSIS: On your birthday, Lilia hands you a black dress claiming that you should wear it for your date with Malleus later. He fails to mention how it's a traditional wedding dress in Briar Valley. Oops...?

Character/s: Malleus Draconia x GN! Reader

Tags: Drabble! Fluff, Established relationship, Reader wears dress, Mentions of marriage, Lilia third wheel era, Kissing and making out, Not proofread!

A/N: My last fic before I dip and go study for midterms lolz

WordCount: 600+ | 💌Masterlist

— "PUFFS AND RUFFLES" Malleus Draconia

"Lilia?" You peered through the curtains, calling the old bat over. Lilia gave you a quick glance before sneaking into the dressing room with you, keeping an eye out the corridor to make sure no one was watching.

With a click, the door closed, and Lilia turned to face you. He gazed at you fondly, a smile spreading across his face.

The dress he gave you fit perfectly on your figure. When you walked, the long skirt with its ruffled edges trailed behind you, its puffy sleeves draping across and towards your chest exposing your neck. Atop it, a necklace proudly sat, it's vivid green gem gleaming against the sunlight.

That was Malleus' courtship present to you years ago, as Lilia had recognized it. You were such a funny little thing back then. You had misinterpreted it as a birthday present, not realizing its actual significance in dragon culture. It took months of miscommunication and Malleus' sulking before you finally realized what it truly was.

"Are you sure I should wear this? Would Malleus really like it?" You fumbled with your hands, staring down at your outfit. Lilia gifted you the dress as a birthday gift and it was beautiful—almost as if it emanated some sort of mystical glow. Now you weren't sure how he managed to get your precise measurements, but you chalked it up to magic.

"Would he 'like' it? My dear, of course he would! " Lilia beamed, raising his finger and twirling it around, signaling you to spin for him.

You did as asked, twirling slowly. The flowy black skirt of the dress swirled around you like petals dancing around a flower bud, it looked almost weightless as it delicately floated up the air. When Lillia enthusiastically applauded for you, you grinned, stretched out your arms, and spun around the room.

While tapping your bare feet on the chilly marble flooring, you burst out laughing.

"Lilia? Have you seen the pre-" Gasping, you whipped your head around to face the door, the skirt of your dress pooling around you. Malleus stood by the entrance, jaw slack as he shamelessly stared at you. Embarassed, you tucked a strand of hair behind your ear. The last thing you wanted Malleus to see was you dancing around the room like a little kid.

'Oh sevens, you looked so precious.' Malleus snapped out of it and marched towards you, a giddy smile growing across his face.

Thump Thump Thump.

His heart pounded in his chest as he took notice of the necklace clasped around your neck. The dress had already sent him into frenzy but paired with the necklace, it was overkill for him.

"You look beautiful." He whispered, cupping your face in his hands.

His hands trailed over your shoulders and arms before landing on your hips. Your head spun, face flushing as he pulled you closer, your shaking hands finding recluse on his chest. Malleus chuckled and drew you into a slow sensual kiss, his thumb gently rubbing circles on your waist.

While Malleus showered you with affection, Lilia awkwardly stood in the middle of the room. Becoming the third wheel was definitely not part of his plan.

Clearing his throat, Lilia raised an eyebrow at the dragon. Malleus huffed and drew away from you but still kept a hand placed on the small of your back. He turned his attention back to you, examining the dress once more.

"How interesting…" he muttered softly, trailing off. "I'm quite surprised you managed to find a wedding dress in that style."

"Wedding dress…?" You froze, letting Malleus' words sink in.

"Khee hee-Ah that's right! I forgot to tell you, that dress is a traditional dress used for weddings in Briar Valley." Lilia mused, walking over to you and pinching the fabric between his fingertips. "A bit old fashioned but they look like such a dear don't they?"

Malleus gazed at you fondly, clasping your hands tightly in his own. As he fixed his attention on you, his eyes appeared to be gleaming.

"Truly."

— "PUFFS AND RUFFLES" Malleus Draconia

Likes and Reblogs are greatly appreciated and really motivating on my end!

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Common Palestinian symbols

[ID: The first tweet out of a thirteen tweet thread by the user, @carstairsbur with the displayed name,"Nia FREE 🍉". The tweet says,"Why do we use watermelons as a symbol for Palestine? Why do people wear that white cloth with black designs called the Keffiyah? Why are the olive trees a symbol of fertility, growth and strength?

A thread of Palestinian symbols you may have seen around!". END ID]
[ID: The second tweet out of a thirteen tweet thread by the user, @carstairsbur with the displayed name,"Nia FREE 🍉" 

The tweet says,"Keffiyah. The garment, originally used to protect individuals across the Middle East against the sun, gained popularity during the Arab Revolt against British colonial rule in the 1930s. Today, the keffiyeh has been adopted globally by activists to support the Palestinian cause.". Below the tweet is an image. END ID]
[ID: A keffiyeh, also spelled kuffiya, is a square-shaped cotton headdress with a distinctive chequered pattern worn in many parts of the Arab world.
The black-and-white variant, worn by Palestinian men and women, has come to symbolise the Palestinian struggle for self-determination, justice and freedom.

The olive-leaves pattern represents perseverance, strength and resilience.
The fishnet pattern represents Palestinian fishers and the people’s connection to the Mediterranean.
The bold pattern represents trade routes with neighbouring merchants of Palestine. END ID]
[ID: The third tweet of an thirteen tweet thread by the user, @carstairsbur with the displayed name,"Nia FREE 🍉"

The tweet says,"The Olive trees. The trees can handle drought, subzero temperatures, frost and even fire. They are symbolic of Palestinian resilience against Israeli occupation and their connection to the land. Olive cultivation plays a crucial role in the Palestinian economy through olive oil," The text is cut.

Below the tweet is an image. END ID]
[ID: If the olive trees knew the hands that planted them, their oil would become tears"

The olive tree has deep historical and cultural roots in Palestine, and its branches have been associated with peace and prosperity for centuries.
The hardy trees can handle drought, subzero temperatures, frost and even fire. They are symbolic of Palestinian resilience against Israeli occupation and their connection to the land.

Olive cultivation plays a crucial role in the Palestinian economy through olive oil, table olives and soap production.

About 80,000 to 100,000 Palestinian families rely on the olive harvest for their income, which takes place every year between October and November. Traditionally, the harvest season is a time of festivities and joy, but tight Israeli restrictions and settler attacks overshadow it. END ID]
[ID: The fourth tweet out of a thirteen tweet thread by the user, @carstairsbur with the displayed name,"Nia FREE 🍉"

The tweet says the rest of the cut sentence, "table olives and soap production. According to the UN, more than 5,000 olive trees belonging to Palestinians in the West Bank were destroyed in the first five months of 2023." END ID]
[ID: The fifth tweet out of a thirteen tweet thread by the user, @carstairsbur with the displayed name,"Nia FREE 🍉"

The tweet says,"The Key of Return. In 1948, Zionist military forces expelled at least 750,000 Palestinians from their homes and lands in what became known as the Nakba (“catastrophe” in Arabic). Those people took their keys with them, sure they would return. Many Palestinians still hold onto the." It is cut again. Below the tweet is an image. END ID]
[ID: In 1948, Zionist military forces expelled at least 750,000 Palestinians from their homes and lands in what became known as the Nakba (“catastrophe” in Arabic). Those people took their keys with them, sure they would return.
Many Palestinians still hold onto the keys to their original homes as a symbol of their hope and determination to return one day. These keys have been passed down several generations and are kept as a symbol of Palestinians’ right to return – a principle enshrined in international law that grants individuals the right go back to their homes of origin.
During Israel’s latest offensive in Gaza, at least 1.5 million Palestinians have been driven out of their homes, double the number of those displaced during Nakba in 1948. For Palestinians, Nakba is not a discrete historical event. It is an ongoing process of displacement that has never stopped. END ID]
[ID: The sixth tweet out of a thirteen tweet thread by the user, @carstairsbur with the displayed name,"Nia FREE 🍉"

The tweet says,"keys to their original homes as a symbol of their hope and determination to return one day. These keys have been passed down several generations and are kept as a symbol of Palestinians’ right to return." END ID]
[ID: The seventh tweet out of a thirteen tweet thread by the user, @carstairsbur with the displayed name,"Nia FREE 🍉"

The tweet says,"Handala, the cartoon. A cartoon character created by Palestinian cartoonist Naji al-Ali that reflects his own childhood refugee experience and the ongoing plight of Palestinians displaced by the Nakba. The first version of the cartoon appeared in a Kuwaiti newspaper in 1969 and." The sentence is cut off. Below the tweet is an image. END ID]
[ID: Handala is a cartoon character created by Palestinian cartoonist Naji al-Ali that reflects his own childhood refugee experience and the ongoing plight of Palestinians displaced by the Nakba.
The first version of the cartoon appeared in a Kuwaiti newspaper in 1969 and was drawn facing the viewer. However, in 1973 following the October War, al-Ali started drawing Handala with his back turned to reflect how the world had itself turned its back on the Palestinians.

Handala is barefoot and wears ragged clothes like the refugee camp children al-Ali remembers when he was forced to leave his village as a 10-year-old boy.

Handala is named after the “handhal”, a bitter fruit that grows in the dry areas of Palestine. It grows back when cut and has deep roots.

In 1987, Naji al-Ali was assassinated in London. No one has been charged with his murder. END ID]
[ID: The eighth and ninth tweets out of a thirteen tweet thread by the user, @carstairsbur with the displayed name,"Nia FREE 🍉"

The eighth tweet follows the cut sentence,"was drawn facing the viewer. However, in 1973 following the October War, al-Ali started drawing Handala with his back turned to reflect how the world had itself turned its back on the Palestinians.
Handala is barefoot and wears ragged clothes like the refugee camp children"

The ninth tweet still stays on topic saying,"al-Ali remembers when he was forced to leave his village as a 10-year-old boy. In 1987, Naji al-Ali was assassinated in London. No one has been charged with his murder." END ID]
[ID: The tenth tweet out of a thirteen tweet thread by the user, @carstairsbur with the displayed name,"Nia FREE 🍉"

The tweet says,"Watermelon 

The most iconic fruit to represent Palestine. Grown from Jenin to Gaza, the fruit shares the same colours as the Palestinian flag – red, green, white and black – so it is used to protest against Israel’s suppression of Palestinian flags and identity.
Following the-" The sentence is cut. Below the tweet is an image. END ID]
[ID: The watermelon is perhaps the most iconic fruit to represent Palestine. Grown from Jenin to Gaza, the fruit shares the same colours as the Palestinian flag – red, green, white and black – so it is used to protest against Israel’s suppression of Palestinian flags and identity.
Following the 1967 war, when Israel seized control of the West Bank and Gaza Strip and annexed East Jerusalem, the government banned the Palestinian flag in the occupied territory.

Although the flag has not always been banned by law, the watermelon caught on as a symbol of resistance. It appears in art, shirts, graffiti, posters and the ubiquitous watermelon emoji on social media. END ID]
[ID: The eleventh, twelfth, and thirteenth tweets out of a thirteen tweet thread by the user, @carstairsbur with the displayed name,"Nia FREE 🍉"

The eleventh tweet follows the cut sentence, saying,"1967 war, when Israel seized control of the West Bank and Gaza Strip and annexed East Jerusalem, the government BANNED the Palestinian flag in the occupied territory. Although the flag has not always been banned by law, the watermelon caught on as a symbol of resistance."

The twelfth tweet says,"It appears in art, shirts, graffiti, posters and the ubiquitous watermelon emoji on social media."

The thirteenth and last tweet says," All information and graphics from Al jazeera. For more information on other symbols of resistance such as the historical map and embroidered designs, read the full article: https://www.aljazeera.com/amp/news/longform/2023/11/20/palestine-symbols-keffiyeh-olive-branch-watermelon". END ID]

I got permission from @/carstairsbur to repost this thread

The image descriptions for the posters were written by @/carstairsbur and Mohammed Haddad, Konstantinos Antonopoulos and Marium Ali.

Original thread | Images only | Original Article (Source of the posters)


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