Fyodor Doesn’t Call Atsushi By His Name. It’s “innocent Beast”, “he Who Houses The Bookmark”,

fellas is it gay to die for your enemie/rival/partner/soulmate?

the fool reversed

Just because I've seen a few people complaining about Dazai "knowing exactly what was gonna happen from the start" I just want to point something out

Dazai didn't know what was going to happen, he had 0 control over the situation, all he did was trust in Ranpo and the ADA.

The point of it all, or at least how I've interpreted it, is portraying just how much he's grown to admire and love the agency. His faith in his "allies" gave him enough confidence to let them handle it, funnily enough Dazai had barely any hand in the planning of it at all!

He put together what each person was scheming by watching the events play out, and don't forget he had Ango communicating with him all the while.

I have no issue with anybody upset over this, I just thought I'd put my take out there. I think the subtlety of Dazai's growth sometimes causes it to go unnoticed, his redemption plays out in small moments like this, hidden beneath much bigger actions.

Divine Being Amenogozen and the horror of the wrath of God

I wanted to talk about the current main threat to the BSD cast because I feel like not many people talk about him and how terrifying he is and also what he symbolises.

His creation/abilities:

So Divine Being Amenogozen was created via the 'Tripolar singularity' - a combination of 3 abilities/ability infused items. These are the Amenogozen sword (or the Space-Time sword), The Holy Sword Soluz Levni and Fukuchi's ability Mirror Lion. In short, Amenogozen can stab/move through space and time, the Holy Sword can infuse people's abilities into their bodies, and Mirror Lion strengthens any weapon by 100 times.

In terms of skills, Divine Being Amenogozen (who I will now refer to as Gozen) possesses the abilities of the Space-Time sword (liquification/absorption of people/abilities and energy blasts), as well as superhuman speed/swordsmanship, Levitation, self-healing and the ability to generate blades from himself to match his sword. He's already a powerhouse of an oppenent with just these skills that makes him an insane enemy for the characters to fight, but it's some of his other skills I want to draw attention to - mainly, spatial manipulation and his higher-dimensional existence (although I may bring mention to the others too).

As opposed to the others, I single out spatial manipulation as it is one of the things that makes him most intimidating alongside his physical appearance/actions. He's able to disappear and reappear in various places in the blink of an eye, something which really adds to the general horrifying nature of him as an antagonist.

The main aspect I want to talk about is him existing on a higher dimension than every other character in the series. Fyodor specifically says that Gozen is a fourth-dimensional being, whereas the rest of them are third-dimensional, and that Gozen's form is simply a shadow of his true self. Essentially, Gozen exists at a higher level of existence that is inconceivable to the rest of the cast, operating at this higher level not only in consciousness but also in ability/skill. It is why all of his skills are so heightened that they surpassed perhaps every single character in the current BSD canon.

To simplify the idea of dimensions, i'm pretty sure that a three-dimensional object is something that can be specifically located via 3 units (or dimensions) - usually this is the scales of height, width and depth in a physical space. A four-dimensional object also adds another variable scale (usually time I think) that you can see. In essence, Gozen is able to perceive the scales of height, width, depth and time (which implies that he can see through time itself).

[I want to clarify that this is not a topic I am very knowledgeable on, and I am kind of teaching myself the basics as I write this. So please feel free to correct me if I've got this wrong.]

So Gozen is able to travel across space and time, as well as manifest himself in multiple places at one via the past and present versions of himself (as if writing with two hands on a piece of paper, as Fyodor describes it). Fyodor describes Minkowski Space as part of his skills, a concept that I can't quite figure out how to explain so I recommend you give it a bit of research tbh). And Fyodor uses that to essentially kill the ability users that stand in his path and intimidate Atsushi into leading him to the book. It's also important to note that Fyodor, due to the seal marked on his hand from the Holy Sword, has seemingly complete control over the actions and abilities of Gozen. It is interesting to combine these concepts of Gozen's character with the general ruthlessness of his actions because it to me acts as a visualisation of the wrath of God.

Religious connotations and the wrath of God

Fyodor as a character has always been associated with religious imagery from his introduction. I don't know what specific sect of religion he's usually associated with, but for the sake of this post I'll talk about Gozen and his links to Christian imagery (since Christianity is the religion i'm most familiar with).

[My understanding is also quite limited so please don't take what i say is complete fact in case i'm completely wrong 😭]

Gozen as a higher-dimensional being to me brings associations with the concept of God and his omnipotent power. God is often said to know all, see all and have immense power (enough to create, for example, worldwide flooding). Gozen also exhibits similar concept:

- when he faces kunikida he is aware of his previous injuries (his hands being destroyed by the explosion in escape from the Hunting Dogs), despite not having been known to exist until much later.

- Gozen uses huge blades to chop down any buildings in a large area around the airport, showing he has power on a huge scale.

- Since he can present in multiple places at the same time (by manifesting past and present versions of himself at the same time) he can perceive through time.

Now, Gozen is not specifically like the Christian God. The christian God is said to have created the world we know and have complete control over it. Gozen doesn't show any evidence of this. Gozen seems more similar to a God present in a religion with multiple Gods that are worshipped by different people for different purposes. I seem to bring this towards the Christian God because often I know more about it (Christian primary school core) and see many depictions of the Christian God as one who is surprisingly ruthless - weather it be in stories surrounding Adam and Eve or The Great Flood for example. It's the inherent horror associated with this wrath (great anger and/or a desire to punish) that I bring to attention.

It is the inherently horror of being punished by someone of a higher existence and power that I focus on. I can see how Fyodor summoning Gozen to rid of his enemies here and his plan to unite humanity via the removal of the 'curse' of ability users can feel similar to the concept of Judgement day, where God is to come down and judge humanity for their actions and send them either to heaven or to hell. Fyodor however is more about force and violence in his methods, suggesting that he has perhaps invoked the more violent aspects of Gozen's wrath.

And there's a huge element of horror in fighting against a being who exceeds you in every single aspect and is at a completely inconceivable level and has so far basically killed anyone it has come in contact with before you but yet it decides to spare you and intimidate you instead because you serve, in its opinion, a greater purpose. Because that's what Atsushi is facing. Gozen is drawn in such an intimidating way at many points when facing atsushi too - I'm adding some because I think his design is so interesting too (might make a separate post on that because this is getting long).

Essentially, Gozen is terrifying because he is above and beyond everything any of these characters have ever known and possibly will ever know. He is a godly being who is ruthless in his directed pursuits and operates with such an intimidating air because of his inherent power and higher-dimensional existence. He is terrifying because he is so inconceivable and invincible in the eyes of the characters in universe, and to them Fyodor has essentially invoked the wrath of a God upon them for the 'crime' of being ability users that dare oppose him.

[This post started to fall apart towards the end because I only have a limited understanding of God's presentation in Christianity but I wanted an excuse to talk about how interesting and terrifying Gozen is as a character concept... I kind of love him as an antagonist despite him being so overpowered.Sorry that this became a bit of a mess towards the end but feel free to add anything to this idea - whether corrections or new ideas!]

i do think. maybe.. hm. i think we can talk about atsushi's hallucinations without making fun of him. i think if your comments about this chapter are poking fun at atsushi for having hallucinations at all, you should maybe take a step back and remember that there are real people in the real world who experience hallucinations and it's not something to laugh at or make fun of 👍

The implication of Vegapunk's mentioning of history getting rid of the rare races

within the larger context of both the rest of his speech as well as what we've seen of these rare races seems to be that they are being hunted down not because of any perceived strength but because of connections to the void century.

I think it's more obvious with Pudding, as the three-eyed race are capable of reading poneglyphs. There is a clear through line present as to why the World Government would view it as necessary to kill off the three-eyed tribe. They could easily uncover and spread the history that the government is trying so desperately to keep in the past.

With King, I'm not sure what connection the Lunarians could have to the void century, but I am fairly certain that they have to have one. If the World Government only wanted them for their strength, they would not be trying to eradicate them, and instead be trying to either enslave them or otherwise use them. But thinking back to Wano, and Kaido and Kings Backstory, it is fairly clear that the government had every intention of killing King after they finished experimenting on him, making his strength a secondary and a convenient thing that could be toyed with before killing him (experiments that are most likely linked to the creation of the Seraphim). Why not just recruit Lunarians to the Marines like they did with the giants, another race known for their strength? Unless they also have a connection to the void century that would make their existence far more problematic for the World Government. Perhaps the Lunarians were large players in the 100 year war, much like how those with the will of D were implied to be. Or maybe it's because they were said to once be the residence on top of the Red Line before it was overtaken by the Celestial Dragons.

I honestly don't think we have enough info to go off of yet to properly make predictions, but I do believe that King, Pudding and the like are going to become very important moving forward.

For some reason, I find this scene really cute. It’s right after Usopp absolutely decks Klahadore (Captain Kuro) for running his mouth about Yasopp and even questioning if he’s really Usopp’s dad. Usopp storms off, feeling like crap, sitting at the cliff overlooking the shore, tossing rocks into the water—when suddenly, Luffy pops up right in his space and goes, “Here you are!” because he’d been looking for him. Not just to find him, but because he knew Usopp needed validation. He knew Usopp was Yasopp’s son, and more importantly, he knew Usopp was his. Luffy could tell Usopp felt like sh*t, and in the most Luffy way possible, he sought him out—not with a big speech, not with some grand gesture, but just by showing up. Because sometimes, that’s all you need.

People love to downplay Usopp and act like he’s not one of Luffy’s closest friends, but moments like this prove otherwise. His arc really highlights just how selfless Luffy is when it comes to the people he truly cares about. In this scene, Usopp was already his, and Luffy had already claimed him—Usopp just hadn’t caught on yet. Luffy had basically said, "You're my friend. I like you. And I'm gonna help you." And Usopp, completely oblivious, just screams at Luffy for scaring him.

Honestly, isn’t that the sweetest thing? That’s why, when they argue and clash, it just hits different. Because they love each other—sometimes a little too much, to the point where they don’t always know how to give each other what they need. But that’s what makes them them.

People say Zoro and Luffy are in sync, that they’re soulmates in battle, but Usopp is the one who can hurt Luffy the most—yet also lift him up in ways no one else can. Yeah, Luffy’s the captain, and he’s supposed to be mature and responsible, but Usopp is the one who reminds him that he’s still just a 19-year-old. That sometimes, things aren’t that deep. But other times, they are, and Luffy needs someone to tell him that.

Usopp is the one who looks at the insanity of the Grand Line and says, “This sh*t isn’t normal.” And I think that’s what truly makes him Luffy’s in a way no one else is. Even if he can’t support him like his wings in battle, Usopp is the one who, in a moment like Marineford, could have told him, “What happened to you wasn’t normal. And you don’t have to pretend it is.

That’s why Usopp is his.

older sibling bonding

getting to know you under different circumstances