in decent quality too!
first list, second list
aggregate letterboxd list, archive list of all the films
perfect blue (1997) dir. satoshi kon
carol (2015) dir. todd haynes
the elephant man (1980) dir. david lynch
a girl walks home alone at night (2014) dir. ana lily amirpour
d.e.b.s. (2004) dir. angela robinson
nausicaa of the valley of the wind (1984) dir. hayao miyazaki
killer klowns from outer space (1988) dir. stephen chiodo
mommy (2014) dir. xavier dolan
jennifer's body (2009) dir. karyn kusama
suspiria (1977) dir. dario argento
battleship potemkin (1925) dir. sergei eisenstein
his girl friday (1940) dir. howard hawks
cube (1997) dir. vincenzo natali
nightcrawler (2014) dir. dan gilroy
black orpheus (1959) dir. marcel camus
chunking express (1994) dir. wong kar wai
meeting people is easy: a film about radiohead (2001) dir. grant gee
the grapes of wrath (1940) dir. john ford
the black cat (1941) dir. albert s rogell
the tin star (1957) dir. anthony mann
Andrei Rublev (1966), dir. Andrei Tarkovsky
Penis Saudade would go crazy
I fully understand why "character A is astounded at the sight of character B's penis" is a specific kink that gets tagged for, but the fact that some platforms choose to tag this kink as "penis awe" is unintentionally very funny. Now I'm picturing penis experience kink tags for all those other allegedly transcendent emotions in the glossary of your Philosophy 101 textbook. Penis faith. Penis Weltschmerz. Penis apprehension of the absurd.
God Speed (1900)
— by Edmund Leighton
In Sweden, there is a fascinating statue of a woman named Danuta Danielsson who became a hero in 1985 when she used her purse to clobber a white Nazi supremacist while he marched in a right-wing rally.
What makes her statue unique among hero statues is that it captures her performing the heroic act of swinging her purse. It’s entirely an action-shot, a big departure from the universal practice of constructing hero statues intended to portray individuals as heroes.
Danielsson’s statue isn’t about her as a person; it’s about her one specific act of courage that day. Her mother had survived a concentration camp during World War II. Danielsson knew the horrors of the Nazi menace and took action on that April day in Sweden.
Thanks mate
The preservation of transgender history is essential to ensuring that the stories and experiences of trans people are not forgotten. The Digital Transgender Archive (DTA) has taken on the vital task of gathering and protecting this history, bringing together documents, images, and materials that reflect the rich and diverse experiences of transgender people across time and place.
By making these resources accessible, the DTA facilitates explorations of the often-hidden or erased narratives of trans communities. From personal stories to institutional records, these materials provide a window into the challenges and triumphs faced by trans individuals, while also celebrating the resilience and diversity of these communities.
Preserving this history is also about ensuring that future generations can learn, understand, and be inspired by the stories of those who came before them.
Explore more about how these efforts are safeguarding trans history, and why it matters, on JSTOR Daily.
Image: A man in drag and a man in male clothes looking into each other’s eyes, via Digital Transgender Archive.