Day Twenty-five
Day Twenty-five
of @the-wip-project‘s #100daysofwriting challenge
Q25: What have you learned recently, about yourself, about your writing, about your story?
A25: I’ve learnt all kinds of things recently, part of it during this challenge the most important ones to me are:
It’s difficult for me to “find time” aka force myself into a chair and actually write. Part of this issue is because I do have little time with a young family, a full time job and elders whom I support. But ... more and more I am concerned that I am not writing because when I finish this current wip I will have to say goodbye to the wip’s world and characters and I’m not ready to give up that part of my brain.
I have no shortage of creative ideas. I have difficulty putting them into a cohesive plot.
I tend to rework my plot every few months. I try very hard to stick to one but ... then ideas that are better occur to me.
More Posts from Thequeerish and Others
Day Thirty-six
of @the-wip-project‘s challenge
Q36: The relationships you write, what kind of power-dynamics do they tend to have?
A36: In a romantic pairing, one character is 100% smitten and the other is not. (Unfortunately, I experienced this quite a bit before I met someone who was equally into me as I am in them. I guess this trope is a bit of a loose tooth for me that I like to wiggle from time to time.) By the end of the story, though, this pairing is over.
Source
“Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become.
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy.
“It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities,” Rossetti told Mic via email. “It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be.”
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet.
“I see those situations I portray every day,” she wrote. “I lived some of them myself.”
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!“ or ”Mujeres en español!“ which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
“I can’t change the world by myself,” Rossetti said. “But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another.””
From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
Resources for Artists!
Can't afford art school?
After seeing post like this 👇
And this gem 👇
As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.
Here is the first one ART TEACHERS! There are plenty online and in places like youtube.
📺Here is my list:
Proko (Free)
Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard)
Aaron Rutten (free)
BoroCG (free)
Jesse J. Jones (free, talks about animating)
Jesus Conde (free)
Mohammed Agbadi (free, he gives some advice in some videos and talks about art)
Ross Draws (free, he does have other classes for a good price)
SamDoesArts (free, gives good advice and critiques)
Drawfee Show (free, they do give some good advice and great inspiration)
The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney)
Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)
Second part BOOKS, I have collected some books that have helped me and might help others.
📚Here is my list:
The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.
"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.
"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.
"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.
"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.
"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.
"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.
"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.
"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.
Etherington Brothers, they make books and have a free blog with art tips.
As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. For digital art, I recommend not starting with a screen art drawing tablet as they are more expensive.
For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.
💻As for art programs here is a list of Free to pay.
Clip Studio paint ( you can choose to pay once or sub and get updates)
Procreate ( pay once for $9.99)
Blender (for 3D modules/sculpting, ect Free)
PaintTool SAI (pay but has a 31 day free trail)
Krita (Free)
mypaint (free)
FireAlpaca (free)
Libresprite (free, for pixel art)
Those are the ones I can recall.
So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.
I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.
Hope this was helpful and have a great day.
Another good question from @the-wip-project on day 10 of this challenge.
1) how does a character react when a friend claims that their pet passion project actually belongs to the company they work for because it was created during company time?
2) what if the tower on an island in the river by my house became the only above water structure in this area by the end of the century?
A belated series of answers to @the-wip-project’s questions…
Day 16:
Q. Do you have prophecies and superstitions as part of the worldbuilding in your WIP? Could you add some?
A. Not in any of my current wips. I could see how that adding the above would be feasible in one of them.
Day 17 & 20 involve homework. I will answer those ASAP.
Day 18:
Q. What ideas came to you recently from daydreaming?
A. Something that is nsfw
Day 19:
Q. How do you decide which WIP to work on?
A. Right now, I’m forcing myself to work on one wip. Ideas for other wips are written in an “ideas” notebook I have. I have difficulty focusing at one thing at a time in general.
Day 21:
Q. What’s a trope you haven’t used yet but want to use one day?
A. Good question! Enemies to lovers.
Day 22:
Q. Tell us about a scene you’re most looking forward to writing in your current project?
A. The science explanation scene that happens in the middle of a dramatic twist.
so unrelated but have you guys heard about what's going on in the uk? our main gas company has been breaking into homes of single mothers, the disabled and other such vunerable groups and replacing our gas meters with smart meters while we're not home through a legal loophole. so. lol
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