Please Share & Donate To Zinh!

put down the chat gpt. consume too much caffeine and nicotine and write a paper that you barely understand while you approach hallucination territory from too little sleep and too much raging. engage with academia in the way god intended

‎‏I am Dima from Gaza. I am 30 years old. I stand before you as a person trying to support my family of 3 members, me, my husband, and my young daughter. We are living in very difficult circumstances after the occupation launched the war on Gaza. We were displaced from our home and live in a tent that does not protect us from the cold of winter or the heat of summer. We live in extreme poverty due to the circumstances and there is no income. We are no longer able to provide the necessary supplies of food, drink and others due to the insane rise in prices. Thus, my source of livelihood was destroyed and we live in very difficult conditions in tents. It is difficult for me to find the words to describe what we face every day in the tents without food, medicine, or drinking clean water, along with the oppression, helplessness, psychological pressures, and daily traumas that everything causes. Around us and unable to care for our families, the fear of danger, disease and death never leaves us

Now, I find myself in this difficult situation, and I humbly ask for your help to save the lives of my family, especially my little girl, by getting us out of Gaza to Egypt and building a new life outside Gaza or helping us get money to buy the necessities we might be able to afford. Asking for help is not easy, but we had no choice because we want to survive and strive to rebuild our shattered lives. We are very grateful for any help you can offer, no matter how small, because your help will go a long way in alleviating our suffering. I hope you will share my story with your family and friends.

sometimes you need dialogue tags and don't want to use the same four

“Have you…ever been in love?” 

Steve blinked. That…wasn’t what he was expecting. Still, there’s only one definitive answer. 

“Yep,” he answers, popping the ‘p’. “Nancy Wheeler. First semester, senior year.” His mimicked gunshot doesn’t even cover how that felt, but he does it anyway. 

“Oh my god,” he hears from the other side, “She’s such a priss.”

Nancy Wheeler is a lot of things; priss, she is not. And maybe she doesn’t need him to defend her, but, still, he hums, “Turns out, not really.” 

Robin scoffs as if that’s unbelievable, and maybe it could be. Then, she asks, “Are you still in love with Nancy?”

No, is the first thought in his mind. And, well, it’s strange to think his answer would’ve been different at the beginning of the year, as much as he’d told himself he’d moved on back then. But, the months in between have just made him realize that how he feels for her has changed a lot since October. He loves her, of course he does, and he’ll never really get over her. But, he doesn’t think he’ll ever love her like he did again.

So, after a moment, he says, “No.”

Then, of course, she asks the question he’s been avoiding thinking about: “Why not?” 

There’s a lot of answers to that question, but Steve…well, he knows the one that’s most responsible, even if it’s been thrown to the back of his mind. He’s never really brought it to the light of day before—if bathroom lights could be called that. But there’s just something about this moment, sitting with Robin on a probably disgusting bathroom floor with his mind still kinda floating, that makes him feel like it’s safe here. They just went through hell—there wasn’t a better time, right?

“I think,” he starts, “it’s because I found someone who’s a little better for me.” He huffs a laugh, “It’s funny, you know? Ever since Dustin got home, he’s been saying, like, you gotta find your Suzie, you gotta find your Suzie.” 

“Wait, who’s Suzie?”

“It’s some girl from camp, I guess his girlfriend. To be honest with you, I'm not 100% sure she's even real.” Steve shakes his head and kinda wishes he’d thought up a better analogy. “But that’s not really the point. Uh, the point is…I think I already found my Suzie. You know—this person is someone I didn’t even talk to in school, and I don’t know why. Maybe Tommy H. would’ve made fun of me, or I wouldn’t be…prom king. It’s stupid.” He sighs. “I mean, Dustin’s right, it’s all a bunch of bullshit anyways. I should’ve been hanging out with this person the whole time. I wish I did. I mean, they’re so cool and hilarious—I feel like, the past few months, I’ve laughed harder than I have in a long time. And they’re smart, and a dork, but so passionate—you know, they can talk on and on about so many things, it’s amazing.” Captivating, really, but the second it takes to reminisce about those moments are enough to make him realize he’s been rambling for like, minutes, and he’s gotta stop at some point. So, “They’re honestly unlike anyone I’ve ever even met before.”

Steve smiles to himself for a second, his head still feeling a little flighty—but the silence keeps dragging on beyond that. The smile falls a bit, and Steve really hopes he was careful enough with his words. He really hopes he can trust Robin if he wasn’t. 

“Robin?” Steve taps on the stall wall between them, the sound echoing through the bathroom. When the silence just gets heavier, it’s with genuine concern that he asks, “Robin, did just OD in there?” 

“No.” He breathes a sigh of relief, then hears it echoed, though weighted, from the other side. “I…am still alive.” 

Still, there’s something so heavy in her tone, and a visual confirmation that she is alive becomes essential for him. So, shuffling over to grip the wall between them, Steve slides underneath the stall and lands a little to the left of where she sits, alive and breathing. She smiles a bit.

“The floor’s disgusting.” He huffs and glances down at the sailor uniform that has (probably) seen better. “Yeah, well. I already got a bunch of blood and puke on my shirt, so…” 

She breathes a bit of a laugh, and, at the very least, some of the heaviness is gone. Alive and breathing. 

“What do you think?” he asks her, almost intentionally vague. 

“About?”

“Am I in love with Nancy Wheeler?” 

“No,” she grants. Then, very decidedly, “But, I think you’re on drugs and not thinking clearly.” 

And the look she gives him feels too significant, too weighted, and he really, really hopes he was careful because the possibility he wasn’t is starting to loom over him. He can’t argue that his mind was in stellar shape a few minutes ago, and everything she’s done since then is just working to form a pit of dread in his stomach. It feels like wishful thinking to consider that nothing she’s said has been outwardly accusing, but it’s still there.  

Why did he have to say so much? 

No, no, right. The drugs. Robin may be right, he probably wasn’t thinking clearly. And, damn it, this may not be entirely his fault but he does not want the repercussions for it. 

“Well, I think I’m thinking pretty clearly now.” Wishful thinking, it is. 

“You’re not.” Somehow, her expression feels like an echo of his own worries. “Steve,” she starts, and the dread gets worse, “you’re not thinking clearly about this. Look, you don’t even know this person—” Wait, what? “and if you did know them, like, really know them—I don’t think you’d even want to be their friend.” 

Steve blinks. That—That’s what she was talking about? How did she even know who he was talking about? He shakes his head, honestly baffled. “Wait, what? That’s not true.” 

She speaks again before he could ask what about everything he said was so revealing, “Listen to me, Steve. It’s shocked me to my core, but I like you—” Harsh. “I really like you. But I’m not like your other friends. And I’m not like Nancy Wheeler.” 

Well, Steve thought he was thinking clearly, but he is lost. Somehow, this conversation has escaped him within the span of two seconds, and the moment feels wrong to ask how they got here. But, if he’s going to take any guess at her meaning, he much prefers thinking she’s…supportive, maybe. Indifferent, even. So, he doesn’t think of the ball of dread winding through his chest, and he tries to follow what Robin may be saying. “Robin, that’s exactly why I like you.” 

And that is the truth, really. He’s never had a friend like her, if they could be considered friends. This summer has carved a small space for her in Steve’s heart, and the past few days have done numbers on expanding that space. She’s funny and smart and definitely not like Nancy Wheeler, wherever that came from. And he really doesn’t want to lose her, not right now. If they get out of this, he wants to be her friend. He wants to know her better than ice cream shifts can tell him. 

Robin scoffs lightly as if that’s not what she needed to believe him. “Do you remember what I said about Click’s class? About me being jealous and, like, obsessed?”

“Yeah?” He nods slightly. 

“It isn’t because I had a crush on you,” she says, slowly, as if a plea to make him understand. He doesn’t. “It’s because…” she continues, hesitant in her words, and he desperately wants to know how to make this better because his heart breaks for the expression she has. Then, quickly, like ripping off a bandaid, “...she wouldn’t stop staring at you.” 

He blinks. “Mrs. Click?” 

A breath of a laugh at that, but her eyes plant themselves on the wall. She clarifies, almost resigned, “Tammy Thompson. I wanted her to look at me. But…she couldn’t pull her eyes away from you and your stupid hair.” She looks back at him, with watery eyes. “And I didn’t understand because you would get bagel crumbs all over the floor and you would ask dumb questions and you were a douchebag!” She shakes her head lightly and he really is trying to understand. “And…And you didn’t even like her, and I would go home and just…scream into my pillow.”

Steve stares for a second, trying to will his brain back into place, his thoughts to something clear, because something is being said here, something important and—

The puzzle pieces click together.

Oh. 

Oh!

“Holy shit.” 

“Holy shit,” she echoes.

Unwillingly, Steve laughs. A bark of laughter just bursting out of him because, jesus-–this entire situation is so botched. But her face falls and he immediately stops in a wave of guilt and throws himself at reassuring her. “No, no, that’s not what I meant! I didn’t mean to do that.” 

Robin looks away again, shrugs. “It’s fine.”

No, that won’t do. Steve shakes his head, vehemently, and taps her hand. “No, Robin, seriously—there’s been a huge misunderstanding here. I don’t have a crush on you.”

That makes her look back at him, eyebrows furrowed “What?”

“I think you’re awesome, Robin, and super cool and smart. I really want to be friends with you, seriously. But I wasn’t talking about you.” And Steve could stop there, but she just revealed…herself to him and he owes it to her to do the same. He knows how terrifying that is. “I was— Jesus.” He laughs again, brushes a hand down his face. And, still, knowing about her doesn’t make it any less terrifying to say it out loud. “I was talking about, um,” Like a bandaid, right? “...Eddie Munson.”

Her eyebrows seem to go to her hairline, but he celebrates the light that’s back in her eyes. “What.”

“Yeah, we uh—” There’s warmth in his cheeks. This is the first time he’s saying any of this out loud. “I don’t know how it happened, but we ran into each other one day and just started talking and…like, hit it off, super surprisingly. It’s crazy, he wasn’t even on my radar back then and now he’s—” Steve cuts himself off before he can start rambling again, rubs the back of his neck. “I really like him. I was talking about him.”

Robin grins. “Holy shit.” She shakes her head, repeats, “Holy. Shit,” enunciating, as if for good measure. He matches her grin.

“I had no idea what you were talking about.” He explains, “I mean, maybe I don’t really know Eddie, but how do you know that? And then you started talking about Mrs. Click’s…” he mimics an explosion in his head. “I thought the drugs completely fried my brain.” 

She laughs, finally, her head falling back onto the wall, and he can’t help but follow her lead. It’s a good few moments before they stop, Robin suddenly sobering to hold a hand, saying “Wait, wait, Eddie Munson? You’re hanging out with drug dealer, total nerd, band dweeb Eddie Munson?” 

“Hey, hey, I didn’t say you could criticize my taste, Miss Tammy Thompson.” 

She scoffs, sounding just a bit offended, “What’s wrong with Tammy?”

“I mean, she’s cute and all but she’s a total dud.” 

“She is not!”

. . .

fat bodies tutorial!

ALRIGHT SO my pal @kalreyno wanted help with drawing fat characters and as a fat artist i felt like i could give a bit of helpful insight on that. there’s also been a lot of complaining about “boo hoo fat characters are hard to draw so i can’t include them in my work Ever” goin on lately so if that’s your case then this is for you too!! and also just for anyone who would like help with fat bodies in general, ofc. anyway, let’s get this show on the road!!

let’s start with some common misconceptions. these are the two main attempts at chubby bodies i run into, so i’ll focus on them. 

the Anime Chubby i see everywhere, and it’s just……so wrong in many ways. first of all, there is almost no additional body fat compared to your average thin character - except for where it’s added in “attractive” places (breasts, hips, thighs). the breasts are way too perky, and don’t have the realistic shape fat would give them (though how to draw accurate breasts is another tutorial all on its own lmao). there is still a thigh gap, which usually only happens in very thin people, and bones are still visible on the surface of the skin, which also rarely happens in fat people.

the Michelin Man is better in some ways, but still not that great. it’s a slightly better attempt, but basically all that’s done there is taking a thin character and blowing them up, while giving no thought to fat distribution. the thigh gap is usually still present, and they look a lot more hard than soft - and fat is very soft and pliable.

here’s a chart on how fat usually distributes (if you can’t read my messy writing, “1. next to no fat, 2. moderate amount, 3. most of the fat distribution”). basically, the more muscle an area has, the more prone it is to develop fat, such as the abdomen, thighs, and upper arms. it’s important to note that fat sits on top of muscle, and that it does distribute in different levels, and not evenly across the body as shown in the Michelin Man. 

now, here’s an accurate fat body with all of that kept in mind!! notice how the fat isn’t only kept to aesthetically pleasing areas, and how it sits realistically on the character’s body. their breasts sag a lot more, which happens even in thin people with larger breasts, and the nipples are pointing more downwards than straight out. there is no thigh gap in sight, there are no bones in sight, and most importantly, they have fat rolls, which are very important in drawing a convincing fat character!! as far as i know i’ve never met a single person with no rolls at all, and everyone has them, whether thin or fat - they’re just more prominent and more consistently present in fat people. pay close attention to where they are and how they’re shaped.

here are a couple of drawings showing how fat is affected when sitting vs stretching. as seen in the first, the fat specifically on the stomach is distributed a lot more evenly and stretched out, so it becomes “flatter”. the love handles are still pretty visible, though, as well as the fat on the thighs and arms. the breasts are raised with the shoulders, and the fat on the shoulders and near the neck forms rolls as it’s being pushed together. 

in the second, there is a lot less room for distribution, so the fat is all pushed together. the breasts sag and the stomach forms rolls and spills into the lap. a good analogy for the way fat works is to liken it to a water balloon, and thinking of how its shape would change when resting flat on a surface, hanging off of a ledge, held upright, etc.

here are a few extra tips i find a lot of people miss!

first on the top is the hip/pubic region. the first circle is showing the way the bellybutton is folded in fat people, as opposed to stretched out in thinner people. the second is the stomach fat spilling over onto the pubic region and creating a separation in the two areas, which is something that’s missing in a lot of art. in addition, the pubic mound also gains fat, making it round as seen in the profile drawing i did up there (i’ve heard people refer to it as fupa?). the last in the hip region is the lack of a thigh gap. i can’t stress this enough!!!! if you’re trying to draw a convincing fat character, make sure their thighs are pretty much always touching!! for reference, mine literally don’t separate until my feet are about 2ft from each other.

the bottom right is showing the double chin, which a lot of people are afraid to draw!! fat does distribute itself here too, and there’s nothing wrong with it, so don’t feel like you shouldn’t give fat characters a double chin in your work for fear of it looking like a caricature.

in the bottom middle, it’s showing how fat affects different types of breasts with the presence of more or less breast tissue. 

lastly, at the very right are stretch marks with their usual locations and directions, which i also can’t stress enough!!!!! i sometimes forget to add them honestly, but they’re so important in accurately portraying fat characters, as they literally come from the skin being stretched from fat being gained (and they’re also just rlly neat lookin like why wouldn’t you lmao). some people have less and some people have more, feel free to experiment with them!

the last thing is body types!! there isn’t one single way for a person to be fat, so feel free to experiment with shapes once you’ve learned the basics!! 

so there you have it, a tutorial on how to draw chubs!! now go forth and make some accurate fanart or some rad fat characters, because the world could always use more of both. hmu if you have any questions or concerns, and thanks for reading!!

EDIT: someone pointed out the bad wording in the tutorial. thank you for bringing it to my attention and sorry for offending anybody. i’ve updated the tut, so please reblog this one!

Okay guys, I'm just gonna say it. Jonathan Byers deserved to have his camera destroyed by Steve in S1. It's taken me nearly 10 years to have the courage to fully say it but there it is. If you knowingly take pervy pictures of a woman undressing from outside her window you deserve to have the girl or her boyfriend break your damn camera.

i love reader. idc if she’s a bimbo or a crybaby or a little unhinged. good for her tbh. i love her in all shapes and forms. she is barbie. she is a doctor and a student and a barista and she can take five dicks at the same time. what a beautiful world we live in.

❣️ "Shipping" characters means that you are interested in the idea of what it would be like if characters were involved in a romantic or sexual relationship with each other.

❣️ Shipping something does not mean that you think that the relationship would be the most ideal, desirable, healthy or moral relationship for the characters to be in.

❣️ Shipping something does not mean that you think it should be canon.

❣️ Shipping something does not mean you think it would be good, healthy or desirable in real life.

❣️ Shipping something just means that you think that it's interesting to think about, look at art of, read fiction about, write fiction about, or create art about.

❣️Shipping something means you think it is interesting in some way, not that you think it is morally good or desirable.