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Voy a Dormir...

Último poema de Alfonsina Storni.

Era primavera en Mar del Plata, lo que quiere decir podría estar lloviendo o haciendo una agradable temperatura, quién sabe, o quizás ambas cosas a la vez, lo cual tampoco es extraño. Una mujer de pelo corto camina decidida hacia la Playa de la Perla, donde un embravecido Océano Atlántico rompe con fuerza. Aquí las versiones se confunden: hay quien dice que se interna lentamente en el agua hasta que desaparece en la marea y hay quien prefiere contar que se lanza desde una escollera y su cuerpo se pierde entre las olas. Todos coinciden en algo: ha fallecido Alfonsina Storni a los 46 años de edad. Estamos en la madrugada del 25 de octubre de 1938.

Esa misma noche, Storni había enviado tres cartas: una para su hijo Alejandro, otra para su amigo Gálvez, a quien pedía que cuidara de su familia, y una última con su poema de despedida “Voy a dormir”, dirigida al diario La Nación.

Artículo (fragmento): Raúl Molina. Fotografía: diario La Nación.

"Espero que seas feliz en los parques que nunca nos vieron juntos, espero que seas feliz celebrando los aniversarios en la ciudad de tus sueños, espero que se apiaden de ti las noches en las que, por azar de las circunstancias, recuerdes que hubo alguien que intentó enamorarte con palabras porque eso era lo único bueno que podía ofrecerte. Pero, sobre todo y, llegado el momento, espero que me olvides y nunca más confundas mi nombre con angustia, nunca más te culpes ni te odies, que para entonces también habré aprendido a no esperarte y a descansar en la ignorancia, que tan feliz dicen que puede hacernos."

— Para siempre (fragmento) | Heber Snc Nur

@tormentadepensamientos

Esgrima

Thomas Moore before and after he was forced to attend the Regina Indian Residential School in Saskatchewan, Canada in 1874. His hair was cut, his clothes were changed and he was forbidden from speaking his native language. Thomas was stripped of his indigenous identity along with thousands of other children stolen from reservations and forced to attend these schools.

Angels Ministering to Christ, 1820, William Blake

Medium: pen,wash,ink,watercolor,paper

https://www.wikiart.org/en/william-blake/angels-ministering-to-christ-1820

“Sean siempre capaces de sentir en lo más hondo cualquier injusticia cometida contra cualquiera y en cualquier lugar. Es la cualidad más linda de un revolucionario”

— Ernesto “Che” Guevara

TEATRI - TEATRO GRECO TAORMINA, ERACLEA MINOA, PALAZZOLO ACREIDE, SEGESTA, SIRACUSA, TEATRO MASSIMO PALERMO, TEATRO REGINA MARGHERITA CALTANISSETTA, TEATRO PIRANDELLO AGRIGENTO, TEATRO MASSIMO BELLINI A CATANIA, TEATRO VITTORIO EMANUELE MESSINA.

THEATER AND SICILY - 02 THEATER: EMOTIONAL SITE

The first theaters in Sicily were the Greek ones that built them in every city they founded. I love these theaters that have the sky on the roof and the sea in front of the spectators, where the spectators surround the actor and the word arrives everywhere with the same strength and beauty. The Arabs did not bring theaters but minstrels and poetry, the Normans with their deeds created the starting point for the puppet theater. The Arab minstrels soon became Storytellers and created a theater without actors where the music and the verses and the drawings of events described the story. Although the Pupi theater appears poor and primordial it was an important constant of Sicilian culture. The Pupari visited the villages and created a theater in every square reciting the history of the Paladins with rhymes and verses. In every big city there was a puppet theater that the priests did not criticize and where poor and rich attended as it spoke of love and honor, of duties and traitors, very strong elements in our culture.

Towards the end of 1700 began the first theaters of which you see some photos and that were frequented by the nobility and rich bourgeoisie. In reality there were others much more popular that were an evolution of the puppet theater. But these are not the only theaters in Sicily. I remember that the first time I went to the theater was when I was five years old to see a company that played a very funny farce but based on betrayals and loves, that I did not understand. The theater in which I was was very large, with the stars for the ceiling and all of us spectators around the stage. This theater was the square of the village where a truck had climbed with a small stage and the painted backdrops to offer a show for the patronal feast. That company of popular actors (in the sense that they came from the people, reciting texts for the people), remembered what had been the “Commedia dell'Arte” those small companies of actors who invaded Europe in 1500-1600 disclosing the art theatrical. Now there are poor companies with few means that do not always visit my old town to still recite the classics of popular theater; But I see that the young people of my village regularly act as actors, creating a stage in the square to play on.

And that’s what I wanted to tell you: a theater to play in Sicily is not just a building but a popular concept to find and listen, to participate, laugh and eventually think. And these places that create, sow and spread emotions in Sicily there are many because Sicily itself is an emotion.

TEATRO E SICILIA - 02 - IL TEATRO: IL LUOGO DELLE EMOZIONI

I primi teatri in Sicilia furono quelli greci che li costruirono in ogni città che fondarono. Io amo questi teatri che hanno per tetto il cielo e per fondale il mare, dove gli spettatori circondano l’attore e la parola arriva ovunque con la stessa forza e bellezza. Gli arabi non portarono teatri ma menestrelli e poesia, i Normanni con le loro gesta crearono il punto di partenza per il teatro dei Pupi. I menestrelli arabi diventarono presto cantastorie e crearono un teatro senza attori dove la musica ed i versi ed i disegni degli avvenimenti descrivevano la storia. Il teatro dei Pupi benché appaia povero e primordiale fu una costante importante della cultura siciliana. I Pupari visitavano i paesi e creavano un teatro in ogni piazza recitando con rime e versi la storia dei Paladini. In ogni grande città vi era un teatro dei pupi che i preti non criticavano e poveri e ricchi frequentavano in quanto parlava di amore ed onore, di doveri e traditori, elementi molto forti nella nostra cultura. 

Verso la fine del 1700 incominciarono a nascere i primi teatri di cui vedi alcune foto e che erano frequentati dalla nobiltà e ricca borghesia. In realtà ve ne erano altri molto più popolari che erano una evoluzione del teatro dei pupi. Ma non sono solo questi i teatri in Sicilia. Io ricordo che la prima volta che andai a teatro fu quando avevo cinque anni per vedere una compagnia popolare che recitava una farsa molto divertente ma che basandosi su tradimenti e amori, io non capivo. Il teatro in cui ero era grandissimo, con le stelle per soffitto e tutti noi spettatori intorno al palcoscenico. Questo teatro era la piazza del paese dove era salito un camion con un piccolo palco e dei fondali pitturati per offrire uno spettacolo in occasione della festa patronale. Quella compagnia di attori popolari (nel senso che venivano dal popolo, recitando testi per il popolo), ricordava quello che era stata la “Commedia dell’Arte” quelle piccole compagnie di attori che invasero l’Europa nel 1500-1600 divulgando l’arte teatrale. Ora vi sono compagnie povere e con pochi mezzi che non sempre visitano il mio vecchio paese per recitare ancora i classici del teatro popolare; io però vedo che regolarmente sono i giovani del paese a farsi attori, a creare un palco nella piazza su cui recitare. 

Ed è questo che volevo dirti: un Teatro per recitare in Sicilia non è solo un edificio ma è una concezione popolare per ritrovarsi ed ascoltare, per partecipare, ridere e alla fine pensare. E questi luoghi che creano, seminano e diffondono emozioni in Sicilia ve ne sono tantissimi perché la Sicilia stessa, è un emozione.

Background art from various “Scooby-Doo Where Are You!” episodes.

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I just can't think of anyone who reads as beautifully [and accurately] as you. I'm just so amazed cause after I binged your older pick a card readings, there were 4 readings that always had the same 2 cards, but you read them differently each time! And you explained the meanings so beautifully too. I wonder if you're willing to share how you're so original and diverse in how you read the cards? Thank you so much, darling Diana! You are greatly loved and appreciated!

10 Ways to Read a 5-Card Tarot Spread

1) IMPRESSION

What does one glimpse tell you?

No one looks happy in this spread. The man in the Nine of Wands is worried. The heart in the Three of Swords is hurt. The guy in the Seven of Swords is cautious. The royal in the Four of Pentacles is tense. The boy in the Four of Cups is bored. So whatever the question is, the answer is not good.

2) PROGRESSION

Read the cards from left to right.

You are currently grieving (Five of Cups). But with the help of a feminine figure (Queen of Cups), passion will enter your life once more (Ace of Wands), and you will have something to celebrate (Three of Cups). Your broken heart will not be so broken anymore (Three of Swords reversed).

3) ARCANA

Observe which arcana dominates.

Four out of five belong to the Major Arcana. One Major and one Minor combine to create negativity (The Tower + Nine of Swords). But the three other Majors have beautiful energy. Three trumps two. And more importantly, Major trumps Minor. So whatever sadness there is right now will be replaced with “major” joy.

4) SUITS

See which suit is present and which is not.

Wands and Pentacles share prominence with two each. A Cups card is there too. There are no Swords, which represent our thoughts. Thus, this situation has a lot of passion (Wands) and stability (Pentacles), as well as a bit of emotion (Cups). Even better, there is no anxiety and overthinking (Swords) involved.

5) COLORS

Use color psychology.

This spread is dominated by blacks and grays. Even though the Five of Swords says “Keep fighting” and the last two cards are positive (Four of Swords + Three of Pentacles = harmonious relationships), there is a darkness and a dullness that surround this situation.

6) NUMBERS

Use numerology.

You have one zero, two Aces, and two Twos. Zero means a new start. This is reinforced by the Aces, which are equivalent to the number one – a symbol of beginnings. And number two represents partnerships. Therefore, a new partnership with a new person is predicted to come into your life.

7) SYMBOLS

Look at the symbols on the cards.

That is Apollo on his chariot (The Chariot), ruler of the Sun (The Sun), which in turn rules Leo, who is represented by Strength. Leo’s symbol, the lion, even appears in the last two cards – bottom right in the Wheel of Fortune, and on top in the Two of Cups. Obviously, a Leo will play a huge role in your life.

8) ASTROLOGY

Use the cards’ astrological associations.

The Emperor and the Queen of Wands both represent Aries. The Tower is Mars, ruler of Aries. The Hierophant and the King of Pentacles both represent Taurus. Therefore, this spread is speaking of a connection between an Aries and a Taurus, or just one person who is on the cusp of these signs.

9) DIRECTION

See where the cards are facing.

Four out of five are looking towards The Devil. The King of Cups, The World, The Hermit and The Fool are all observing him. So you are being warned against an abusive person or an oppressive situation. Or perhaps you are simply being told that your soulmate is a Capricorn, the sign associated with this card.

10) INTUITION

Listen to what your gut is telling you.

If you asked the cards if someone is in love with you, and you know a guy who always wears a red shirt, like the figures in the Eight of Cups, Justice, The Emperor and the Three of Wands, then it is probably him. Especially if his name is Michael, because that is Archangel Michael depicted in Temperance.