Ovid. Heroides : Manuscript, [ca. 1500] Illuminations By Christoforo Marjorana.

Ovid. Heroides : Manuscript, [ca. 1500] Illuminations By Christoforo Marjorana.
Ovid. Heroides : Manuscript, [ca. 1500] Illuminations By Christoforo Marjorana.

Ovid. Heroides : manuscript, [ca. 1500] Illuminations by Christoforo Marjorana.

MS Typ 8

Houghton Library, Harvard University

More Posts from Twiggietruth and Others

8 years ago
Michael Maier - Draco Caudam Suam Devorans (Dragon Devouring It’s Own Tail), “Atalanta Fugiens”,

Michael Maier - Draco Caudam Suam Devorans (Dragon devouring it’s own Tail), “Atalanta Fugiens”, 1618. The Ouroboros is an ancient symbol depicting a serpent or dragon eating its own tail. Originating in Ancient Egyptian iconography, the Ouroboros enters western tradition via Greek magical tradition and is adopted as a symbol in Gnosticism and Hermeticism, and most notably in alchemy. Via medieval alchemical tradition, the symbol enters Renaissance magic and modern symbolism, often taken to symbolize self-reflexivity, introspection, the eternal return or cyclicality, especially in the sense of something constantly re-creating itself. It also represents the infinite cycle of nature’s endless creation and destruction, life and death.

7 years ago
Happy Fat Tuesday!!! Making Pancakes Tonight? Here’s A Recipe From The 16th Century Which Includes

Happy Fat Tuesday!!! Making pancakes tonight? Here’s a recipe from the 16th century which includes “two or three spoonefuls of ale”: To make Pancakes Take new thicke Creame a pine, foure or five yolks of egs, a good handful of flower and two or three spoonefuls of ale, strain them together into a faire platter, and season it with a good handfull of sugar, a spooneful of synamon, and a little Ginger: then take a friing pan, and put in a litle peece of Butter, as big as yourthumbe, and when it is molten brown, cast it out of your pan, and with a ladle put to the further side of your pan some of your stuffe, and hold your pan …, so that your stuffe may run abroad over all the pan as thin as may be: then set it to the fire, and let the fyre be verie soft, and when the one side is baked, then turn the other, and bake them as dry as ye can without burning. (from a book entitled “The Good Huswifes Jewell”, courtesy of the British Library)

5 years ago
Locusta The Poisoner—Ancient Rome’s Deadliest Assassin,
Locusta The Poisoner—Ancient Rome’s Deadliest Assassin,

Locusta the Poisoner—Ancient Rome’s Deadliest Assassin,

Perhaps the most feared woman in the ancient world, Locusta was a first century AD assassin who offered her services to wealthy and powerful Roman patricians, politicians, and military leaders.  So infamous were her deeds that her career was detailed by Juvenal, Seutonius, Cassius Dio, and Tacitus.  Born in Gaul (modern day France) Locusta was raised by her mother to be an herbalist, a healer who specialized in using medicinal plants and herbs. However, her career abruptly changed when she moved to Rome in search for greater opportunities, she found that her skills could put to much more lucrative uses killing people rather than healing.  Rome was rife with political intrigue, and skilled assassins were in high demand.

Locusta intensely studied poisonous plants, becoming a “master poisoner” in short time.  She knew of scores of different poisons; poisons that could bring about a heart attack, poisons that could cause a stroke, poisons that affected the nervous system, even poisons that would make it seem like the victim had died of something completely natural, such as the flu or plague.  For several years, Locusta hired out her services to wealthy patrician families and powerful politicians, or whoever was the highest bidder. In 54 AD Locusta was approached by Agrippina, wife of Emperor Claudius, with perhaps the biggest and most important job of her career; to assassinate the Emperor himself.  Agrippina wanted her son from another marriage to be Emperor, and thus Claudius had to go.  On October 13th, Locusta infiltrated Claudius’ palace, distracting a guard by placing a laxative in his drink.  She then tainted a dish of mushrooms, Claudius’ favorite dish, with strychnine.  Claudius consumed the poisoned mushrooms.  A few hours later, he began suffering strong stomach cramps, then he began foaming at the mouth and convulsing. Agrippina appeared to attempt to force Claudius to vomit the poison by sticking a feather down his throat.  Of course, the feather was also poisoned by Locusta with a potent toxin.  Emperor Claudius died a short time later.

When Nero came to throne, he made Locusta his personal assassin.  Among another of her famous hits was the poisoning of his brother, Britannicus, whom he felt threatened his rule.  Between 55 and 68 AD, Locusta was responsible for removing a number of Nero’s rivals and enemies.  Of course, Nero was not a popular Emperor, and after the burning of Rome he was stripped of his titles and declared an enemy of the state by the senate.  After Nero’s suicide Rome fell into a chaotic civil war as Roman generals and warlords fought for control over the empire.  One of these generals, a short reigning Emperor named Galba, despised Locusta because of her former status as Nero’s chief assassin.  On January 15th, 69 AD, Locusta was dragged from her home into the streets of Rome, and was publicly executed.

8 years ago
NARRATOR:  In The Frozen Land Of Nador They Were Forced To Eat Robin’s Minstrels.  And There Was
NARRATOR:  In The Frozen Land Of Nador They Were Forced To Eat Robin’s Minstrels.  And There Was
NARRATOR:  In The Frozen Land Of Nador They Were Forced To Eat Robin’s Minstrels.  And There Was
NARRATOR:  In The Frozen Land Of Nador They Were Forced To Eat Robin’s Minstrels.  And There Was
NARRATOR:  In The Frozen Land Of Nador They Were Forced To Eat Robin’s Minstrels.  And There Was

NARRATOR:  In the frozen land of Nador they were forced to eat Robin’s minstrels.  And there was much rejoicing.   

ALL:  Yay!

Scene from Monty Python and the Holy Grail (1975), manuscript-influenced animation by Terry Gilliam. 

3 years ago
Andersen’s Fairy Tales, Arthur Rackham, 1932, Minneapolis Institute Of Art: Prints And Drawings

Andersen’s Fairy Tales, Arthur Rackham, 1932, Minneapolis Institute of Art: Prints and Drawings

binding: red fabric; gold-stamped lettering and designs; endpapers: cream wove with designs printed in yellow-orange ink; 288 pp. Size: 10 1/8 x 7 ¾ in. (25.72 x 19.69 cm) Medium: Reproductions of pen and ink drawings

https://collections.artsmia.org/art/80899/

3 years ago

björk : hunter (HD)

8 years ago
LORD RAYEL CULT THREATENS TO KIDNAP BLOGGERS SON
There are scarier things than death. Like… having someone hollow you out like a mannequin, taking your autonomy and mind and heart and values and beliefs and dignity and morals and even your person…

Tags
10 years ago
Circulation Of Life By Pathways #enlightenment #sacred #love

Circulation of life by pathways #enlightenment #sacred #love


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